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Showing 121–144 of 1283 results

Bacchus and Ariadne, Tintoretto, 1887

20,00 

Bacchus and Ariadne it is an engraving made by Tintoretto in 1887.
This woodcut on end grain is taken from the Italian illustration, published by the Treves Brothers of Milan.

  • Sheet size: mm. 170×145
  • Support: Paper
  • Condition: Good condition, with writing on the back

Bay, Pozzuoli, Christopher Weigel, 1719

120,00 

Bay, Pozzuoli It is an engraving made by Christopher Weigel In the 1719, which represents the famous town of Pozzuoli in Campania.
This work is an example of an original copper engraving, with beautiful colouring contemporary with the watercolour, which enhances the details.

  • Sheet size: cm. 37,5×28,5 approx.
  • Support: Laid paper with watermark
  • Condition: Good condition, with some stains on the front and back and a thin, almost invisible lesion at the bottom

Baia, Temple of Venus, 1834

20,00 

Baia, Temple of Venus it is a burin engraving made in 1834, which represents the famous Temple of Venus in Baia.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers.

  • Sheet size: mm. 117×90
  • Support: Light glued paper
  • Condition: Good state of preservation

Baia, Temple of Venus, Phlegraean Fields, 1835

20,00 

Baia, Tempio di Venere, Campi Flegrei è un’incisione realizzata nel 1835, che rappresenta un’importante testimonianza artistica dei Campi Flegrei.
Questa opera è stata realizzata da STRUTT e fa parte del volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 plus irregular margins
  • Engraving size: mm. 105×73 circa
  • Technique: Burin
  • Support: Medium paper
  • Condition: Good state of preservation

Whale, Dolphin, Fin Whale, 1890

30,00 

Balena, Delfino, Balenottero It is a lithograph made in 1890, taken from the publication Meyers Conversations Lexicon, a German encyclopedia published by the Bibliographischen Instituts.
Questa opera fa parte di una vasta serie di stampe antiche create per illustrare questa celebre enciclopedia, pubblicata in più edizioni a partire dalla seconda metà del XIX secolo.

  • Sheet size: cm. 29×23
  • Condition: Fair general condition, with light yellowing and central editorial fold
  • Support: Paper

Children Dancing, 1850

30,00 

Bambini che ballano it's a chromolithography made in 1850, che cattura la gioia e l’innocenza dell’infanzia attraverso una vivace rappresentazione di bambini intenti a ballare.
This work, of dimensions cm. 13×21, is printed on thick paper ed è stata incollata su un altro supporto cartaceo, rendendola un pezzo unico da collezione.

  • Era: 19th century
  • Technique: Chromolithography
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Bari, Castle, 1872

20,00 

Bari, Castle it's a small woodcut original made in 1872, representing the castle of Bari.
This work is taken from The Popular Illustration, published in Milan by the Treves Brothers.

  • Sheet size: mm. 90×70
  • Support: Light sheet
  • Condition: Good, with writing on the back partly visible

Bartolomeo Pinelli, Acquavitaro, 1810

40,00 

Acquavitaro It is an engraving made by Bartholomew Pinelli in 1810, executed with etching and coloured with watercolour.
This work is taken from the New Collection of fifty Picturesque Motifs and Costumes of Rome, published in Rome by Lorenzo Lazzari.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Technique: Burin
  • Condition: Good
  • Support: Paper

Bartolomeo Pinelli, Costumes of Tivoli, 1810

40,00 

Tivoli Costumes It is an engraving made by Bartholomew Pinelli in 1810.
This work is part of the New Collection of fifty Picturesque Motifs and Costumes of Rome, etched and colored with watercolors.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Technique: Etching
  • Condition: Good
  • Support: Paper

The work is signed lower left with “Pinelli inv e incise”.
Please note that the sheet has some color stains on the back and a small repair at the bottom left.

Bartolomeo Pinelli, Gioncataro, 1810

40,00 

Player It is an engraving made by Bartholomew Pinelli nel 1810, parte della sua New Collection of fifty Picturesque Motifs and Costumes of Rome.
This work is an example of etching, colorata all’acquerello, firmata in basso a sinistra con la dicitura ‘Pinelli inv e incise’.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Support: Paper
  • Condition: Good

Si segnala che il foglio presenta alcune macchie di colore al verso e risulta un po’ sciupato.

Bartolomeo Pinelli, The Callararo, 1810

40,00 

Il Callararo è un’incisione realizzata da Bartolomeo Pinelli nel 1810, che rappresenta un affascinante esempio della vita quotidiana a Roma.
This work is part of the New Collection of fifty Picturesque Motifs and Costumes of Rome, incisa all’acquaforte e colorata a mano con acquerello.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Technique: Etching
  • Support: Paper
  • Condition: Buone, con riparazione al verso e macchie di colore

Bartolomeo Pinelli, Washing machines, 1810

40,00 

Washing machines It is an engraving made by Bartholomew Pinelli in 1810, which represents a picturesque scene of the washing machines of Tivoli.
This work is taken from the New Collection of fifty Picturesque Motifs and Costumes of Rome, etched and colored with watercolors.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Support: Paper
  • Condition: Good

Bartolomeo Pinelli, The Sweeper, 1810

40,00 

Lo scoparo It is an engraving made by Bartholomew Pinelli nel 1810, parte della sua celebre serie New Collection of fifty Picturesque Motifs and Costumes of Rome.
This work is an example of etching colorata all’acquerello, firmata in basso a sinistra con la dicitura Pinelli inv e incise.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Support: Paper
  • Condition: Good

Bartolomeo Pinelli, Orlando Furioso, 1829

40,00 

Orlando Furious It is an engraving made by Bartholomew Pinelli in 1829, a work that reflects the artist's mastery in illustrating the great masterpieces of literature.
This engraving, made in etching on copper, features a full flap immersed in a murky wave, demonstrating his technical skill and distinctive style.

  • Sheet size: mm. 180×220 at the edge, plus margins
  • Support: Light paper
  • Condition: Good condition, with a small restored hole on the top left

Bartolomeo Pinelli, born in Rome in 1781, was an engraver, painter and ceramist of great importance, known for his vast artistic production which includes around four thousand engravings.
His works illustrate the customs of the Italian peoples and the masterpieces of literature, with a particular focus on Rome and its history.

Bartolozzi, Elements of Drawing, 1820

850,00 

Elements of Drawing It is a work by Francesco Bartolozzi, created around 1820.
This volume, published in Vienna by Artaria & Comp., is an important collection of drawing studies, containing a frontispiece and 25 copper-engraved plates.

  • Sheet size: mm 229×410
  • Condition: Good condition with fresh and clear plates
  • Support: Rustic cardboard
  • Rarity: Rare specimen, cited in Cicognara 293

Bassano, 1877

15,00 

Bassano, 1877 it's a woodblock print taken from the work Italy by J. Gourdault.
Questa suggestiva veduta presenta dimensioni di mm. 188×114, con margini quasi assenti.
La stampa è stata ritagliata dal libro e presenta scritte sul retro, aggiungendo un tocco di autenticità all’opera.

  • Sheet size: mm. 188×114
  • Support: Paper
  • Condition: Good

Battle of Custoza, 1866

20,00 

Battle of Custoza, 1866 It is a woodcut engraving taken from the edition of Picturesque Emporium, published by Sonzogno in Milan in 1866.
This work represents an important historical scene and measures cm. 15x24, with almost no margins. The paper is light and the print was cut from the book, presenting writings on the back, partially visible.
The full-page print is shipped, offering a unique piece for collectors and history buffs.

  • Sheet size: cm. 15×24 approx.
  • Support: Light paper
  • Condition: Good

Battle of Magenta, 1859

50,00 

Battle of Magenta, 1859 it is a woodcut that represents one of the crucial moments of the Italian wars.
This print, with a printed part measurement of cm. 50×34, is extracted from the volume Wars of Italy of 1859.

  • Sheet size: Small
  • Support: Paper
  • Condition: Good

Battista Pittoni, Emblema del Conte Brandolino, 1578

35,00 

Emblema del Conte Brandolino It is an engraving made by Battista Pittoni in 1578.
This work, performed in etching, presenta un monogramma in basso a sinistra B.P.V. ed è parte del volume Imprese nobili, et ingeniose di diversi Prencipi, et D’Altri Personaggi Illustri.
L’incisione è incollata agli angoli su cartoncino, ma presenta una mancanza all’angolo superiore.

  • Sheet size: mm. 115×164
  • Condition: Good
  • Support: Laid paper

Battista Pittoni, Emblema del Conte, 1578

35,00 

Emblema del Conte It is an engraving made by Battista Pittoni nel 1578, dedicata al Conte Alfonso di Villa Chiara.
Questa opera è un’acquaforte su carta vergellata, caratterizzata dal monogramma in basso a sinistra B.P.V..

  • Sheet size: mm. 115×164
  • Support: Laid paper
  • Condition: Buone (mancanza all’angolo superiore)
  • Technique: Etching
  • Era: XVI

L’incisione è parte della raccolta Imprese nobili, et ingeniose di diversi Prencipi, et D’Altri Personaggi Illustri, datata 1578.
Giovanni Battista Pittoni, noto come Battista vicentino, è un importante artista del XVI secolo.

Baveno, 1887, Queen Victoria on Lake Maggiore

20,00 

Queen Victoria on Lake Maggiore it is a woodblock woodcut made in 1887, which offers a suggestive view of Baveno.
This work is taken from the Italian illustration, published by the Treves Brothers of Milan.

  • Sheet size: mm. 310×225
  • Support: Paper
  • Condition: Good condition, with writing on the back

Blessed are those who do not see and yet believe, 1850

25,00 

Beati quelli che non vedono e credono It is a lithograph made in 1850, taken from the work Literary and Artistic Register by Vittoria Colonna, published in Naples.
Questa stampa rappresenta un tema di fede e convinzione, esprimendo un messaggio profondo attraverso l’arte.

  • Sheet size: cm. 22×29 approx.
  • Lithograph dimensions: cm. 16×20 approx.
  • Support: Paper
  • Condition: Buone condizioni, presenta qualche macchia e il foglio è un po’ sciupato.

Woodcock, Vanellus, Bustard, 1890

15,00 

Beccaccia, Vanellus, Otarda It is a lithograph made in 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany.
This work was published by the Bibliographischen Instituts, with branches in Leipzig and Vienna, starting in the second half of the 19th century.

  • Sheet size: cm. 29×23
  • Condition: Fair condition, with slight yellowing of the sheet
  • Support: Paper
  • Notes: The sheet has a central fold because it was originally inserted folded into the volume from which it was taken.

Benedetto Marzolla, Map of Naples, 1845

120,00 

Naples Map It is a lithograph made by Benedict Marzolla in 1845.
This detailed outline map of Naples was constructed using the most recent and accurate materials of the time, highlighting all postal, rolling stock and railway roads.

  • Sheet size: cm. 46×23 approx.
  • Support: Lightweight paper with white backing
  • Condition: Good condition, with editorial creases and some sporadic stains

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