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Showing 241–264 of 1875 results

Callot, Great Miseries of War, 1633

80,00 

Great miseries of war It is an engraving made by Jacques Callot in 1633, part of the series The miseries and the evils of war.
This work, entitled The Firing Squad, is an extraordinary example of Callot's mastery of etching.

  • Sheet size: mm. 80×184 plus 1 cm margins
  • Engraving size: mm. 80×184
  • Support: Laid paper
  • Condition: Excellent condition

Jacques Callot, an engraver and illustrator from Nancy, is known for his ability to capture the complexity of war through powerful, detailed images.
His art represents one of the most original expressions of seventeenth-century France, combining a fantastic freedom with a precise modulation of light.

Callot, Small Miseries of War, 1636

130,00 

The Little Miseries of War It is an engraving made by Jacques Callot in 1636, which represents a dramatic episode in which brigands attack travellers.
This work is a significant example of his skill in etching, a medium that Callot chose to express his creativity.

  • Sheet size: mm. 54×112 plus 1 cm margins
  • Engraving size: mm. 54×112
  • Support: Laid paper with watermark (jester with six-cornered hat)
  • Condition: Excellent condition

Callot, an engraver and draftsman from Nancy, is known for his works that capture the life and miseries of his time. His art is characterized by a fantastic freedom and a precise modulation of light, making his compositions both elegant and picturesque.

Campagna di Agrigento, Saint-Non, 1781-86

40,00 

Campagna di Agrigento It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent

L’incisione offre una bella veduta animata della Sicilia, ben conservata e di grande valore storico.

Campagna di Agrigento, Saint-Non, 1781-86

40,00 

Campagna di Agrigento It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

La veduta animata offre uno sguardo affascinante sulla Sicilia del XVIII secolo.

Bellflower, 1890

20,00 

Campanula latifolia è una cromolitografia realizzata nel 1890, che rappresenta una delle meraviglie della botanica.
This work is taken from The garden. An illustrated weekly journal of horticulture in all its branches, curato da Guillaume Severeyns nach H.G. Moon per William Robinson.

  • Sheet size: cm. 21×28 approx.
  • Support: Medium thickness paper, white back
  • Condition: Excellent state of preservation

Elysian Fields from Cape Miseno, Phlegraean Fields, 1841

30,00 

Campi Elisi da Capo Miseno è un’incisione originale realizzata nel 1841, che rappresenta una splendida veduta dei Campi Elisi.
Questa opera è stata creata da William Leitch e Henry Bartlett per il corredo grafico dell’opera di George Newenham Wright, The Rhine, Italy, and Greece, pubblicata a Londra dalla casa editrice Fisher, Son & Co.

  • Sheet size: mm. 260×192
  • Engraving size: mm. 192×123
  • Technique: Burin
  • Support: Thick paper with white backing
  • Condition: Excellent

Campobasso, Panorama, 1890

30,00 

Campobasso, Panorama it's a woodblock print built in 1890, which offers a fascinating view of the city of Campobasso.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 24x17 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 24×17 approx.
  • Support: Paper
  • Condition: Excellent

Canna, Chromolithograph, 1887

30,00 

Canna it's a chromolithography made in 1887, coming from the prestigious Horticultural Review of Paris.
This splendid print, characterised by a white back and a sheet size of 25x16 cm, is very decorative and comes in excellent condition.

  • Sheet size: cm. 25×16
  • Support: Thick paper
  • Condition: Excellent

Canossa, 1877

35,00 

Canossa, 1877 It is a woodcut engraving made by Edmund Kanoldt, a well-known German painter and designer.
This work, taken from the volume Italian by W. Kaden, offers a beautiful decorative view of the historic town of Canossa.

  • Sheet size: mm. 185×250, plus margins
  • Technique: Woodcut
  • Support: Lightweight paper with white backing
  • Condition: Excellent condition

Neapolitan Songs, Michelemma, Fenesta that shines, 1884

30,00 

Neapolitan Songs, Michelemma, Fenesta that shines it's a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work has a sheet size of 25x35 cm and includes writing on the back.

  • Sheet size: cm. 25×35
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be sent.

Capri, Natural Arch, 1884

35,00 

Capri, Natural Arch It is an anonymous woodcut engraving made in 1884, which represents a fascinating view of the Arco Naturale on the island of Capri.
This work is taken from the volume Naples and its surroundings by Rudolf Kleinpaul, published in Leipzig.

  • Sheet size: mm. 270×360
  • Engraving size: mm. 165×235
  • Support: Light paper
  • Condition: Excellent condition

A beautiful view that stands out for its decorative interest.

Capri, Entrance to the Blue Grotto, 1877

35,00 

Capri, Entrata della Grotta Azzurra è una xilografia realizzata da Ferdinand Keller nel 1877, tratta dal volume Italian.
Questa opera cattura una beautiful representation della grotta azzurra, con una barca che avanza in un mare agitato, creando un’atmosfera decorativa e suggestiva.

  • Sheet size: cm. 25×19 approx.
  • Engraving size: cm. 25×19 approx.
  • Support: Paper
  • Condition: Excellent

Capri, Marina Grande, 1884

35,00 

Capri, Marina Grande It is an anonymous woodcut engraving made in 1884.
This work comes from the volume Naples and its surroundings by Rudolf Kleinpaul, published in Leipzig.

  • Sheet size: mm. 360×270
  • Engraving size: mm. 240×140
  • Support: Lightweight paper, white back
  • Condition: Excellent condition

This is a beautiful view, interesting and decorative, perfect for lovers of art and landscape beauty.

Capua, Ruins of the Amphitheatre, 1890

20,00 

Capua, Rovine dell’Anfiteatro è una stampa xilografica realizzata nel 1890, che rappresenta un’importante testimonianza artistica del tardo Ottocento.
Questa opera è caratterizzata da un’immagine di dimensioni cm. 10×12 circa, circondata da testo e con ulteriori informazioni al verso del foglio, che misura cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Caraguaia, Chromolithograph, 1883

30,00 

Caraguaia it's a chromolithography realizzata nel 1883, proveniente dalla Horticultural Review of Paris.
Questa splendida stampa, caratterizzata da un design molto decorativo, è stata realizzata da Godard e litografata da G. Severeyns.

  • Sheet size: cm. 25×16 approx.
  • Condition: Excellent state of preservation
  • Support: Thick paper with white backing

Nice, Palermo, Saint-Non, 1781-86

40,00 

Nice, Palermo It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

This beautiful animated view is well preserved and represents an important testimony of the Sicilian artistic heritage.

Carlo I d’Angiò, 1854

20,00 

Carlo I d’Angiò it's a lithographic printing made in 1854.
This work is taken from Picturesque Polyorama, un’importante pubblicazione periodica che mirava a diffondere conoscenze utili in tutte le classi della società.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 20×10 circa
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.
Picturesque Polyorama è stato pubblicato dal 1836 al 1860 nel Regno delle Due Sicilie e si occupava di vari temi, tra cui scienze, tecnologia e arte.

Charles I Stuart, 1830

30,00 

Carlo I Stuart è un’incisione realizzata da A.H. Payne nel 1830, che ritrae il celebre re d’Inghilterra, Scozia, Irlanda e Francia.
Questa opera è un’acquaforte di alta qualità, con un’immagine che misura cm. 17×13, stampata su un foglio di cm. 23×20.

  • Sheet size: cm. 23×20
  • Engraving size: cm. 17×13
  • Support: Paper
  • Condition: Excellent condition

Carlo I Stuart regnò dal 27 marzo 1625 fino alla sua tragica morte, avvenuta per decapitazione il 30 gennaio 1649.

Carlo I, Van Dick, 1840-50

20,00 

Carlo I è un’acquaforte realizzata da Van Dick tra il 1840 e il 1850.
Questa stampa è parte della pubblicazione Payne's Royal Dresden Gallery, curata da A.H. Payne e W. French, ed è stata realizzata a Dresda, Lipsia e Londra.

  • Sheet size: cm. 21×27 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Carlo VI, 1860

20,00 

Carlo VI, 1860 è una litografia a due tinte che rappresenta Charles VI dans la Foret du Mans, datata circa 1860.
Questa opera è stata realizzata dall’Imp. Lemercier di Parigi e si distingue per la sua eleganza e il suo significato storico.

  • Sheet size: cm. 26×34
  • Support: Medium paper with white back
  • Condition: Excellent

Carrara, Marble Quarry, 1885

30,00 

Carrara, Marble Quarry It is an 1885 engraving depicting a view of the famous Carrara marble quarry.
Made in woodcut, the work was drawn by Pieter Francis Peters and engraved by Octave Edouard Jean Jahyer.

  • Sheet size: cm. 27×37 approx.
  • Engraving size: cm. 19×25 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

This engraving is taken from the volume Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers.
Pieter Francis Peters, a renowned Dutch landscape artist, and Octave Edouard Jean Jahyer, a Parisian engraver, collaborated to create this fascinating depiction of Italy's natural beauty.

Roman carter, 1840

45,00 

Carrettiere Romano è un’acquaforte acquarellata realizzata nel 1840, tratta dall’opera Costumi di Roma e suoi contorni, disegnata da vari artisti e incisa da Salvatore Marroni.
Questa pregevole opera è stata pubblicata a Roma presso l’editore e calcografo Tommaso Cuccioni, situato in Via della Croce N.88.

  • Sheet size: cm. 32×22 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

Carta Geografica della Basilicata, 1890

30,00 

Carta Geografica della Basilicata it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
Questa carta offre una rappresentazione dettagliata della regione, con testo esplicativo attorno e sul retro del foglio.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 24×17 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Carta Geografica della Campania, 1890

30,00 

Carta Geografica della Campania it is a valuable one woodblock print realizzata nel 1890, che offre una visione dettagliata della regione campana.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un testo descrittivo attorno all’immagine, oltre a contenere informazioni al verso del foglio.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 24×17 approx.
  • Support: Paper
  • Condition: Excellent

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