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Showing 3001–3024 of 5825 results

Leopolodo Cicognara, 1843

15,00 

Leopolodo Cicognara It is a copper engraving made in 1843, taken from the work Picturesque Omnibus, published in Naples.
Questa incisione misura cm. 11×13 e presenta una carta leggera con retro stampato.

  • Sheet size: Small
  • Support: Light paper
  • Condition: Excellent

Leopoldo Cicognara (Ferrara 1767 – Venezia 1834) è stato un importante scrittore d’arte, noto per i suoi legami con figure culturali di spicco come Foscolo e Canova.
Durante la sua carriera, ha ricoperto ruoli significativi, diventando direttore dell’Accademia di Venezia e presidente dell’Ateneo. Le sue opere, come Storia della scultura And Memorie spettanti alla storia della calcografia, hanno avuto un impatto duraturo nel campo dell’estetica e della storia dell’arte.

Lerminier Jean-Louis-Eugène, 1839

15,00 

Lerminier Jean-Louis-Eugène It is a copper engraving made in 1839.
This work is taken from Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli, published in Naples by the Omnibus printing house.

  • Sheet size: cm. 8×12 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: Almost no margins, the print is contained within the book page and has writing on the back. The entire page containing the print is sent.

Les gallanteries du Duc d'Ossonne, Jean Mairet, 1873

20,00 

Les galanteries du Duc d’Ossonne è un’acquaforte acquarellata realizzata nel 1873 da Jean Mairet.
Questo pezzo d’arte, di dimensioni contenute, è stato disegnato da MM. Maurice Sand e H. Allouard.

  • Sheet size: cm. 26×17 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The work is taken from Le Théatre Francais, XVI et au XVII siécle, published by M. Edouard Fournier in Paris in 1873.

Lessing Karl Friedrich , A.H.Payne, 1840-50

20,00 

Lessing Karl Friedrich It is an etching made by AH Payne between 1840 and 1850.
Questa opera è stata pubblicata in Payne's Universum und Buch der Kunst, in Leipzig and Dresden.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: not specified
  • Support: Medium thickness paper
  • Condition: Excellent condition

Lessing, Veit, Rottmann, Preller, 1850

20,00 

Lessing, Veit, Rottmann, Preller è un’incisione al bulino su rame, realizzata nel 1850.
This work is part of the Bilder-Atlas, published in Leipzig by FA Brockhaus.

  • Sheet size: mm. 300×220
  • Support: Lightweight paper, white back
  • Condition: Excellent condition

Letter O, 1840

15,00 

Letter O it's a lithographic printing from 1840, coming from a Illuminated Codex of Montecassino.
This initial letter is part of the publication Picturesque Polyorama, a periodical work designed to spread useful knowledge among all social classes.

  • Printed part dimensions: cm. 16×16
  • Margins: almost absent
  • Support: Paper, page extracted from the book
  • Condition: Excellent

The print has writing on the back and the entire page containing the print will be sent.

Letterato, F. Van Mieris, 1845

20,00 

Letterato è una litografia realizzata da F. Van Mieris nel 1845.
This work was published in the magazine Art crown between 1845 and 1846.

  • Sheet size: cm. 32×25 approx.
  • Print Size: cm. 20×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Licata, Agrigento, 1875

20,00 

Licata, Agrigento, 1875 è una xilografia che rappresenta un affascinante scorcio di questa storica città siciliana.
Questa incisione, con dimensioni di cm. 18×12, è stata estratta dall’opera Italy Pictorial Journey from the Alps to Etna di G.Stieler, E.Paulus, W.Kaden, pubblicata a Milano dai Fratelli Treves nel 1885.

  • Engraving size: cm. 18×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Licenza, 1829

30,00 

Licenza è un’incisione realizzata da Digentia nel 1829, eseguita con la tecnica del burin on copper.
This work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper with white back
  • Condition: Excellent condition

La veduta è suggestiva e animata, rendendo questa incisione un pezzo affascinante per collezionisti e appassionati.

Licenza, D.Harding, 1834

30,00 

Licenza è un’incisione realizzata da E. Finden nel 1834, tratta da Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
Questa opera è stata disegnata da H. Gasteneau e pubblicata da John Murray a Londra.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

La veduta animata offre un affascinante sguardo sulla vita e le opere di Lord Byron, rendendo questa incisione un pezzo prezioso per collezionisti e appassionati.

Lycurgus, 1839

15,00 

Lycurgus, 1839 is a copper engraving depicting a six-foot plaster statue.
This work is taken from Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli, published in Naples by the Omnibus printing house in 1839.

  • Engraving size: cm. 8×15, almost no margins
  • Condition: Excellent
  • Support: Paper

The print is contained in the book page and has writing on the back; the entire page containing the engraving will be sent.
Lycurgus, son of Lycophron of the deme of Butades, was an important Athenian politician and orator, known for his role among the ten Attic orators.

Liège, The Bishop's Palace, AHPayne, 1840-50

20,00 

Liegi, Il Palazzo Vescovile It is an etching made by AH Payne between 1840 and 1850.
This work represents the Kreutzgang des bischoflichen Palastes in Luttich ed è stata pubblicata nel volume Payne's Universum und Buch der Kunst, published in Leipzig and Dresden.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 18×24 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Linaria (Mealy Linnet), 1853

15,00 

Linaria (Mealy Linnet) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questa stampa è caratterizzata da un design molto decorativo e presenta un retro bianco.

  • Sheet size: mm. 135×100
  • Support: Medium thickness paper
  • Condition: Excellent condition

Liocorno di mare o Narval, animali leggendari, 1843

20,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 15×15 circa
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Lione, nouvelle eglise de Notre-Dame de Fourvieres pres de Lyon, 1860

25,00 

Lione, nouvelle eglise de Notre-Dame de Fourvieres pres de Lyon è un’incisione realizzata nel 1860, che rappresenta un’importante opera della metà del XIX secolo.
Questa xilografia, con un’immagine di cm. 17×13, è stampata su carta di medio spessore e presenta un retro stampato, tratto da un testo francese.

  • Sheet size: cm. 17×13 approx.
  • Engraving size: cm. 17×13 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Liotard, La Chocolatière, 1863

20,00 

La Chocolatière è un’incisione realizzata nel 1863 da Liotard, che rappresenta una giovane donna intenta a servire cioccolata.
Questa xilografia proviene da un libro francese di metà Ottocento e presenta margini quasi assenti. La stampa è contenuta nella pagina del libro, con scritte attorno e al verso.

  • Sheet size: cm. 29×19 approx.
  • Engraving size: cm. 16×14 approx.
  • Support: Paper
  • Condition: Excellent

The entire page containing the print is sent.

Liri, Le cascate, 1840

35,00 

Le cascate del Liri è un’incisione al bulino realizzata nel 1840, che cattura la bellezza naturale delle cascate.
Questa opera è firmata da FRIES e incisa da ELTZNER, rappresentando un esempio di arte incisoria di alta qualità.

  • Sheet size: mm. 167×124
  • Technique: Burin
  • Condition: Excellent
  • Support: Medium paper with white back

Un’opera finissima e rara, ideale per collezionisti e appassionati di incisioni antiche.

Lisbon, Belen Castle, 1833

25,00 

Lisbon, Belen Castle It is an engraving made in 1833, representing an important view of the castle.
This work is an example of etching from the first half of the 19th century, characterised by refined details and a balanced composition.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

Lisbon, from Fort Almeida, 1833

25,00 

Lisbona, from Fort Almeida It is an engraving made in 1833, representative of the first half of the 19th century.
This etching offre una vista suggestiva della città di Lisbona, catturando l’essenza del periodo.

  • Sheet size: cm. 16×22 approx.
  • Image size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

Lisbon, Portugal, 1860

25,00 

Lisbon, Portugal It is an engraving made in 1860, representing a view of the Portuguese capital.
This small-sized woodcut is printed on medium-thickness paper and features a printed back, taken from an Italian text.

  • Sheet size: cm. 20×15 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Lite di Femine in Roma, Pinelli, 1840

25,00 

Lite di Femine in Roma It is an engraving made by Bartholomew Pinelli nel 1840, eseguita al burin on copper.
This work, taken from FROMMEL, Picturesque Italy, presenta una beautiful and lively scene con numerosi personaggi, riflettendo il vivace panorama della vita romana dell’epoca.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Support: Light paper
  • Condition: Perfect state of preservation

Lite di Trasteverini in Roma, Pinelli, 1840

25,00 

Lite di Trasteverini in Roma it is an engraving made by Bartolomeo Pinelli in 1840.
This unsigned work is an example of burin engraving su rame, che cattura una vivace scena con numerosi personaggi.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Support: Light paper
  • Condition: Excellent state of preservation

The engraving is taken from FROMMEL, Picturesque Italy, pubblicato a Lipsia nel 1840, e rappresenta un soggetto affascinante che riflette i costumi e la vita quotidiana a Roma.

Coastline at Sant'Antonio Abate, 1890

20,00 

Litorale a Sant’Antonio Abate It is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work presents an image measuring approximately 10x12 cm, surrounded by text and with further annotations on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Livenza, 1835

20,00 

Livenza, 1835 It is a copper engraving depicting the Lavenza Castle.
This work, of dimensions mm. 115×80, has smaller margins and is printed on medium paper with white back.
Taken from the volume “Italy, Sicily, the Aeolian Islands, Elba, Sardinia, Malta, Calypso Island, etc.” by Audot père, published between 1835 and 1837, this engraving is characterised by a sharpness and finesse that make it uncommon.

  • Sheet size: mm. 115×80
  • Condition: Perfect state of preservation
  • Support: Medium paper

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