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Constantinople, The Golden Horn, 1850
25,00 €Costantinopoli, The Golden Horn è un’incisione realizzata nel 1850, rappresentante uno dei luoghi più iconici della capitale ottomana.
This etching measures 10x15 cm, excluding margins, and is printed on medium-thickness paper with a white back.
- Sheet size: Small
- Condition: Excellent
- Support: Paper
Costume di Rocca Canterano, ‘800
35,00 €Costume di Rocca Canterano è un acquarello di squisita fattura, realizzato da un autore anonimo nella prima metà del ‘800.
Questo splendido pezzo presenta colori vivi e un retro bianco, rendendolo un’opera affascinante per gli amanti dell’arte.
- Sheet size: mm. 70×100
- Condition: Excellent state of preservation
- Support: Paper
Villapianezza Costume, Watercolor, 19th century
150,00 €Villapianezza Costume it is a valuable anonymous watercolour from the 19th century, which represents a woman in traditional Abruzzese costume from the municipality of Villapianezza.
This fascinating piece of art is made on medium-weight paper and stands out for its lively cultural representation.
- Sheet size: cm. 18×13 approx.
- Condition: Excellent state of preservation
- Support: Medium thickness paper
Costumes of Campania, 18th century
40,00 €Costumes of Campania, 18th century è un’incisione che rappresenta i costumi tradizionali dei contadini e popolani della Campania nel XVIII secolo.
Made in etching su carta spessa vergellata, quest’opera offre uno spaccato della vita quotidiana e delle tradizioni di un’epoca passata.
- Sheet size: cm. 22×32 approx.
- Support: Laid paper
- Condition: Excellent
Courmayeur, Aosta Valley, 1850
40,00 €Courmayer, Valle d’ Aosta è un’incisione realizzata nel 1850, che offre una splendida veduta di questa località montana.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by such eminent artists as Allom, Bartlett and Leitch.
- Sheet size: cm. 22×32
- Engraving size: cm. 13×18,5
- Support: Strong paper
- Condition: Excellent
Questa incisione è caratterizzata da una nitidezza e vivacità che la rendono un pezzo d’arte da collezione.
Crispijn van den Queborn Rape of the Vineyard, 1636
25,00 €Rape of the Vineyard It is an engraving made by Crispijn van den Queborn in 1636, which represents a significant biblical episode concerning the rape of the vineyard and the Benjaminites.
Benjamin, Rachel's second son, is at the center of this narrative.
- Sheet size: cm. 10×13 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Crispijn van den Queborn (1604-1652), Episodio biblico, 1636
25,00 €Episodio biblico It is an engraving made by Crispijn van den Queborn nel 1636.
Questa opera è un esempio significativo dell’arte olandese del XVII secolo, caratterizzata da un’accurata rappresentazione dei temi religiosi.
- Sheet size: cm. 20×14 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Crispijn van den Queborn (1604-1652), Resurrection 1636
30,00 €The Resurrection of the Dead It is an engraving made by Crispijn van den Queborn in 1636.
This work, which represents a theme of great visual and symbolic impact, is a significant example of 17th-century Dutch art.
- Sheet size: cm. 10×13 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Crispijn van den Queborn, Massacre of the Innocents, 1636
30,00 €Massacre of the Innocents It is an engraving made by Crispijn van den Queborn In the 1636.
This work is a significant example of the mastery of the Dutch engraver, who was able to capture the intensity of the subject through his technique.
- Sheet size: cm. 10×13 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Christ at Golgotha, P.Veronese, 1840-50
20,00 €Christ at Golgotha it is an engraving made by P. Veronese between 1840 and 1850.
This work represents the dramatic moment of Christ walking towards Golgotha, made in etching on strong paper.
Published in Payne's Royal Dresden Gallery by A.H. Payne and W. French, this print is a significant example of the engraving art of the period.
- Sheet size: cm. 21×27 approx.
- Condition: Excellent
- Support: Strong paper
Christ prophesying, C.Begas, 1846
30,00 €Cristo che profetizza è un’incisione realizzata da C. Begas nel 1846, che rappresenta il momento in cui Cristo profetizza su Gerusalemme.
This work is taken from The Imperial Family Bible, old and new Testaments, pubblicato da Blackie and Son a Glasgow nel 1846.
- Sheet size: cm. 25×35 approx.
- Engraving size: cm. 15×20 approx.
- Support: Strong paper
- Condition: Excellent state of preservation
Christ prophesying, C.Begas, 1846
30,00 €Cristo che profetizza è un’incisione realizzata da C. Begas nel 1846, che rappresenta il momento in cui Cristo profetizza su Gerusalemme.
This work is taken from The Imperial Family Bible, old and new Testaments, pubblicato da Blackie and Son a Glasgow nel 1846.
- Sheet size: cm. 25×35 approx.
- Engraving size: cm. 15×20 approx.
- Support: Strong paper
- Condition: Excellent state of preservation
Christ gives sight to the blind, H.Richter, 1846
30,00 €Cristo dà la vista ai ciechi è un’incisione realizzata da H. Richter nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.
- Sheet size: cm. 25×35 approx.
- Engraving size: cm. 15×20 approx.
- Support: Strong paper
- Condition: Excellent state of preservation
Christ gives sight to the blind, H.Richter, 1846
30,00 €Cristo dà la vista ai ciechi è un’incisione realizzata da H. Richter nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.
- Sheet size: cm. 25×35 approx.
- Engraving size: cm. 15×20 approx.
- Support: Strong paper
- Condition: Excellent state of preservation
Christ and Matthew, GAPortenone, 1840-50
20,00 €Christ and Matthew it is an engraving made by GA Portenone between 1840 and 1850.
This work is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.
- Sheet size: cm. 21×27
- Support: Strong paper
- Condition: Excellent condition
Christ Crowned with Thorns 1830-1850
25,00 €Christ crowned with thorns It is an engraving made between 1830 and 1850, which represents an iconic theme of Christianity.
This work is taken from the Scripture Gallery of Engraving and was made by Ph Veit, with the engraving by H. Wallis.
The work is published by John Tallis & Company, London & New York.
- Sheet size: cm. 27×21 approx.
- Engraving size: cm. 15×11 approx.
- Support: Heavy paper
- Condition: Excellent condition, white back and editorial frame with vignettes
Christ resurrects, Agostino Carracci, 1846
30,00 €Christ resurrects It is an engraving made by Augustine Carracci In the 1846, which represents the miraculous moment when Christ resurrects the widow's son.
This work is taken from the volume The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.
- Sheet size: cm. 25×35 approx.
- Engraving size: cm. 15×20 approx.
- Support: Strong paper
- Condition: Excellent condition
Christ resurrects, Agostino Carracci, 1846
30,00 €Christ resurrects It is an engraving made by Augustine Carracci In the 1846, which represents the miraculous moment when Christ resurrects the widow's son.
This work is taken from the volume The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.
- Sheet size: cm. 25×35 approx.
- Engraving size: cm. 15×20 approx.
- Support: Strong paper
- Condition: Excellent condition
Christopher Columbus, 1770
30,00 €Christopher Columbus It is an engraving made in 1770, which portrays the famous Italian navigator, known for his voyages that led to the discovery and colonization of the Americas.
This work is an etching on laid paper, with an image that captures the essence of Columbus as a captain and navigator.
- Sheet size: cm. 26×21 approx.
- Engraving size: cm. 9×7 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Croazia, Sirmia, Die VeteranischeHole in Syrmien, A.H.Payne, 1840-50
25,00 €Incisione realizzata all’acquaforte da A.H. Payne between 1840 and 1850.
This work is an etching on medium-thickness paper, published in the volume Payne's Universum und Buch der Kunst, published in Leipzig and Dresden.
- Image size: cm. 11×15 circa con ampi margini
- Support: Medium thickness paper
- Condition: Excellent condition
Cubillarium in the Apennines, 1801
40,00 €Cubillario negli Appennini è un’incisione realizzata nel 1801, tratta dal volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
Questa bella veduta presenta un’animazione e un contrasto notevoli, con un retro bianco che ne esalta la qualità.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. 15×22 approx.
- Support: Paper
- Condition: Excellent
Cuma, Ischia, C.Frommel, 1829
25,00 €Cuma, Ischia It is an engraving made by Carl Frommel In the 1829, che rappresenta l’Arces Apollinis e la Cittadella di Cuma.
This work is part of the volume 50 Bilder zu Virgils Heneide…, featuring high-quality engraving.
- Sheet size: cm. 13×22 approx.
- Engraving size: cm. 7×10 approx.
- Support: Medium paper
- Condition: Excellent state of preservation
Cupid, A. Raphael Mengs, 1840-50
20,00 €Cupid It is an engraving made by A. Raphael Mengs between 1840 and 1850.
This work, an etching on strong paper, was published in the Royal Dresden Gallery by Payne, edited by AH Payne and W. French, in Dresden, Leipzig and London.
- Sheet size: cm. 21×27
- Back: White
- Condition: Excellent
Cuyp, Landscape with Oxen, 1830
70,00 €Cuyp, Landscape with Oxen It is an engraving made in 1830 by Ralph Cockburn, a painter and engraver known for his work at the Dulwich Picture Gallery.
This work is a splendid colored aquatint measuring 17x23 cm, mounted on a thick cardboard support measuring approximately 26x32 cm.
- Era: XIX
- Technique: Etching
- Condition: Excellent
- Dimensions: Small
- Support: Cardboard
This rare and decorative work is based on a painting in the Dulwich Picture Gallery and bears the Haverhill Public Library stamp on the reverse.
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