Excellent

Showing 337–360 of 5177 results

Greater Shrike, 1870

15,00 

Averla maggiore è una litografia acquarellata d’epoca, rappresentante il grande strillone.
This work is taken from A HISTORY OF BRITISH BIRDS del Rev. Francis Orpen Morris, B.A., pubblicata a Londra nel 1870.

  • Sheet size: cm. 12×18 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Red-Backed Shrike, 1853

15,00 

Averla piccola (Red-Backed Shrike) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
This print features a charming and decorative bird, perfect for nature and birdlife lovers.

  • Sheet size: mm. 135×100
  • Engraving size: mm. 120×90 circa
  • Support: Medium thickness paper, white back
  • Condition: Excellent condition

Avernus and Lake Fusaro, 1847

30,00 

Avernus and Fusaro Lake It is an engraving made in 1847, which offers a suggestive view of Lake Averno and Fusaro, located near Naples.
This work is made with the technique of burin on steel, and was hand-watercoloured, giving it a unique and artistic touch.

  • Sheet size: mm. 150×100 approx.
  • Support: Paper with wide margins and white back
  • Condition: Excellent

Avernus, Lake, Phlegraean Fields, 1830

30,00 

Avernus, Lake, Phlegraean Fields It is a copper engraving colored with watercolour made in 1830.
This decorative view of Lake Avernus features vivid detail and a charming composition.

  • Sheet size: mm. 190×126 plus margins
  • Engraving size: mm. 190×126
  • Support: Medium paper
  • Condition: Excellent condition

Aversa, Entrance to the city, 1845

20,00 

Aversa, Entrance to the city it's a lithographic printing made in 1845, which represents a suggestive view of the entrance to the city of Aversa, coming from the Naples side.
This work is taken from Picturesque Polyorama, an important publication of the Kingdom of the Two Sicilies, directed by Filippo Cirelli.

  • Sheet size: cm. 11×9 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the verso; it is shipped complete with mat. A fascinating work for collectors and history buffs.

Aversa, Ingresso della S.Annunziata, 1844

20,00 

Aversa, Ingresso della S.Annunziata it's a lithographic printing realizzata nel 1844 da G. Mariani.
Questa opera rappresenta l’Arco di Trionfo all’Ingresso della S.Annunziata ed è tratta dal volume Picturesque Polyorama, un’importante pubblicazione dedicata alla diffusione della cultura nel Regno delle Due Sicilie.

  • Sheet size: cm. 15×18 approx.
  • Support: Paper
  • Condition: Excellent

La stampa è stata ritagliata dal libro e presenta scritte al verso; viene fornita completa di passepartout. Una bella veduta che arricchisce ogni collezione.

Aversa, The Magdalene, 1845

20,00 

Aversa, La Maddalena it's a lithographic printing realizzata nel 1845, che rappresenta una bella veduta della casa pe’ folli in Aversa.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge among all social classes.

  • Sheet size: cm. 15x9 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the verso; it is shipped complete with mat.
The Picturesque Polyorama, published from 1836 to 1860 in the Kingdom of the Two Sicilies, dealt with science, technology, art and biographies, making family reading pleasant and profitable.

Aversa, Hospice of St. Lorenzo, 1845

20,00 

Aversa, Ospizio di S.Lorenzo it's a lithographic printing realizzata nel 1845, che offre una bella veduta dell’ospizio situato ad Aversa.
This work is taken from Picturesque Polyorama, un’importante pubblicazione periodica diretta a diffondere conoscenze utili in tutte le classi sociali.

  • Sheet size: cm. 15x9 approx.
  • Support: Paper
  • Condition: Excellent

La stampa presenta margini quasi assenti ed è stata ritagliata dal libro, con scritte al verso. Viene spedita completa di passepartout, rendendola un’ottima scelta per collezionisti e appassionati di arte.

Avignon, France, 1839

15,00 

Avignon, France, 1839 It is a copper engraving representing the historic city of Avignon, located on the banks of the Rhone.
This work is taken from Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli, published in Naples by the Omnibus printing house in 1839.

  • Sheet size: cm. 8×13 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained in the book page and has writing on the back; the entire page containing the print will be sent.
Avignon is famous for its imposing Palais des Papes, which was the seat of the Catholic Popes from 1309 to 1377, and remains an important symbol of the city's history.

Avignone, Francia, 1843

25,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 8×14 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa.

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Vulture, Bearded Vulture, 1875

25,00 

Avvoltoio, Bearded Vulture è una litografia acquarellata realizzata nel 1875, tratta dall’opera A History of Birds of Europe di Charles Robert Bree, pubblicata a Londra.
Questa stampa rappresenta un esemplare di avvoltoio, noto per il suo aspetto distintivo e il suo habitat.

  • Sheet size: cm. 16×25 approx.
  • Engraving size: cm. 16×25 approx.
  • Support: Strong paper with white back
  • Condition: Excellent condition

Avvoltoio, Cinereous Vulture, 1875

25,00 

Avvoltoio, Cinereous Vulture è una litografia acquarellata realizzata nel 1875, tratta dall’opera A History of Birds of Europe by Charles Robert Bree.
Questa affascinante stampa rappresenta un avvoltoio cinereo, un uccello maestoso e affascinante.

  • Sheet size: cm. 16×25 approx.
  • Engraving size: cm. 16×25 approx.
  • Support: Strong paper with white back
  • Condition: Excellent state of preservation

Avvoltoio, Northern Sociable Vulture, 1875

25,00 

Avvoltoio, Northern Sociable Vulture è una litografia acquarellata realizzata nel 1875, tratta dall’opera A History of Birds of Europe by Charles Robert Bree.
Questa affascinante stampa rappresenta un avvoltoio sociabile del Nord, evidenziando la bellezza e la varietà della fauna avicola europea.

  • Sheet size: cm. 16×25 approx.
  • Support: Strong paper with white back
  • Condition: Excellent state of preservation

Aymaville, 1835

20,00 

Aymaville, 1835 it is a copper engraving made by Leonce Lhuillier, with the collaboration of Emaville, Grundmann and Audot.
This work offers a panoramic view of Aymaville, with the castle rising majestically in the background, making it a decorative piece of great charm.

  • Sheet size: mm. 110×85 approx.
  • Support: Paper
  • Condition: Excellent

Bacchanal of Rome, Bartolomeo Pinelli, 1840

25,00 

Bacchanal of Rome It is an engraving made by Bartholomew Pinelli in 1840.
This unsigned work is an example of burin engraving on copper, which captures a beautiful and lively scene with many characters.
It is taken from the volume FROMMEL, Picturesque Italy, published in Leipzig in 1840.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Support: Light paper
  • Condition: Perfect state of preservation

Baden, Switzerland, 1842

15,00 

Baden, Switzerland, 1842 it's a lithographic printing che rappresenta una veduta della città di Baden, realizzata nel 1842.
This work is taken from Picturesque Polyorama, a periodical publication designed to disseminate useful knowledge to all social classes.

  • Printed part dimensions: cm. 10×15
  • Margins: almost absent
  • Support: Paper
  • Condition: Excellent

The print is contained within the book page and has writing around and on the back. The entire page containing the print is shipped.

Blue Bay, Naples, Phlegraean Fields, 1889

15,00 

Blue Bay, Naples, Phlegraean Fields it's a woodblock print made in 1889, which captures the beauty of one of the most evocative places in Naples.
This work is taken from the volume Naples and Sicily by Jules Gourdault, published in Paris by Libraire Hachette.

  • Sheet size: cm. 14×10 approx.
  • Support: Paper
  • Condition: Excellent

Bay from the Island of Procida, 1845

20,00 

Bay from the Island of Procida it's a lithographic printing built in 1845, which offers a suggestive view of the coasts of Baia, seen from the island of Procida.
This work is taken from the periodical Picturesque Polyorama, directed by Filippo Cirelli, which aimed to spread useful knowledge to all classes of society.

  • Sheet size: cm. 24×11 approx.
  • Support: Paper
  • Condition: Excellent

The print has almost no margins and has been cut from the book, with writing on the verso. A great addition for history and art lovers.

Bay, 1847

30,00 

Bay, 1847 è un’incisione al bulino che rappresenta una vista panoramica della Baia di Bajae con il Smoking Vesuvius.
Realizzata nel 1847, questa opera è tratta da un libro tedesco della metà dell’800.

  • Sheet size: mm. 250×182
  • Engraving size: mm. 150×100
  • Support: Paper
  • Condition: Excellent

Baia, Phlegraean Fields, 1829

25,00 

Bay, Phlegraean Fields è un’incisione a bulino realizzata nel 1829, che offre una suggestiva veduta della storica località.
This work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper, white back
  • Condition: Excellent condition
  • Rarity: Rare

Baia, Phlegraean Fields, 1829

25,00 

Bay, Phlegraean Fields è un’incisione realizzata nel 1829, che offre una suggestiva veduta animata della storica area dei Campi Flegrei.
This work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: cm. 16×12 approx.
  • Engraving size: mm. 107×75 approx.
  • Support: Medium paper with white back
  • Condition: Excellent condition
  • Rarity: Rare

Baia, Phlegraean Fields, 1829

30,00 

Bay, Phlegraean Fields It is a watercolour copper engraving, made in 1829.
This suggestive view is taken from the work Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: cm. 13×21 approx.
  • Engraving size: cm. 11×7 approx.
  • Support: Medium paper, white back
  • Condition: Excellent condition

Bay, Phlegraean Fields, 1889

20,00 

Bay, Phlegraean Fields è un’incisione xilografica realizzata nel 1889, che offre una splendida veduta decorativa della zona.
This work is taken from the volume Naples and Sicily by J. Gourdault, published in Paris.

  • Sheet size: mm. 190×130 circa
  • Condition: Excellent condition
  • Support: Carta, con retro bianco

Bay, Phlegraean Fields, Naples, 1892

25,00 

Bay, Phlegraean Fields, Naples It is a watercolour woodcut made in 1892 by Chevalier C. Abbé, a work that captures the beauty of the view of Baia.
This piece is taken from the volume Naples le Vesuve and Pompeii. Travel sketches, which offers a precious testimony of the Neapolitan landscape of the time.

  • Sheet size: cm. 8×13 approx.
  • Support: Lightweight paper with printed back
  • Condition: Excellent

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