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Blue Bay, Naples, Phlegraean Fields, 1889
15,00 €Blue Bay, Naples, Phlegraean Fields it's a woodblock print made in 1889, which captures the beauty of one of the most evocative places in Naples.
This work is taken from the volume Naples and Sicily by Jules Gourdault, published in Paris by Libraire Hachette.
- Sheet size: cm. 14×10 approx.
- Support: Paper
- Condition: Excellent
Bay from the Island of Procida, 1845
20,00 €Bay from the Island of Procida it's a lithographic printing built in 1845, which offers a suggestive view of the coasts of Baia, seen from the island of Procida.
This work is taken from the periodical Picturesque Polyorama, directed by Filippo Cirelli, which aimed to spread useful knowledge to all classes of society.
- Sheet size: cm. 24×11 approx.
- Support: Paper
- Condition: Excellent
The print has almost no margins and has been cut from the book, with writing on the verso. A great addition for history and art lovers.
Bay, 1847
30,00 €Bay, 1847 è un’incisione al bulino che rappresenta una vista panoramica della Baia di Bajae con il Smoking Vesuvius.
Realizzata nel 1847, questa opera è tratta da un libro tedesco della metà dell’800.
- Sheet size: mm. 250×182
- Engraving size: mm. 150×100
- Support: Paper
- Condition: Excellent
Baia, Phlegraean Fields, 1829
25,00 €Bay, Phlegraean Fields è un’incisione a bulino realizzata nel 1829, che offre una suggestiva veduta della storica località.
This work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.
- Sheet size: mm. 260×210
- Engraving size: mm. 107×75
- Support: Medium paper, white back
- Condition: Excellent condition
- Rarity: Rare
Baia, Phlegraean Fields, 1829
25,00 €Bay, Phlegraean Fields è un’incisione realizzata nel 1829, che offre una suggestiva veduta animata della storica area dei Campi Flegrei.
This work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.
- Sheet size: cm. 16×12 approx.
- Engraving size: mm. 107×75 approx.
- Support: Medium paper with white back
- Condition: Excellent condition
- Rarity: Rare
Baia, Phlegraean Fields, 1829
30,00 €Bay, Phlegraean Fields It is a watercolour copper engraving, made in 1829.
This suggestive view is taken from the work Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.
- Sheet size: cm. 13×21 approx.
- Engraving size: cm. 11×7 approx.
- Support: Medium paper, white back
- Condition: Excellent condition
Bay, Phlegraean Fields, 1889
20,00 €Bay, Phlegraean Fields è un’incisione xilografica realizzata nel 1889, che offre una splendida veduta decorativa della zona.
This work is taken from the volume Naples and Sicily by J. Gourdault, published in Paris.
- Sheet size: mm. 190×130 circa
- Condition: Excellent condition
- Support: Carta, con retro bianco
Bay, Phlegraean Fields, Naples, 1892
25,00 €Bay, Phlegraean Fields, Naples It is a watercolour woodcut made in 1892 by Chevalier C. Abbé, a work that captures the beauty of the view of Baia.
This piece is taken from the volume Naples le Vesuve and Pompeii. Travel sketches, which offers a precious testimony of the Neapolitan landscape of the time.
- Sheet size: cm. 8×13 approx.
- Support: Lightweight paper with printed back
- Condition: Excellent
Mountain hut, pencil on paper, 20th century
40,00 €Mountain hut It is a charming work made in pencil on paper by an anonymous artist of the 20th century.
This drawing features beautiful execution and measure. mm. 190×140. On the back there is another pencil drawing, which further enriches the work.
- Sheet size: mm. 190×140
- Technique: Pencil
- Condition: Excellent
- Support: Paper
Pied Wagtail, 1853
15,00 €Ballerina bianca o batticoda (Pied Wagtail) it's a beautiful one chromolithography realizzata nel 1853, tratta dall’opera Our Native Songsters by Anne Pratt, published in London.
Questa incisione rappresenta un uccello affascinante, noto per il suo comportamento vivace e il suo aspetto elegante.
- Sheet size: mm. 135×100
- Support: Medium paper with white back
- Condition: Ottime condizioni, molto decorativa
Grey Wagtail, 1853
15,00 €Grey Wagtail It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt.
This print, featuring an elegant depiction of the Yellow Dancer, is an example of 19th-century decorative art.
- Sheet size: mm. 135×100
- Support: Medium paper with white back
- Condition: Excellent condition
Bear Dance in Rome, Bartolomeo Pinelli, 1840
25,00 €Bear's Ball in Rome it is an engraving made by Bartolomeo Pinelli in 1840.
This unsigned work is a lively depiction of a busy scene with many characters, capturing the essence of social life at the time.
Taken from the volume FROMMEL, Picturesque Italy, published in Leipzig in 1840, the engraving is executed at burin on copper.
- Sheet size: mm. 230×140
- Engraving size: mm. 105×70
- Support: Light paper
- Condition: Perfect state of preservation
Baltimore, United States, 1842
15,00 €Baltimore, United States, 1842 it's a lithography which represents a view of the military monument located in Baltimore.
This print is taken from the work Picturesque Polyorama, a periodical dedicated to the dissemination of useful knowledge for all social classes.
- Sheet size: cm. 12×15 approx.
- Condition: Excellent
- Support: Paper
The print is contained within a page of the book, with writing around and on the verso, and the entire page containing the print will be shipped.
Fashionable Children, 1850
30,00 €Bambini alla moda It is a chromolithograph made in 1850, che cattura l’essenza della moda infantile dell’epoca.
Questa opera, di dimensioni contenute, è stampata su thick paper e incollata su un altro supporto cartaceo, rendendola un pezzo unico da collezione.
- Sheet size: cm. 20×16 approx.
- Era: 19th century
- Technique: Chromolithography
- Condition: Excellent
- Support: Paper
Children Learning to Fight, 1840
20,00 €Children learning to fight It is a lithograph made in 1840, which captures the innocence and determination of young people in their journey of learning.
This piece, from the era 19th century, is a fascinating example of how art can reflect the social and cultural dynamics of the time.
- Sheet size: cm. 14×16 approx.
- Technique: Lithography
- Support: Cardboard
- Condition: Excellent condition
Children and Horse, 1850
30,00 €Bambini e Cavallo è una litografia realizzata nel 1850, che cattura un momento di gioia infantile con un cavallo.
Questa opera, di dimensioni contenute, è un esempio affascinante dell’arte del XIX secolo.
- Sheet size: cm. 17×17 approx.
- Technique: Lithography
- Condition: Excellent state of preservation
- Support: Carta doppia incollata su cartoncino
Children, Canivet, 1870-90
15,00 €Children è un’opera realizzata tra il 1870 e il 1890, che rappresenta un affascinante soggetto infantile.
Questa incisione è stata pubblicata dalla casa editrice Bes et Dubreuil in Paris, France.
- Sheet size: cm. 7×10 approx.
- Technique: Burin
- Condition: Excellent
- Support: Paper
- Prayer: Si
Child and Dogs, 1880
20,00 €Child and dogs It is a woodcut made in 1880, which captures an affectionate moment between a child and his dogs.
This print comes from a late nineteenth-century German magazine and features a written back attesting to its authenticity.
- Sheet size: cm. 12×15 approx.
- Technique: Woodcut
- Support: Light sheet
- Condition: Excellent condition
Banara, India, 1838
20,00 €Banara, India, 1838 it's a lithographic printing di dimensioni contenute, realizzata nel 1838.
This work comes from Picturesque Polyorama, un’importante pubblicazione del Regno delle Due Sicilie, diretta a diffondere conoscenze utili in tutte le classi sociali.
- Sheet size: cm. 10×15
- Margins: almost absent
- Support: Paper
- Condition: Excellent
- Notes: The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.
The Picturesque Polyorama, fondato da Filippo Cirelli e Salvatore Fergola, è stato pubblicato dal 1836 al 1860 e ha trattato vari argomenti, tra cui scienze, tecnologia e arte.
Barbara Radziwill, 1842
Barbara Radziwill, 1842 it's a lithographic printing portraying the Queen Consort of Poland and Grand Duchess of Lithuania, Barbara Radziwiłł.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge to all classes of society.
- Sheet size: cm. 12×15 approx.
- Support: Paper
- Condition: Excellent
- Era: XIX
- Technique: Lithography
The print has almost no margins and is contained within a page of the book, with writing around and on the back. The entire page containing the print will be shipped.
Barber, 19th century woodcut
25,00 €Barbiere è una xilografia dell’800, realizzata da Marillier.
This work is taken from a text from the late 19th century and features text around and on the back.
- Sheet size: cm. 27×18 approx.
- Engraving size: cm. 11×6 approx.
- Support: Paper
- Condition: Excellent
The full page, containing the print, extracted from the book will be sent.
Sailing boat, pencil on paper, 20th century
40,00 €Barca a vela è un disegno a matita realizzato da un artista anonimo nel 20th century.
Questo lavoro, incollato su un altro supporto cartaceo, mostra una bella esecuzione e riflette la maestria di un artista esperto.
- Sheet size: mm. 142×206
- Technique: Pencil
- Condition: Excellent
- Support: Paper
Barcelona, 1838
15,00 €Barcelona, 1838 it's a lithography che rappresenta una suggestiva veduta di Barcellona e del suo porto.
This print is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
- Sheet size: cm. 11×15 approx.
- Support: Paper
- Condition: Excellent
The print is contained in a page extracted from the book, with writing on the verso. The entire page containing the print is sent.
Barcellona, 1843
20,00 €Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.
- Sheet size: cm. 28×20 approx.
- Dimensione della immagine: cm. 10×15 approx.
- Technique: Woodcut
- Condition: buona, scritto al verso del foglio, in parte visibile al recto.
- Support: Paper
La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili, viene spedita la pagina intera che contiene la stampa .
Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.
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