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Showing 385–408 of 5177 results

Bartolomeo Pinelli, Brigands attacked, 1820

40,00 

Briganti Assaliti è un’incisione realizzata da Bartolomeo Pinelli nel 1820, che rappresenta un episodio di brigantaggio assalito dalla forza armata.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent condition, with slight stains of color on the back

Bartolomeo Pinelli, Surprised Brigands, 1820

40,00 

Briganti sorpresi è un’incisione realizzata da Bartolomeo Pinelli nel 1820, che rappresenta un momento drammatico in cui i briganti vengono sorpresi dalla forza armata.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Paper
  • Condition: Excellent state of preservation
  • Technique: Etching
  • Era: XIX
  • Non firmato

Bartolomeo Pinelli, Buttaro, 1820

40,00 

Bartolomeo Pinelli, Buttaro It is an engraving made in 1820 that portrays a buttaro from the Roman countryside together with his family.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent, with slight spots of color on the back
  • Support: Paper

Bartolomeo Pinelli, Buttero, 1820

40,00 

Buttero è un’incisione realizzata da Bartolomeo Pinelli nel 1820, rappresentante un guardiano di campagna.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent, with slight spots of color on the back

Bartolomeo Pinelli, Wine Cart Driver, 1820

40,00 

Wine Cart Driver it is an engraving made by Bartolomeo Pinelli in 1820.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 10×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent, with slight spots of color on the back
  • Support: Paper

Bartolomeo Pinelli, Cart with Buffaloes, 1820

40,00 

Carro con Bufale it is an engraving made by Bartolomeo Pinelli in 1820.
This work is part of the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 10×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Paper
  • Condition: Excellent state of preservation with slight stains of color on the back

Bartolomeo Pinelli, Roman Female, 1820

40,00 

Roman Female it is an engraving made by Bartolomeo Pinelli in 1820.
This work is part of the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent condition, with slight stains of color on the back

Bartolomeo Pinelli, Gioncataro, 1820

40,00 

Player It is an engraving made by Bartholomew Pinelli nel 1820.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent condition, with slight stains of color on the back

Bartolomeo Pinelli, La Canofiena, 1820

40,00 

La Canofiena è un’incisione realizzata da Bartolomeo Pinelli nel 1820, che rappresenta un affascinante scorcio della vita romana.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, pubblicata presso Tommaso Cuccioni in via della Croce n.88 a Roma.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Ottimo stato di conservazione, con lievi macchie di colore al verso

Bartolomeo Pinelli, La Predica, 1820

40,00 

La Predica è un’incisione realizzata da Bartolomeo Pinelli nel 1820, che rappresenta una scena vivace di una predica in piazza.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Ottimo stato con lievi macchie di colore al verso

Bartolomeo Pinelli, The Serenade, 1820

40,00 

The Serenade It is an engraving made by Bartolomeo Pinelli in 1820, which represents a fascinating glimpse of life in the suburbs of Rome.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation with slight stains of color on the back
  • Support: Paper

Bartolomeo Pinelli, Sailors on the dock of Naples, 1809

380,00 

Sailors on the dock of Naples It is a preparatory watercolor made by Bartholomew Pinelli in 1809.
This work represents sailors intent on listening to the story of Rinaldo, and it is probably a sketch for engraving no. 47 of the Collection of fifty picturesque costumes, etched by Pinelli himself.

  • Watercolor dimensions: cm. 26×18,5
  • Condition: Excellent condition
  • Support: Paper

Bartolomeo Ravenna, 1842

15,00 

Bartolomeo Ravenna è un’incisione in rame realizzata nel 1842, tratta dall’ Picturesque Omnibus, published in Naples.
This work measures approximately 10 x 12 cm and features text both around and on the back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Bartolomeo Ravenna (Gallipoli, 1761 – Gallipoli, 1837) è stato uno scrittore, storico nobile e commerciante italiano.
Viene spedita l’intera pagina del libro che contiene la stampa.

Bartolomeo Stefano Murillo, 1840

15,00 

Bartholomew Stephen Murillo It is a copper engraving made in 1840, taken from thePicturesque Omnibus.
This work measures approximately 10 x 12 cm and features text both around and on the back.

  • Artist: Bartolomé Esteban Pérez Murillo, one of the most important painters of the Spanish Baroque.
  • Condition: Excellent condition.
  • Shipping: The entire book page containing the print will be sent.

Basettino (Bearded Titmouse), 1853

15,00 

Bearded Titmouse It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
This print features a decorative bird, perfect for nature and birdlife lovers.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Basel, Switzerland, 1836

15,00 

Basel, Switzerland, 1836 it's a lithographic printing which represents a view of the city of Basel.
This work is taken from Picturesque Polyorama, a periodical publication designed to disseminate useful knowledge to all social classes.

  • Sheet size: cm. 28×20
  • Printed part dimensions: cm. 10×15
  • Margins: almost absent
  • Support: Paper
  • Condition: Excellent

The print was made in Naples, at the Poliorama Pittoresco printing and lithography shop, under the direction of Filippo Cirelli in 1836.
There is writing around and on the back of the print. The entire page containing the print is sent.

Ambrosian Basilica of San Lorenzo in Florence, 1826

20,00 

Ambrosian Basilica of San Lorenzo in Florence It is an engraving made by Anthony Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Basilica di S. Zeno a Verona, 1843

30,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 12×16 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

La basilica di San Zeno, conosciuta anche con il nome di chiesa di San Zeno Maggiore o chiesa di San Zenone, è un importante luogo di culto cattolico che sorge nel cuore del quartiere di San Zeno a Verona; si tratta di uno dei capolavori dell’architettura medievale.

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Bassano, Brenta, 1890

20,00 

Bassano, Brenta, 1890 it's a woodblock print which represents a view of the city of Bassano and the Ponte di Legno over the Brenta river.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 9x12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Support: Paper
  • Condition: Excellent

Bastia, Corsica, 1850

25,00 

Bastia, Corsica, 1850 è un’incisione realizzata con la tecnica dell’acquaforte, che offre una splendida veduta della città di Bastia.
Questa opera è tratta da un libro della metà del XIX secolo e si presenta in excellent condition.

  • Image size: cm. 12×19 approx.
  • Technique: Etching
  • Support: Light paper

Batalha, India, 1850

25,00 

Batalha, India è un’incisione realizzata nel 1850, eseguita con la tecnica dell’Acquaforte.
Questa opera presenta una misura dell’immagine di cm. 10×15, esclusi i margini, ed è stampata su carta di medio spessore con retro bianco.

  • Era: XIX
  • Technique: Etching
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Battle of Austerlitz, 1842

15,00 

Battle of Austerlitz it's a lithographic printing built in 1842, which represents one of the most significant moments in military history.
This work is taken from Picturesque Polyorama, a periodical publication designed to disseminate useful knowledge to all social classes.

  • Sheet size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained within a page of the book, with writing around and on the verso. The entire page containing the print is shipped, thus offering a piece of history to collect.

Battle of Heliopolis, 1841

15,00 

Battle of Heliopolis, 1841 is a lithographic printing which represents a bas-relief of one of the faces of the Strasbourg Monument.
This work is taken from Picturesque Polyorama, a periodical work aimed at spreading useful knowledge to all classes of society.

  • Sheet size: cm. 8x9 approx.
  • Support: Paper
  • Condition: Excellent

The Battle of Heliopolis, or ʿAyn Shams, was a decisive event between the Arab Muslim armies and the Byzantine army for the control of Egypt.
The Byzantine defeat opened the door to the Arab conquest of the Exarchate of Africa, which fell in 698.

Battle of Friedland, 1843

15,00 

Battle of Friedland It is a lithograph from 1843 which represents one of the most significant victories of Napoleon Bonaparte.
This print is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Sheet size: cm. 11×16 approx.
  • Support: Paper
  • Condition: Excellent
  • Era: XIX
  • Technique: Lithography

The Battle of Friedland took place on 14 June 1807 in the present-day Russian territory of Kaliningrad, then known as Königsberg, and saw the French Grande Armée pitted against the Russian army led by General Levin August von Bennigsen.

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