Excellent

Showing 3697–3720 of 5177 results

Pistoia, San Giovanni Fuorcivitas, 1875

20,00 

Pistoia, San Giovanni Fuorcivitas è un’incisione del 1875 che rappresenta la Chiesa di San Giovanni Fuorcivitas.
This woodcut is taken from the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers.

  • Engraving size: cm. 12×16 approx.
  • Condition: Excellent state of preservation
  • Support: Paper
  • Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Pistoia, San Giovanni, 1834-1837

25,00 

Pistoia, San Giovanni It is a steel engraving made between 1834 and 1837.
This work comes from the volume Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 18×10 approx.
  • Support: Light paper
  • Condition: Excellent

Questa veduta è caratterizzata da un’animazione decorativa che la rende un pezzo affascinante per collezionisti e appassionati di arte.

Pistolesi, Theater of Nouveatés, 1850

25,00 

Nouveaute's Theatre it is an etching made by Saverio Pistolesi in 1850.
This work is part of the album Picturesque album designed and engraved by Saverio Pistolesi, dedicated to Vittorio Emanuele II, King of Sardinia.

  • Sheet size: cm. 35×26
  • Engraving size: cm. 10×7
  • Technique: Etching
  • Support: Cardboard
  • Condition: Excellent

Pitagora, 1883

20,00 

Pitagora It is a woodcut engraving made in 1883, taken from the volume Cent Tableaux de Science Pittoresque, published by Albert-Levy, Hacette et C., in Paris.
Questa stampa misura cm. 11×16, esclusi i margini, ed è stampata su un foglio leggero con retro stampato.

  • Sheet size: cm. 11×16 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Più felice di un re, 1850

20,00 

Più felice di un re è un’incisione realizzata nel 1850, che cattura l’essenza della gioia e della regalità.
The work, entitled Plus heureux que un roi!, è eseguita con la tecnica dell’Etching and of the Burin on medium thickness paper.

  • Engraving size: cm. 13×10 più margini
  • Condition: Excellent condition
  • Support: Paper

Plesiosauro, animali leggendari, 1843

20,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 11×15 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Poggio a Cajano, Prato, 1826

30,00 

Poggio a Cajano, Prato It is an engraving made by Anthony Verico in 1826.
This work is an etching on copper, from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Poiana, Desert Buzzard, 1875

25,00 

Poiana, Desert Buzzard è una litografia acquarellata d’epoca, realizzata nel 1875 e tratta dall’opera A HISTORY OF BIRDS OF EUROPE di Charles Robert Bree, pubblicata a Londra.
Questa affascinante stampa rappresenta un rapace in un contesto naturale, evidenziando la bellezza della fauna avicola europea.

  • Sheet size: cm. 16×25 approx.
  • Engraving size: cm. 14×22 approx.
  • Support: Strong paper with white back
  • Condition: Excellent condition

Poiana, Long-Legged Buzzard, 1875

25,00 

Poiana, Long-Legged Buzzard It is a vintage watercolour lithograph, made in 1875 and taken from A HISTORY OF BIRDS OF EUROPE by Charles Robert Bree.
Questa opera, pubblicata a Londra, presenta un’illustrazione dettagliata di un rapace, evidenziando la bellezza della fauna avicola europea.

  • Sheet size: cm. 16×25 approx.
  • Support: Strong paper with white back
  • Condition: Excellent condition

Polla, Salerno, 1860

15,00 

Polla, Salerno, 1860 è un’incisione xilografica su legno di tesa, realizzata nel 1860.
Questa opera presenta una didascalia in tedesco gotico ed è stata tratta da un libro tedesco.

  • Sheet size: mm. 240×190
  • Margins: almost absent
  • Condition: Excellent condition
  • Support: Light sheet, cut from the book with writing on the back

Pompeii, 1819

25,00 

Pompeii, 1819 It is an engraving made by TO THE CASTELLAN using the etching technique.
This work, which measures 105x140 mm, is taken from the volume Letters on Italy, published in Paris by A. Nepveu in 1819.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter, writer and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing to illustrated books such as View of Italy And View of the Alps.

Pompeii, 1835

30,00 

Pompeii, 1835 It is an engraving made by Vogel, which represents the City gate of Pompeii on the side of Herculaneum.
This work is a burin on copper sized 168×110 mm, with margins, and comes from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 16.8×11 approx.
  • Engraving size: cm. 16.8×11 approx.
  • Support: Medium paper
  • Condition: Excellent

Pompeii, 1840

30,00 

Pompeii, 1840 It is a steel engraving that captures the essence of the historic city of Pompeii.
Made in 1840 and published in the volume Picturesque Italy from the publisher Ernst Kollmann of Leipzig, this work is an example of high quality engraving art.

  • Sheet size: 14 x 23 cm approx.
  • Engraving size: 10.2 x 15.5 cm approx.
  • Support: Paper
  • Condition: Excellent general condition

Pompeii, Amphitheatre, 1830

40,00 

Pompeii, Amphitheatre It is a watercolour aquatint made by JW Huber in 1830, belonging to the first half of the 19th century.
This work is part of the publication Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich by Huber and Henry Fuessli.

  • Sheet size: cm. 9×12 (image) + 2 cm (margins)
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompeii, Amphitheatre, 1890

20,00 

Pompeii, Amphitheatre it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work represents an important historical and artistic testimony, with an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Pompeii, Amphitheatre, 1830

40,00 

Pompeii, Amphitheatre It is a watercolor aquatint made by JW Huber in the first half of the 19th century.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 (image) + 2 cm margins
  • Technique: Aquatint
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompeii, House of the Faun, 1890

20,00 

Pompeii, House of the Faun it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Pompeii, House of Castor and Pollux, 1892

20,00 

Pompeii, House of Castor and Pollux It is an engraving made in 1892 by the author Chevalier C. Abbé and engraved by Anastasi.
This work is taken from the volume Naples le Vesuve and Pompeii. Travel sketches, which offers a fascinating look at the historicity of Pompeii.

  • Sheet size: cm. 8×13 approx.
  • Support: Lightweight paper with printed back
  • Condition: Excellent

Pompeii, Entrance to the Forum, 1830

40,00 

Pompeii, Entrance to the Forum It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 approx.
  • Image size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompeii, Entrance of the Great Portico, 1830

40,00 

Pompei, Entrata del grande Portico It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 approx.
  • Image size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, Entrata della Basilica, 1830

40,00 

Pompei, Entrata della Basilica It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, Foro Civile, 1890

20,00 

Pompei, Foro Civile it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
Questa opera rappresenta un’importante testimonianza storica e culturale, con un’immagine di dimensioni cm. 10×12 circa, circondata da testo e con ulteriore testo al verso del foglio.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Pompei, Foro triangolare, 1892

25,00 

Pompei, Foro triangolare It is an engraving made in 1892 by the author Chevalier C. Abbé and engraved by Anastasi.
This work is taken from the volume Naples le Vesuve and Pompeii. Travel sketches, che offre una visione affascinante della storica Pompei.

  • Sheet size: cm. 8×13 approx.
  • Support: Lightweight paper with printed back
  • Condition: Excellent

Pompei, Interno della casa di Pansa, 1830

40,00 

Pompei, Interno della casa di Pansa It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the series Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, pubblicata a Zurigo tra il 1824 e il 1825.

  • Sheet size: cm. 9×12 approx.
  • Support: Light paper backed with another paper support
  • Condition: Excellent state of preservation

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