Excellent

Showing 3721–3744 of 5177 results

Pompei, La Porta di Ercolano, 1830

40,00 

Pompei, La Porta di Ercolano It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, pubblicato a Zurigo dall’autore e da Henry Fuessli e Comp. tra il 1824 e il 1825.

  • Sheet size: cm. 9×12 approx.
  • Image size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, La strada delle Tombe, 1830

40,00 

Pompei, La strada delle Tombe It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 approx.
  • Image size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent state of preservation

Pompei, La Strada delle Tombe, 1830

40,00 

Pompei, La Strada delle Tombe It is a watercolor aquatint made by JW Huber in the first half of the 19th century.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompeii, Door of the Villa of Herculaneum, 1830

40,00 

Pompei, Porta della Villa di Ercolano It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, Rovine del Tempio di Mercurio, 1830

40,00 

Pompei, Rovine del Tempio di Mercurio It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 approx.
  • Image size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, Rovine del Tempio di Venere, 1830

40,00 

Pompei, Rovine del Tempio di Venere It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 plus 2 cm margins
  • Engraving size: cm. 9×12 approx.
  • Support: Light paper backed with another paper support
  • Condition: Excellent state of preservation

Pompei, Strada delle Tombe, 1830

40,00 

Pompei, Strada delle Tombe It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 approx.
  • Image size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent state of preservation

Pompei, Strada delle Tombe, 1830

40,00 

Pompei, Strada delle Tombe It is a watercolor aquatint made by JW Huber in the first half of the 19th century.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 approx.
  • Image size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, Tempio di Giove, 1892

25,00 

Pompeii, Temple of Jupiter è un’incisione realizzata nel 1892, che rappresenta il famoso Temple of Jupiter situato nel Forum di Pompei.
This work is taken from the work Naples le Vesuve and Pompeii. Travel sketches del Chevalier Abbé, con incisione di Anastasi.

  • Sheet size: cm. 8×13 approx.
  • Support: Lightweight paper with printed back
  • Condition: Excellent

Pompei, Tempio di Iris, 1830

40,00 

Pompei, Tempio di Iris It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, pubblicato tra il 1824 e il 1825.

  • Sheet size: cm. 9×12 approx.
  • Image size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, Tempio di Iside, 1824

20,00 

Pompei, Tempio di Iside è un’incisione in rame realizzata nel 1824, tratta dall’opera Itineraire inscrutif de Rome a Naples del Chev. M. Vasi.
Questa incisione rappresenta uno dei monumenti più affascinanti dell’antica Pompei, catturando l’essenza della sua architettura e storia.

  • Sheet size: cm. 18,5×10 circa
  • Engraving size: cm. 12,5×7,5 circa
  • Support: Light paper
  • Condition: Excellent state of preservation

Pompei, Veduta del Foro, 1830

40,00 

Pompei, Veduta del Foro è un’incisione realizzata da J.W. Huber nel 1830, che offre una rappresentazione affascinante delle rovine dell’antica città di Pompei.
Questa acquatinta acquarellata è parte della serie Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, pubblicata a Zurigo tra il 1824 e il 1825.

  • Sheet size: cm. 11×14 circa (inclusi margini)
  • Engraving size: cm. 9×12 approx.
  • Technique: Aquatint
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, Via Consolare e Strada dei Sepolcri, 1835

30,00 

Pompei, Via Consolare e Strada dei Sepolcri è un’incisione realizzata nel 1835, che rappresenta l’ingresso della città di Pompei e la Strada dei Sepolcri.
Questa opera è stata realizzata da Cook e Durau, utilizzando la tecnica del burin on copper.

  • Sheet size: cm. 11×8 circa per ciascuna incisione
  • Support: Medium paper
  • Condition: Excellent
  • Taken from: “L’Italia, la Sicilia, le isole Eolie, l’isola d’Elba, la Sardegna, Malta, l’isola di Calipso ecc.” di AUDOT padre, 1835-1837

Questa incisione è caratterizzata da una nitidezza e finezza eccezionali, rendendola un pezzo prezioso per collezionisti e appassionati di arte.

Pompeo Colonna, 1846

20,00 

Pompeo Colonna è una litografia realizzata nel 1846, raffigurante Pompeo Cardinal Colonna, nono viceré di Napoli.
This work is taken from the volume Picturesque Polyorama, published in Naples.

  • Size of the joke: cm. 12×11
  • Support: Light paper
  • Condition: Excellent condition
  • Back: Printed

Viene spedito l’intero foglio tratto dal libro.

Pontassieve, Firenze, 1837

20,00 

Pontassieve, Firenze, 1837 è una litografia che rappresenta il famoso Ponte a Sieve.
This work is taken from the volume Universal Pictorial Warehouse, pubblicato a Genova nel 1837.

  • Sheet size: cm. 21×12 approx.
  • Engraving size: cm. 12×7 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent state of preservation

Ponte a S.Trinità di Firenze, 1826

20,00 

Ponte a S.Trinità di Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Ponte a Signa, Firenze, 1826

20,00 

Ponte a Signa, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Ponte alla Carraja di Firenze, 1826

20,00 

Ponte alla Carraja di Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching rappresenta un’importante veduta della città di Firenze, ed è parte del volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Ponte alla Carraja e Palazzo Corsini, Firenze, 1826

20,00 

Ponte alla Carraja e Palazzo Corsini, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Ponte S.Giorgio in Mantua, 1837

20,00 

St. George Bridge in Mantua it is an engraving made in 1837, which represents a suggestive view of the S. Giorgio bridge and Castel Vecchio in Mantua.
This work is taken from Pictorial Cosmorama, an innovative magazine for its time, which gave great importance to illustrations.

  • Sheet size: cm. 14×10 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: Almost no margins, cut from the book with writing on the back partially visible.

The print ships complete with mat, making it a beautiful decorative display for any collector.

San Pietro Bridge, on the Brembo, 1890

20,00 

Ponte San Pietro, sul Brembo è una stampa xilografica realizzata nel 1890, che ritrae il famoso ponte situato a Bergamo.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 12 x 10 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20
  • Image size: cm. 12×10 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Ponte santa Trinità 1833-35

30,00 

Ponte Santa Trinità It is an engraving made by James Duffield Harding between 1833 and 1835.
Questa suggestiva veduta di Firenze è tratta da The Landscape Annual of London.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Acquaforte su acciaio
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

La stampa presenta una nitida e ben contrastata rappresentazione del ponte, animata da dettagli vivaci.

Pontida, Bergamo, 1890

20,00 

Pontida, Bergamo, 1890 it's a woodblock print which offers a fascinating panorama of the locality of Pontida, built in 1890.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 12 x 10 cm, surrounded by text and with additional annotations on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 12×10 approx.
  • Support: Paper
  • Condition: Excellent

Pordenone, Panorama, 1890

20,00 

Pordenone, Panorama it's a woodblock print created in 1890, based on a late nineteenth-century Italian text.
This work features an image measuring approximately 9x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

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