Excellent

Showing 553–576 of 1736 results

Florence, Cathedral, 1835

25,00 

Firenze, Cattedrale It is an engraving made at burin nel 1835, che offre una splendida veduta della cattedrale di Firenze.
This work is taken from Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 190×117
  • Support: Light paper
  • Condition: Excellent state of preservation
  • Margins: Good margins
  • Back: White

Florence, Church of Santo Spirito, 1834-1837

25,00 

Firenze, Chiesa di Santo Spirito It is a steel engraving made between 1834 and 1837.
This work is taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe… by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 16×10 approx.
  • Support: Light paper
  • Condition: Excellent condition

Questa veduta animata e decorativa rappresenta un’importante testimonianza della bellezza architettonica di Firenze.

Florence, Court of the Palazzo Vecchio and Pazzi Chapel, 1834-1837

25,00 

Firenze, Corte del Palazzo Vecchio e Cappella Pazzi It is a double steel engraving made between 1834 and 1837.
This work is taken from the volume Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 11x8 approximately for each
  • Support: Lightweight paper, white back
  • Condition: Excellent condition

Questa incisione presenta vedute animate e decorative, rendendola un’aggiunta preziosa per collezionisti e appassionati d’arte.

Florence, Loggia dei Lanzi, 1819

40,00 

Firenze, Loggia dei Lanzi It is an engraving made by TO THE CASTELLAN in 1819.
Questa opera è un’acquaforte che misura la battuta di cm. 13×20, stampata su un foglio di cm. 20×24, su carta vergellata con retro bianco.

  • Era: XIX
  • Technique: Burin
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

The work is taken from Letters on Italy, published in Paris by A. Nepveu in 1819.
Antoine-Laurent Castellan, nato a Montpellier nel 1772 e morto a Parigi nel 1838, è stato un rinomato pittore, scrittore e incisore, decorato della Legion d’onore e membro dell’Accademia di Belle Arti.

Florence, Palazzo del Podestà, 1834-1837

25,00 

Firenze, Palazzo del Podestà It is a steel engraving made between 1834 and 1837.
This work comes from the volume Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 16×10 approx.
  • Support: Light paper
  • Condition: Excellent condition

Questa veduta offre un’affascinante rappresentazione animata e decorativa del Palazzo del Podestà, rendendola un’aggiunta preziosa per collezionisti e appassionati di arte.

Florence, Palazzo del Podestà, 1835

20,00 

Firenze, Palazzo del Podestà It is a burin engraving made in 1835, che offre una vista affascinante dell’interno del palazzo.
This work is taken from “Italie par Chevalier ARTAUD, Sicile par M.DE LA SALLE” and features a joke mm. 95×140 più margini.

  • Sheet size: Small
  • Technique: Burin
  • Condition: Excellent
  • Support: Steel

La stampa si distingue per la sua finezza e il contrasto, rendendola un pezzo pregiato per collezionisti e appassionati di arte.

Firenze, Palazzo del Podestà, 1838

20,00 

Firenze, Palazzo del Podestà è un’incisione anonima realizzata nel 1838, che rappresenta un’importante veduta del Palazzo del Podestà a Firenze.
This work is taken from the volume Picturesque Omnibus, published in Naples.

  • Sheet size: mm. 145×95 approx.
  • Support: Medium paper
  • Condition: Excellent
  • Testo al retro: Present

Firenze, Palazzo del Podestà, 1840

30,00 

Firenze, Palazzo del Podestà è un’incisione in acciaio realizzata nel 1840, che offre una beautiful view del palazzo animata da personaggi all’interno.
This work is part of the volume Picturesque Italy, published by Ernst Kollmann in Leipzig.

  • Sheet size: mm. 140×230
  • Engraving size: mm. 100×160
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

L’incisione presenta ampi margini e una nitidezza ben contrastata, rendendola un pezzo pregiato per collezionisti e appassionati d’arte.

Florence, Pitti Palace, 1834

25,00 

Florence, Pitti Palace It is a steel engraving made in 1834.
This work is taken from the volume Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich, published in Frankfurt am Main: Comptoir für Literatur und Kunst.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Excellent, with sporadic blooms on the white back

Firenze, Panorama, 1860

40,00 

Firenze, Panorama è un’incisione al bulino realizzata dai Rouargue Frères nel 1860.
This work is taken from the volume Voyage picturesque in Italy, northern part by P. De Musset.

  • Sheet size: cm. 16×25 approx.
  • Engraving size: cm. 17×12 approx.
  • Support: Thick paper
  • Condition: Perfect state of preservation

La stampa presenta una nitida e fine incisione, animata da un panorama suggestivo di Firenze.

Firenze, Piazza del Granduca, 1860

40,00 

Florence, Grand Duke's Square It is a burin engraving made by the Rouargue brothers in 1860.
This work is taken from the volume Voyage picturesque in Italy, northern part by P. De Musset.

  • Sheet size: cm. 16×25 approx.
  • Engraving size: cm. 17×12 approx.
  • Support: Thick paper
  • Condition: Perfect state of preservation

La incisione è caratterizzata da una nitidezza e una finezza che la rendono particolarmente animata.

Firenze, Piazza di Santa Trinità, 1834-1837

25,00 

Firenze, Piazza di Santa Trinità It is a steel engraving made between 1834 and 1837.
This work comes from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 16×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

This view is lively and decorative, perfect for art and history lovers.

Florence, Holy Trinity Bridge, 1835

20,00 

Firenze, Ponte della Santissima Trinità It is an engraving made at burin In the 1835.
This work is taken from “Italie par Chevalier ARTAUD, Sicile par M.DE LA SALLE” e presenta una bella e animata veduta del celebre ponte fiorentino.

  • Sheet size: mm. 95×140 approx.
  • Support: Steel
  • Condition: Excellent

Firenze, Ponte della Trinità, 1835

25,00 

Firenze, Ponte della Trinità è un’incisione realizzata al bulino nel 1835, che offre una beautiful panoramic view della città di Firenze.
This work is taken from “Italie picturesque tableau historique et descriptif de l’Italie…” by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 190×117
  • Technique: Burin
  • Condition: Excellent state of preservation
  • Support: Light paper
  • Margins: Good margins
  • Back: White

Questa incisione si distingue per la sua nitidezza e il suo valore decorativo.

Firenze, Pratolino 1834-1837

25,00 

Firenze, Pratolino 1834-1837 è un’incisione in acciaio che cattura la bellezza di una veduta animata e decorativa della regione.
Made between 1834 and 1837, this work is taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 16×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Firenze, San Lorenzo, 1834-1837

25,00 

Firenze, San Lorenzo It is a steel engraving made between 1834 and 1837.
This work comes from the volume Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe by Audot Père, published in Paris.
La veduta è animata e decorativa, rappresentando un’importante testimonianza storica.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 16×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Firenze, Sponde dell’Arno, 1840

10,00 

Firenze, Sponde dell’Arno It is a copper engraving made in 1840 da Cremona e Segoni.
This work is taken from Picturesque Omnibus, an artistic and literary encyclopedia with copper-engraved figures, edited by Vincenzo Torelli.

  • Sheet size: cm. 10×6 circa, con margini più piccoli
  • Technique: Burin
  • Support: Paper
  • Condition: Excellent state of preservation

La stampa è stata ritagliata dal libro e presenta scritte al retro, offrendo una bella veduta decorativa di Firenze.

Foligno, Church of S. Francesco and S. Feliciano, 1834

35,00 

Foligno, Church of S.Francesco and S.Feliciano It is a double steel engraving made between 1834 and 1837.
This work is taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Dimensions of each engraving: cm. 11×8 approx.
  • Support: Lightweight paper, white back
  • Condition: Excellent state of preservation

The views are lively and decorative, making this work an interesting collector's piece.

Fonte Bandusia, 1829

35,00 

Fonte Bandusia, 1829 è un’incisione a bulino su rame che rappresenta una suggestiva veduta della Fonte Nocella, identificata con la Fons Bandusiae celebrata nelle Odi di Orazio.
This work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper
  • Condition: Excellent

Forte di Bard, 1840

40,00 

Forte di Bard, 1840 è un’incisione in acciaio realizzata da James Duffield Harding, un noto pittore paesaggista inglese.
Questa opera, che misura mm. 100×140, è tratta dal volume Views of Cities and Scenery in Italy, France, and Switzerland by Samuel Prout and J.D. Harding.

  • Sheet size: mm. 100×140 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation
  • Characteristics: Retro bianco, rara e decorativa

Francis of Civille, 1843

15,00 

Francis of Civille It is an engraving made in 1843 by Morgese, using the technique of burin.
This work is taken from The Picturesque Omnibus, published in Naples in the same year.
L’incisione presenta scritte sul retro e misura circa cm. 8×12 con margini più piccoli.

  • Sheet size: Small
  • Condition: Excellent state of preservation
  • Support: Copper

Francesco Gianni, 1842

15,00 

Francesco Gianni, 1842 è un’incisione in rame di dimensioni cm. 10×12, estratta dal volume Picturesque Omnibus, published in Naples in 1842.
Questa opera presenta scritte al retro e proviene da una pagina intera del libro, rendendola un pezzo unico per collezionisti e appassionati.

  • Sheet size: cm. 10×12 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Francesco Guicciardini, 1847

15,00 

Francesco Guicciardini It is a copper engraving made in 1847, taken from thePicturesque Omnibus of Naples.
This work represents the famous Italian historian and politician, born in Florence in 1483 and died in Arcetri in 1540.

  • Sheet size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

The print has been removed from the book and has writing on the back. The full page containing the print is shipped.

Francis I of Valois, 1842

15,00 

Francesco I di Valois è un’incisione in rame realizzata nel 1842, tratta dal volume The Picturesque Omnibus of Naples.
Questa opera rappresenta Francesco I, re di Francia dal 1515 al 1547, e offre uno sguardo affascinante sulla storia della dinastia Valois-Angoulême.

  • Sheet size: cm. 10×12 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al retro.

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