Excellent

Showing 625–648 of 1875 results

Woman in a Satin Dress, G.Terburg, 1840-50

20,00 

Donna in abito di raso è un’incisione realizzata da G. Terburg tra il 1840 e il 1850.
This work, also known as A Lady in a Satin Dress, is an etching on strong paper, published in the Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27 approx.
  • Condition: Excellent state of preservation
  • Support: Strong paper

Dutch Woman, C.Netcher, 1840-50

20,00 

Donna Olandese è un’incisione realizzata da C. Netcher tra il 1840 e il 1850.
This work, also known as The Needlwoman, is an etching on strong paper, published in the prestigious Payne's Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent condition

Donna Saracinese, 1840

60,00 

Donna Saracinese è un’acquaforte acquarellata realizzata nel 1840, tratta dall’opera Costumes of Rome and its surroundings, drawn by various artists and engraved by Salvatore Marroni.
Questa incisione è stata pubblicata a Roma, presso l’editore e calcografo Tommaso Cuccioni, situato in Via della Croce N.88.

  • Sheet size: cm. 32×22
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

Women Praying, Ary Scheffer, 1845

20,00 

Donne che pregano It is a lithograph made by Ary Scheffer in 1845.
This work was published in the magazine Art crown between 1845 and 1846.

  • Sheet size: cm. 32×25 approx.
  • Print Size: cm. 20×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Women of Polla, Salerno

30,00 

Women of Polla, Salerno è una litografia che rappresenta il costume tradizionale delle donne di Polla nel Vallo di Diano, nel Principato Citeriore (Salerno), realizzata nel 1854.
This print is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Sheet size: cm. 30×20 approx.
  • Lithograph dimensions: cm. 14×20 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

La litografia è stata ritagliata dal libro e presenta scritte al verso; verrà spedita la pagina intera che contiene la stampa.

Dopo aver girovagato, W.French, 1840-50

20,00 

Dopo aver girovagato It is an etching made by W. French between 1840 and 1850.
Questa opera è pubblicata in Payne's Universum und Buch der Kunst, published in Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Engraving size: unspecified
  • Support: Medium thickness paper
  • Condition: Excellent condition

In basso a destra si trova la firma dell’artista: W. French sc.
Albert Henry Payne, incisore e editore inglese, ha fondato la sua casa editrice a Lipsia nel 1838, mentre William French, artista inglese, ha collaborato con lui fino alla sua morte nel 1898.

Dopo la luna di miele, A.H.Payne, 1840-50

20,00 

Dopo la luna di miele It is an engraving made by A.H. Payne between 1840 and 1850.
This work, entitled Nach den Flitternvochen, is an etching on medium-thickness paper, published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition

In basso a destra si trova la firma dell’artista, A.H. Payne sc.
Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.

Doria Andrea, 1857

30,00 

Doria Andrea, 1857 it is an original etching, from the Italian Iconoteca, which contains sixty portraits of illustrious Italians.
Made in Florence in 1857, this work portrays Andrea Doria, an important admiral and politician of the Republic of Genoa, born in Oneglia in 1466 and died in Genoa in 1560.

  • Sheet size: cm. 23×32
  • Size of the joke: cm. 14×18
  • Support: Strong paper
  • Condition: Excellent, with some light blooming at the edges which does not affect the engraving

Dresden, Germany, 1840-50

20,00 

Dresden, Germany It is an etching made between 1840 and 1850, published in the Royal Dresden Gallery by AH Payne and W. French.
This work represents an important artistic testimony of the time, made on strong paper with a white back.

  • Sheet size: cm. 21×27
  • Engraving size: cm. 21×27 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575

180,00 

The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575, a fundamental work for the study of ancient architecture.
This etching on laid paper measures approximately cm. 16×28 and is trimmed to the marginal line. At the bottom, there is a detailed description of the monument and the site depicted, which offers important historical testimony.

  • Description of the monument: Remains of the Septizonium of Emperor Severus I, a tomb located along the Appian Way, designed to be visible to those coming from Africa.
  • Architectural details: Corinthian style building, with columns of different stones, some striated and others smooth, and marble decorations.
  • Popular name: Also known as Virgil's school.

Du Perac Etienne, architect and engraver, began his career in Venice before moving to Rome, where he made drawings of ancient monuments. His work, The Vestiges of Ancient Rome, is composed of a frontispiece and 39 plates, accompanied by historical-descriptive inscriptions that provide information on the monuments represented.

Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575

180,00 

The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575.
This work is an important collection of drawings of ancient monuments, executed with great precision and attention to detail.

  • Sheet size: cm. 16×28 approx.
  • Engraving size: trimmed to the marginal line
  • Support: Laid paper
  • Condition: Excellent state of preservation

At the bottom, the engraving contains a description of the Antonine Column, with historical and architectural details that enrich the work.
Du Pérac, architect and engraver, dedicated his life to the study of antiquity, creating a volume that is a precious document for the history of Roman art and architecture.

Two birds, 20th century

30,00 

Two Birds it's a chromolithography made in 20th century, che cattura l’attenzione con la sua bella rappresentazione di due uccelli.
Questa opera è stampata su carta di medio spessore e presenta dimensioni di cm. 22×16 senza margini.

  • Sheet size: cm. 22×16 approx.
  • Condition: Excellent
  • Support: Medium thickness paper

Two birds, 20th century

30,00 

Two Birds it's a chromolithography made in 20th century, which captures attention for its beautiful representation.
This work, with dimensions of cm. 22×16 without margins, it stands out for the liveliness of its colours and attention to detail.

  • Sheet size: cm. 22×16 approx.
  • Technique: Chromolithography
  • Condition: Excellent
  • Support: Medium thickness paper

Dujardin or Du Jardin, Bashan, 1771

30,00 

Dujardin o Du Jardin It is an engraving made by Pierre-François Basan in 1771, part of the Cabinet of the Duke of Choiseul.
This work is a collection of prints che raccoglie incisioni basate sui dipinti del Duc de Choiseul, pubblicata a Parigi.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 13×15 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Dujardin or Du Jardin, Bashan, 1771

30,00 

Dujardin o Du Jardin It is an engraving made by Pierre-François Basan in 1771, part of the Cabinet of the Duke of Choiseul.
Questo volume raccoglie una serie di estampes incise da opere del celebre pittore olandese Karel Dujardin, noto per i suoi paesaggi italiani.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 13×15 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

E. F. Burney, A.Ragona, Pastore, 1780

60,00 

Pastore It is an engraving made by Edward Francis Burney nel 1780, con la collaborazione dell’incisore Antonio Ragona.
Questa opera rappresenta un pastore afflitto che osserva una pecorella morta, catturando un momento di profonda emozione.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 23×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Excellent state of preservation

Behold the Man, F.Vecellio, 1840-50

20,00 

Behold the Man it is an engraving made by F. Vecellio between 1840 and 1850.
This work is an etching on strong paper, published in Payne's Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent condition

Edoardo Dalbono (1841-1915), Watercolor, 1900

520,00 

La Nutrice It is a watercolor made by Edoardo Dalbono nel 1900, un’opera che cattura l’essenza della vita quotidiana napoletana.
Questo splendido acquarello, di dimensioni cm. 28×30, è controcollato su un altro supporto cartaceo e firmato in basso a sinistra con la sigla E.Dalbono.

  • Sheet size: cm. 28×30
  • Support: Paper
  • Condition: Excellent

L’opera ritrae due donne napoletane: una nobildonna di spalle e una prosperosa popolana nel momento finale dell’allattamento. Il piccolo, satollo, trattiene la mano sulla mammella ancora gonfia, esprimendo la verità e la bellezza della scena.
Edoardo Dalbono, esponente del Verismo, ha saputo trasmettere con maestria le emozioni e le attitudini dei suoi soggetti.

Egypt, The City of Tombs, W.French, 1840-50

20,00 

Egypt, The City of Tombs It is an etching made by W. French between 1840 and 1850.
This work, entitled The Graber City, is printed on medium-thickness paper and has a white back.

  • Sheet size: cm. 21×27
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

The press was published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.
William French, an English artist, collaborated with the publishing house of Albert Henry Payne, a prominent engraver and designer, active in Leipzig from 1838.

Church of the Trinity in Paris. Paris 1869

11,00 

Eglise de la Trinitè a Paris è un’incisione realizzata nel 1869, che rappresenta la celebre chiesa parigina.
This work is taken from the Picturesque Store del 1869 ed è stato disegnato da H Clerget.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 22×15 approx.
  • Support: Light paper
  • Condition: Excellent

El Jemm, Tunisia, Amphitheatre, 1850

30,00 

El Jemm, Tunisia, Anfiteatro è un’incisione realizzata nel 1850, che offre una splendida veduta di questo storico anfiteatro.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Perfect

Questa incisione si distingue per la sua nitidezza e vivacità, rendendola un’aggiunta preziosa per collezionisti e appassionati di arte.

El Kaf, Tunisia, 1850

30,00 

El Kaf, Tunisia It is an engraving made in 1850, which offers a wonderful view della regione.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32
  • Engraving size: cm. 13×18
  • Support: Strong paper
  • Condition: Excellent

Elisha, Giorgio Vasari, 1850

25,00 

Eliseo è un’incisione realizzata da Saverio Pistolesi nel 1850, ispirata al celebre dipinto di Giorgio Vasari.
Questa opera fa parte dell’album Picturesque album designed and engraved by Saverio Pistolesi dedicated to the majesty of Vittorio Emanuele II king of Sardinia, published in Florence in 1850.

  • Sheet size: cm. 35×26 approx.
  • Engraving size: cm. 22×15 approx.
  • Support: Cardboard
  • Condition: Excellent state of preservation

Elisha, Giorgio Vasari, 1850

25,00 

Eliseo è un’incisione realizzata da Saverio Pistolesi nel 1850, ispirata al celebre dipinto di Giorgio Vasari.
Questa opera fa parte dell’album Picturesque album designed and engraved by Saverio Pistolesi dedicated to the majesty of Vittorio Emanuele II king of Sardinia, published in Florence in 1850.

  • Sheet size: cm. 35×26 approx.
  • Engraving size: cm. 22×15 approx.
  • Support: Cardboard
  • Condition: Excellent state of preservation

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