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Showing 625–648 of 805 results

Pierre-Jean Mariette, Chantilly

40,00 

Pierre-Jean Mariette, Le Bassin quarré-long près le Potager a Chantilly It is an engraving made in the 18th century.
This work is a fine example of Mariette's mastery, signed at the bottom with In Paris chez I.Mariette rue S.Jacques a la Victoire with Privilege du Roy.

  • Sheet size: mm. 112×175 at the copper edge
  • Technique: Burin
  • Condition: Excellent condition
  • Support: Laid paper

Pierre-Jean Mariette, Chantilly

40,00 

Le Salon du Jardin de Silvie in Chantilly It is an engraving made by Pierre-Jean Mariette in the 18th century.
This work, performed with the technique of Burin, represents a fascinating glimpse of the Chantilly garden.

  • Sheet size: mm. 122×195 at the copper edge
  • Condition: Excellent condition
  • Support: Laid paper

Pierre-Jean Mariette, Versailles

40,00 

Pierre-Jean Mariette, Versailles It is an engraving made by Pierre-Jean Mariette in the 18th century.
This work, entitled Water Theater with the new mutations in Versailles, is performed with the technique of Burin on laid paper.

  • Sheet size: mm. 162×222 at the copper edge
  • Condition: Excellent condition

Pierrot, 18th century

40,00 

Pierrot è una litografia acquarellata d’epoca che rappresenta i personaggi della commedia tedesca, risalente al 18th century.
This work is made on laid paper di medio spessore e presenta una scritta in tedesco con note editoriali nella parte inferiore.

  • Sheet size: cm. 26×18 approx.
  • Condition: Excellent
  • Technique: Lithography
  • Dimensions: Small

Pieter Neefs (1578-1661), Bashan, 1771

30,00 

Pieter Neefs (1578-1661), Bashan, 1771 It is an engraving made by Pieter Neefs, a Flemish painter known for his architectural church interiors.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints from works by the Duc de Choiseul, published in 1771 by Pierre-François Basan.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×21 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Pieter van der Werff, Bashan, 1771

30,00 

Pieter van der Werff, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

Pieter van der Werff (1665 – 1722) was a Dutch Golden Age painter, known for his collaboration with his brother Adriaen van der Werff.

Pieter van der Werff, Bashan, 1771

30,00 

Pieter van der Werff, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise basate sui dipinti del duca.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 13×10 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Pieter van der Werff (1665 – 1722) è noto come un pittore dell’età d’oro olandese, che ha collaborato con suo fratello Adriaen van der Werff.

Pieter van Laer called Bamboccio, The Servants, 1786

50,00 

Pieter van Laer called the Bamboccio, The Servants It is an engraving made in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.

  • Taken from: Galerie Du Palais Royal, with works from different schools
  • Description: Includes an abbé of the painters' lives and a historical description of each painting, by Mr l'abbé de Fontenai
  • Dedication: To HSH Monseigneur le Duc d'Orléans, Premier Prince du Sang
  • Published by: J. Couche, Paris, 1786
  • Condition: Excellent condition, nice proof with good contrast

Pietro Da Cortona (Pietro Berrettini), Jacob's Flight, 1786

70,00 

Jacob's Escape It is an engraving made by Peter From Cortona (Pietro Berrettini) in the 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approximately (including the editorial frame)
  • Condition: Excellent condition, nice proof with good contrast
  • Support: Laid paper

Pisa, Piazza dei Miracoli, 1724

40,00 

Pisa, Square of Miracles It is an engraving made in 1724, which offers a beautiful animated view di uno dei luoghi più iconici d’Italia.
This work is taken from the volume Nieu We Reize van Misson naen door Italy, di Francois van Misson, pubblicato a Utrecht.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Engraving size: cm. 16×12 approx.
  • Technique: Etching
  • Support: Medium paper with white back
  • Condition: Excellent

Pula, Arch of Triumph, 1796

40,00 

Pula, Arch of Triumph It is an engraving made in 1796, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by lively animation and well-defined contrast. On the back of the print there is a detailed explanation of the work.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Civita Castellana Bridge, 1798

40,00 

Civita Castellana Bridge It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by lively animation and well-defined contrast. On the back of the print there is a detailed explanation of the work.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Ponte presso Vicovaro, 1798

40,00 

Ponte presso Vicovaro è un’incisione realizzata nel 1798, che offre una splendida veduta del ponte situato a Vicovaro.
This work is taken from the volume Tour Through Italy del Rev. John Chetwode Eustace, pubblicato a Londra da J. Mawman nel 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

The print features a beautiful view, animated and well contrasted, with an explanation on the back.

Pourbus, Basan, 1771

30,00 

Cabinet of the Duke of Choiseul It is an engraving made by Pierre-François Basan in 1771.
Questa opera fa parte di un collection of prints che raccoglie le incisioni tratte dai dipinti del cabinet di Monseigneur le Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Pozzuoli, Amphitheatre, 1707

20,00 

Pozzuoli, Amphitheatre It is an engraving made in 1707, which represents the remains of the Roman amphitheatre of Pozzuoli.
This work is taken from the volume The delights of Italy by De Rogissart, published in Paris.

  • Sheet size: cm. 65×121 approx.
  • Engraving size: cm. 65×121 approx.
  • Support: Paper
  • Condition: Excellent

Pozzuoli, Saint-Non, 1781-1786

40,00 

Pozzuoli, Saint-Non, 1781-1786 è un’incisione che rappresenta una vista di una delle principali carriere di pouzzolane.
Realizzata in acquaforte, questa opera misura circa mm. 230×165, con margini irregolari.
It is part of the volume Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily, scritto e illustrato dall’Abate Jean-Claude Richard de Saint-Non.

  • Sheet size: Great
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Questa bella veduta è animata e rappresenta un’importante testimonianza del paesaggio napoletano del XVIII secolo.

Purgatory, Dante, 1757

40,00 

Purgatorio è un’incisione realizzata nel 1757, ispirata alla celebre opera The Divine Comedy by Dante Alighieri.
Questa incisione rappresenta il tema del Purgatorio, con elementi simbolici come il serpente e gli angeli, e riflette i concetti di fede e speranza.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Questa opera è parte di un volume dedicato alla Sagra Imperiale Maestà di Elisabetta Petrowna, Imperatrice di tutte le Russie, pubblicato a Venezia tra il 1757 e il 1758 da Antonio Zatta.

Purgatory, Envy, 1757

40,00 

Purgatorio, Invidia It is an engraving made in 1757, part of the famous work The Divine Comedy by Dante Alighieri, arricchita da annotazioni e decorazioni.
Questa acquaforte, stampata su carta vergellata, presenta un formato di cm. 20×13 alla battuta del rame, su un foglio di cm. 28×21.

  • Sheet size: cm. 28×21
  • Engraving size: cm. 20×13
  • Support: Laid paper
  • Condition: Excellent

Rembrandt van Rijn, Bashan, 1771

30,00 

Rembrandt van Rijn, Bashan, 1771 It is an engraving of great historical value, part of the Cabinet of the Duke of Choiseul.
This work is a collection of prints made by Pierre-François Basan, which collects the engravings taken from the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 13×10 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Rembrandt van Rijn, Bashan, 1771

30,00 

Rembrandt van Rijn, Bashan, 1771 It is an engraving made by Rembrandt, published by Pierre-François Basan in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints from works by the famous Dutch painter.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Rembrandt Van Rijn, Saint Francis, 1786

60,00 

Saint Francis It is an engraving made by Rembrandt Van Rijn in 1786.
This work is an etching on laid paper without watermark, coming from Gallery of the Palais Royal.

  • Sheet size: cm. 24×37 approx.
  • Condition: Excellent condition, nice proof with good contrast

The engraving is dedicated to HSH Monseigneur le Duc d'Orléans, First Prince of the Blood, and was published by J. Couché in Paris in 1786.

Richard Earlom, Scena pastorale, 1775

60,00 

Scena pastorale It is an engraving made by Richard Earlom nel 1775, ispirata all’opera di Claude le Lorrain.
This work is an example of aquatint e presenta una dimensione di mm. 208×258, su un foglio di carta vergellata pesante di mm. 270×385.

  • Sheet size: mm. 270×385
  • Engraving size: mm. 208×258
  • Support: Heavy laid paper
  • Condition: Excellent condition

In basso a sinistra si trova la firma di Claude le Lorrain, mentre a destra quella di R. Earlom. Al centro in basso è presente la dicitura: Published Sept. 1775 by John Boydell Engraver in Cheapside.

Roma, Arco di Costantino, 1771

30,00 

Roma, Arco di Costantino It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Excellent condition

L’incisione è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Yverdon Encyclopedia, published in Switzerland.
Questa edizione, meno influenzata dal pensiero francese e più neutra in ambito religioso, è conosciuta come enciclopedia protestante e ha avuto una notevole diffusione nel Nord Europa.

Roma, Arco di Costantino, 1796

40,00 

Roma, Arco di Costantino è un’incisione realizzata nel 1796, che offre una vista affascinante di uno dei monumenti più iconici di Roma.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

La stampa presenta una bella veduta, animata e ben contrastata, con spiegazioni dettagliate al retro.

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