Excellent

Brunswick, St. Munster, 1614

60,00 

Brunswick, St. Munster, 1614 is a historical view of the city of Braunschweig, located in Lower Saxony, Germany.
This engraving is taken from the famous work Cosmography Universalis by Sebastian Munster, published in Basel in 1614.

  • Sheet size: cm. 36×22 approx.
  • Engraving size: cm. 12.5×15 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Ca d'oro, Venice, 1883

20,00 

Ca d'oro, Venice It is a woodcut made in 1883, which represents one of the most iconic buildings in Venice.
This work is printed on light paper with printed back and comes from a French book.

  • Size of the joke: mm. 305×200
  • Sheet size: cm. 28×39
  • Support: Light paper
  • Condition: Excellent condition

Camillo Benso Count of Cavour, 1884

30,00 

Camillo Benso Count of Cavour It is a woodcut engraving made in 1884, extracted from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work represents a historical figure of great importance for Italy, and the entire sheet containing the print, measuring 25x35 cm, will be sent.

  • Sheet size: cm. 25×35
  • Support: Paper
  • Condition: Excellent

Campidonia, St.Munster, 1614

90,00 

Campidonia, St.Munster it's a view of Kempten, Germany, made by Sebastian Munster in 1614. This engraving is extracted from the Cosmography Universalis, a fundamental work for the cartography of the period.
The engraving is monogrammed at the bottom left with the initials GS Of Gregorius Sickinger (1558-1631). On the back there is a writing that adds further historical value to the work.

  • Sheet size: cm. 36×22 approx.
  • Engraving size: cm. 12×15 approx.
  • Support: Watercolored laid paper
  • Condition: Excellent state of preservation

Neapolitan Songs, Graziella, I Love You Very Much, 1884

30,00 

Neapolitan Songs, Graziella, I love you very much it's a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work represents an important testimony of the Neapolitan musical culture of the time.

  • Sheet size: cm. 25×35 approx.
  • Support: Paper
  • Condition: Excellent

Carlo Cattaneo young, 1884

30,00 

Carlo Cattaneo young It is a woodcut engraving made in 1884, extracted from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This piece represents an important historical and artistic testimony of the era.

  • Sheet size: cm. 25×35 approx.
  • Support: Paper
  • Condition: Excellent

Map of the Duchy of Lucca, 1842

90,00 

Map of the Duchy of Lucca It is an engraving made in 1842, which represents the territory of Lucca during Roman rule and in the Middle Ages.
This work is a physical, historical and statistical chorography of Italy and its islands, created by Attilio Zuccagni-Orlandini.

  • Sheet size: cm. 45×62
  • Engraving size: cm. 45×62
  • Support: Thick engraving paper
  • Condition: Perfect state of preservation
  • Technique: Etching finished with a burin

This detailed map offers a historical overview of the city of Lucca and its surroundings.

Map of Northern Italy, 1836

40,00 

Map of Northern Italy è un’incisione in rame realizzata da Th. Duvotenay nel 1836.
Questa carta, parte delle carte routiere de l’Italie, è una rappresentazione dettagliata e decorativa dell’Italia Settentrionale.

  • Sheet size: cm. 55×37 circa
  • Engraving size: cm. 47×29 circa
  • Support: Lightweight paper, white back
  • Condition: Excellent

Map of the Barbarian invasion in Europe, 1865

60,00 

Carta dell’invasione dei Barbari in Europa è una mappa storica realizzata nel 1865, disegnata da Naymiller e incisa da Allodi.
Questa carta colorata offre una rappresentazione dettagliata degli eventi storici legati all’invasione dei Barbari in Europa, ed è parte dell’opera Atlas of Universal Geography Chronological, Historical, Statistical and Literary di Francesco Pagnoni.

  • Sheet size: cm. 49 x 38 circa
  • Paper size: cm. 40 x 32 circa
  • Support: Paper
  • Condition: Excellent

Catania, Water Cistern, Saint-Non, 1781-86

40,00 

Catania, Cisterna dell’acqua It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies, an encyclopedic work illustrated by the author himself.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Questa incisione offre una bella veduta animata della Sicilia, rappresentando un’importante testimonianza storica e artistica.

Knight of Jerusalem, 1850

30,00 

Cavaliere Gerosolimitano è un’incisione realizzata nel 1850, rappresentante un Cavaliere Gerosolimitano di Devozione.
Questa opera è stata disegnata da A. Moneta e incisa da C. Liberali, utilizzando la tecnica dell’Acquaforte colorata all’acquarello.

  • Sheet size: cm. 35×24
  • Support: Thick paper
  • Condition: Excellent condition

Searching for Harold's Body, 1850-60

20,00 

Cercando il corpo di Harold It is an engraving made between 1850 and 1860, inspired by a work in the Royal Collection.
Questa incisione è stata pubblicata nell’Art Journal Engraving e combina le tecniche dell’etching and of the burin.

  • Sheet size: cm. 32×24
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Circle of Jakob Philipp Hackert, Gouache, 1794

1.600,00 

Cerchia di Jakob Philipp Hackert è una splendida gouache realizzata nel 1794.
Questa opera, di soggetto bucolico, presenta una fattura dettagliata delle mucche e un sapiente uso dei verdi, che rendono plausibile l’attribuzione a Jakob Philipp Hackert o a un suo seguace.

  • Dimensioni dell’ovale: cm. 37×48
  • Dimensioni del cartoncino: cm. 41×51
  • Support: Carta spessa incollata su cartoncino
  • Condition: Ottime, con qualche strappo ai margini del cartoncino di supporto, che non interessa il dipinto

L’opera si vende senza certificato di attribuzione con la clausola di visto e piaciuto.

Charles Le Brun (1619-1690), Versailles Gallery, 1752

90,00 

Charles Le Brun (1619-1690) è un’incisione originale realizzata nel 1752, che rappresenta Ornements de L’Angle qui termine la Galerie, parte della Galleria di Versailles.
This work is taken from ‘La Grande Galerie de Versailles, et les deux Salons qui l’accompagnent’, pubblicata a Parigi nel 1752.

  • Sheet size: cm. 49×40 circa
  • Image size: cm. 40×33 circa
  • Technique: Etching
  • Support: Carta spessa vergellata
  • Condition: Excellent

Si prega di notare che, date le dimensioni, l’opera verrà spedita arrotolata in un tubo rigido.

Charles Le Brun, The Gallery of Versailles, 1752

90,00 

La Galleria di Versailles è un’incisione realizzata da Charles Le Brun nel 1752, che rappresenta un’importante opera del XVIII secolo.
Questa incisione, intitolata Ornements de L’Angle qui termine la Galerie (Salone della Pace), è stata impressa su carta spessa vergellata ed è tratta da La Grande Galerie de Versailles, et les deux Salons qui l’accompagnent, pubblicato a Parigi nel 1752.

  • Sheet size: cm. 49×40 circa
  • Engraving size: cm. 40×33 circa
  • Support: Laid paper
  • Condition: Excellent state of preservation

Si prega di notare che, date le dimensioni, l’opera verrà spedita arrotolata in un tubo rigido.

Chiaravalle, Interior of the Church, 1884

30,00 

Chiaravalle, Interior of the Church It is a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work offers a suggestive view of the interior of the church of Chiaravalle, capturing the architectural essence of the period.

  • Sheet size: cm. 25×35 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: Written on the back, the entire sheet containing the print will be sent.

Cloister of the Abbey of Piona, The Hanging Stone near Torno, Bellano Ravine, 1884

30,00 

Cloister of the Abbey of Piona, The Hanging Stone near Torno, Bellano Ravine It is a woodcut engraving made in 1884, extracted from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work represents an important artistic and cultural testimony of the time.

  • Sheet size: cm. 25×35 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The entire sheet containing the print will be sent.

Cirrophetalum, Orchid, Chromolithograph, 1867

40,00 

Cirrophetalum Pahudii it's a chromolithography made in 1867, from the volume Neerland's Plantentuin from Groningen.
This splendid print represents an orchid and stands out for its decorativeness and lively colours.

  • Sheet size: cm. 35×26 approx.
  • Condition: Excellent, with central fold and small holes due to the binding
  • Support: Thick paper with white backing

Civitavecchia, 1833-1845

70,00 

Civitavecchia, 1833-1845 è un’incisione realizzata da Attilio Zuccagni-Orlandini, un noto cartografo e geografo italiano.
This acquaforte rifinita al bulino rappresenta la città di Civitavecchia e i suoi dintorni, ed è tratta dall’importante opera Corografia fisica, storica e statistica dell’Italia e delle sue isole, pubblicata tra il 1833 e il 1845.

  • Sheet size: mm. 450×620
  • Engraving size: mm. 330×510
  • Support: Thick engraving paper
  • Condition: Perfect state of preservation

Como, The Cathedral, 1884

30,00 

Como, The Cathedral It is a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work represents a suggestive view of the Como Cathedral, capturing the architectural essence of the time.

  • Sheet size: cm. 25×35
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be sent.

Conrad Gessner (Zurigo, 1516 – 1565) Tavola Ornitologica tratta da Historiae Animalium

80,00 

Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from his famous work Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.

  • Technique: Watercolor woodcut
  • Sheet size: cm. 34×22
  • Condition: Excellent
  • Support: Paper

There Animal history It has been a fundamental source for scientific studies, with early German publications from various parts having a significant impact on the field of zoology.

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 2

90,00 

Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.

  • Technique: Watercolor woodcut
  • Sheet size: cm. 34×22
  • Support: Paper
  • Condition: Excellent

There Historia Animalium, first published in Latin, has been widely reprinted and translated, becoming a fundamental source for scientific studies.
The first German publications of the various parts were produced by the Froschauer publishing house in Zurich, with the Bird book (Book of Birds) published in 1557.

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 3

90,00 

Conrad Gessner (Zurich, 1516 – 1565) presents a Ornithological Table taken from Historiae Animalium, published in Zurich by Froschauer between 1551 and 1587.
This watercolour woodcut, dating back to 1557, is an important testimony to the history of zoology, used as a source of scientific studies.

  • Sheet size: cm. 34×22
  • Support: Paper
  • Condition: Excellent

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 5

90,00 

Ornithological Table by Conrad Gessner It is an engraving made between 1551 and 1587, taken from the work Historiae Animalium.
This plate, published in Zurich by the Froschauer publishing house, represents an important source of scientific studies in the field of zoology.

  • Sheet size: cm. 34×22
  • Engraving size: cm. 34×22 (another image on the back)
  • Technique: Watercolor woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

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