Excellent

Showing 697–720 of 1736 results

The Game of Morra, 1835

30,00 

Il Gioco della Morra è un’incisione realizzata da Rouargue nel 1835, eseguita con la tecnica del burin on steel.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 160×245
  • Size of the joke: mm. 132×182
  • Support: Medium paper
  • Condition: Excellent state of preservation

L’incisione rappresenta un bel soggetto con numerosi personaggi e avventori in caratteristici costumi dell’epoca che si dedicano al gioco della morra.

The Game of Morra, B. Pinelli, 1840

25,00 

The Game of Morra It is an engraving made by Bartholomew Pinelli in 1840, which captures a lively scene of Roman life with numerous characters.
This unsigned work was executed in burin on copper and is part of the volume FROMMEL, Picturesque Italy, published in Leipzig in 1840.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Support: Light paper
  • Condition: Excellent state of preservation

Il Giovane Sonatore, 1839

25,00 

Il Giovane Sonatore It is a copper engraving made in 1839 da Gnaccarini.
This work is taken from Picturesque Omnibus, an artistic and literary encyclopedia with copper-engraved figures, edited by Vincenzo Torelli.

  • Sheet size: cm. 16×19 approx.
  • Support: Paper
  • Condition: Excellent

La stampa è stata ritagliata dal libro e presenta scritte al retro. Viene spedita completa di passepartout, rendendola una bella veduta decorativa.
Omnibus It was a magazine founded in Naples in 1833, tra i primi e più longevi periodici del Regno delle Due Sicilie, con pubblicazioni che si sono protratte fino al 1882.

The Game of Bowls, B. Pinelli, 1840

25,00 

The Game of Boccia It is an engraving made by Bartolomeo Pinelli in 1840, which captures a lively gambling scene in Rome.
This unsigned work is an example of Pinelli's mastery in representing the customs and daily life of Italians.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Technique: Burin
  • Support: Light paper
  • Condition: Perfect state of preservation

Il mellonaro, Duclere, 1853

60,00 

Il Mellonaro è un’incisione realizzata nel 1853 da Duclere, con la collaborazione di Cucinotta.
This work is an example of Burin with watercolor outline, printed on medium paper with white back.

  • Sheet size: cm. 17×25
  • Condition: Perfect state of preservation
  • Support: Paper

The engraving is taken from Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.
Sul fondo dell’illustrazione, un cartello indica l’esistenza di una grotta, luogo dove spesso si svolgeva il banchetto del mellonaio, garantendo così la freschezza dei prodotti.

Il miracolo della Madonna del Carmine, 1853

60,00 

Il Miracolo della Madonna del Carmine è un’incisione realizzata nel 1853, che presenta un burin al delineato acquarellato d’epoca.
Questa opera è firmata in lastra da P. Mattei e incisa da Oruvasfan.

  • Sheet size: cm. 17×25
  • Support: Medium paper, white back
  • Condition: Perfect state of preservation

The engraving is taken from Customs and Traditions of Naples and Surrounding Areas di Francesco De Bourcard, 1853.
Si precisa che non si tratta di una copia anastatica.

The Monk and Death, Deuchar, 1803

50,00 

The Monk and Death It is an engraving made by David Deuchar in 1803, inspired by the famous theme of the Dance of Death.
This work comes from the volume The Dances of Death through the various stages of human life, with the original drawings by Hans Holbein.

  • Sheet size: cm. 20×16 approx.
  • Engraving size: cm. 11×9 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Moses, 1839

15,00 

The Moses It is an engraving made in 1839, from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This small copper engraving has almost no margins and includes writing on the verso. The print is contained within the book page and will be shipped with the full page that hosts it.

  • Sheet size: cm. 12×7 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

The Mule of Massa, F.Palizzi, 1853

60,00 

The Mule of Massa It is an engraving made by F. Palizzi In the 1853.
This work, performed with the technique of Burin to the watercolor outline, it is printed on medium paper with white back.

  • Sheet size: cm. 17×25
  • Condition: Excellent state of preservation
  • Signed on the plate: Fil.Palizzi dis., inc. Igino Oruvasfan
  • Work taken from: Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard, 1853

This engraving is not an anastatic copy.

​The North America, steamship, 1886

30,00 

The North America, steamship It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work features an image of cm. 11×16, with decorative writings around and annotations on the back of the sheet.

  • Sheet size: cm. 11×16 approx.
  • Support: Paper
  • Condition: Excellent

Il Paggetto Negro, 1850-60

20,00 

Il Paggetto Negro è un’incisione realizzata tra il 1850 e il 1860, tratta dalla collezione reale e pubblicata nell’Art Journal Engraving.
This work, which combines the technique ofEtching and of the Burin, presenta un soggetto affascinante e di grande impatto visivo.

  • Sheet size: cm. 32×24
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Il paludano, Duclere, 1853

60,00 

Il Paludano è un’incisione realizzata nel 1853, firmata in lastra da Duclere e incisa da Di Bartolo.
This burin al delineato acquarellato d’epoca è tratto dall’opera Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Condition: Perfect state of preservation
  • Support: Medium paper, white back

Il Pascolo, 1850

20,00 

Il Pascolo è un’incisione realizzata nel 1850, tratta dall’opera Art Journal Engraving.
Questa opera, che rappresenta un paesaggio sereno, è stata realizzata con la tecnica dell’Etching and Burin, ed è parte della collezione reale.

  • Sheet size: cm. 32×24 approx.
  • Support: Strong engraving paper
  • Condition: Excellent general condition

Il Pittore perplesso, 1850

15,00 

Il Pittore perplesso è un’incisione realizzata nel 1850, che cattura l’attenzione per la sua espressione artistica unica.
This work is made with the technique ofEtching and burin su carta di medio spessore, presentando dimensioni dell’incisione di cm. 7×8, con margini più piccoli.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

The Plane Tree by Godfrey of Bouillon, 1840

20,00 

The Plane Tree by Godfrey of Bouillon It is a copper engraving made in 1840, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, measuring 13x16 cm, has small margins and was extracted from a book, with the verso printed.

  • Sheet size: Small
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

The entire page containing the print will be sent.

The Water Carrier, F.Palizzi, 1853

60,00 

The Water Bearer It is an engraving made by Philip Palizzi in 1853, performed with the technique of Burin and enriched with a delicate watercolor.
This work is part of the volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

The print has a slight imperfection in the title part, but it is a unique piece and not an anastatic copy.
It represents a moment of daily life, with a galloping horse carrying sea or spring water, used for personal baths.

Prince Rupert, Van Dick, 1850

20,00 

Prince Rupert It is an engraving made by Anton Van Dyck in 1850, which portrays the young prince full-length.
This work is an interpretation of a famous portrait by the Flemish painter, Anthony van Dyck, known for his distinctive style and skill in portraying nobility.

  • Sheet size: cm. 111×198 approximately, plus margins
  • Engraving size: cm. 111×198 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Rebuke, J.Coomans, 1830

30,00 

The Rebuke It is an engraving made by J. Coomans in 1830.
This work, also known as The Reproof, is made with the etching and burin technique.

  • Sheet size: cm. 21×30 approx.
  • Engraving size: cm. 18×24 approx.
  • Support: Thick paper with white backing
  • Condition: Perfect condition

The Finding of Moses 1830

25,00 

The Finding of Moses It is an engraving made by WM Dove in the period 1830-1850, taken from the Scripture Gallery of Engraving.
This work represents the scene in which the Pharaoh's daughter, together with her handmaidens, saves Moses on the banks of the Nile, wearing precious costumes.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

Il Romitorio del Vesuvio, 1839

15,00 

Il Romitorio del Vesuvio It is an engraving made in 1839, from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
Questa incisione in rame, di dimensioni contenute, presenta margini quasi assenti e contiene scritte al verso. La stampa viene fornita con la pagina intera del libro, offrendo un pezzo autentico della storia artistica napoletana.

  • Sheet size: cm. 7×11 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The Sacrifice of Abraham. Etching 1830-1850

25,00 

The Sacrifice of Abraham It is an engraving made by J. Rogers, inspired by the famous biblical theme of Abraham's sacrifice.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back

Il Salvataggio, 1850

20,00 

Il Salvataggio è un’incisione realizzata nel 1850, che combina la tecnica dell’acquaforte e del bulino.
This work, of small dimensions, measures cm. 13×15 senza margini e presenta un retro bianco.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Medium thickness paper

Il tavernaio, Duclere, 1853

60,00 

Il Tavernaio è un’incisione realizzata nel 1853 da Duclere, caratterizzata da un bulino al delineato acquarellato su carta media.
Questa opera è firmata in lastra e proviene dal volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Condition: Perfect state of preservation
  • Support: Medium paper, white back

Il tributo a Cesare 1830-1850

25,00 

Il tributo a Cesare è un’incisione realizzata da J. Rogers tra il 1830 e il 1850, ispirata al celebre soggetto del tributo a Cesare.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back

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