Excellent

Palermo, Chiostro di San Domenico, 1850

40,00 

Palermo, Chiostro di San Domenico è un’incisione realizzata nel 1850, che offre una splendida veduta di questo storico luogo.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Palermo, Fonte Battesimale della Cattedrale, 1850

40,00 

Palermo, Fonte Battesimale della Cattedrale è un’incisione realizzata nel 1850, che offre una splendida veduta della cattedrale di Palermo.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by such eminent artists as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Perfect

Questa incisione si distingue per la sua nitidezza e vivacità, rendendola un pezzo pregiato per collezionisti e appassionati d’arte.

Palermo, Grotta di S.Rosalia, Saint-Non, 1781-86

40,00 

Palermo, Grotta di S.Rosalia It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving proviene dalla prima edizione del celebre Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

L’opera offre una bella veduta animata della Grotta di S. Rosalia, un luogo di grande significato storico e culturale in Sicilia.
Jean-Claude Richard de Saint-Non, noto anche come Abate di Saint-Non, è stato un importante disegnatore e archeologo francese, la cui opera ha contribuito a documentare la bellezza dei regni di Napoli e Sicilia.

Palermo, Il Golfo, 1860

35,00 

Palermo, Il Golfo It is an engraving made in 1860, part of the album Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.
Questa acquaforte cattura la bellezza del golfo di Palermo, offrendo una vista suggestiva della città.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Technique: Etching
  • Condition: Excellent condition
  • Support: Medium thickness paper

Palermo, Il Palazzo Reale, 1850

40,00 

Palermo, Il Palazzo Reale è un’incisione realizzata nel 1850, che offre una splendida veduta del Palazzo Reale di Palermo.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Perfect

Palermo, la Conca d’oro, 1877

30,00 

Palermo, la Conca d’oro è un’incisione anonima del 1877, realizzata in woodcut.
This work is taken from the volume Italy di J. Gourdault e presenta una bella veduta della città, animata e decorativa.

  • Sheet size: cm. 24,6×18,5 circa
  • Support: Paper
  • Condition: Excellent

Palermo, The Happy Gate, 1850

40,00 

Palermo, The Happy Door It is an engraving made in 1850, which offers a splendid view of the historic city gate.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Palermo, La Ziza, 1850

40,00 

Palermo, La Ziza è un’incisione realizzata nel 1850, che offre una splendida veduta della storica Ziza a Palermo.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Perfect

Questa incisione si distingue per la sua nitidezza e vivacità, rendendola un pezzo pregiato per collezionisti e appassionati d’arte.

Palermo, Reliquary of Saint Rosalia, 1850

40,00 

Palermo, Reliquary of Saint Rosalia it is an engraving made in 1850, which represents a splendid view of Santa Rosalia on Mount S. Pellegrino.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Excellent

Palermo, Valle di Oreto, Saint-Non, 1781-86

40,00 

Palermo, Valle di Oreto It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

L’opera offre una bella veduta animata della Valle di Oreto, riflettendo il talento di Saint-Non, noto per il suo contributo alla documentazione dei paesaggi italiani.

Palermo, Veduta del Porto, 1813

40,00 

Palermo, Veduta del Porto è un’incisione realizzata nel 1813, che offre una splendida rappresentazione del porto di Palermo.
This work is taken from the volume Tour Through Italy del Rev. John Chetwode Eustace, pubblicato a Londra da J. Mawman.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching and aquatint
  • Condition: Excellent
  • Support: Paper

Palermo, Villa Favorita, 1854

25,00 

Palermo, Villa Favorita è una litografia realizzata nel 1854, proveniente dall’opera periodica Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
Questa stampa, di dimensioni cm. 14×22 circa su foglio cm. 30×20, è stata ritagliata dal libro e presenta scritte al verso. La pagina intera contenente la stampa verrà spedita.

  • Sheet size: cm. 30×20 approx.
  • Lithograph dimensions: cm. 14×22 approx.
  • Support: Paper
  • Condition: Excellent

Palestine, Otto Petri, 1853

50,00 

Palestina è un’incisione colorata a mano realizzata da Otto Petri nel 1853.
Questa mappa dettagliata della Palestina è parte del School Atlas Alle Deelen Der Aarde, published by J. Van Den Bosch in Rotterdam.

  • Sheet size: cm. 26×34 approx.
  • Engraving size: cm. 22×27 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition, with editorial fold and white back

Panorama del Cairo, Egitto, Grande formato, 1865

50,00 

Incisione xilografica su legno di testa che rappresenta una veduta della città.
This work is taken from Picturesque Emporium, edito da Sonzogno a Milano nel XIX secolo.

  • Dimensioni della immagine: cm. 25×35 approx.
  • Margins: presenti
  • Support: Carta leggera con scritto al verso in parte visibile.
  • Condition: Ottima, piega dovuta all’impaginazione.

La stampa è stata ritagliata dal libro e presenta scritte sul retro, rendendola un pezzo raro e affascinante per collezionisti.

Panorama della città di Ginevra, Svizzera, Grande formato, 1865

50,00 

Incisione xilografica su legno di testa che rappresenta una veduta della città.
This work is taken from Picturesque Emporium, edito da Sonzogno a Milano nel XIX secolo.

  • Dimensioni della immagine: cm. 25×35 approx.
  • Margins: presenti
  • Support: Carta leggera con scritto al verso in parte visibile.
  • Condition: Ottima, piega dovuta all’impaginazione.

La stampa è stata ritagliata dal libro e presenta scritte sul retro, rendendola un pezzo raro e affascinante per collezionisti.

Paul at Ephesus, Eustache Le Sueur, 1846

30,00 

Paul in Ephesus è un’incisione realizzata da Eustache Le Sueur nel 1846, che rappresenta un momento significativo della predicazione di Paolo.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Paul at Ephesus, Eustache Le Sueur, 1846

30,00 

Paul in Ephesus è un’incisione realizzata da Eustache Le Sueur nel 1846, che rappresenta un momento significativo della predicazione di Paolo.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Paolo Pannini, Temples of Rome, 1753

80,00 

Temples of Rome it is an engraving made by Giovanni Paolo Pannini in 1753.
This work, performed in etching on thick laid paper, it represents a lively scene with the following temples:

  • Temple of Fortune
  • Temple of Jupiter Stator
  • Temple of Janus
  • Tomb of Cestius

Sheet size: cm. 27×21 approx.
Condition: Excellent state of preservation

Paul receives Melita, J.Martin, 1846

30,00 

Paul receives Melita It is an engraving made by J. Martin in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Papa Eugenio IV, Cosmographia, 1588

30,00 

Papa Eugenio IV, Cosmographia è un’incisione realizzata nel 1588, pubblicata da Sebastian Munster.
This woodcut, with writing in ancient gothic, è parte della celebre opera Cosmography, uno dei libri più popolari del XVI secolo.

  • Sheet size: cm. 33×20 approx.
  • Engraving size: cm. 12×12 circa
  • Support: Handmade laid paper
  • Condition: Excellent state of preservation

Questa illustrazione proviene dall’edizione From the German Lands.

Pope Gregory XIII, 1724

30,00 

Pope Gregory XIII it's a commemorative coin built in 1724, dedicated to the famous pontiff.
This work is taken from Nieu We Reize van Misson naen door Italy, by François Misson, published in Utrecht in 1724.

  • Size of the joke: cm. 16×12 approximately, plus irregular margins
  • Technique: Etching
  • Support: Medium paper with white back
  • Condition: Excellent

The press presents a beautiful animated view, which captures attention for its liveliness and detail.

Paradise, Canto II, Dante and Beatrice, 1757

40,00 

Paradiso, Canto II, Dante e Beatrice It is an engraving made in 1757, which represents a significant moment in the Divine Comedy by Dante Alighieri.
This work is part of the volume THE DIVINE COMEDY OF DANTE ALIGHIERI WITH VARIOUS ANNOTATIONS AND COPIOUS COPPERWORKS ADDED, dedicated to Empress Elizabeth Petrovna of all the Russias.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Support: Carta vergellata frusciante
  • Condition: Excellent state of preservation

Paradise, Dante and Beatrice, 1757

40,00 

Paradise, Dante and Beatrice It is an engraving made in 1757, which illustrates an iconic scene of the Divine Comedy by Dante Alighieri.
This work is taken from the volume THE DIVINE COMEDY OF DANTE ALIGHIERI WITH VARIOUS ANNOTATIONS AND COPIOUS COPPERWORKS ADDED, dedicated to Empress Elizabeth Petrovna of all the Russias.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Paradise, Dante and Beatrice, 1757

40,00 

Paradise, Dante and Beatrice It is an engraving made in 1757, which represents an iconic moment of the Divine Comedy by Dante Alighieri.
This work is taken from the volume The Divine Comedy by Dante Alighieri with various annotations and copious adorned branches, dedicated to Empress Elizabeth Petrovna of all the Russias.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

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