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Gabriel Perelle, Landscape, 1660
60,00 €Landscape It is an engraving made by Gabriel Perelle in 1660.
This work, performed in etching, misura cm. 18×32 at the copper beat and cm. 25×37 on the sheet.
Firmata in basso a sinistra con ‘Perelle invent. et fecit’ e al centro ‘De l’impression de Pierre Mariette’, è probabilmente tratta dalla Collection of views of Paris, the surrounding castles and Rome.
- Sheet size: cm. 25×37
- Engraving size: cm. 18×32
- Support: Laid paper
- Condition: Excellent state of preservation
Gabriel Perelle, Landscape, 1660
60,00 €Landscape with Roman Ruins It is an engraving made by Gabriel Perelle in 1660.
Questa opera rappresenta un affascinante paesaggio con rovine romane e contadini intenti a giocare.
- Sheet size: cm. 28×40 circa
- Engraving size: cm. 25×35 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Firmato in basso a destra con la dicitura ‘Perelle inv e fecit Mariette excudit’, l’opera è probabilmente tratta dalla Collection of views of Paris, the surrounding castles and Rome, published in Paris in 1660.
Gabriel Perelle, Landscape, 1660
60,00 €Landscape It is an engraving made by Gabriel Perelle In the 1660.
Questa opera, un’acquaforte su carta vergellata, misura cm. 23×32 at the copper beat and cm. 28×40 nel foglio.
Firmata in basso a sinistra con ‘Perelle invent. et fecit’ e a destra ‘A Paris chez Pierre Mariette’, è probabilmente tratta dalla Collection of views of Paris, the surrounding castles and Rome.
- Sheet size: cm. 28×40
- Engraving size: cm. 23×32
- Support: Laid paper
- Condition: Excellent
Gabriel Perelle, Landscape, 1660
60,00 €Landscape It is an engraving made by Gabriel Perelle In the 1660.
This work, performed in etching on laid paper con filigrana, misura cm. 24×32 at the copper beat and cm. 26×37 nel foglio.
Firmata in basso a sinistra con ‘Perelle fecit’ e a destra con ‘P. Bril inv. Drevet excud’, è probabilmente tratta dalla Collection of views of Paris, the surrounding castles and Rome.
- Sheet size: cm. 26×37 circa
- Engraving size: cm. 24×32 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Gabriel Perelle, Landscape, 1660
60,00 €Landscape with Roman Ruins It is an engraving made by Gabriel Perelle in 1660.
This work, signed lower left, is a fine example of his skill in engraving.
- Image size: cm. 25×34 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
- Era: XVII
- Dimensions: Great
This engraving is probably taken from the Collection of views of Paris, the surrounding castles and Rome, published in Paris in 1660.
Gabriel Pérelle, a well-known French engraver, created numerous engravings depicting landscapes of the Paris region, enriched by ruins and architectural details.
Gabriel Perelle, Landscape, 1660
60,00 €Landscape by Gabriel Perelle is an engraving made in 1660.
This work, signed lower left with 'Perelle invent. et fecet' and on the right 'A Paris chez Drevet', is probably taken from Collection of views of Paris, the surrounding castles and Rome.
- Sheet size: cm. 25×37 approx.
- Image size: cm. 18×32 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Gabriel Perelle, Sabine Bridge, 1660
60,00 €Ponte delle Sabine It is an engraving made by Gabriel Perelle nel 1660, un’importante opera dell’incisore francese noto per le sue vedute paesaggistiche.
Questa acquaforte su carta vergellata presenta una parziale filigrana e misura cm. 19×25 alla battuta del rame, su un foglio di cm. 25×37. L’opera è firmata in basso a sinistra con ‘Desinè par I. Asselin et graveè par Perelle’, mentre a destra si trova la dicitura ‘P. Mariette exc’.
Si ritiene che questa incisione provenga dalla Collection of views of Paris, the surrounding castles and Rome, published in Paris in 1660.
- Sheet size: cm. 25×37
- Engraving size: cm. 19×25
- Support: Laid paper
- Condition: Excellent
Gérard Audran, L’Aurora, 1670, XIX secolo
30,00 €L’Aurora è un’incisione realizzata da Gérard Audran nel 1670, un’opera che rappresenta la bellezza e la grazia dell’alba.
Questa incisione è stata eseguita in etching e misura cm. 16×13 alla battuta del rame, su un foglio di cm. 28×19.
- Sheet size: cm. 28×19
- Engraving size: cm. 16×13
- Support: Laid paper without watermark
- Condition: Excellent
Gérard Audran, originario di Lione, è stato un incisore francese di grande talento, attivo nel XVII secolo.
Questa opera è un esempio della sua maestria e della sua capacità di catturare la luce e il movimento.
Immacolata Concezione, anonimo, XVII secolo
40,00 €Immacolata Concezione it is an anonymous engraving dating back to 17th century.
This work is made in etching on laid paper con filigrana parziale e presenta dimensioni di mm. 170×125, trimmed to the marginal line.
In basso si legge: Benedetta sia la Santa et Imaculata Concezione della B.V.M. Greg XV (?) e Cleme Xit (?).
Si tratta di una stampa rara, che rappresenta un’importante iconografia religiosa.
Incisore su Vetro, Caspar e Jan Luyken, 1694
15,00 €Incisore su Vetro It is a woodcut made by Caspar and Jan Luyken in 1694.
This work is taken from Spiegel van het Menselyk Bedryf (Mirror of Human Activities) e presenta un’incisione che rappresenta il mestiere dell’incisore.
- Sheet size: mm. 75×120
- Engraving size: mm. 60×64
- Technique: Woodcut
- Support: Laid paper without watermark
- Condition: Excellent
Oltre all’incisione, il foglio presenta note esplicative in olandese e il retro è stampato.
Israël Silvestre (1621-1691), Lyon, 1653
30,00 €Veue d’une partie de la Charité de Lion è un’incisione realizzata da Israël Silvestre nel 1653, conservata presso il museo d’histoire di Lione.
Questa opera, un’affascinante rappresentazione della città, è realizzata in etching on laid paper.
- Sheet size: cm. 18×22 approx.
- Engraving size: mm. 95×120 alla battuta del rame
- Support: Laid paper
- Condition: Excellent condition
Israel Silvestre, Paris, 1670, 19th century
40,00 €Israel Silvestre, Parigi, 1670 è un’incisione realizzata da Amand Durand nel XIX secolo.
Questa opera, che rappresenta un’importante testimonianza della produzione artistica di Silvestre, è un’acquaforte che misura cm. 13×20 alla battuta del rame, su un foglio di cm. 28×19.
- Sheet size: cm. 28×19
- Engraving size: cm. 13×20
- Support: Laid paper without watermark
- Condition: Excellent
Israel Silvestre (1621-1691) è stato un incisore, insegnante, editore e disegnatore francese, noto per le sue opere che catturano la vita e l’architettura del suo tempo.
Jacques Callot The Martyrdom of the Apostles 1634
120,00 €The Martyrdom of the Apostles It is a series of four plates made by Jacques Callot in 1634.
This series includes representations of the Martyrdom of St. Paul, Martyrdom of St. Philip, Martyrdom of St. Thaddeus And Martyrdom of St. Peter.
- Sheet size: mm. 63×45 without margins
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Jacques Callot Little Passion 1625-1699
35,00 €Jacques Callot – Piccola Passione è un’acquaforte realizzata tra il 1625 e il 1699, rappresentante il tema di Cristo nel Getsemani.
Questa opera fa parte della serie conosciuta come The Little Passion, datata dagli studiosi al 1624-1625 circa, e si basa su 12 disegni conservati al Louvre.
- Engraving size: mm. 67×55 alla battuta del rame
- Support: Incollata su altro supporto cartaceo
- Condition: Excellent
- Rarity: Opera di alto livello incisorio, molto rara
Jacques Callot, (Nancy 1594-1635) A Beggar
40,00 €A Beggar It is an engraving made by Jacques Callot (Nancy 1594-1635), part of the series The Beggars.
This etching It is unsigned and measures 95x160 mm without a frame, printed on laid paper without watermark.
- Condition: Excellent condition
- Era: 17th century
- Dimensions: Small
Callot is known for his ability to capture the fantastic freedom and sensitivity of light in his works. His favorite themes, such as soldiers and beggars, offer an elegant and picturesque vision of the life of his time.
Jacques Callot, Pistol Fight, 1632-34
40,00 €Gun Fight It is an engraving made by Jacques Callot between 1632 and 1634.
This work, part of the series The Combats of Cavalry, is an etching that represents an intense moment of battle.
- Sheet size: mm. 55×91 at the copper edge plus 1.5 cm of margins
- Support: Laid paper
- Condition: Excellent
Jacques Callot, Hunchback with Stick, 1621
70,00 €Hunchback with stick It is an engraving made by Jacques Callot between 1621 and 1625.
This work is part of the series Various hunchback figures and is a significant example of Callot's mastery of engraving.
- Sheet size: mm. 64×90 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Jacques Callot, The New Testament, 1635
450,00 €The New Testament It is a complete series of 10 tables made by Jacques Callot in 1635, the year of his death.
This series includes a frontispiece engraved later by Abraham Bosse.
- Sheet size: mm 70/72×93/95
- Dimensions of the tables: mm 60/63×83/86
- Technique: Etching
- Condition: Excellent
- Support: Laid paper without watermark
The proofs are in the 2nd state of 2, with the writing in the lower margin and the number. The margins vary from thin to small, with minimal paper residue and traces of old tape on the upper verso. For the rest, the work is in excellent condition.
Jacques Callot, The Great Miseries of War
900,00 €The Great Miseries of War It is a complete series of 18 engravings made by Jacques Callot in 1633, published by Israel Henriet.
This series, known as Les Misères et les Malheurs de la guerre, represents in a crude and realistic way the atrocities and suffering caused by war conflicts.
- Engraving dimensions: mm. 75×185
- Support: Unlaid paper
- Condition: Excellent, except for board no. 9 with a small repaired tear
- Era: 17th century
- Technique: Burin
- Dimensions: Small
The series includes plates illustrating various aspects of war, such as conscription, battles, plunder and public executions, culminating in a reflection on the human condition in times of war.
Each panel is a powerful visual commentary on the brutality of the conflict and the suffering of civilians, making this work an important historical and artistic testimony.
Jacques Callot, Beggar with Jug
70,00 €Beggar with pitcher It is an engraving made by Jacques Callot, an artist known for his engraving works.
This work is part of the series The Beggars (Les Gueux) and is a significant example of his skill in the art of etching.
- Sheet size: cm. 33×22 approx.
- Engraving size: cm. 14×9 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
- Era: 17th century
Jacques Callot, Beggar with Two Sticks
70,00 €Beggar with two sticks It is an engraving made by Jacques Callot, a famous French artist active in the 17th century.
This work is part of the series The Beggars (Les Gueux) and is made in etching, without signature.
- Sheet size: cm. 33×22 approx.
- Engraving size: cm. 14×9 approx.
- Support: Laid paper
- Condition: Excellent condition
Jacques Callot, Beggar with Two Sticks
70,00 €Beggar with two sticks It is an engraving made by Jacques Callot, an artist known for his engraving works.
This work is part of the series The Beggars (Les Gueux) and is a significant example of his skill in the art of etching.
- Sheet size: cm. 33×22 approx.
- Engraving size: cm. 14×9 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Jacques Callot, Mendicante con gironda
70,00 €Mendicante con gironda It is an engraving made by Jacques Callot (Nancy 1594-1635), part of the series The Beggars (Les Gueux).
Questa opera è un’acquaforte, priva di firma, che misura circa cm. 14×9 alla battuta del rame, stampata su carta vergellata di dimensioni cm. 33×22.
- Era: Probabile XVII secolo
- Technique: Etching
- Condition: Excellent
- Dimensions: Small
- Support: Laid paper
Jacques Callot, Mendicante con mantello
70,00 €Mendicante con mantello It is an engraving made by Jacques Callot (Nancy 1594-1635), part of the series The Beggars (Les Gueux).
Questa opera è un’acquaforte senza firma, caratterizzata da dettagli raffinati e una composizione evocativa.
- Sheet size: cm. 33×22 approx.
- Engraving size: cm. 14×9 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
- Era: Probabile XVII secolo
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