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Showing 145–168 of 460 results

Francis Rosaspina, 1830 Virgin Mary

70,00 

Maria Vergine con Gesù Bambino It is an engraving made by Francesco Rosaspina nel 1830.
Questa opera, che rappresenta la Madonna con il Bambino e San Giovanni, è stata realizzata in etching su carta pesante non vergellata.

  • Sheet size: cm. 48×31 approx.
  • Condition: Excellent state of preservation
  • Support: Paper

L’incisione è firmata in basso con la scritta: Maria Vergine col Bambino e S.Giovanni e li ss. Sebastiano giorgio francesco Bernardino.
Francesco Rosaspina, noto incisore e docente italiano, ha contribuito significativamente all’arte incisoria del suo tempo.

Francesco Rosaspina, 1830, Coronazione di Spine

70,00 

Coronazione di Spine It is an engraving made by Francesco Rosaspina nel 1830, che rappresenta un momento significativo della vita di Gesù Cristo.
L’opera è basata su un dipinto di Lodovico Carracci e presenta una raffinata tecnica di etching su carta pesante non vergellata.

  • Sheet size: cm. 48×31 approx.
  • Condition: Excellent state of preservation
  • Support: Carta pesante non vergellata

In basso si legge la scritta: Coronazione di spine di N. S. Gesù Cristo.
Francesco Rosaspina (Montescudolo, 2 gennaio 1762 – Bologna, 2 settembre 1841) è stato un incisore e docente italiano di grande rilievo.

Francesco Rosaspina, 1830, Predicazione

70,00 

Predicazione di S.Giovanni Battista It is an engraving made by Francesco Rosaspina nel 1830, ispirata all’opera di Lodovico Carracci.
Questa acquaforte su carta pesante non vergellata presenta una dimensione del foglio di cm. 48×31 circa.

  • Sheet size: cm. 48×31 approx.
  • Support: Carta pesante non vergellata
  • Condition: Excellent condition

Francesco Rosaspina, 1830, Vergine S.Caterina

70,00 

Vergine S.Caterina It is an engraving made by Francesco Rosaspina In the 1830, ispirata ai disegni di Hannibal Carracci.
This work is a fine example of etching su carta pesante non vergellata, con dimensioni del foglio di circa cm. 48×31.
In basso si legge la scritta: Maria V.Gesù Bambino e li S.Gio Batta Gio Evangelista e Catterina V e M.

  • Autori: Annibale Carracci dis., F.Rosaspina dis., A.Marchi inc.
  • Condition: Excellent
  • Support: Carta pesante non vergellata

Francesco Rosaspina, Gesù Cristo e la Croce 1830

70,00 

Gesù Cristo e la Croce It is an engraving made by Francesco Rosaspina In the 1830.
Questa opera, un’acquaforte su carta pesante non vergellata, rappresenta il momento drammatico di Gesù che porta la Croce.
In basso è presente la scritta: Gesù che porta la Croce.

  • Sheet size: cm. 48×31 approx.
  • Support: Carta pesante non vergellata
  • Condition: Excellent condition

Francia, La Gallia sotto l’Impero Romano, 1865

60,00 

Francia, La Gallia sotto l’Impero Romano It is a watercolour map made in 1865.
Drawn by Naymiller and engraved by Allodi, this map is part of theAtlas of Universal Geography Chronological, Historical, Statistical and Literary by Francesco Pagnoni, published in Milan.

  • Sheet size: cm. 49×38 approx.
  • Paper size: cm. 40×32 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Frankfurt, St.Munster, 1614

60,00 

Frankfurt, St.Munster, 1614 It is a historical map of the region of Hessen, in Hesse, Germany, taken from the famous work Cosmography Universalis by Sebastian Munster.
This map, made in 1614, offers a detailed representation of the city of Frankfurt and its surrounding territory.

  • Author: Sebastian Münster (1488-1552)
  • Taken from: Cosmographia Universalis, Basel, 1614
  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 12×15 approx.
  • Technique: Woodcut on laid paper with watercolour
  • Condition: Excellent state of preservation

Franz Liszt, 1886

30,00 

Franz Liszt It is an engraving made in 1886, taken from the prestigious publication The Italian Illustration, published in Milan by the Treves Brothers.
This work presents an image measuring 21x31 cm, enriched by decorative writings around and annotations on the back of the sheet.

  • Sheet size: cm. 21×31 approx.
  • Engraving size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent

Funeral of Quintino Sella in Biella and Oropa, drawings by Ettore Ximenes, 1884

30,00 

Funeral of Quintino Sella in Biella and Oropa It is a woodcut made by Ettore Ximenes in 1884, published in the work The Italian Illustration from the Treves Editors of Milan.
This print represents an important historical and cultural testimony of the time, capturing a significant moment in Italian public life.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: not specified
  • Support: Paper
  • Condition: Excellent

Gabriel Perelle, Landscape, 1660

60,00 

Landscape with Roman Ruins It is an engraving made by Gabriel Perelle in 1660.
This work, signed lower left, is a fine example of his skill in engraving.

  • Image size: cm. 25×34 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Era: XVII
  • Dimensions: Great

This engraving is probably taken from the Collection of views of Paris, the surrounding castles and Rome, published in Paris in 1660.
Gabriel Pérelle, a well-known French engraver, created numerous engravings depicting landscapes of the Paris region, enriched by ruins and architectural details.

Genoa, the King on board the battleship Italia, 1886

30,00 

Genoa, the King aboard the battleship Italia It is an engraving from 1886, from the illustrious publication Italian Illustration, published in Milan by the Treves Brothers.
This work represents a significant moment in Italian naval history, with accurate details and writings that enrich the composition.

  • Sheet size: cm. 21×31 approx.
  • Engraving size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent

Genoa, the Porta Soprana of S.Andrea, 1884

30,00 

Genoa, the Porta Soprana of S.Andrea it's a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work represents an important view of the historic Porta Soprana of Genoa, a symbol of the city.

  • Sheet size: cm. 25×35 approx.
  • Support: Paper
  • Condition: Excellent

Gerard Dou, La vecchia alla lampada, 1786

50,00 

La Vecchia alla Lampada It is an engraving made by Gerard Dou In the 1786.
Questa opera è un’acquaforte su carta vergellata, senza filigrana, che misura cm. 24×37 (compresa la cornice editoriale) e presenta buoni margini irregolari.
Fa parte della pubblicazione Gallery of the Palais Royal, che raccoglie opere delle diverse scuole artistiche, con un’analisi della vita dei pittori e delle descrizioni storiche di ciascun dipinto, a cura dell’abbé de Fontenai.

  • Sheet size: Great
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

North Germany, S.Munster, 1614

40,00 

Northern Germany, St.Munster It is a detailed map of Northern Germany, taken from the famous Cosmography by Sebastian Munster.
This map, published in Basel in 1614, offers an accurate representation of the territory of the time, with a written back that enhances its historical value.

  • Author: Sebastian Münster (1488-1552)
  • Taken from: Cosmographia Universalis, Basel, 1614
  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 7×13,5 approx.
  • Technique: Woodcut on laid paper with watercolour
  • Condition: Excellent state of preservation

Germany, German Confederation, 1865

60,00 

Germany, German Confederation It is a watercolour map made in 1865.
Drawn by Naymiller and engraved by Allodi, this map is from the work Atlas of Universal Geography Chronological, Historical, Statistical and Literary by Francesco Pagnoni, published in Milan.

  • Sheet size: cm. 49×38 approx.
  • Paper size: cm. 40×32 approx.
  • Support: Paper
  • Condition: Excellent

Giacomo Robusti, Deposition from the Cross, 1786

70,00 

Deposizione dalla Croce It is an engraving made by Giacomo Robusti In the 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, e rappresenta una delle opere più significative dell’autore.

  • Sheet size: cm. 24×37 approx.
  • Support: Laid paper
  • Condition: Excellent condition, nice proof with good contrast

Job and His Friends, 1850-60

20,00 

Job and his friends It is an engraving made between 1850 and 1860, inspired by the famous biblical theme of Job and his companions.
This work is taken from the Art Journal Engraving and features a refined combination of etching and burin.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Giotto, Simone Martini, 1850

20,00 

Giotto e Simone Martini è un’incisione al bulino su rame, realizzata nel 1850.
This work is taken from the Bilder-Atlas, published in Leipzig by FA Brockhaus.
L’incisione presenta varie pitture di Giotto e Simone Martini, con didascalie in tedesco.

  • Sheet size: mm. 300×220
  • Support: Lightweight paper, white back
  • Condition: Excellent condition

Giovani Pescatori, 1850

20,00 

Giovani Pescatori è un’incisione realizzata nel 1850, che rappresenta i giovani pescatori sulla costa del Norfolk, ispirata a un’opera della Vernon Gallery.
This engraving was made using the technique ofEtching and Burin ed è parte della collezione dell’Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent state of preservation
  • Support: Strong engraving paper

Giovanni Bellini, The Circumcision, 1786

70,00 

The Circumcision It is an engraving made by Giovanni Bellini, known as Il Giambellino, in 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approximately (including the editorial frame)
  • Condition: Excellent condition, nice proof with good contrast
  • Support: Laid paper

The engraving is dedicated to HSH Monseigneur le Duc d'Orléans, First Prince of the Blood, and was published by J. Couché in Paris in 1786.

Giovanni Fattori (1825 – 1908), Artillery soldiers.

150,00 

Soldati di artiglieria è una litografia realizzata da Giovanni Fattori (1825 – 1908) nel 1884, parte della serie 20 Memories from the Real World.
Questa opera, firmata in basso a destra, rappresenta un momento significativo delle grandi manovre militari.

  • Sheet size: cm. 60×38 approx.
  • Print Size: cm. 22×27 approx.
  • Support: Amalfi Amatruda laid paper
  • Condition: Excellent

La litografia verrà spedita in tubo rigido per garantirne la protezione.

Giovanni Prati, 1884

30,00 

Giovanni Prati è una xilografia realizzata nel 1884, estratta da The Italian Illustration, published in Milan by Fratelli Treves Editori.
Questa opera presenta scritte al verso e verrà spedita nel foglio intero contenente la stampa.

  • Sheet size: cm. 25×35 approx.
  • Support: Paper
  • Condition: Excellent

Jupiter, Raffaello Morghen, 1800

40,00 

Jupiter It is an engraving made by Raphael Morghen in 1800, representing the Roman god Jupiter, also known as Juppiter Aegiocus.
This work is an example of mastery in the art of engraving, combining refined details and a balanced composition.

  • Sheet size: cm. 38×27 approx.
  • Engraving size: diameter cm. 7
  • Support: Thick paper
  • Condition: Very good condition, with some foxing on the edges

Girondini, 1889

40,00 

Girondini, 1889 è una xilografia che rappresenta l’appello dei Girondini nella prigione della Congiergerie, ispirata a un quadro di Fr. Hameng.
Questa opera è stata pubblicata nel 1889 su The Italian Illustration and is characterized by an editorial fold.

  • Sheet size: mm. 540×370 (doppia facciata)
  • Support: Paper
  • Condition: Excellent

I Girondini erano membri di un gruppo politico rivoluzionario nato in Francia nel 1791, noti per il loro ruolo nell’Assemblea legislativa e nella Convenzione nazionale.
Provenienti principalmente dalla borghesia provinciale dei grandi porti costieri, furono fautori della guerra contro l’Austria e del decentramento amministrativo, ma si scontrarono con i Montagnardi, portando alla loro dissoluzione nel 1793.

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