Excellent

Showing 169–192 of 5178 results

Ancient Castle Gate, Vicenza, 1866

25,00 

Antica Porta del Castello, Vicenza it's a woodcut taken from the work From the Alps to the Adriatic, pubblicata a Milano da Giacomo Stella Editore nel 1866.
Questa stampa rappresenta un’importante testimonianza storica e artistica del XIX secolo.

  • Sheet size: cm. 25×17 approx.
  • Print Size: cm. 19×13 approx.
  • Support: Paper
  • Condition: Excellent

Ancient theatre of Taormina, 1889

15,00 

Antico Teatro di Taormina è una xilografia realizzata nel 1889, che cattura la bellezza e la storicità di uno dei teatri più celebri della Sicilia.
This print is taken from the work Naples and Sicily by Jules Gourdault, published in Paris by Libraire Hachette.

  • Sheet size: cm. 12×10 approx.
  • Support: Paper
  • Condition: Excellent

Antonino Careme, 1843

15,00 

Antonino Carême, 1843 it's a lithographic printing che misura cm. 18×16, con margini quasi assenti.
This work is taken from Picturesque Polyorama, un’importante pubblicazione diretta a diffondere utili conoscenze in tutte le classi della società.
La stampa è stata realizzata a Napoli, presso la tipografia e litografia del Poliorama Pittoresco, sotto la direzione di Filippo Cirelli nel 1843.
L’opera è contenuta in una pagina del libro e presenta scritte attorno e al verso. Viene spedita l’intera pagina contenente la stampa.

  • Sheet size: cm. 18×16 approx.
  • Support: Paper
  • Condition: Excellent

Antonino Carême, nato nel 1783 e attivo fino al 1833, è stato un cuoco autodidatta di straordinario talento.
La sua carriera internazionale lo ha portato a servire anche lo Zar Alessandro e a lavorare nelle capitali europee, dove ha lasciato un segno indelebile nella gastronomia.
Nel suo libro Le Maître D’hotel français, Carême illustra i menù creati nelle varie capitali, dimostrando la sua superiorità rispetto ai suoi contemporanei.

Antonio Canova, 1838

15,00 

Antonio Canova, 1838 it's a lithographic printing of great historical and artistic value.
This work is taken from Picturesque Polyorama, a periodical publication that aimed to spread useful knowledge across all social classes.

  • Sheet size: cm. 10x9 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained in a page cut from the book and has writing on the verso. The entire page containing the print is shipped.

Antonio Canova, 1861

15,00 

Antonio Canova It is a woodcut engraving made in 1861, taken from Picturesque Store of Paris.
This work features a joke of cm. 10×16 ed è stampata su carta leggera, con retro stampato.

  • Condition: Excellent condition
  • Artist: Antonio Canova, massimo esponente del Neoclassicismo
  • Influenza: La sua arte ha avuto un impatto significativo sulla scultura dell’epoca

Anthony Druot, 1847

15,00 

Antonio Druot It is a lithograph made in 1847, which portrays the famous French soldier Antoine Drouot.
This half-length portrait is taken from the volume Picturesque Polyorama, published in Naples.
The work features writing on the back and comes with the full page of the book.

  • Sheet size: cm. 29×20 approx.
  • Engraving size: cm. 15×13 approx.
  • Support: Paper
  • Condition: Excellent

Antonio Tempesta (attr.), Deer Hunt, 1600

40,00 

Deer hunting it is an engraving attributed to Antonio Tempesta, made in 1600.
This work, performed in etching on laid paper, measures approximately 22x8 cm and has been trimmed to the marginal line.
The engraver, Antonio Tempesta, did not sign the work, but at the bottom there is a Latin inscription attesting to its authenticity.

  • Sheet size: cm. 22×8 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

Antonio Tempesta (attr.), Leopard Hunt, 1600

40,00 

Caccia al leopardo it is an engraving attributed to Anthony Tempest, made in 1600.
This work is an example of etching on laid paper, trimmed to the marginal line.
In basso è presente una scritta in latino, che aggiunge un tocco di storicità all’opera.

  • Sheet size: cm. 22×8 approx.
  • Condition: Excellent state of preservation

Antonio Tempesta (attr.), Tapir Hunt(?), 1600

40,00 

Caccia al tapiro it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presenta una scena vivace e dettagliata, riflettendo lo stile caratteristico dell’artista.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Antonio Tempesta (attr.), Bear Hunt, 1600

40,00 

Bear hunting it is an engraving attributed to Antonio Tempesta, made in 1600.
This work, characterised by a lively representation of the hunt, is a significant example of the art of the period.

  • Sheet size: cm. 22×8 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Antonio Tempesta (attr.), Hyena Hunt, 1600

40,00 

Hyena hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work, an etching on laid paper, presents a dynamic and fascinating subject, typical of the artist's style.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Antonio Tempesta (attr.), Fox Hunting, 1600

40,00 

Caccia alla volpe it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presenta una scena vivace di caccia, riflettendo l’abilità dell’incisore nel catturare il movimento e l’energia del momento.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Antonio Tempesta (attr.), Duck Hunting, 1600

40,00 

Duck hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work is an example of etching on laid paper, trimmed to the marginal line. The engraver, Antonio Tempesta, did not sign the work, but there is a Latin inscription at the bottom.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent

Antonio Tempesta (attr.), Duck Hunting, 1600

40,00 

Duck hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presenta una scena vivace di caccia, riflettendo l’abilità dell’incisore nel catturare momenti dinamici.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Notes: Riflato alla linea marginale, non firmato, con scritta in latino in basso.

Antonio Tempesta (attr.), Monkey Hunting, 1600

40,00 

Monkey hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presents a lively and intriguing scene, typical of the engraver's style.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

The engraving is trimmed to the marginal line and features a Latin inscription at the bottom.

Antonio Tempesta (attr.), Ibex Hunting, 1600

40,00 

Hunting the ibex it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, represents a hunting scene and stands out for its dynamic and detailed style.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Antonio Tempesta (attr.), Ostrich Hunt, 1600

40,00 

Ostrich Hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work is an example of etching on laid paper, trimmed to the marginal line.
The engraver, known for his highly detailed works, left a Latin inscription at the bottom of the engraving.

  • Sheet size: cm. 22×8 approx.
  • Condition: Excellent
  • Support: Laid paper

Antonio Tempesta (attr.), Animal Market, 1600

40,00 

Mercato degli animali it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presenta una scena vivace di un mercato di animali, riflettendo la vita quotidiana dell’epoca.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent
  • Notes: Refined on the marginal line, unsigned; at the bottom there is a Latin inscription.

Antonio Trasmondo, 1842

15,00 

Antonio Trasmondo It is a lithograph made in 1842, taken from the work Picturesque Polyorama, an important Neapolitan publication aimed at spreading useful knowledge to all social classes.
This print, measuring 11x10 cm, has almost no margins and includes writing around and on the back. You will receive the entire page of the book containing the print.

  • Sheet size: Small
  • Print Size: cm. 11×10 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

Anthony van Dyck, 1830

30,00 

Anthony van Dyck, 1830 It is an etching made on paper, which portrays the illustrious Flemish painter known for his portraits.
Van Dyck, who became the leading court painter in England, had an important influence on European portraiture after his stay in Italy.

  • Sheet size: cm. 23×15
  • Engraving size: cm. 10×8
  • Support: Paper
  • Condition: Excellent

Anthurium, Chromolithograph, 1887

30,00 

Anturio it's a chromolithography made in 1887, coming from the prestigious Horticultural Review of Paris.
Questa splendida stampa è caratterizzata da un design molto decorativo e vivace, perfetta per gli amanti della botanica e dell’arte.

  • Sheet size: cm. 25×16 approx.
  • Support: Thick paper, white back
  • Condition: Excellent state of preservation

Antwerp, The Cathedral, 1838

15,00 

Antwerp, The Cathedral It is a lithograph made in 1838, which represents an important view of the cathedral of Antwerp.
This print is taken from the work Picturesque Polyorama, a periodical dedicated to the dissemination of artistic and cultural knowledge.

  • Sheet size: cm. 18×12 approx.
  • Margins: Almost absent
  • Support: Paper
  • Condition: Excellent

The print is contained in a page extracted from the book and has writing on the verso. The entire page containing the print is sent.

Anzio, Albani Villa, 1834-1837

25,00 

Anzio, Albani Villa It is a steel engraving made between 1834 and 1837.
This work comes from the volume Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 18×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

This view is lively and decorative, perfect for art and history lovers.

Aosta, 1833-35

30,00 

Aosta, 1833-35 It is an engraving made by James Duffield Harding, a well-known English landscape painter.
This etching on steel è tratta da The Landscape Annual di Londra, pubblicato tra il 1833 e il 1835.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

Questa suggestiva veduta di Aosta è caratterizzata da un nitido contrasto e da un’animazione che cattura l’attenzione dello spettatore.

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