Excellent

Showing 2065–2088 of 2189 results

Treviso, Altinia Gate, 1860

35,00 

Treviso, Porta Altinia It is an engraving made in 1860, executed with the technique ofEtching.
Questo lavoro fa parte dell’Album of Italy, published by Literarisch-artistische Abteilung des Österreichischen Lloyd in Trieste in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Trionfo di Marat, 1840

20,00 

Trionfo di Marat è un’incisione realizzata nel 1840, che celebra uno dei momenti chiave della Rivoluzione Francese.
Questa opera è un esempio significativo dell’arte del XIX secolo, evidenziando l’importanza storica di Jean-Paul Marat.

  • Sheet size: cm. 9×12 approx.
  • Technique: Etching
  • Support: Cardboard
  • Condition: Excellent condition

Türkiye, Greece and the Ionian Islands, 1865

60,00 

Türkiye, Greece and Ionian Islands It is a watercolour map made in 1865.
Drawn by Naymiller and engraved by Allodi, this map is from the work Atlas of Universal Geography Chronological, Historical, Statistical and Literary by Francesco Pagnoni, published in Milan.

  • Sheet size: cm. 49×38 approx.
  • Map dimensions: cm. 40×32 approx.
  • Support: Paper
  • Condition: Excellent

A magnificent work!, W.French, 1840-50

20,00 

Un magnifico lavoro! It is an etching made by W. French between 1840 and 1850.
Questa opera, pubblicata in Payne's Universum und Buch der Kunst a Lipsia e Dresda, è un esempio pregevole dell’arte incisoria dell’epoca.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: unspecified
  • Support: Medium thickness paper
  • Condition: Excellent condition

A Summer Noon, 1850

20,00 

Un mezzogiorno estivo è un’incisione realizzata nel 1850, che rappresenta una vista di Hampton Court, ispirata a un’opera della Collezione Reale.
Questa incisione è stata prodotta utilizzando la tecnica dell’Etching and Burin, ed è stata pubblicata nel Art Journal Engraving.

  • Sheet size: cm. 32×24
  • Condition: Excellent general condition
  • Support: Strong engraving paper

A Herd, JHRoos, 1840-50

20,00 

A Herd It is an etching made by JH Roos between 1840 and 1850.
This work represents a fascinating group of animals and is part of the publication Payne's Royal Dresden Gallery, edited by AH Payne and W. French in Dresden, Leipzig, and London.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 21×27 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Una storia di altri tempi, 1850

30,00 

Una storia di altri tempi è un’incisione realizzata nel 1850, che cattura l’essenza di un momento nostalgico in cui una nonna racconta storie del passato.
This etching presenta dimensioni di cm. 15,5×13, senza margini, e un retro bianco, tipico dell’epoca XIX secolo.

  • Sheet size: Small
  • Engraving size: cm. 15,5×13
  • Support: Paper
  • Condition: Excellent

Man of Alatri, 1840

60,00 

Uomo di Alatri è un’acquaforte acquarellata realizzata nel 1840, taken from the work Costumi di Roma e suoi contorni, disegnata da vari artisti e incisa da Salvatore Marroni.
Questa pregevole opera è stata pubblicata a Roma presso l’editore e calcografo Tommaso Cuccioni, situato in Via della Croce N.88.

  • Sheet size: cm. 32×22
  • Support: Medium thickness paper with white backing
  • Condition: Eccellente

Uomo di Castelnuovo, acquarello

40,00 

Uomo di Castelnuovo it's a watercolor of exquisite workmanship, created by an anonymous author in the first half of the 19th century.
This stunning piece features bright colors and refined details, making it a fascinating work for art lovers.

  • Sheet size: cm. 7×10 approx.
  • Support: Cardboard with white back
  • Condition: Excellent state of preservation

Uomo di Castelnuovo, acquarello

35,00 

Uomo di Castelnuovo it's a beautiful watercolor of exquisite workmanship, created by an anonymous author and datable to the first half of the 19th century.
Questo pezzo si distingue per i suoi bright colors e per la sua ottima condizione di conservazione.

  • Dimensions: mm. 70×100
  • Back: White
  • Condition: Excellent state of preservation

Urbino, 1850

40,00 

Urbino, 1850 it is an etching depicting a fascinating glimpse of the city of Urbino.
This work, signed by C. Martinelli and produced by the Lloyd Establishment of Trieste, dates back to 1850.

  • Sheet size: cm. 22×31 approx.
  • Engraving size: cm. 13×20 approx.
  • Support: Light unlaid paper
  • Condition: Excellent condition

Urbino, 1850

40,00 

Urbino, 1850 it is an etching depicting a fascinating glimpse of the city of Urbino.
This work, signed by C. Martinelli and produced by the Lloyd Establishment of Trieste, dates back to 1850.

  • Sheet size: cm. 22×31 approx.
  • Engraving size: cm. 13×20 approx.
  • Support: Light unlaid paper
  • Condition: Excellent condition

Urbino, 1860

35,00 

Urbino, 1860 It is an engraving made in etching nel 1860, parte dell’album Album of Italy, published by Literarisch-artistische Abteilung des Österreichischen Lloyd a Trieste.
Questa opera rappresenta un’importante testimonianza artistica del XIX secolo.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Valentin de Boulogne, Music, 1786

60,00 

La Musica It is an engraving made by Valentin de Boulogne In the 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approximately (including the editorial frame)
  • Condition: Ottime, bella prova con buon contrasto
  • Support: Laid paper

Valerio Righini exlibris

20,00 

Valerio Righini Exlibris è un’incisione realizzata nel 1988 dall’artista Valerio Righini.
This exlibris, commissioned by BNEL, is an example of refined engraving technique in etching.

  • Sheet size: mm. 125×190
  • Support: Medium thickness paper
  • Condition: Excellent

Valsesia, Loyal Desire, 1860

35,00 

Valsesia, Loyal Desire is an etching made in 1860, part of the Album d'Italia, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.
This work offers a fascinating representation of Valsesia, a mountainous area of Piedmont.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Veduta del Battistero di S.Giovanni di Firenze, 1826

20,00 

Veduta del Battistero di S.Giovanni di Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent

Veduta del Palazzo Pitti, Firenze, 1826

20,00 

Veduta del Palazzo Pitti, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Veduta del Poggio Imperiale, Firenze, 1826

20,00 

Veduta del Poggio Imperiale, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Veduta del Ponte alle Grazie di Firenze, 1826

20,00 

Veduta del Ponte alle Grazie di Firenze è un’acquaforte su rame realizzata da A. Verico nel 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Veduta dell’Arcispedale di S.M.Nuova, Firenze, 1826

20,00 

Veduta dell’Arcispedale di S.M.Nuova, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Veduta della Basilica della SS. Annunziata, Firenze, 1826

20,00 

Veduta della Basilica della SS. Annunziata it is an etching on copper made by Antonio Verico in 1826.
This work is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

View of the Cathedral of Prato, 1826

30,00 

View of the Cathedral of Prato it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Veduta della Metropolitana di Firenze, 1826

20,00 

Veduta della Metropolitana di Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Explore the fascinating world of antique prints

Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.

A safe and rewarding shopping experience

We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.