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Pieter Neefs (1578-1661), Bashan, 1771
30,00 €Pieter Neefs (1578-1661), Bashan, 1771 It is an engraving made by Pieter Neefs, a Flemish painter known for his architectural church interiors.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints from works by the Duc de Choiseul, published in 1771 by Pierre-François Basan.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 14×21 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Pieter van der Werff, Bashan, 1771
30,00 €Pieter van der Werff, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 14×12 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent condition
Pieter van der Werff (1665 – 1722) was a Dutch Golden Age painter, known for his collaboration with his brother Adriaen van der Werff.
Pieter van der Werff, Bashan, 1771
30,00 €Pieter van der Werff, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise basate sui dipinti del duca.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 13×10 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Pieter van der Werff (1665 – 1722) è noto come un pittore dell’età d’oro olandese, che ha collaborato con suo fratello Adriaen van der Werff.
Pietro Da Cortona (Pietro Berrettini), Jacob's Flight, 1786
70,00 €Jacob's Escape It is an engraving made by Peter From Cortona (Pietro Berrettini) in the 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.
- Sheet size: cm. 24×37 approximately (including the editorial frame)
- Condition: Excellent condition, nice proof with good contrast
- Support: Laid paper
Pine, J.Miller, late 18th century
30,00 €The Yen Tree It is an engraving made by J. Miller at the end of the 18th century.
This work, performed with the technique of Burin and watercolour, presents a fascinating and detailed subject.
- Sheet size: cm. 30×24 approx.
- Engraving size: cm. 23×19 approx.
- Support: Laid paper
- Condition: Good condition, with some stains
Platano Orientale, J.Miller, fine XVIII secolo
30,00 €Platano Orientale It is an engraving made by J. Miller at the end of the 18th century.
This work, entitled The Oriental Plane Tree, is performed with the technique of Burin acquarellato su carta vergellata.
- Engraving size: cm. 23×19 approx.
- Sheet size: cm. 30×24 approx.
- Support: Laid paper
- Condition: Good condition, with some stains
Pula, Arch of Triumph, 1796
40,00 €Pula, Arch of Triumph It is an engraving made in 1796, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by lively animation and well-defined contrast. On the back of the print there is a detailed explanation of the work.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. 15×22 approx.
- Support: Paper
- Condition: Excellent
Civita Castellana Bridge, 1798
40,00 €Civita Castellana Bridge It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by lively animation and well-defined contrast. On the back of the print there is a detailed explanation of the work.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. 15×22 approx.
- Support: Paper
- Condition: Excellent
Trajan's Bridge, Danube, 1700
30,00 €Trajan's Bridge, Danube it is a vintage watercolour etching depicting the famous Trajan's bridge over the Danube.
This work, made by an unknown engraver, is printed on light laid paper and measures 28x17 cm without margins.
- Sheet size: cm. 28×17 approx.
- Support: Light laid paper
- Condition: Good condition
Ponte presso Vicovaro, 1798
40,00 €Ponte presso Vicovaro è un’incisione realizzata nel 1798, che offre una splendida veduta del ponte situato a Vicovaro.
This work is taken from the volume Tour Through Italy del Rev. John Chetwode Eustace, pubblicato a Londra da J. Mawman nel 1813.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. 15×22 approx.
- Support: Paper
- Condition: Excellent
The print features a beautiful view, animated and well contrasted, with an explanation on the back.
Pourbus, Basan, 1771
30,00 €Cabinet of the Duke of Choiseul It is an engraving made by Pierre-François Basan in 1771.
Questa opera fa parte di un collection of prints che raccoglie le incisioni tratte dai dipinti del cabinet di Monseigneur le Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 14×12 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Purgatory, Dante, 1757
40,00 €Purgatorio è un’incisione realizzata nel 1757, ispirata alla celebre opera The Divine Comedy by Dante Alighieri.
Questa incisione rappresenta il tema del Purgatorio, con elementi simbolici come il serpente e gli angeli, e riflette i concetti di fede e speranza.
- Sheet size: cm. 28×21 approx.
- Engraving size: cm. 20×13 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Questa opera è parte di un volume dedicato alla Sagra Imperiale Maestà di Elisabetta Petrowna, Imperatrice di tutte le Russie, pubblicato a Venezia tra il 1757 e il 1758 da Antonio Zatta.
Purgatory, Envy, 1757
40,00 €Purgatorio, Invidia It is an engraving made in 1757, part of the famous work The Divine Comedy by Dante Alighieri, arricchita da annotazioni e decorazioni.
Questa acquaforte, stampata su carta vergellata, presenta un formato di cm. 20×13 alla battuta del rame, su un foglio di cm. 28×21.
- Sheet size: cm. 28×21
- Engraving size: cm. 20×13
- Support: Laid paper
- Condition: Excellent
Rembrandt van Rijn, Bashan, 1771
30,00 €Rembrandt van Rijn, Bashan, 1771 It is an engraving of great historical value, part of the Cabinet of the Duke of Choiseul.
This work is a collection of prints made by Pierre-François Basan, which collects the engravings taken from the paintings of the Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 13×10 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Rembrandt van Rijn, Bashan, 1771
30,00 €Rembrandt van Rijn, Bashan, 1771 It is an engraving made by Rembrandt, published by Pierre-François Basan in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints from works by the famous Dutch painter.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 14×12 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Richard Earlom, Scena pastorale, 1775
60,00 €Scena pastorale It is an engraving made by Richard Earlom nel 1775, ispirata all’opera di Claude le Lorrain.
This work is an example of aquatint e presenta una dimensione di mm. 208×258, su un foglio di carta vergellata pesante di mm. 270×385.
- Sheet size: mm. 270×385
- Engraving size: mm. 208×258
- Support: Heavy laid paper
- Condition: Excellent condition
In basso a sinistra si trova la firma di Claude le Lorrain, mentre a destra quella di R. Earlom. Al centro in basso è presente la dicitura: Published Sept. 1775 by John Boydell Engraver in Cheapside.
Roma, Arco di Costantino, 1771
30,00 €Roma, Arco di Costantino It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
- Sheet size: cm. 24×18
- Support: Medium thickness laid paper with white backing
- Condition: Excellent condition
L’incisione è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Yverdon Encyclopedia, published in Switzerland.
Questa edizione, meno influenzata dal pensiero francese e più neutra in ambito religioso, è conosciuta come enciclopedia protestante e ha avuto una notevole diffusione nel Nord Europa.
Roma, Arco di Costantino, 1796
40,00 €Roma, Arco di Costantino è un’incisione realizzata nel 1796, che offre una vista affascinante di uno dei monumenti più iconici di Roma.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London, 1813.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. 15×22 approx.
- Support: Paper
- Condition: Excellent state of preservation
La stampa presenta una bella veduta, animata e ben contrastata, con spiegazioni dettagliate al retro.
Rome, Arch of San Lazzaro, 1796
40,00 €Roma, Arco di San Lazzaro It is an engraving made in 1796, taken from the volume Tour Through Italy del Rev. John Chetwode Eustace, pubblicato a Londra da J. Mawman nel 1813.
Questa bella veduta è caratterizzata da un’animazione e un contrasto ben definiti, e sul retro è presente una spiegazione della stampa.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. 15×22 approx.
- Support: Paper
- Condition: Excellent state of preservation
Rome, Arch of Septimius Severus, 1771
30,00 €Rome, Arch of Septimius Severus It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the edition of Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland.
- Sheet size: cm. 24×18
- Support: Medium thickness laid paper
- Condition: Excellent state of preservation
The engraving is notable for its less French and less anti-religious approach than the original, which has earned it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.
Rome, Arch of Septimius Severus, Roman rings, 1771
30,00 €Rome, Arch of Septimius Severus, Roman rings It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
- Sheet size: cm. 24×18
- Engraving size: cm. 20×15 approx.
- Technique: Burin
- Support: Medium thickness laid paper
- Condition: Excellent
This engraving is particularly interesting because it comes from the edition of the Diderot and D'Alembert Encyclopedia, known as Yverdon Encyclopedia, published in Switzerland.
The difference in approach from the original earned it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.
Rome, Basilica of Saint Agnes, 1798
40,00 €Rome, Basilica of Saint Agnes it is an engraving made in 1798, which represents a suggestive view of the Basilica of Sant'Agnese fuori le mura and the Mausoleum of Santa Costanza.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. 15×22 approx.
- Support: Paper
- Condition: Excellent
The print features a beautiful view, animated and well contrasted, with an explanation on the back.
Roma, Chiesa di S. Andrea, 1798
40,00 €Roma, Chiesa di S. Andrea It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by lively animation and well-defined contrast. On the back of the print there is a detailed explanation of the work.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. 15×22 approx.
- Support: Paper
- Condition: Excellent state of preservation
Rome, Colosseum, 1771
30,00 €Rome, Colosseum It is a burin engraving made by Fortunate Bartholomew De Felice In the 1771.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
- Sheet size: cm. 24×30
- Engraving size: cm. 24×30
- Support: Medium thickness laid paper with white backing
- Condition: Excellent condition
This engraving is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland.
Unlike the original version, which was less French and less anti-religious, this edition earned the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.
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