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Showing 313–336 of 364 results

Roma, Colosseo, 1796

40,00 

Rome, Colosseum It is an engraving made in 1796, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
Questa bella veduta del Colosseo è animata e presenta un ottimo contrasto. Sul retro della stampa è presente una spiegazione dettagliata dell’opera.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Rome, Domus Aurea, Nero's Palace, 1791

70,00 

Roma, Domus Aurea, Palazzo di Nerone è un’incisione realizzata nel 1791, che rappresenta un’importante testimonianza storica dell’architettura romana.
Questa acquaforte è parte del volume Histoire Universelle depuis les commencement du monde jusque a present, pubblicato a Parigi nel 1791.

  • Sheet size: mm. 235×385 più margini irregolari di 2-3 cm
  • Engraving size: mm. 235×385
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent general condition

Roma, Fontana della Ninfa Egeria, 1798

40,00 

Roma, Fontana della Ninfa Egeria è un’incisione realizzata nel 1798, che offre una splendida veduta della famosa fontana.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching and aquatint
  • Support: Paper
  • Condition: Excellent

Roma, Insegne romane, amuleti, 1771

30,00 

Roma, Insegne romane, amuleti It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Engraving size: cm. 24×18
  • Support: Medium thickness laid paper
  • Condition: Excellent condition, with white back

This engraving is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland.
A differenza dell’edizione originale, meno francese e meno antireligiosa, questa versione ha guadagnato il soprannome di enciclopedia protestante, contribuendo alla sua diffusione nel Nord Europa.

Roma, Insegne romane, amuleti, 1771 *33570

30,00 

Roma, Insegne romane, amuleti It is a burin engraving made by Fortunate Bartholomew De Felice In the 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Engraving size: cm. 24×18
  • Support: Medium thickness laid paper
  • Condition: Excellent condition, with white back

This engraving is particularly interesting because it comes from the edition of the Diderot and D'Alembert Encyclopedia, known as Encyclopédie d’Yverdon, published in Switzerland.
A differenza della versione originale, meno francese e meno antireligiosa, questa edizione è stata definita enciclopedia protestante, il che ha contribuito alla sua diffusione nel Nord Europa.

Roma, Piramide di Caio Cestio, 1796

40,00 

Roma, Piramide di Caio Cestio è un’incisione realizzata nel 1796, che offre una vista affascinante di uno dei monumenti più iconici di Roma.
Questa acquaforte è tratta dal volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print features a beautiful view, lively and well contrasted, with an explanation on the back that enriches the work.

Rome, Nomentano Bridge, 1798

40,00 

Rome, Nomentano Bridge It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view features lively animation and sharp contrast, making it a fascinating work for art and history lovers. A detailed explanation is provided on the back of the print.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Roma, Ponte S.Angelo, 1798

40,00 

Roma, Ponte S.Angelo It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
Questa bella veduta offre una rappresentazione animata e ben contrastata del celebre ponte romano. Al retro della stampa è presente una spiegazione dettagliata dell’opera.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Rome, Temple of the God Redicolo, 1796

40,00 

Rome, Temple of the God Redicolo it is an engraving from 1796 representing the tomb of Annia Regilla.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching and aquatint
  • Support: Paper
  • Condition: Excellent

This beautiful view is animated and well contrasted, with an explanation of the print on the back.

Roma, Tempio della Concordia, 1796

40,00 

Roma, Tempio della Concordia It is an engraving made in 1796, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
Questa bella veduta offre una rappresentazione animata e ben contrastata del Tempio della Concordia, con spiegazioni dettagliate sul retro della stampa.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Rome, Temple of Antoninus and Faustina, 1798

40,00 

Rome, Temple of Antoninus and Faustina It is an engraving made in 1798, which offers a splendid view of the famous Roman temple.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching
  • Support: Paper
  • Condition: Excellent

The print features lively animation and sharp contrast, with a detailed explanation on the back.

Roma, Tempio di Fortuna Virile (Portuno), 1798

40,00 

Roma, Tempio di Fortuna Virile (Portuno) è un’incisione realizzata nel 1798, che offre una splendida veduta del famoso tempio romano.
This work is taken from the volume Tour Through Italy del Rev. John Chetwode Eustace, pubblicato a Londra da J. Mawman nel 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

The print features lively animation and sharp contrast, with a detailed explanation on the back.

Roma, Tempio di Giove, Tomba di Adriano, 1771

30,00 

Roma, Tempio di Giove, Tomba di Adriano It is a burin engraving made by Fortunate Bartholomew De Felice In the 1771.
This work is taken from the Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edizione curata da De Felice, nota come Yverdon Encyclopedia, published in Switzerland.

  • Sheet size: cm. 24×30
  • Engraving size: cm. not specified
  • Technique: Burin
  • Support: Medium thickness laid paper with white backing
  • Condition: Excellent

Questa incisione si distingue per il suo approccio meno francese e meno antireligioso rispetto all’originale di Diderot e d’Alembert, guadagnandosi il soprannome di enciclopedia protestante e contribuendo alla sua diffusione nel Nord Europa.

Rome, Temple of Romulus and Remus, 1796

40,00 

Rome, Temple of Romulus and Remus It is an engraving made in 1796, which offers a suggestive view of the famous temple.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print features a beautiful view, lively and well contrasted, with an explanation on the back that enriches the work.

Rome, Temple of Vesta, 1798

40,00 

Rome, Temple of Vesta It is an engraving made in 1798, which offers a splendid view of the famous Roman temple.
This work is taken from the volume Tour Through Italy by REv. John Chetwode Eustace, published in London by J. Mawman, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

The print features lively animation and sharp contrast, with a detailed explanation on the back.

Roma, Trofeo di Mario, 1798

40,00 

Roma, Trofeo di Mario It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is animated and well contrasted, with an explanation of the print on the back.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching and aquatint
  • Support: Paper
  • Condition: Excellent

St. Prophet Elijah, 18th century

35,00 

St. Prophet Elijah It is an engraving made in 18th century, who represents a significant figure in religious tradition.
This work is a ex tract Speronensis, performed with the technique ofetching and burin.

  • Sheet size: cm. 19x28 approximately at the edge
  • Support: Laid paper without watermark
  • Condition: Excellent condition

St. Rose of Lima, 1750

40,00 

St. Rose of Lima It is an engraving made in 1750, which represents an important religious figure.
This work is made in etching and burin on heavy laid paper, back-glued onto another piece of laid cardboard.

  • Engraving size: mm. 225×156 without margins
  • Condition: Excellent condition
  • Attribution: Probable attribution to Joseph Wagner (1706-1780)

Salerno, Antica Chiesa, 1781-1786

60,00 

Salerno, Antica Chiesa It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This etching offre una vista affascinante di una storica chiesa di Salerno, parte del volume Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily.

  • Sheet size: mm. 230×165 approx.
  • Condition: Perfect state of preservation
  • Support: Paper

Salomon Gessner, Satyr and nymphs, 18th century

90,00 

Satyr and Nymphs It is an engraving made by Solomon Gessner in the 18th century, which represents a moment of play between a satyr and some nymphs in the forest.
This work is an example of his mastery in engraving and is part of a series of classical landscapes.

  • Sheet size: cm. 32×22
  • Engraving size: mm. 210×190
  • Technique: Etching
  • Support: Heavy laid paper with watermark
  • Condition: Excellent
  • Impression: Excellent with great inking
  • Signed: S.Gessner inv. et f.
  • Table: n.8 of a series of classical landscapes

Salomon van Ruysdael, Bashan, 1771

30,00 

Solomon van Ruysdael It is an engraving made by Pierre-François Basan in 1771, part of the Cabinet of the Duke of Choiseul.
This collection of prints It is dedicated to the works of the famous Dutch painter, known for his landscapes.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

Salomon van Ruysdael, Bashan, 1771

30,00 

Salomon van Ruysdael, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the famous collector.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

Salomon van Ruysdael, a well-known Dutch landscape painter, created works that capture the beauty of natural landscapes, making him one of the most appreciated artists of his time.

Salomon van Ruysdael, Bashan, 1771

30,00 

Salomon van Ruysdael, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Salomon van Ruysdael, a well-known Dutch landscape painter, created works that capture the beauty of natural landscapes.

Schulz, Bashan, 1771

30,00 

Schulz, Bashan, 1771 It is an engraving made by Pierre-François Basan in 1771, part of the Cabinet of the Duke of Choiseul.
This collection of prints It is a collection of engraved works based on the paintings of the Duc de Choiseul, published in Paris.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

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