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Showing 745–768 of 2112 results

Elisha, Giorgio Vasari, 1850

25,00 

Eliseo è un’incisione realizzata da Saverio Pistolesi nel 1850, ispirata al celebre dipinto di Giorgio Vasari.
Questa opera fa parte dell’album Picturesque album designed and engraved by Saverio Pistolesi dedicated to the majesty of Vittorio Emanuele II king of Sardinia, published in Florence in 1850.

  • Sheet size: cm. 35×26 approx.
  • Engraving size: cm. 22×15 approx.
  • Support: Cardboard
  • Condition: Excellent state of preservation

Elisha, Giorgio Vasari, 1850

25,00 

Eliseo è un’incisione realizzata da Saverio Pistolesi nel 1850, ispirata al celebre dipinto di Giorgio Vasari.
Questa opera fa parte dell’album Picturesque album designed and engraved by Saverio Pistolesi dedicated to the majesty of Vittorio Emanuele II king of Sardinia, published in Florence in 1850.

  • Sheet size: cm. 35×26 approx.
  • Engraving size: cm. 22×15 approx.
  • Support: Cardboard
  • Condition: Excellent state of preservation

Emanuel Leutze, A.H.Payne, 1840-50

20,00 

Emanuel Leutze, A.H.Payne è un’incisione realizzata tra il 1840 e il 1850, che rappresenta un’opera significativa dell’artista tedesco naturalizzato statunitense.
Leutze è noto per la sua pittura storica, mentre A.H.Payne è l’incisore che ha realizzato questa acquaforte su carta di medio spessore.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: not specified
  • Support: Medium thickness paper
  • Condition: Excellent condition

The press was published in Payne's Universum und Buch der Kunst, Leipzig und Dresden, e presenta il retro bianco.
Emanuel Leutze è celebre per opere come Washington Crossing the Delaware, attualmente esposto al Metropolitan Museum of Art.

Emisferi della Terra, C.F. Delamarche, 1793

50,00 

Emisferi della Terra è un’incisione su rame realizzata da C.F. Delamarche nel 1793.
This work is taken from the Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicated to youth and published in Paris by Delamarche.

  • Sheet size: cm. 21×27 approx.
  • Support: Paper
  • Condition: Buone condizioni, presenta qualche spellatura e una piega centrale editoriale

Emissary of the Fucino in Avezzano, 1890

20,00 

Emissario del Fucino ad Avezzano it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional information on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Empoli, Florence, 1885

30,00 

Empoli, Florence, 1885 It is an engraving that represents the Collegiate Church and Square, made by Antoine Valerie Bertrand, a French wood engraver.
This woodcut measures cm. 19×25 and is found on a light sheet of cm. 27×37, with white back. The work is taken from the volume Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers in 1885.

  • Sheet size: cm. 27×37 approx.
  • Engraving size: cm. 19×25 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Enna, Sperlinga Castle, Saint-Non, 1781-86

40,00 

Enna, Castello di Sperlinga It is a magnificent engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
Questa opera proviene dalla prima edizione del celebre Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent

L’incisione presenta una bella veduta animata del castello di Sperlinga, ben conservata e di grande valore storico.
Jean-Claude Richard de Saint-Non, noto come Abate di Saint-Non, è stato un importante disegnatore e archeologo francese, la cui opera ha influenzato la percezione dei regni di Napoli e Sicilia.

Enna, Surroundings of Castrogiovanni, Saint-Non, 1781-86

40,00 

Enna, Surroundings of Castrogiovanni It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent condition

The animated view offers a fascinating look at the surroundings of Castrogiovanni, representing an important testimony of the Sicilian cultural heritage.

Enna, Surroundings of Castrogiovanni, Saint-Non, 1781-86

40,00 

Enna, Surroundings of Castrogiovanni It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Questa incisione offre una bella veduta animata della Sicilia, ben conservata e di grande valore storico.

Enna, Surroundings of Leonforte, Saint-Non, 1781-86

40,00 

Enna, Dintorni di Leonforte It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving proviene dalla prima edizione del celebre Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18x25 approximately at the copper edge
  • Support: Paper
  • Condition: Excellent state of preservation

Questa incisione offre una bella veduta animata dei dintorni di Leonforte, rappresentando un’importante testimonianza della Sicilia del XVIII secolo.

Entry of Charles V into Antwerp, H. Makart, 1887

30,00 

Entry of Charles V into Antwerp It is an engraving made by H. Makart in 1887.
This woodcut represents an important historical scene and comes from the Italian illustration, published by the Treves Brothers of Milan.

  • Sheet size: cm. 46×27 approx.
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Farnese Hercules, 1884

30,00 

Farnese Hercules It is a woodcut engraving made in 1884, which represents one of the most famous works of classical sculpture.
This engraving is taken from the volume Naples and its surroundings by Rudolf Kleinpaul.

  • Sheet size: cm. 27×36 approx.
  • Engraving size: cm. 16×24 approx.
  • Support: Paper with wide margins and white back
  • Condition: Excellent

Ersilia Cortese, 1837

20,00 

Ersilia Cortese it is a lithograph made in 1837, taken from the volume Universal Pictorial Warehouse, published in Genoa.
Questa opera rappresenta la figura di Ersilia Cortese, una letterata italiana di grande rilievo, nata a Roma nel 1529 e deceduta nel 1587.

  • Sheet size: cm. 21×28 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent state of preservation

Eschinanthus, Cromolitografia, 1883

30,00 

Eschinanthus pulcher it's a beautiful one chromolithography realizzata nel 1883, proveniente dalla Horticultural Review of Paris.
Questa opera, firmata da Godard e litografata da G. Severeyns, presenta un design molto decorativo, ideale per gli amanti della botanica e dell’arte floreale.

  • Sheet size: cm. 25×16 approx.
  • Condition: Excellent state of preservation
  • Support: Thick paper with white backing

Esther and Ahasuerus, B.Strozzi, 1840-50

20,00 

Esther and Ahasuerus it is an engraving made by B. Strozzi between 1840 and 1850.
This work, which represents the biblical figure of Esther and King Ahasuerus, is an etching on strong paper, published in Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent condition

Europe, CF Delamarche, 1816

70,00 

Europe è una mappa dell’Europa realizzata da C.F. Delamarche nel 1816.
This copper engraving is colored around the outline and comes from the volume Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicato alla gioventù, pubblicato a Parigi presso Delamarche.

  • Sheet size: cm. 21×27 approx.
  • Condition: Good condition, with some peeling and a central editorial crease
  • Support: Paper

Evangelista Torricelli, 1857

30,00 

Evangelista Torricelli it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
Questa opera ritrae Evangelista Torricelli, un importante matematico e fisico italiano, nato a Faenza il 15 ottobre 1608 e morto a Firenze il 25 ottobre 1647.

  • Sheet size: cm. 23×32
  • Size of the joke: cm. 14×18
  • Support: Strong paper
  • Condition: Buone, con qualche leggera macchia di ruggine ai bordi, che non interessa l’incisione

Evangelist, 19th century

40,00 

Evangelista è un disegno a matita realizzato nel 19th century, databile alla metà dell’Ottocento.
Questo lavoro, privo di firma, è eseguito su un cartoncino leggero e presenta un soggetto non meglio identificato.

  • Sheet size: cm. 22×29 approx.
  • Condition: Excellent condition

F. Vivares, View, 18th century

60,00 

View of monuments with figures It is an engraving made by François Vivares in the 18th century, in collaboration with Antonio Visentini.
This work represents a detailed view of monuments, enriched by the presence of human figures, typical of the art of the period.

  • Sheet size: cm. 24×34 approx.
  • Engraving size: cm. 22×32 approx.
  • Support: Heavy laid paper
  • Condition: Excellent state of preservation

F. W. Musculus, Paesaggio, 1765

70,00 

Paesaggio con viandanti It is an engraving made by F.W. Musculus nel 1765, ispirata all’opera di Jan Wynands.
This work has been published by J.W. Pruys Artists and Engravers e rappresenta un paesaggio ricco di dettagli, tipico dello stile dell’epoca.

  • Sheet size: cm. 25×30 circa
  • Engraving size: cm. 20×25 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

Factories of Brindisi, 1819

25,00 

Brindisi Factories it is an etching made by AL Castellan in 1819.
This work is taken from Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: cm. 20×12 approx.
  • Engraving size: cm. 14×11 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Antoine-Laurent Castellan, painter and engraver, was born in Montpellier in 1772 and died in Paris in 1838.
Decorated with the Legion of Honour and a member of the Academy of Fine Arts, Castellan is known for his landscapes, particularly for the works included in View of Italy And View of the Alps.

​Fabio Glissenti, Il Mendicantee la Morte, 1596

35,00 

Il Mendicante e la Morte It is a woodcut made by Fabio Glissenti In the 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa stampa fa parte di un ciclo iconografico che esplora il tema della morte con un approccio a volte ironico e provocatorio.

  • Sheet size: cm. 21×15 approx.
  • Image size: cm. 10×6,5 circa
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Glissenti, medico e filosofo, affronta il tema della morte con un occhio critico e disincantato, sfidando la censura del suo tempo. La sua opera principale, l’Athanatophilia, è un voluminoso lavoro composto da cinque dialoghi e trenta novelle, che riflette il pensiero colto della fine del ‘500.
Questa rara stampa rappresenta un’importante testimonianza del pensiero di Glissenti e della sua audace visione della vita e della morte.

Fabio Glissenti, Il Neonato e la Morte, 1596

35,00 

Il Neonato e la Morte It is an engraving made by Fabio Glissenti in 1596, part of the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia, non firmata, presenta un’immagine di dimensioni cm. 6,5×10 circa su un foglio di cm. 21×15 circa.

  • Sheet size: cm. 21×15 approx.
  • Engraving size: cm. 6,5×10 circa
  • Support: Paper
  • Condition: Excellent state of preservation

L’opera di Glissenti affronta il tema della morte con un approccio a volte ironico e irriverente, riflettendo il pensiero colto del tardo Cinquecento.
La sua pubblicazione, avvenuta a Venezia presso Domenico Farri, fu oggetto di censura e controversie, ma ciò non ha impedito a Glissenti di mantenere la sua visione critica e profonda sulla vita e la morte.

Fabio Glissenti, La Morte e l’Angelo, 1596

35,00 

La Morte e l’Angelo It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia, non firmata, presenta un’immagine di dimensioni cm. 6,5×10, su un foglio di cm. 21×15 circa.

  • Sheet size: cm. 21×15 approx.
  • Engraving size: cm. 6,5×10 circa
  • Support: Paper
  • Condition: Excellent state of preservation

Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente. La sua opera, sottoposta a censura, ha subito un processo che ha portato a una multa, ma ha mantenuto la sua visione critica e profonda. Le stampe, parte del ciclo della ‘Danza Macabra’, offrono uno spaccato del pensiero colto del tardo Cinquecento.

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