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Enna, Sperlinga Castle, Saint-Non, 1781-86
40,00 €Enna, Castello di Sperlinga It is a magnificent engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
Questa opera proviene dalla prima edizione del celebre Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.
- Sheet size: cm. 22×33 approx.
- Engraving size: cm. 18×25 approx.
- Support: Paper
- Condition: Excellent
L’incisione presenta una bella veduta animata del castello di Sperlinga, ben conservata e di grande valore storico.
Jean-Claude Richard de Saint-Non, noto come Abate di Saint-Non, è stato un importante disegnatore e archeologo francese, la cui opera ha influenzato la percezione dei regni di Napoli e Sicilia.
Enna, Surroundings of Castrogiovanni, Saint-Non, 1781-86
40,00 €Enna, Surroundings of Castrogiovanni It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.
- Sheet size: cm. 22×33 approx.
- Engraving size: cm. 18×25 approx.
- Support: Paper
- Condition: Excellent condition
The animated view offers a fascinating look at the surroundings of Castrogiovanni, representing an important testimony of the Sicilian cultural heritage.
Enna, Surroundings of Castrogiovanni, Saint-Non, 1781-86
40,00 €Enna, Surroundings of Castrogiovanni It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.
- Sheet size: cm. 22×33 approx.
- Engraving size: cm. 18×25 approx.
- Technique: Etching
- Condition: Excellent
- Support: Paper
Questa incisione offre una bella veduta animata della Sicilia, ben conservata e di grande valore storico.
Enna, Surroundings of Leonforte, Saint-Non, 1781-86
40,00 €Enna, Dintorni di Leonforte It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving proviene dalla prima edizione del celebre Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.
- Sheet size: cm. 22×33 approx.
- Engraving size: cm. 18x25 approximately at the copper edge
- Support: Paper
- Condition: Excellent state of preservation
Questa incisione offre una bella veduta animata dei dintorni di Leonforte, rappresentando un’importante testimonianza della Sicilia del XVIII secolo.
Entry of Charles V into Antwerp, H. Makart, 1887
30,00 €Entry of Charles V into Antwerp It is an engraving made by H. Makart in 1887.
This woodcut represents an important historical scene and comes from the Italian illustration, published by the Treves Brothers of Milan.
- Sheet size: cm. 46×27 approx.
- Technique: Woodcut
- Condition: Good
- Support: Paper
The print was cut from the book and has writing on the back.
Farnese Hercules, 1884
30,00 €Farnese Hercules It is a woodcut engraving made in 1884, which represents one of the most famous works of classical sculpture.
This engraving is taken from the volume Naples and its surroundings by Rudolf Kleinpaul.
- Sheet size: cm. 27×36 approx.
- Engraving size: cm. 16×24 approx.
- Support: Paper with wide margins and white back
- Condition: Excellent
Ersilia Cortese, 1837
20,00 €Ersilia Cortese it is a lithograph made in 1837, taken from the volume Universal Pictorial Warehouse, published in Genoa.
Questa opera rappresenta la figura di Ersilia Cortese, una letterata italiana di grande rilievo, nata a Roma nel 1529 e deceduta nel 1587.
- Sheet size: cm. 21×28 approx.
- Engraving size: cm. 15×22 approx.
- Support: Lightweight paper with white backing
- Condition: Excellent state of preservation
Eschinanthus, Cromolitografia, 1883
30,00 €Eschinanthus pulcher it's a beautiful one chromolithography realizzata nel 1883, proveniente dalla Horticultural Review of Paris.
Questa opera, firmata da Godard e litografata da G. Severeyns, presenta un design molto decorativo, ideale per gli amanti della botanica e dell’arte floreale.
- Sheet size: cm. 25×16 approx.
- Condition: Excellent state of preservation
- Support: Thick paper with white backing
Esther and Ahasuerus, B.Strozzi, 1840-50
20,00 €Esther and Ahasuerus it is an engraving made by B. Strozzi between 1840 and 1850.
This work, which represents the biblical figure of Esther and King Ahasuerus, is an etching on strong paper, published in Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.
- Sheet size: cm. 21×27
- Support: Strong paper
- Condition: Excellent condition
Europe, CF Delamarche, 1816
70,00 €Europe è una mappa dell’Europa realizzata da C.F. Delamarche nel 1816.
This copper engraving is colored around the outline and comes from the volume Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicato alla gioventù, pubblicato a Parigi presso Delamarche.
- Sheet size: cm. 21×27 approx.
- Condition: Good condition, with some peeling and a central editorial crease
- Support: Paper
Europe, CF Delamarche, 1816
70,00 €Europe è un’incisione su rame realizzata da C.F. Delamarche nel 1816, che rappresenta l’Europa divisa nei suoi stati.
This work is taken from the Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicated to youth and published in Paris by Delamarche.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. not specified
- Technique: Burin
- Condition: Good condition, with some peeling and a central editorial crease
- Support: Paper
Evangelista Torricelli, 1857
30,00 €Evangelista Torricelli it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
Questa opera ritrae Evangelista Torricelli, un importante matematico e fisico italiano, nato a Faenza il 15 ottobre 1608 e morto a Firenze il 25 ottobre 1647.
- Sheet size: cm. 23×32
- Size of the joke: cm. 14×18
- Support: Strong paper
- Condition: Buone, con qualche leggera macchia di ruggine ai bordi, che non interessa l’incisione
Evangelist, 19th century
40,00 €Evangelista è un disegno a matita realizzato nel 19th century, databile alla metà dell’Ottocento.
Questo lavoro, privo di firma, è eseguito su un cartoncino leggero e presenta un soggetto non meglio identificato.
- Sheet size: cm. 22×29 approx.
- Condition: Excellent condition
Eyfalia, St. Munster, 1614
Eyphalia It is a page extracted from the Cosmography Universalis, made by Sebastian Munster in 1614.
This view depicts the Eifel region of Germany and features a written back with additional images.
- Sheet size: cm. 36×22 approx.
- Image size: cm. 9×13 approx.
- Support: Watercolored laid paper
- Condition: Excellent state of preservation
F. Vivares, View, 18th century
60,00 €View of monuments with figures It is an engraving made by François Vivares in the 18th century, in collaboration with Antonio Visentini.
This work represents a detailed view of monuments, enriched by the presence of human figures, typical of the art of the period.
- Sheet size: cm. 24×34 approx.
- Engraving size: cm. 22×32 approx.
- Support: Heavy laid paper
- Condition: Excellent state of preservation
F. W. Musculus, Paesaggio, 1765
70,00 €Paesaggio con viandanti It is an engraving made by F.W. Musculus nel 1765, ispirata all’opera di Jan Wynands.
This work has been published by J.W. Pruys Artists and Engravers e rappresenta un paesaggio ricco di dettagli, tipico dello stile dell’epoca.
- Sheet size: cm. 25×30 circa
- Engraving size: cm. 20×25 approx.
- Support: Heavy paper
- Condition: Excellent state of preservation
Factories of Brindisi, 1819
25,00 €Brindisi Factories it is an etching made by AL Castellan in 1819.
This work is taken from Letters on Italy, published in Paris by A. Nepveu.
- Sheet size: cm. 20×12 approx.
- Engraving size: cm. 14×11 approx.
- Support: Paper
- Condition: Excellent state of preservation
Antoine-Laurent Castellan, painter and engraver, was born in Montpellier in 1772 and died in Paris in 1838.
Decorated with the Legion of Honour and a member of the Academy of Fine Arts, Castellan is known for his landscapes, particularly for the works included in View of Italy And View of the Alps.
Fabio Glissenti, Il Mendicantee la Morte, 1596
35,00 €Il Mendicante e la Morte It is a woodcut made by Fabio Glissenti In the 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa stampa fa parte di un ciclo iconografico che esplora il tema della morte con un approccio a volte ironico e provocatorio.
- Sheet size: cm. 21×15 approx.
- Image size: cm. 10×6,5 circa
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Glissenti, medico e filosofo, affronta il tema della morte con un occhio critico e disincantato, sfidando la censura del suo tempo. La sua opera principale, l’Athanatophilia, è un voluminoso lavoro composto da cinque dialoghi e trenta novelle, che riflette il pensiero colto della fine del ‘500.
Questa rara stampa rappresenta un’importante testimonianza del pensiero di Glissenti e della sua audace visione della vita e della morte.
Fabio Glissenti, Il Neonato e la Morte, 1596
35,00 €Il Neonato e la Morte It is an engraving made by Fabio Glissenti in 1596, part of the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia, non firmata, presenta un’immagine di dimensioni cm. 6,5×10 circa su un foglio di cm. 21×15 circa.
- Sheet size: cm. 21×15 approx.
- Engraving size: cm. 6,5×10 circa
- Support: Paper
- Condition: Excellent state of preservation
L’opera di Glissenti affronta il tema della morte con un approccio a volte ironico e irriverente, riflettendo il pensiero colto del tardo Cinquecento.
La sua pubblicazione, avvenuta a Venezia presso Domenico Farri, fu oggetto di censura e controversie, ma ciò non ha impedito a Glissenti di mantenere la sua visione critica e profonda sulla vita e la morte.
Fabio Glissenti, La Morte e l’Angelo, 1596
35,00 €La Morte e l’Angelo It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia, non firmata, presenta un’immagine di dimensioni cm. 6,5×10, su un foglio di cm. 21×15 circa.
- Sheet size: cm. 21×15 approx.
- Engraving size: cm. 6,5×10 circa
- Support: Paper
- Condition: Excellent state of preservation
Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente. La sua opera, sottoposta a censura, ha subito un processo che ha portato a una multa, ma ha mantenuto la sua visione critica e profonda. Le stampe, parte del ciclo della ‘Danza Macabra’, offrono uno spaccato del pensiero colto del tardo Cinquecento.
Fabio Glissenti, Death and the Emperor, 1596
35,00 €Death and the Emperor It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
This unsigned woodcut features images measuring approximately 6.5 x 5 cm on a sheet measuring approximately 21 x 15 cm.
- Sheet size: cm. 21×15 approx.
- Engraving size: cm. 6.5x5 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Glissenti, a physician and philosopher, addresses the theme of death with an ironic and disenchanted approach, reflecting the cultured thought of the late sixteenth century. His work, subjected to censorship, is an important testimony to the culture of the time and the challenges faced by the author.
Fabio Glissenti, La Morte in guerra, 1596
35,00 €La Morte in guerra It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia, non firmata, presenta un’immagine di dimensioni cm. 6,5×5 circa su un foglio di cm. 21×15 circa.
- Sheet size: cm. 21×15 approx.
- Engraving size: cm. 6.5x5 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente. La sua opera, sottoposta a censura, è un’importante testimonianza del pensiero colto del tardo Cinquecento.
Le stampe, parte del ciclo della ‘Danza Macabra’, sono rare e rappresentano una parte significativa della cultura e della filosofia di quel periodo.
Fabio Glissenti, La Morte in una cassa, 1596
35,00 €La Morte in una cassa It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia, non firmata, presenta un’immagine di dimensioni cm. 6,5×10 circa su un foglio di cm. 21×15 circa.
- Sheet size: cm. 21×15 approx.
- Engraving size: cm. 6,5×10 circa
- Support: Paper
- Condition: Excellent state of preservation
Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente, sfidando la censura del suo tempo. La sua opera principale, l’Athanatophilia, è un voluminoso lavoro che esplora il dispiacere della morte attraverso dialoghi e novelle, rendendo questa incisione un’importante testimonianza del pensiero colto del tardo Cinquecento.
Fabio Glissenti, La Prudenza e la Morte, 1596
35,00 €La Prudenza e la Morte It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia, non firmata, presenta un’immagine di dimensioni cm. 6,5×10 circa su un foglio di cm. 21×15 circa.
- Sheet size: cm. 21×15 approx.
- Engraving size: cm. 6,5×10 circa
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente, riflettendo il pensiero colto del tardo Cinquecento. La sua opera principale, l’Athanatophilia, è un voluminoso lavoro che include cinque dialoghi e trenta novelle, affrontando la censura e le controversie del suo tempo. Queste rare stampe rappresentano un’importante testimonianza della cultura e della filosofia dell’epoca.
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