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Showing 1201–1224 of 2233 results

Isolabella, 1841

15,00 

Beautiful Island it's a lithographic printing from 1841 which represents the enchanting Isola Bella on Lake Maggiore.
This work is taken from Picturesque Polyorama, a periodical work aimed at spreading useful knowledge to all classes of society.

  • Printed part dimensions: cm. 22×15
  • Margins: almost absent
  • Typography: Lithograph of the Poliorama Pittoresco, Naples
  • Director: Philip Cirelli
  • Condition: Excellent

The print is contained within the book page and has writing around and on the back. The entire page containing the print is shipped.

Isole dei Ciclopi, Aci Trezza, 1850

40,00 

Isole dei Ciclopi, Aci Trezza è un’acquaforte realizzata nel 1850, che rappresenta una bella veduta delle famose isole situate al largo della costa siciliana.
Questo incantevole arcipelago, noto anche come faraglioni dei Ciclopi, è il risultato di un’intensa attività vulcanica avvenuta circa mezzo milione di anni fa.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 14×21 approx.
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Israel Silvestre, Torre di Nesle

40,00 

Torre di Nesle It is an engraving made by Israel Silvestre, un noto artista del XVII secolo.
Questa opera, datata al XVIII secolo, rappresenta la Torre di Nesle e l’Hotel de Nevers.

  • Sheet size: cm. 19×27 approx.
  • Engraving size: cm. 12×25 circa
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Israel, CF Delamarche, 1816

70,00 

Mappa di Israele delle 12 tribù, realizzata da C.F. Delamarche nel 1816.
Questa incisione su rame colorata al contorno è tratta dal Petit Atlas Moderne ou Collection de Cartes Elementaires, published in Paris by Delamarche.

  • Sheet size: cm. 21×27 approx.
  • Support: Paper
  • Condition: Good condition, with some peeling and central editorial crease

Italy, CF Delamarche, 1816

80,00 

Italy è un’incisione su rame colorata al contorno realizzata da C.F. Delamarche nel 1816.
Questa mappa dell’Italia è tratta dal Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicated to youth and published in Paris by Delamarche.

  • Sheet size: cm. 21×27
  • Condition: Good condition, with some peeling and a central editorial crease
  • Support: Paper

Itri, City and Castle, 1850

40,00 

Itri, Città e Castello è un’incisione realizzata nel 1850, che offre una splendida veduta della città di Itri.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32
  • Engraving size: cm. 13×18
  • Support: Strong paper
  • Condition: Excellent

Questa incisione, con il suo tratto nitido e animato, rappresenta un’importante testimonianza artistica del XIX secolo.

JC Rugendas, After the battle, 1740

80,00 

Dopo la battaglia It is an engraving made by Johann Christian Rugendas In the 1740, ispirata a un dipinto di Georg Philipp Rugendas I of the 1698.
This work is part of the series Scene di battaglia con cavalli, pubblicata ad Augusta.

  • Sheet size: cm. 23×42 circa
  • Engraving size: cm. 20×38 circa
  • Technique: Mezzotinta e acquaforte stampata color seppia
  • Support: Carta vergata
  • Condition: Excellent state of preservation

Sotto il bordo dell’immagine, si possono leggere le iscrizioni che attestano la provenienza e l’autore dell’opera.

J. Houbraken, Sir Francis Drake, 1734

50,00 

Sir Francis Drake è un’incisione realizzata da J. Houbraken nel 1734, parte della serie Heads of Illustrious Persons of Great Britain di Thomas Birch.
Questa opera rappresenta un ritratto di Sir Francis Drake, un famoso navigatore e corsaro inglese.

  • Sheet size: cm. 22×34 circa
  • Engraving size: margini assenti
  • Technique: Etching and burin
  • Support: Laid paper glued onto another paper support
  • Condition: Excellent

J. J. Rochussen, N. Pieneman, 1845

20,00 

J.J.Rochussen e N. Pieneman è una litografia realizzata nel 1845, pubblicata nella rivista Art crown between 1845 and 1846.
Questa opera è caratterizzata da un’accurata rappresentazione artistica e presenta un retro bianco.

  • Sheet size: cm. 32×25 approx.
  • Print Size: cm. 20×16 approx.
  • Technique: Lithography
  • Condition: Excellent condition
  • Support: Medium thickness paper

Jacob Ruisdael, Basan, 1771

30,00 

Jacob Ruisdael, Basan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jacopo Stellini, 1857

30,00 

Jacopo Stellini è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’opera Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence.
Questa incisione presenta una battuta di cm. 14×18 su un foglio di cm. 23×32, realizzato su strong paper with white back.

  • Condition: Ottime, con qualche leggera macchia di ruggine ai bordi che non interessa l’incisione.

Jacopo Stellini, nato a Cividale nel 1699, è stato un abate, scrittore, filosofo e professore di filosofia.
La sua fama è legata principalmente al suo lavoro De ortu et progressu morum, pubblicato nel 1740, sebbene sia autore di numerose poesie.

Jacques Callot, King's Entreé, 18th century

60,00 

The King's Entree It is an engraving made by Jacques Callot in the 18th century, representing the Sun.
This work is a fine example of etching on thick laid paper.

  • Sheet size: cm. 22×29 approx.
  • Engraving size: cm. 16×23 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Circulation: 18th century
  • Signature: Iac. Callot in et fe Nancy

Jacques Callot, The Beggars, 1622

650,00 

The Beggars It is a complete series of engravings made by Jacques Callot in 1622, coming from The Guess (The beggars).
This series consists of 25 tables, mostly in counterpart, with variable dimensions of mm. 122/140×88/102.

  • Margins: small to thin, some trimmed incisions
  • Conditions: some plates have small missing parts at the edges and peeling on the back, with traces of glue or paper
  • Notes: the series, although complete, is not homogeneous and the tables come from different editions

This is an interesting suite for engraving enthusiasts.

Jacques Callot, The Little Passion, 1624

250,00 

The Little Passion It is a series of 11 engravings made by Jacques Callot in 1624, part of a larger work comprising 12 engravings.
This suite, which lacks the Crucifixion, is a fine example of etching and represents one of Callot's most significant works, inspired by 12 drawings preserved at the Louvre.

  • Sheet size: cm. 20×16 approx.
  • Engraving size: cm. 11×9 approx.
  • Support: Laid paper
  • Condition: Good condition of conservation, with traces of paper on the back and some peeling

Jacques Callot, The Miseries of War, 1620, 19th century

40,00 

Le Miserie della Guerra è un’incisione realizzata da Jacques Callot nel 1620, un’opera che riflette le atrocità e le sofferenze causate dai conflitti bellici.
Questa incisione è stata riprodotta nel XIX secolo da Amand Durand, un noto incisore francese.

  • Sheet size: cm. 28×19 approx.
  • Engraving size: cm. 20×11 circa
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Jacques-Philippe Le Bas, Basan, 1771

30,00 

Cabinet of the Duke of Choiseul è un’incisione realizzata da Jacques-Philippe Le Bas nel 1771, pubblicata da Pierre-François Basan.
Questa opera fa parte di un’importante raccolta di estampes gravées d’après les tableaux du cabinet de Monseigneur le Duc de Choiseul, and was printed in Paris.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×18 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Jacques-Philippe Le Bas, Basan, 1771

30,00 

Jacques-Philippe Le Bas, Basan, 1771 è un’incisione di grande valore storico, proveniente dal Cabinet of the Duke of Choiseul.
Questo lavoro è parte di un collection of prints realizzato da Pierre-François Basan nel 1771, che raccoglie opere ispirate ai dipinti del Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×18 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Jacques-Philippe Le Bas, Basan, 1771

30,00 

Festa del villaggio è un’incisione realizzata da Jacques-Philippe Le Bas nel 1771, parte del Cabinet of the Duke of Choiseul.
This work is a collection of prints che raccoglie incisioni basate sui dipinti del Duc de Choiseul, pubblicata a Parigi dall’editore Pierre-François Basan.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×18 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

James Pollard, watercolour on card, 1827

600,00 

Cavalli e Cavalieri è un acquarello su cartoncino attribuito a James Pollard, realizzato nel 1827.
Questo affascinante lavoro, caratterizzato da un colore paglierino, presenta un soggetto tipico dell’artista, noto per le sue raffigurazioni di scene equestri. Al retro, si possono leggere annotazioni a matita che confermano l’attribuzione a Pollard e la data di realizzazione.

  • Sheet size: cm. 25×33
  • Condition: Buone condizioni, con un piccolo strappo di cm. 2 al margine superiore e margine sinistro irregolare
  • Support: Cardboard

Jan Baptist Weenix, Gaius Bacchanalia, 1786

50,00 

Gaius Bacchanalia It is an engraving made by Jan Baptist Weenix in 1786.
This work is an etching on laid paper without watermark, from the prestigious Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approx.
  • Support: Laid paper
  • Condition: Excellent condition, nice proof with good contrast

Jan Baptist Weenix, an important Dutch Golden Age painter, is known for his skill in engraving and drawing.
This work is dedicated to HSH Monseigneur le Duc d'Orléans, First Prince of the Blood, and was published by J. Couché in Paris in 1786.

Jan Breughel the Elder, Bashan, 1771

30,00 

Jan Breughel the Elder, Bashan, 1771 It is an engraving made by Pierre-François Basan, which collects works by the famous Flemish painter.
This print is part of the volume Record of recorded prints after the tables on the cabinet of Monseigneur le Duc de Choiseul, published in Paris in 1771.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jan Brueghel (1568-1625), Basan, 1771

30,00 

Jan Brueghel (1568-1625), Basan, 1771 è un’incisione realizzata da Pierre-François Basan nel 1771, che riproduce opere del celebre pittore fiammingo Jan Brueghel il Vecchio.
This engraving is part of the volume Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise da opere del Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jan Miel, Bashan, 1771

30,00 

Jan Miel, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jan Miel, also known as Giovanni Miel, was a Flemish painter active in Italy, associated with the Scuola dei Bamboccianti, a group of artists who depicted scenes of everyday life.

Jan Miel, Bashan, 1771

30,00 

Jan Miel, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 13×15 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Jan Miel, noto anche come Giovanni Miel, è stato un pittore fiammingo attivo in Italia, associato alla Scuola dei Bamboccianti, il cui principale esponente era Pieter van Laer.

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