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Showing 1273–1296 of 2233 results

The Crucifixion, J.Martin, 1846

30,00 

The Crucifixion It is an engraving made by J. Martin in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

La deposizione di Cristo, Salviati, 1840-50

20,00 

La Deposizione di Cristo è un’incisione realizzata da Salviati tra il 1840 e il 1850.
This work, also known as The Burial of Christ, is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent

La deposizione di Cristo. Acquaforte

25,00 

La Deposizione di Cristo è un’acquaforte realizzata da J. Northcote e incisa da J. Rogers, pubblicata tra il 1830 e il 1850.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back

Questa incisione è caratterizzata da una cornice editoriale decorata con vignette, rendendola un pezzo unico per collezionisti e appassionati d’arte.

La disfatta, Wovermann, 1840-50

20,00 

La Disfatta è un’incisione realizzata da Wovermann tra il 1840 e il 1850.
Questa opera è un’acquaforte su carta forte, pubblicata nel volume Payne's Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Engraving size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Adulterous Woman, Domenico Morelli, 1889

20,00 

The Adulterous Woman It is an engraving made by Domenico Morelli In the 1889.
This woodcut, taken from The Italian Illustration published by Treves Brothers from Milan, has almost no margins and writing on the back.

  • Sheet size: cm. 33×19 approx.
  • Support: Paper
  • Condition: Good

The Market Woman, G. Nogari, 1840-50

20,00 

The Market Woman it is an engraving made by G. Nogari between 1840 and 1850.
This work, a etching on strong paper, it represents a typical female figure of the market, capturing the essence of everyday life of the time.
Published in the Royal Dresden Gallery by A.H. Payne and W. French, this print is a significant example of 19th-century engraving art.

  • Sheet size: cm. 21×27
  • Condition: Excellent
  • Support: Strong paper

The Feast of Ahasuerus, Rembrandt, 1840-50

20,00 

The Feast of Ahasuerus It is an etching made by Rembrandt between 1840 and 1850.
This work was published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Feast of Belsazar, J.Martin, 1846

30,00 

Belsazar's Feast It is an engraving made by J. Martin in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Technique: Etching
  • Support: Strong paper
  • Condition: Excellent condition

The May Festival, AHPayne, 1840-50

20,00 

La Festa di Maggio It is an engraving made by A.H. Payne between 1840 and 1850.
This work, also known as Das Maienfest, è un’acquaforte su carta di medio spessore.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition
  • Publication: Print published in Payne's Universum und Buch der Kunst, Leipzig and Dresden
  • Signature: In basso a destra A.H.Payne sc.

Albert Henry Payne, incisore, disegnatore ed editore inglese, è nato a Londra nel 1812 e morì nel 1902 a Lipsia, dove operò dal 1838 fondando una casa editrice, l’Istituto d’Arte Inglese.

The village festival, D.Teniers, 1840-50

20,00 

The village festival It is an engraving made by D. Teniers between 1840 and 1850.
This work, also known as The Rustic Festival, is an etching on strong paper, published in the Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent condition

La Fiera, W.Hogarth, 1850-60

20,00 

La Fiera è un’incisione realizzata da W. Hogarth tra il 1850 e il 1860.
Questa opera, che rappresenta la fiera di Southwark, è un esempio di incisione all’acquaforte su acciaio, acquarellata a mano.

  • Sheet size: cm. 27×21 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent

The Spinner, A.H.Payne, 1840-50

20,00 

The Spinner It is an engraving made by AH Payne between 1840 and 1850.
This work, entitled The Spinner, is an etching on medium-thickness paper, published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition

At the bottom right is the artist's signature: AH Payne sc.

La Filatrice, Gasp. Netscher, 1840-50

20,00 

The Spinner è un’incisione realizzata da Gasp. Netscher tra il 1840 e il 1850.
This work is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.

La filatrice, K. Du Jardin, 1845

20,00 

The Spinner è una litografia realizzata da K. Du Jardin nel 1845.
This work was published in the magazine Art crown between 1845 and 1846.

  • Sheet size: cm. 32×25 approx.
  • Print Size: cm. 20×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

La Fontaine de Vaucluse. Francia Xilografia 1842

15,00 

La Fontaine de Vaucluse è una xilografia realizzata nel 1842, che cattura la bellezza della famosa fonte situata nella Costa Azzurra, in Francia.
This piece is taken from the Picturesque Store del 1842 e presenta colori tenui che, insieme al delicato scorrere dell’acqua, comunicano una gradevole sensazione di freschezza.

  • Sheet size: cm. 30 x 21 approx.
  • Engraving size: cm. 21 x 15 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

The Deer Pit. Bern. Switzerland.1840-70

15,00 

La Fossa dei Cervi è un’incisione che rappresenta La Fosse aux Biches a Berna, in Svizzera, realizzata tra il 1840 e il 1870.
This woodcut is from the Picturesque Store e presenta un’illustrazione dettagliata della fossa dei cervi, un luogo emblematico della capitale svizzera.

  • Sheet size: cm. 30 x 21 approx.
  • Engraving size: cm. 20 x 14 approx.
  • Support: Light paper
  • Condition: Excellent

La Fraternità dei coraggiosi, 1850

50,00 

La Fraternità dei coraggiosi è una litografia realizzata nel 1850, che rappresenta una bella composizione sulla fraternità anche in guerra.
This work, entitled La Fraternitè des braves, è un esempio significativo dell’arte del XIX secolo.

  • Sheet size: cm. 29×22
  • Support: Cardboard
  • Condition: Excellent

La friggitrice di zeppole, T.Duclere, 1853

60,00 

La friggitrice di zeppole è un’incisione realizzata da T. Duclere nel 1853, che celebra la tradizione culinaria napoletana.
This work is taken from the volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Engraving size: cm. 17×25 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

L’incisione, realizzata con la tecnica del Burin e con un delicato acquarellato d’epoca, è firmata in lastra e presenta un retro bianco.
Questo pezzo unico non è una copia anastatica e rappresenta un’importante testimonianza della cultura gastronomica italiana.

La fuga in Egitto, F.Bol, 1840-50

20,00 

La fuga in Egitto it is an engraving made by F. Bol between 1840 and 1850.
This work is a etching su carta forte, pubblicata nella prestigiosa Payne's Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Condition: Excellent
  • Support: Strong paper

F. Bol, noto per le sue opere di grande impatto visivo, ha saputo catturare l’essenza del tema biblico della fuga in Egitto, rendendo questa stampa un pezzo significativo per collezionisti e appassionati d’arte.

La grande tartaruga moscovita, 1840

50,00 

La Grande Tartaruga Moscovita è un’incisione realizzata nel 1840, che offre una satira dell’impero Russo dell’Ottocento.
Questa opera, di dimensioni contenute, è incollata su cartoncino e rappresenta un interessante esempio di critica sociale dell’epoca.

  • Sheet size: cm. 22×32 approx.
  • Condition: Excellent state of preservation
  • Support: Cardboard

The letter of Uriah, F.Bol, 1840-50

20,00 

The Letter of Uriah it is an engraving made by F. Bol between 1840 and 1850.
This work is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Back: White
  • Condition: Excellent condition

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.

La lettera, J.C.Merz, 1845

20,00 

The Letter è un’incisione realizzata da J.C. Merz nel 1845.
This work is an etching on medium-thickness paper, published in the volume Art crown between 1845 and 1846.

  • Sheet size: cm. 32×25 approx.
  • Engraving size: cm. 20×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

La Lettrice, acquarello di P.Bedini, 1886

30,00 

La Lettrice è un acquarello realizzato da P. Bedini nel 1886, tratto dalla prestigiosa pubblicazione The Italian Illustration, published in Milan by the Treves Brothers.
Questo affascinante pezzo d’arte presenta un’immagine di cm. 21×31, arricchita da scritte decorative intorno e annotazioni al retro del foglio.

  • Sheet size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent

The Magdalene, 1854

20,00 

The Magdalene it's a lithographic printing made in 1854, part of the publication Picturesque Polyorama, a periodical work designed to spread useful knowledge among all social classes.
This print, measuring approximately 24x16 cm on a 30x20 cm sheet, was cut from the book and features writing on the back. The entire page containing the print will be sent.

  • Era: XIX
  • Technique: Lithography
  • Condition: Excellent
  • Dimensions: Medium
  • Support: Paper

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