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Showing 3193–3216 of 4689 results

Piazza di Pozzuoli, 1839

20,00 

Piazza di Pozzuoli, 1839 è un’incisione in rame realizzata da Segoni, che offre una bella veduta decorativa della piazza.
This work is taken from Picturesque Omnibus, un’enciclopedia artistica e letteraria con figure incise in rame, diretta da Vincenzo Torelli e pubblicata a Napoli dalla tipografia dell’Omnibus nel 1839.

  • Printed part dimensions: cm. 16×11 approx.
  • Condition: Excellent
  • Support: Paper
  • Notes: The print has been cut from the book and has writing on the back; it is shipped complete with mat.

​Rovato Square, Province of Brescia, 1866

25,00 

Piazza di Rovato, Provincia di Brescia it's a woodcut realizzata nel 1866, tratta dall’opera From the Alps to the Adriatic, pubblicata a Milano da Giacomo Stella Editore.
Questa stampa rappresenta un’importante testimonianza visiva del paesaggio italiano dell’epoca.

  • Sheet size: cm. 25×17 approx.
  • Print Size: cm. 19×13 approx.
  • Support: Paper
  • Condition: Excellent condition

Piazza di S.Maria Novella di Firenze, 1826

20,00 

Piazza di S.Maria Novella di Firenze It is an engraving made by Anthony Verico in 1826.
This work is an etching on copper, taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Piazza di S.Spirito, Firenze, 1826

20,00 

Piazza di S.Spirito, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Piazza di S.Trinità di Firenze, 1826

20,00 

Piazza di S.Trinità di Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent

Piazza e Duomo di Fiesole, 1826

20,00 

Piazza e Duomo di Fiesole it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Livorno's Piazza Grande, 1826

20,00 

Livorno's main square It is an engraving made by Anthony Verico in 1826, using the technique ofEtching on copper.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Piccolo Trombettiere, Bambini, 1850

25,00 

Piccolo Trombettiere è una litografia colorata all’acquerello realizzata nel 1850 da Lith.von G.Decker.
Questa incantevole opera rappresenta una scena vivace di bambini che giocano con una tromba, catturando l’innocenza e la gioia dell’infanzia.

  • Sheet size: cm. 17×21 approx.
  • Engraving size: Small
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

Picinisco, Frosinone, 1838

15,00 

Picinisco, Frosinone, 1838 it's a lithographic printing which represents the view of Picinisco from the eastern side.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge among all social classes.

  • Printed part dimensions: cm. 5×8 approx.
  • Margins: Almost absent
  • Support: Paper
  • Condition: Excellent

The print is contained in a page extracted from the book and has writing on the verso. The page clipping containing the print is sent.

Piedigrotta, Napoli, Processione, 1854

30,00 

Piedigrotta, Napoli, Processione it's a lithographic printing made in 1854.
This work comes from Picturesque Polyorama, un’importante pubblicazione periodica diretta a diffondere conoscenze utili in tutte le classi della società.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 14×24 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.
Picturesque Polyorama fu pubblicato dal 1836 al 1860 nel Regno delle Due Sicilie e trattava vari argomenti, tra cui scienze, tecnologia e arte.

Piedimonte d’Alife, Caserta, 1845

25,00 

Piedimonte d’Alife, Caserta, 1845 it's a lithographic printing che rappresenta il Conventino de’ PP.MM. Alcantarini in Piedimonte di Alife.
This work comes from Picturesque Polyorama, an important 19th-century publication aimed at spreading useful knowledge across all social classes.

  • Print Size: cm. 16×24
  • Margins: almost absent
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the verso; the full page with historical notes will be sent.
The Picturesque Polyorama fu pubblicato dal 1836 al 1860 nel Regno delle Due Sicilie e si occupò di vari argomenti, tra cui scienze, tecnologia e arte.

Piedmont, Savoy, 1834

30,00 

Piedmont, Savoy, 1834 It is a double burin engraving on steel made by Girard in 1834.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers.
The engravings feature two beautiful and lively views of the Moulins de Gresy and Les charmettes, offering a fascinating insight into the region.

  • Sheet size: mm. 120×85 plus margins for each engraving
  • Technique: Burin
  • Support: Light paper
  • Condition: Perfect

Piedmont, Savoy, 1834

30,00 

Piedmont, Savoy, 1834 it is a burin engraving that represents the Chapelle et ancien chateau de Chambery.
Made in 1834, this work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers.
The press offers a beautiful view of the castle and the Piedmontese mountains, capturing the essence of the Italian landscape of the time.

  • Sheet size: mm. 190×125 approx.
  • Support: Light paper
  • Condition: Perfect

Pierre Corneille, 1873

30,00 

Pierre Corneille It is a watercolour etching made in 1873, depicting the famous French playwright.
This engraving is part of the volume Oeuvres de P. Corneille, theater complet, published in Paris in 1873.

  • Sheet size: cm. 26×17 approx.
  • Engraving size: cm. 9×17 approx.
  • Support: White backed paper
  • Condition: Excellent state of preservation

Pierre Paul Prud'hon, L'Innocence, Louvre, 1850

30,00 

L’Innocence It is a lithograph made by Pierre Paul Prud’hon nel 1850, conservata presso il Louvre.
This work, which measures cm. 13×16 on a sheet of paper cm. 21×31, presenta alcune sporadiche macchie di foxing ai margini, ma ciò non compromette l’immagine.

  • Artist: Pierre Paul Prud’hon
  • Technique: Lithography
  • Condition: Excellent
  • Support: Strong paper
  • Price: €30,00

Pietramarina, (Firenze), 1819

25,00 

Pietramarina, un’incisione realizzata da TO THE CASTELLAN nel 1819, rappresenta il famoso Masso del diavolo.
Questa acquaforte è tratta dal volume Letters on Italy, published in Paris by A. Nepveu.

  • Size of the joke: mm. 105×140
  • Margins: Piccoli margini irregolari
  • Back: White
  • Condition: Excellent

Antoine-Laurent Castellan, nato a Montpellier nel 1772 e morto a Parigi nel 1838, è stato un noto pittore, scrittore e incisore. Decorato della Legion d’onore e membro dell’Accademia di Belle Arti, ha realizzato opere principalmente dedicate ai paesaggi, contribuendo a libri illustrati come View of Italy And View of the Alps.

Stonewall, 1876

15,00 

Stonewall, 1876 It is a woodcut engraving representing the beauty of the Sarca-Thal.
Made in 1876, this work is taken from the volume Italian by K.Stieler and W.Kaden, published in Stuttgart.

  • Sheet size: mm. 186×89
  • Condition: Excellent condition
  • Support: Light sheet, cut from the book
  • Notes: Almost no margins and writing on the back

This engraving is not only a decorative piece, but also an important historical testimony.

Pietrasanta, The Doors, 1890

20,00 

Pietrasanta, The Doors It is a woodcut print made in 1890, depicting the city of Pietrasanta, located in the province of Lucca.
This work is taken from Illustrated geographical Italy by P. Premoli and features a descriptive text around the image and the back.

  • Sheet size: cm. 12×10 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Light paper

The print has been removed from the book and will be shipped with the full page, including the text on the verso.

Pietro Antonio Berryer, 1841

15,00 

Pietro Antonio Berryer It is a copper engraving made in 1841, taken from the work Picturesque Omnibus.
This print, which measures approximately cm. 10×15, è stata estratta dal libro e presenta testo sia intorno che al verso.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Pierre-Antoine Berryer, noto come “Berryer figlio”, nacque il 4 gennaio 1790 a Parigi e morì il 29 novembre 1868 a Augerville-la-Rivière. È ricordato come un giurista e politico francese, sepolto nella stessa località.

Peter and John heal the lame man.

25,00 

Peter and John heal the lame man It is an engraving made by J. Rogers, inspired by the famous healing of the paralytic.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York, between 1830 and 1850.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back, with editorial frame with vignettes

Pietro Pacecco XI viceroy of Naples, 1846

15,00 

Pietro Pacecco XI Viceré di Napoli è una litografia realizzata nel 1846, tratta dal volume Picturesque Polyorama of Naples.
Questa opera rappresenta D. Pietro Cardinal Pacecco, un’importante figura storica che ha ricoperto il ruolo di viceré di Napoli.

  • Size of the joke: cm. 10×10
  • Support: Paper, back printed
  • Condition: Excellent

La stampa è stata estratta dal libro e presenta scritte al retro.
Pietro Pacecco, noto anche come Pedro Pacheco Ladrón de Guevara, è stato un cardinale e vescovo cattolico spagnolo, che ha avuto un ruolo significativo nella storia di Napoli.

Peter Pulli, 1842

15,00 

Peter Pulli, 1842 it's a lithographic printing which represents an important work by the Italian composer Pietro Pulli, published in 1842.
This print is from Picturesque Polyorama, a periodical work aimed at spreading useful knowledge to all classes of society.

  • Printed part dimensions: cm. 14×16
  • Margins: almost absent
  • Support: Paper
  • Condition: Excellent

The print is contained within the book page and has writing around and on the back. The entire page containing the print is shipped.

Pietro Scoppetta, Two Oriental Women, 19th-20th century

420,00 

Two oriental women It is a monochrome watercolor made by Peter Scoppetta in the 19th-20th century.
This work, signed lower left, is of fine workmanship and measures approximately cm. 15×28.

  • Artist: Pietro Scoppetta (Amalfi, 15 February 1863 – Naples, 10 February 1920)
  • Technique: Watercolor
  • Condition: Excellent
  • Support: Paper

Petersburg, Alexander Column, 1850

25,00 

Petersburg, Alexander Column It is an engraving made in 1850, representing the architectural beauty of St. Petersburg.
This etching It measures 10 x 7 cm, excluding margins, and is printed on medium-thickness paper with a white back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

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