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Showing 3865–3888 of 4690 results

Segovia, Spagna, 1884

20,00 

Segovia, Spagna, 1884 è una xilografia che rappresenta un affascinante scorcio del mercato di Segovia.
This work is taken from Picturesque Europe. With Illustrations on Steel and Wood by the Most Eminent Artists, published in London by Cassell & Co. in 1884.

  • Sheet size: cm. 23×16 approx.
  • Technique: Woodcut
  • Support: Paper with printed back
  • Condition: Excellent

Segovia, Spagna, 1884

20,00 

Aquedotto a Segovia è una xilografia realizzata nel 1884, che rappresenta uno dei monumenti più iconici della Spagna.
This work is taken from the volume Picturesque Europe. With Illustrations on Steel and Wood by the Most Eminent Artists, published in London by Cassell & Co.

  • Sheet size: cm. 23×9 circa
  • Engraving size: cm. 23×9 circa
  • Support: Paper with printed back
  • Condition: Excellent

Segovia, Spagna, XIX secolo

25,00 

Segovia, Spagna It is an engraving made in 19th century.
This work, made in etching, presenta un formato di cm. 9×14 alla battuta, esclusi i margini.

  • Condition: Excellent condition, with white back
  • Support: Unlaid paper

Sei barbe in tre secondi, 1841

20,00 

Sei barbe in tre secondi è una stampa litografica del 1841, realizzata da Grandville, che presenta un’invenzione umoristica.
This work is taken from Picturesque Polyorama, a periodical work dedicated to the dissemination of knowledge useful to all social classes.

  • Sheet size: cm. 13×21 approx.
  • Support: Paper
  • Condition: Good

The print has been cut from the book and has writing on the back and back. The entire page containing the print will be shipped.

Selden, 1850

20,00 

Selden, è un’incisione realizzata da Rob. Hart nel 1850, utilizzando la tecnica del burin.
Questa opera è un finissimo mezzobusto, tratto da un dipinto attribuito a Sir Peter Lely e pubblicato da S. Orr & C. a Londra.

  • Sheet size: cm. 10×13 più margini
  • Support: Paper
  • Condition: Excellent

Selden, 1850

20,00 

Selden, 1850 è un’incisione realizzata da Rob. Hart nel 1850, utilizzando la tecnica del burin.
Questa opera è un finissimo mezzobusto, ispirato a un dipinto attribuito a Sir Peter Lely e pubblicato da S. Orr & C. a Londra.

  • Sheet size: cm. 10×13 più margini
  • Support: Paper
  • Condition: Excellent

Selinunte, C.Frommel, 1829

25,00 

Selinunte It is an engraving made by Carl Frommel In the 1829.
This work is an etching on medium paper, taken from the volume 50 Bilder zu Virgils Heneide…, which features engravings by Frommel himself.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Selinunte, C.Frommel, 1829

25,00 

Selinunte It is an engraving made by Carl Frommel In the 1829.
This work is an etching on medium paper, taken from the volume 50 Bilder zu Virgils Heneide…, which features engravings by Frommel himself.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Selinunte, Trapani, 1840

20,00 

Selinunte, Trapani it's a lithographic printing of 1840 which offers a general view of the ruins of Selinunte.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge to all classes of society.

  • Sheet size: cm. 15×19 approx.
  • Condition: Excellent
  • Support: Paper
  • Notes: Almost no margins, cut from the book with writing on the back and back.

The print ships complete with mat, making it a beautiful decorative display for any collector.

Simplon, Gondo Gallery, 1834

25,00 

Simplon, Gondo Gallery It is a steel engraving made between 1834 and 1837.
This work is taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe… by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 18×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

This view is lively and decorative, perfect for art and history lovers.

Sempione, The Simplon, 1834

30,00 

Sempione, The Simplon è un’incisione realizzata da W. Brockedon nel 1834, tratto da Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
Questa opera è stata disegnata da H. Gasteneau e incisa da E. Finden, edita da John Murray a Londra.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation
  • Notes: Retro bianco, veduta animata

Semplice storia d’amore, 1840

20,00 

Semplice storia d’amore è un’incisione realizzata nel 1840, che cattura l’essenza di una narrazione romantica.
This work is an example of etching di dimensioni contenute, perfetta per gli amanti dell’arte del XIX secolo.

  • Sheet size: cm. 9×13 approx.
  • Support: Cardboard
  • Condition: Excellent condition

Senigallia, 1846

15,00 

Senigallia, 1846 it is a fascinating lithograph taken from the volume Picturesque Polyorama, published in Naples in 1846.
This small-sized print offers a historical snapshot of the city of Senigallia.

  • Sheet size: cm. 15×8 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: Almost no margins and printed back with writing

Senigallia, Town Hall, 1890

20,00 

Senigallia, Palazzo Municipale è una stampa xilografica realizzata nel 1890, che rappresenta la piazza e il palazzo municipale della storica città marchigiana.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni cm. 10×12 circa, circondata da testo, con ulteriori informazioni al verso del foglio.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Senigallia, Lambertina Gate, 1890

20,00 

Senigallia, Lambertina Gate it is a woodcut print made in 1890, depicting the historic Porta Lambertina of Senigallia.
This work is taken from Illustrated geographical Italy by P. Premoli and features a descriptive text around the image and the back.

  • Sheet size: cm. 12×9 approx.
  • Technique: Woodcut
  • Support: Light paper
  • Condition: Excellent

The print will be shipped with the full page, including the text on the back.

Roman Sepino, Campobasso 1856

25,00 

Roman Sepino, Campobasso 1856 it is a valuable one lithographic printing representing a view of Sepino, made in 1856.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge among all social classes.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 18×15 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the verso; the entire page containing the print will be sent.

Sepino, 1856

20,00 

Sepino, 1856 it's a lithographic printing of great historical and artistic interest.
This work is taken from Picturesque Polyorama, a periodical publication aimed at disseminating useful knowledge to all classes of society.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 13×15 approx.
  • Support: Paper
  • Condition: Good

The print has been cut from the book and has writing on the verso; the entire page containing the print will be sent.

Sepolcro di Antenore a Padova, 1843

30,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 14×10 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

La cosiddetta tomba di Antenore è un’edicola medievale che, secondo la leggenda, dovrebbe contenere le spoglie del mitico fondatore di Padova. Il monumento è posto oggi in Piazza Antenore, a Padova, davanti all’edificio della prefettura.

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Serravalle, Alessandria, 1835

25,00 

Serravalle, Alessandria, 1835 è un’incisione in rame che rappresenta un affascinante scorcio della città.
This work is taken from C. Strahlheim – Die Wundermappe oder sämmtliche Kunst- und Natur-Wunder des ganzen Erdballs, pubblicato a Frankfurt am Main nel 1835.

  • Sheet size: cm. 11×14 approx.
  • Engraving size: cm. 7.5×10 approx.
  • Support: Paper
  • Condition: Excellent condition

Serravalle, The Meschio, 1890

20,00 

Serravalle, The Meschio It is a woodcut made in 1890 by E. Bondier, a well-known French designer and illustrator active in Paris in the latter part of the 19th century.
This print, taken from a late 19th century French book, features a beautiful animated scene and is found in excellent condition.

  • Sheet size: cm. 10×13
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Serravalle, Vittorio Veneto, Treviso, 1890

20,00 

Serravalle, Vittorio Veneto, Treviso it is a woodcut from 1890, taken from a French book from the late 19th century.
This beautiful print is animated and comes in excellent condition.

  • Sheet size: cm. 10×13
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Sessa, Colonna per il Duomo di Sessa, 1845

20,00 

Colonna per il Duomo di Sessa it's a lithographic printing realizzata nel 1845 da S. Puglia.
Questa opera rappresenta la colonna per il cereo pasquale nel duomo di Sessa ed è tratta dal volume Picturesque Polyorama, un’importante pubblicazione del XIX secolo che mirava a diffondere conoscenze utili in tutte le classi sociali.

  • Sheet size: cm. 15×18 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: Almost no margins, cut from the book with writing on the back, shipped complete with passepartout.

Sessa, Tribune of the Cathedral, 1845

20,00 

Sessa, Tribune of the Cathedral it is a lithograph from 1845 which represents a beautiful view of the ancient tribune of the Cathedral of Sessa.
This print was made by S. Puglia and measures cm. 15×18, with almost no margins.
It is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
Published in Naples by the typography and lithography of Poliorama Pittoresco, under the direction of Filippo Cirelli, the periodical had an editorial life from 1836 to 1860.
The print has been cut from the book and has writing on the verso; it is shipped complete with mat.

Sixth Calende, Varese, 1832

25,00 

Sixth Calende, Varese, 1832 è un’incisione realizzata con la tecnica dell’acquaforte e bulino.
Questa opera, stampata da C. Stanfield, è stata pubblicata nel volume Picturesque Annual, basata su un disegno di Clarkson Stanfield, Londra, 1832.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×13 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

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