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Bartolomeo Pinelli, Washing machines, 1810
40,00 €Washing machines It is an engraving made by Bartholomew Pinelli in 1810, which represents a picturesque scene of the washing machines of Tivoli.
This work is taken from the New Collection of fifty Picturesque Motifs and Costumes of Rome, etched and colored with watercolors.
- Sheet size: cm. 18×16 approx.
- Engraving size: cm. 15×12 approx.
- Support: Paper
- Condition: Good
Bartolomeo Pinelli, The Sweeper, 1810
40,00 €Lo scoparo It is an engraving made by Bartholomew Pinelli nel 1810, parte della sua celebre serie New Collection of fifty Picturesque Motifs and Costumes of Rome.
This work is an example of etching colorata all’acquerello, firmata in basso a sinistra con la dicitura Pinelli inv e incise.
- Sheet size: cm. 18×16 approx.
- Engraving size: cm. 15×12 approx.
- Support: Paper
- Condition: Good
Bartolomeo Pinelli, Sailors on the dock of Naples, 1809
380,00 €Sailors on the dock of Naples It is a preparatory watercolor made by Bartholomew Pinelli in 1809.
This work represents sailors intent on listening to the story of Rinaldo, and it is probably a sketch for engraving no. 47 of the Collection of fifty picturesque costumes, etched by Pinelli himself.
- Watercolor dimensions: cm. 26×18,5
- Condition: Excellent condition
- Support: Paper
Bartolomeo Pinelli, Orlando Furioso, 1829
40,00 €Orlando Furious It is an engraving made by Bartholomew Pinelli in 1829, a work that reflects the artist's mastery in illustrating the great masterpieces of literature.
This engraving, made in etching on copper, features a full flap immersed in a murky wave, demonstrating his technical skill and distinctive style.
- Sheet size: mm. 180×220 at the edge, plus margins
- Support: Light paper
- Condition: Good condition, with a small restored hole on the top left
Bartolomeo Pinelli, born in Rome in 1781, was an engraver, painter and ceramist of great importance, known for his vast artistic production which includes around four thousand engravings.
His works illustrate the customs of the Italian peoples and the masterpieces of literature, with a particular focus on Rome and its history.
Ambrosian Basilica of San Lorenzo in Florence, 1826
20,00 €Ambrosian Basilica of San Lorenzo in Florence It is an engraving made by Anthony Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.
- Sheet size: cm. 10×17 approx.
- Engraving size: cm. 7×12 approx.
- Support: Paper
- Condition: Excellent state of preservation
Bastia, Corsica, 1850
25,00 €Bastia, Corsica, 1850 è un’incisione realizzata con la tecnica dell’acquaforte, che offre una splendida veduta della città di Bastia.
Questa opera è tratta da un libro della metà del XIX secolo e si presenta in excellent condition.
- Image size: cm. 12×19 approx.
- Technique: Etching
- Support: Light paper
Batalha, India, 1850
25,00 €Batalha, India è un’incisione realizzata nel 1850, eseguita con la tecnica dell’Acquaforte.
Questa opera presenta una misura dell’immagine di cm. 10×15, esclusi i margini, ed è stampata su carta di medio spessore con retro bianco.
- Era: XIX
- Technique: Etching
- Condition: Excellent
- Dimensions: Small
- Support: Paper
Battista Pittoni, Emblema del Conte Brandolino, 1578
35,00 €Emblema del Conte Brandolino It is an engraving made by Battista Pittoni in 1578.
This work, performed in etching, presenta un monogramma in basso a sinistra B.P.V. ed è parte del volume Imprese nobili, et ingeniose di diversi Prencipi, et D’Altri Personaggi Illustri.
L’incisione è incollata agli angoli su cartoncino, ma presenta una mancanza all’angolo superiore.
- Sheet size: mm. 115×164
- Condition: Good
- Support: Laid paper
Battista Pittoni, Emblema del Conte, 1578
35,00 €Emblema del Conte It is an engraving made by Battista Pittoni nel 1578, dedicata al Conte Alfonso di Villa Chiara.
Questa opera è un’acquaforte su carta vergellata, caratterizzata dal monogramma in basso a sinistra B.P.V..
- Sheet size: mm. 115×164
- Support: Laid paper
- Condition: Buone (mancanza all’angolo superiore)
- Technique: Etching
- Era: XVI
L’incisione è parte della raccolta Imprese nobili, et ingeniose di diversi Prencipi, et D’Altri Personaggi Illustri, datata 1578.
Giovanni Battista Pittoni, noto come Battista vicentino, è un importante artista del XVI secolo.
Bellagio, Como, 1834
30,00 €Bellagio, Como è un’incisione realizzata nel 1834, tratta da Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
Questa opera è stata creata da W. Brockedon, con disegni di H.Gasteneau and engravings of E. Finden.
- Sheet size: cm. 23×16 approx.
- Engraving size: cm. 13×9 approx.
- Support: Thick paper
- Condition: Excellent state of preservation
Questa veduta animata di Bellagio è un esempio significativo dell’arte del XIX secolo, riflettendo l’influenza di Byron e la bellezza dei paesaggi italiani.
Benevento, C. Frommel, 1829
40,00 €Beneventum è un’acquaforte acquarellata realizzata da C. Frommel In the 1829.
Questa suggestiva veduta, molto decorativa, è tratta da Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.
- Sheet size: cm. 13×21 approx.
- Engraving size: cm. 10×8 approx.
- Support: Medium paper with white back
- Condition: Excellent condition
Berlin, 1850
20,00 €Berlin, 1850 It is an engraving made in etching in the 19th century.
This work, of small dimensions, measures approximately cm. 9×14 and it is glued onto another piece of cardboard.
Presents a small lack top right, but retains its historical charm.
- Era: 19th century
- Technique: Etching
- Condition: Good
- Dimensions: Small
- Support: Cardboard
Bernardo Rosaspina, Florence, 1832
30,00 €View of the S.Trinità Bridge It is an engraving made by Bernardo Thorn Rose in 1832, which captures the architectural beauty of one of Florence's most iconic bridges.
This work is an etching on laid paper, signed lower right with the words 'B.Rosaspina Incise'.
- Sheet size: cm. 20×24 approx.
- Engraving size: mm. 155×198 at the copper edge
- Support: Laid paper
- Condition: Good condition, with a stain that also partially affects the print
Bible, Biblical Episode of Jeremie, 1850
30,00 €Bible, Biblical Episode of Jeremie It is an engraving made in 1850, which represents a significant moment in the biblical narrative.
This work is an example of etching high quality, with dimensions that make it an interesting piece for collectors and enthusiasts.
- Sheet size: cm. 18×20 approx.
- Engraving size: cm. 11×15 approx.
- Support: Double card
- Condition: Excellent
Bible, Biblical Episode of Jeremie, 1850
30,00 €Bible, Biblical Episode of Jeremie It is an engraving made in 1850, which represents a significant moment in the biblical narrative.
This work is an example of etching high quality, with dimensions that make it an interesting piece for collectors and enthusiasts.
- Sheet size: cm. 18×20 approx.
- Engraving size: cm. 11×15 approx.
- Support: Double card
- Condition: Excellent
River Mouth, Terracina, 1819
25,00 €River Mouth, Terracina It is an engraving made by TO THE CASTELLAN in 1819.
This work is an etching representing a suggestive landscape, part of the volume Letters on Italy, published in Paris by A. Nepveu.
- Sheet size: cm. 20×12 approx.
- Engraving size: cm. 10×14 approx.
- Support: Laid paper
- Condition: Excellent
Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing to illustrated books such as View of Italy And View of the Alps.
Bonn, View of the city, Germany, 1850
25,00 €Bonn, View of the city It is an engraving made in 1850, which offers a suggestive representation of the German city of Bonn.
This etching The image measures 7x11 cm, including margins, and is printed on medium-thickness paper with a white back.
- Sheet size: Small
- Condition: Excellent
- Support: Paper
Brendola, Vicenza, The White Cross, 1860
35,00 €Brendola, Vicenza, The White Cross It is an engraving made in 1860, a fine example of 19th century art.
This work is a small-sized etching, from theAlbum of Italy, published by the Austrian Album d'Italie Trieste, Literarisch-artistische Abteilung des Österreichischen Lloyd.
- Sheet size: cm. 24×32 approx.
- Engraving size: cm. 20×14 approx.
- Support: Medium thickness paper
- Condition: Excellent state of preservation
Bruno Missieri (Piacenza, 1940)
14,00 €Bruno Missieri è un artista di Piacenza, nato nel 1940, noto per le sue opere incisorie.
Questa particolare opera, realizzata nel 1998, is a stampa a tre colori eseguita con la tecnica dell’acquaforte a morsure aperte.
Il soggetto rappresentato è papi, un tema che riflette la sua creatività e il suo stile unico.
- Sheet size: mm. 124×127
- Support: Heavy paper
- Condition: Excellent
Bruno Missieri (Piacenza, 1940)
20,00 €Giovanni Paolo II It is a work created by Bruno Missieri, artista di Piacenza, nel 1998.
Questa incisione è firmata e numerata, utilizzando la tecnica dell’acquaforte a morsure aperte per stampe a tre colori.
- Sheet size: mm. 134×144
- Support: Heavy paper
- Condition: Excellent
Burgos, Spain, 1850
20,00 €Burgos, Spain, 1850 It is an engraving made in etching on light paper, che offre una splendida veduta della città di Burgos.
Questo pezzo è tratto da un libro di metà ‘800 e presenta un’immagine di dimensioni circa cm. 13×15.
- Sheet size: Small
- Condition: Excellent
Game, pheasants, watercolor, 19th century
35,00 €Game, pheasants It is a watercolor made by an anonymous artist in 19th century.
This work represents a splendid execution of an expert artist, highlighting the beauty and delicacy of pheasants.
- Sheet size: cm. 9.5x7 approx.
- Support: Light paper, partially glued on cardboard
- Condition: Excellent condition
Cadiz, Cadix, 1850
25,00 €Cadiz, Cadix It is an engraving made in 1850, which offers a beautiful view of the historic Spanish city.
This work is an etching on light paper, from a mid-nineteenth-century book, and stands out for its artistic and historical quality.
- Sheet size: cm. 10×15 approx.
- Technique: Etching
- Condition: Excellent state of preservation
- Support: Light paper
Caffè Haux in Boboli, Florence, 1826
20,00 €Haux Café in Boboli, Florence It is an engraving made by Anthony Verico in 1826, using the technique ofcopper etching.
This work is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.
- Sheet size: cm. 10×17 approx.
- Engraving size: cm. 7×12 approx.
- Support: Paper
- Condition: Excellent
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