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Showing 73–96 of 1256 results

Ambrosian Basilica of San Lorenzo in Florence, 1826

20,00 

Ambrosian Basilica of San Lorenzo in Florence It is an engraving made by Anthony Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Bastia, Corsica, 1850

25,00 

Bastia, Corsica, 1850 è un’incisione realizzata con la tecnica dell’acquaforte, che offre una splendida veduta della città di Bastia.
Questa opera è tratta da un libro della metà del XIX secolo e si presenta in excellent condition.

  • Image size: cm. 12×19 approx.
  • Technique: Etching
  • Support: Light paper

Batalha, India, 1850

25,00 

Batalha, India è un’incisione realizzata nel 1850, eseguita con la tecnica dell’Acquaforte.
Questa opera presenta una misura dell’immagine di cm. 10×15, esclusi i margini, ed è stampata su carta di medio spessore con retro bianco.

  • Era: XIX
  • Technique: Etching
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Battista Pittoni, Emblema del Conte Brandolino, 1578

35,00 

Emblema del Conte Brandolino It is an engraving made by Battista Pittoni in 1578.
This work, performed in etching, presenta un monogramma in basso a sinistra B.P.V. ed è parte del volume Imprese nobili, et ingeniose di diversi Prencipi, et D’Altri Personaggi Illustri.
L’incisione è incollata agli angoli su cartoncino, ma presenta una mancanza all’angolo superiore.

  • Sheet size: mm. 115×164
  • Condition: Good
  • Support: Laid paper

Battista Pittoni, Emblema del Conte, 1578

35,00 

Emblema del Conte It is an engraving made by Battista Pittoni nel 1578, dedicata al Conte Alfonso di Villa Chiara.
Questa opera è un’acquaforte su carta vergellata, caratterizzata dal monogramma in basso a sinistra B.P.V..

  • Sheet size: mm. 115×164
  • Support: Laid paper
  • Condition: Buone (mancanza all’angolo superiore)
  • Technique: Etching
  • Era: XVI

L’incisione è parte della raccolta Imprese nobili, et ingeniose di diversi Prencipi, et D’Altri Personaggi Illustri, datata 1578.
Giovanni Battista Pittoni, noto come Battista vicentino, è un importante artista del XVI secolo.

Bellagio, Como, 1834

30,00 

Bellagio, Como è un’incisione realizzata nel 1834, tratta da Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
Questa opera è stata creata da W. Brockedon, con disegni di H.Gasteneau and engravings of E. Finden.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

Questa veduta animata di Bellagio è un esempio significativo dell’arte del XIX secolo, riflettendo l’influenza di Byron e la bellezza dei paesaggi italiani.

Benevento, C. Frommel, 1829

40,00 

Beneventum è un’acquaforte acquarellata realizzata da C. Frommel In the 1829.
Questa suggestiva veduta, molto decorativa, è tratta da Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: cm. 13×21 approx.
  • Engraving size: cm. 10×8 approx.
  • Support: Medium paper with white back
  • Condition: Excellent condition

Berlin, 1850

20,00 

Berlin, 1850 It is an engraving made in etching in the 19th century.
This work, of small dimensions, measures approximately cm. 9×14 and it is glued onto another piece of cardboard.
Presents a small lack top right, but retains its historical charm.

  • Era: 19th century
  • Technique: Etching
  • Condition: Good
  • Dimensions: Small
  • Support: Cardboard

Bernardo Rosaspina, Florence, 1832

30,00 

View of the S.Trinità Bridge It is an engraving made by Bernardo Thorn Rose in 1832, which captures the architectural beauty of one of Florence's most iconic bridges.
This work is an etching on laid paper, signed lower right with the words 'B.Rosaspina Incise'.

  • Sheet size: cm. 20×24 approx.
  • Engraving size: mm. 155×198 at the copper edge
  • Support: Laid paper
  • Condition: Good condition, with a stain that also partially affects the print

Bible, Biblical Episode of Jeremie, 1850

30,00 

Bible, Biblical Episode of Jeremie It is an engraving made in 1850, which represents a significant moment in the biblical narrative.
This work is an example of etching high quality, with dimensions that make it an interesting piece for collectors and enthusiasts.

  • Sheet size: cm. 18×20 approx.
  • Engraving size: cm. 11×15 approx.
  • Support: Double card
  • Condition: Excellent

Bible, Biblical Episode of Jeremie, 1850

30,00 

Bible, Biblical Episode of Jeremie It is an engraving made in 1850, which represents a significant moment in the biblical narrative.
This work is an example of etching high quality, with dimensions that make it an interesting piece for collectors and enthusiasts.

  • Sheet size: cm. 18×20 approx.
  • Engraving size: cm. 11×15 approx.
  • Support: Double card
  • Condition: Excellent

River Mouth, Terracina, 1819

25,00 

River Mouth, Terracina It is an engraving made by TO THE CASTELLAN in 1819.
This work is an etching representing a suggestive landscape, part of the volume Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: cm. 20×12 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Laid paper
  • Condition: Excellent

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing to illustrated books such as View of Italy And View of the Alps.

Bonn, View of the city, Germany, 1850

25,00 

Bonn, View of the city It is an engraving made in 1850, which offers a suggestive representation of the German city of Bonn.
This etching The image measures 7x11 cm, including margins, and is printed on medium-thickness paper with a white back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Bouzonnet-Stella, Les jeux et plaisirs, 1657

40,00 

Les jeux et plaisirs It is an engraving made by Claudine Bouzonnet-Stella nel 1657, che rappresenta i giochi di bambini attraverso l’immagine di putti giocosi.
This work is taken from the work Les jeux et plaisirs de l'enfance, illustrating the joy and innocence of childhood.

  • Sheet size: cm. 12×15 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Light paper white back
  • Condition: Excellent state of preservation

Brendola, Vicenza, The White Cross, 1860

35,00 

Brendola, Vicenza, The White Cross It is an engraving made in 1860, a fine example of 19th century art.
This work is a small-sized etching, from theAlbum of Italy, published by the Austrian Album d'Italie Trieste, Literarisch-artistische Abteilung des Österreichischen Lloyd.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Brescia, Panorama, 1850

40,00 

Brescia, Panorama è un’incisione realizzata nel 1850, che offre una splendida veduta della città di Brescia.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. di John Sherer, illustrato con incisioni all’acquaforte su acciaio di artisti rinomati come Allom, Bartlett e Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Questa incisione si distingue per la sua nitidezza e vivacità, rendendola un pezzo prezioso per collezionisti e appassionati di arte.

Bruno Missieri (Piacenza, 1940)

14,00 

Bruno Missieri è un artista di Piacenza, nato nel 1940, noto per le sue opere incisorie.
Questa particolare opera, realizzata nel 1998, is a stampa a tre colori eseguita con la tecnica dell’acquaforte a morsure aperte.
Il soggetto rappresentato è papi, un tema che riflette la sua creatività e il suo stile unico.

  • Sheet size: mm. 124×127
  • Support: Heavy paper
  • Condition: Excellent

Bruno Missieri (Piacenza, 1940)

20,00 

Giovanni Paolo II It is a work created by Bruno Missieri, artista di Piacenza, nel 1998.
Questa incisione è firmata e numerata, utilizzando la tecnica dell’acquaforte a morsure aperte per stampe a tre colori.

  • Sheet size: mm. 134×144
  • Support: Heavy paper
  • Condition: Excellent

Burgos, Spain, 1850

20,00 

Burgos, Spain, 1850 It is an engraving made in etching on light paper, che offre una splendida veduta della città di Burgos.
Questo pezzo è tratto da un libro di metà ‘800 e presenta un’immagine di dimensioni circa cm. 13×15.

  • Sheet size: Small
  • Condition: Excellent

C.Gillot, Leone, Theatre, 1700

20,00 

Leone, Teatro It is an engraving made by Claude Gillot In the 1700.
Questa opera, che misura cm. 8×10, è un esempio significativo del periodo rococò, caratterizzato da dettagli vivaci e una composizione dinamica.

  • Sheet size: cm. 8×10 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Game, pheasants, watercolor, 19th century

35,00 

Game, pheasants It is a watercolor made by an anonymous artist in 19th century.
This work represents a splendid execution of an expert artist, highlighting the beauty and delicacy of pheasants.

  • Sheet size: cm. 9.5x7 approx.
  • Support: Light paper, partially glued on cardboard
  • Condition: Excellent condition

Cadiz, Cadix, 1850

25,00 

Cadiz, Cadix It is an engraving made in 1850, which offers a beautiful view of the historic Spanish city.
This work is an etching on light paper, from a mid-nineteenth-century book, and stands out for its artistic and historical quality.

  • Sheet size: cm. 10×15 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Light paper

Caffè Haux in Boboli, Florence, 1826

20,00 

Haux Café in Boboli, Florence It is an engraving made by Anthony Verico in 1826, using the technique ofcopper etching.
This work is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent

Cagliari, Sardinia, 1834

30,00 

Cagliari, Sardinia It is an engraving made by W. Brockedon nel 1834, parte del volume Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
This work, designed by H.Gasteneau and engraved by E. Finden, offre una veduta animata della città di Cagliari.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

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