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Showing 1177–1200 of 1256 results

Tivoli, Grotta delle Sirene, 1819

25,00 

Tivoli, Grotta delle Sirene It is an engraving made in 1819 by TO THE CASTELLAN, a well-known French painter and engraver.
This work is part of the volume Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: cm. 20×12 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Castellan, nato a Montpellier nel 1772 e morto a Parigi nel 1838, è stato decorato con la Legion d’onore e membro dell’accademia di Belle Arti.
È noto per i suoi paesaggi e le illustrazioni per libri come View of Italy And View of the Alps.

Tivoli, Ponte Lupo, 1819

25,00 

Tivoli, Ponte Lupo It is an engraving made in 1819 from TO THE CASTELLAN, a well-known French painter and engraver.
Questa opera è un’acquaforte che rappresenta il famoso Ponte Lupo a Tivoli, ed è tratta dal volume Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: mm. 105×140 approx.
  • Engraving size: mm. 105×140 approx.
  • Support: Paper
  • Condition: Excellent

Tivoli, Villa Adriana, 1819

25,00 

Tivoli, Villa Adriana It is an engraving made in 1819 by Antoine Laurent Castellan, a well-known French painter and engraver.
Questa acquaforte rappresenta un’entrata della Villa Adriana, un sito archeologico di grande importanza storica e artistica.

  • Sheet size: mm. 105×140 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Castellan, nato a Montpellier nel 1772 e morto a Parigi nel 1838, è stato un importante esponente dell’arte del paesaggio e membro dell’Accademia di Belle Arti. La sua opera è stata pubblicata in Letters on Italy, un’opera che celebra la bellezza dei paesaggi italiani.

Tivoli, Villa d’Este, 1819

25,00 

Tivoli, Villa d’Este It is an engraving made by Antoine Laurent Castellan in 1819.
Questa opera è un’acquaforte che rappresenta uno dei luoghi più affascinanti d’Italia, noto per i suoi giardini e fontane straordinarie.

  • Size of the joke: mm. 105×140
  • Margins: Piccoli margini irregolari
  • Back: White
  • Taken from: Lettres sur l’Italie, par A.L.Castellan, Paris, chez A.Nepveu, Libraire, 1819

Tönsberg, Austria, 1832

25,00 

Tönsberg, Austria, 1832 è un’incisione realizzata con la tecnica dell’acquaforte e bulino, stampata da C. Stanfield.
This work was published in the volume Picturesque Annual, based on a drawing by Clarkson Stanfield, London in 1832.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×13 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Torino, Panorama, 1850

40,00 

Torino, Panorama è un’incisione realizzata nel 1850, che offre una splendida veduta della città.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Perfect

Questa incisione si distingue per la sua nitidezza e vivacità, rendendola un pezzo d’arte da collezione.

Torre del Greco, Napoli, 1841

25,00 

Torre del Greco, Napoli è un’incisione realizzata da A. Perboni nel 1841.
This work represents a beautiful view dell’eruzione del Vesuvio, caratterizzata da un sharp contrast e ben definito.

  • Sheet size: mm. 270×190
  • Engraving size: mm. 145×100
  • Support: Medium paper
  • Condition: Good state of preservation

Trasteverina di Roma, acquarello

40,00 

Trasteverina di Roma it's a watercolor of exquisite workmanship, created by an anonymous author and datable to the first half of the 19th century.
This stunning piece features bright colors and refined details, making it a fascinating work for art lovers.

  • Sheet size: cm. 7×10 approx.
  • Support: Cardboard with white back
  • Condition: Excellent state of preservation

Trionfo di Marat, 1840

20,00 

Trionfo di Marat è un’incisione realizzata nel 1840, che celebra uno dei momenti chiave della Rivoluzione Francese.
Questa opera è un esempio significativo dell’arte del XIX secolo, evidenziando l’importanza storica di Jean-Paul Marat.

  • Sheet size: cm. 9×12 approx.
  • Technique: Etching
  • Support: Cardboard
  • Condition: Excellent condition

Una storia di altri tempi, 1850

30,00 

Una storia di altri tempi è un’incisione realizzata nel 1850, che cattura l’essenza di un momento nostalgico in cui una nonna racconta storie del passato.
This etching presenta dimensioni di cm. 15,5×13, senza margini, e un retro bianco, tipico dell’epoca XIX secolo.

  • Sheet size: Small
  • Engraving size: cm. 15,5×13
  • Support: Paper
  • Condition: Excellent

Uomo di Castelnuovo, acquarello

40,00 

Uomo di Castelnuovo it's a watercolor of exquisite workmanship, created by an anonymous author in the first half of the 19th century.
This stunning piece features bright colors and refined details, making it a fascinating work for art lovers.

  • Sheet size: cm. 7×10 approx.
  • Support: Cardboard with white back
  • Condition: Excellent state of preservation

Uomo di Castelnuovo, acquarello

35,00 

Uomo di Castelnuovo it's a beautiful watercolor of exquisite workmanship, created by an anonymous author and datable to the first half of the 19th century.
Questo pezzo si distingue per i suoi bright colors e per la sua ottima condizione di conservazione.

  • Dimensions: mm. 70×100
  • Back: White
  • Condition: Excellent state of preservation

Valerio Righini exlibris

20,00 

Valerio Righini Exlibris è un’incisione realizzata nel 1988 dall’artista Valerio Righini.
This exlibris, commissioned by BNEL, is an example of refined engraving technique in etching.

  • Sheet size: mm. 125×190
  • Support: Medium thickness paper
  • Condition: Excellent

Veduta del Battistero di S.Giovanni di Firenze, 1826

20,00 

Veduta del Battistero di S.Giovanni di Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent

Veduta del Palazzo Pitti, Firenze, 1826

20,00 

Veduta del Palazzo Pitti, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Veduta del Poggio Imperiale, Firenze, 1826

20,00 

Veduta del Poggio Imperiale, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Veduta del Ponte alle Grazie di Firenze, 1826

20,00 

Veduta del Ponte alle Grazie di Firenze è un’acquaforte su rame realizzata da A. Verico nel 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Veduta dell’Arcispedale di S.M.Nuova, Firenze, 1826

20,00 

Veduta dell’Arcispedale di S.M.Nuova, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Veduta della Basilica della SS. Annunziata, Firenze, 1826

20,00 

Veduta della Basilica della SS. Annunziata it is an etching on copper made by Antonio Verico in 1826.
This work is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

View of the Cathedral of Prato, 1826

30,00 

View of the Cathedral of Prato it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Veduta della Metropolitana di Firenze, 1826

20,00 

Veduta della Metropolitana di Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Veduta della Piazza del Granduca, Firenze, 1826

20,00 

Veduta della Piazza del Granduca, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

View of the Piazza di S. Croce, Florence, 1826

20,00 

Veduta della Piazza di S.Croce, Firenze it is an engraving made by Antonio Verico in 1826.
Questo lavoro è un’acquaforte su rame, tratto dal volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Veduta della Piazza di S.Marco di Firenze, 1826

20,00 

Veduta della Piazza di S.Marco di Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

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