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Showing 1465–1488 of 4785 results

Filippo Palizzi, The Cowherd, De Bourcard, 1853

60,00 

The Cowherd It is an engraving made by Philip Palizzi nel 1853, parte della serie Customs and Traditions of Naples and Surrounding Areas Of Francis De Bourcard.
This work is an example of Burin al delineato acquarellato, su carta media con retro bianco.

  • Sheet size: cm. 17×25 approx.
  • Condition: Perfect state of preservation

Filippo Palizzi, The Flower Girl, De Bourcard, 1853

50,00 

La Fioraia è un’incisione realizzata da Filippo Palizzi nel 1853, utilizzando la tecnica del Burin al delineato acquarellato.
This work is part of the volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Support: Medium paper, white back
  • Condition: Excellent state of preservation

L’incisione è firmata in lastra con la dicitura ‘Fil.Palizzi dis’ ed è importante notare che non si tratta di una copia anastatica.

Filippo Palizzi, The Impagliachair, De Bourcard, 1853

50,00 

La Impagliasedie It is an engraving made by Philip Palizzi nel 1853, parte dell’opera Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.
Questa opera è caratterizzata da un bulino al delineato acquarellato, su carta media con retro bianco.

  • Sheet size: cm. 17×25 approx.
  • Condition: Perfect state of preservation
  • Support: Medium paper

Filippo Palizzi, Capitoni Seller, De Bourcard, 1853

50,00 

Filippo Palizzi, Venditore di Capitoni è un’incisione realizzata da Filippo Palizzi nel 1853.
This work is an example of Bulino al delineato acquarellato, su carta di qualità media, con retro bianco.

  • Sheet size: cm. 17×25
  • Condition: Excellent state of preservation
  • Support: Paper

L’incisione è firmata in lastra e proviene dall’opera Customs and Traditions of Naples and Surrounding Areas di Francesco De Bourcard, pubblicata nel 1853.
Si precisa che non si tratta di una copia anastatica.

Philip Veit, The Marys at the Sepulchre, 1842

20,00 

Le Marie al Sepolcro It is a lithograph made by Filippo Veit In the 1842.
This work is taken from the periodical Picturesque Polyorama, diretto da Filippo Cirelli, con l’intento di diffondere conoscenze utili in vari ambiti della società.

  • Printed part dimensions: cm. 10×16 approx.
  • Margins: almost absent
  • Support: Paper
  • Condition: Excellent

La stampa è contenuta nella pagina del libro e presenta scritte intorno e al verso. Verrà spedita l’intera pagina che contiene la stampa.

Filodendro, Cromolitografia, 1883

30,00 

Filodendro it's a chromolithography realizzata nel 1883, raffigurante il Philodendron Mamei.
This work is taken from the Horticultural Review di Parigi ed è stata realizzata da Godard con litografia di G. Severeyns.

  • Sheet size: cm. 25×16 approx.
  • Support: Thick paper, white back
  • Condition: Excellent state of preservation

Splendida stampa, molto decorativa, ideale per gli amanti della botanica e dell’arte.

Finale, Perspective of the Castle, 1890

20,00 

Finale, Perspective of the Castle It is a woodcut print made in 1890.
This work is taken from Illustrated geographical Italy by P. Premoli and presents an interesting perspective of the castle, with text around and on the back.

  • Sheet size: cm. 12×9 approx.
  • Technique: Woodcut
  • Support: Light paper
  • Condition: Excellent

The print has been removed from the book and will be shipped as a full page, thus preserving its original charm.

Florist in Florence, 1840

35,00 

Florist in Florence, 1840 è un’incisione affascinante realizzata dai ROUARGUE freres, che cattura un’animata scena di una venditrice di fiori a Firenze.
This work, part of the volume Voyage d'Italie, northern part di Paul De Musset, presenta una delicata acquarellatura coeva che arricchisce l’immagine.

  • Sheet size: mm. 263×167
  • Engraving size: mm. 163×117
  • Support: Lightweight paper with white backing
  • Condition: Excellent

Questa incisione è molto decorativa e rappresenta un pezzo unico della storia artistica fiorentina.

Fioraia, 1877

25,00 

Fioraia è una stampa del 1877 che rappresenta una Marchande de Fleurs.
This work is taken from L'Italy illustrée de 450 engravures sur wood, realizzata da Gourdault Jules e pubblicata a Parigi da Hachette.

  • Sheet size: mm. 160×230
  • Support: Light paper
  • Condition: Excellent
  • Back: White

Fiorenzuola d'Arda, 1890

20,00 

Fiorenzuola d'Arda it's a woodblock print built in 1890, which offers a suggestive view of the Arda bridge.
This work is taken from an Italian text from the late nineteenth century and presents a large-sized image cm. 9×12 approximately, with text around and on the back of the sheet. The complete sheet measures cm. 30×20.

  • Sheet size: cm. 30×20
  • Image size: cm. 9×12
  • Support: Paper
  • Condition: Excellent

Flowers and Plants cm.15×24

0,00 

Flowers and Plants It's a series of chromolithographs made at the end of the nineteenth century, depicting a variety of flowers and plants.
Each print measures cm. 15×24 and is characterized by a medium thickness sheet with a white back.

  • Availability: 300 specimens
  • Certificate: Each print is accompanied by a certificate of originality and legitimate origin
  • Request: Contact for a quote

Flowers and plants cm.19×13

0,00 

Flowers and Plants It is a colored etching dating back to the mid-nineteenth century, which represents a variety of flowers and plants.
The image size is approximately cm. 18/19×12/13 on a sheet of paper cm. 23×14, medium thickness and with a white back.

  • Number of copies available: 80
  • Certificate of originality: Each print will be accompanied by a certificate of originality and legitimate origin.

Contact for a quote.

Flowers, 1852

20,00 

Flowers, 1852 It is an engraving made with the technique of burin, subsequently hand-colored with watercolors.
This work is taken from Ladies' Wreath an illustrated annual, published in New York by JC Burdick.

  • Sheet size: mm. 130×220
  • Support: Medium paper
  • Condition: Good condition

The floral arrangement is beautiful and decorative, perfect for enriching any environment.

Florence and Fiesole, 1850

35,00 

Florence and Fiesole It is an engraving made in 1850, which offers an enchanting view of the city of Florence from the Fiesole hill.
This colored etching, signed by Doherty, captures the essence of Tuscan beauty.

  • Sheet size: cm. 16×21 approx.
  • Engraving size: cm. 11×17 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Florence, 1834

25,00 

Florence, 1834 It is a burin engraving representing a panoramic view of the banks of the Arno in Florence.
This work is taken from Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 185×120 approx.
  • Support: Light paper
  • Condition: Good condition

A beautiful decorative view that captures the essence of Florence.

Florence, 1840

30,00 

Florence, 1840 It is a burin engraving that captures a beautiful view of the city, made by the engraver Rouargue.
This work, characterized by a lively animation and a well-defined contrast, was executed on steel and has a stroke size of 10x15 cm on a sheet of 17x26 cm.

  • Sheet size: cm. 17×26
  • Engraving size: cm. 10×15
  • Support: Heavy paper with white backing
  • Condition: Excellent

Florence, 1840

30,00 

Florence, 1840 It is a steel engraving made by Karl August Lindemann-Frommel, a well-known landscape painter and designer of the French school.
This work is part of the volume Picturesque Italy, published by Ernst Kollmann in Leipzig in 1840.

  • Sheet size: cm. 14×23 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent

L’incisione presenta piccoli margini e si trova in ottime condizioni generali, rendendola un pezzo pregiato per collezionisti e appassionati d’arte.

​Firenze, 1866

25,00 

Firenze, 1866 it's a woodcut taken from the work From the Alps to the Adriatic, pubblicata a Milano da Giacomo Stella Editore nel 1866.
Questa stampa rappresenta un’importante testimonianza storica e artistica del periodo.

  • Sheet size: cm. 25×17 approx.
  • Print Size: cm. 19×13 approx.
  • Support: Paper
  • Condition: Excellent condition

Florence, Bell Tower, 1834

25,00 

Firenze, Campanile è un’incisione in acciaio realizzata nel 1834, che cattura la bellezza iconica del campanile di Firenze.
This work is taken from the volume Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich, published in Frankfurt am Main.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms

Firenze, Campo Santo, 1877

25,00 

Firenze, Campo Santo è un’incisione realizzata nel 1877, che rappresenta l’interno del Campo Santo di Firenze.
This woodcut is taken from the work L'Italy illustrée de 450 engravures sur wood by Gourdault Jules, published in Paris by Hachette.

  • Sheet size: mm. 250×180 plus margins
  • Engraving size: mm. 250×180
  • Support: Light paper
  • Condition: Excellent

Firenze, Camposanto, 1819

25,00 

Firenze, Camposanto It is an engraving made by TO THE CASTELLAN nel 1819, che rappresenta un’importante veduta del famoso Camposanto di Firenze.
This work is taken from the volume Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: mm. 105×140 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Florence, Michelangelo's House, 1833

25,00 

Firenze, Casa di Michelangelo è un’incisione al bulino realizzata nel 1833, tratta dall’opera Meyer's Universe.
Questa suggestiva veduta di un interno è animata e offre uno sguardo affascinante sulla vita e l’architettura fiorentina dell’epoca.

  • Sheet size: mm. 100×140 approx.
  • Support: Light paper
  • Condition: Excellent

Florence, Cascine, 1832

25,00 

Florence, Cascine, 1832 It is a steel engraving made by James Duffield Harding, a well-known English landscape painter.
This work is taken from the volume Tourist in Italy di Thomas Roscoe, pubblicato a Londra nel 1832.

  • Sheet size: cm. 19×12 approx.
  • Engraving size: cm. 14×10 approx.
  • Support: Medium thickness paper, white back
  • Condition: Excellent

La veduta è suggestiva, nitida e ben contrastata, animata da un’atmosfera vivace.

Florence, Cathedral, 1835

25,00 

Firenze, Cattedrale It is an engraving made at burin nel 1835, che offre una splendida veduta della cattedrale di Firenze.
This work is taken from Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 190×117
  • Support: Light paper
  • Condition: Excellent state of preservation
  • Margins: Good margins
  • Back: White

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