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Showing 193–216 of 1598 results

Castellammare, Naples, 1834

25,00 

Castellammare, Naples It is an engraving made in 1834, which represents a fascinating view of the city.
This work is taken from the volume Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich, published in Frankfurt am Main.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms

Castellammare, Naples, 1835

30,00 

Castellammare, Naples, 1835 è un’incisione al bulino realizzata da Monthelier, che rappresenta una bella veduta animata della città.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc., pubblicato da AUDOT padre tra il 1835 e il 1837.

  • Sheet size: mm. 270×170
  • Engraving size: mm. 125×90
  • Support: Medium paper
  • Condition: Excellent state of preservation

Castellammare, Naples, 1840

35,00 

Castellammare, Naples, 1840 è un’incisione al bulino realizzata da Frommel, che offre una vista suggestiva della città.
This work is part of the volume Picturesque Italy, published in Leipzig in 1840.

  • Sheet size: cm. 22×14 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Light paper
  • Condition: Good state of preservation

Castruccio Castracani, 1843

20,00 

Castruccio Castracani It is a copper engraving made in 1843, taken from the work Picturesque Omnibus of Naples.
Questa incisione rappresenta un’importante figura storica, Castruccio Castracani, signore di Lucca, noto per il suo ruolo nella politica e nelle battaglie del XIV secolo.

  • Sheet size: cm. 11×13 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation
  • Back: Printed

Catania, 1835

20,00 

Catania, 1835 It is a burin engraving on steel made in 1835.
This work is taken from Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE and presents a beautiful animated view.

  • Size of the joke: mm. 132×90 plus margins
  • Support: Lightweight paper with white backing
  • Condition: Excellent condition

Catania, Etna Crater, 1835

20,00 

Catania, Etna Crater It is a burin engraving made in 1835, which offers an extraordinary animated view of the inside of the crater of Etna.
This work is taken from the volume Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE.

  • Size of the joke: mm. 132×90 plus margins
  • Technique: Burin
  • Support: Lightweight paper with white backing
  • Condition: Excellent condition

Catania, Elephant Square, 1835

25,00 

Catania, Piazza Elefante It is an engraving made at burin on steel in 1835.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper, white back
  • Condition: Good state of preservation

Catania, Market Square, 1835

25,00 

Catania, Piazza mercato It is an engraving made at burin on steel in 1835.
This work comes from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. di AUDOT padre, pubblicato tra il 1835 e il 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Catania, Bridge over Cantara, 1835

20,00 

Catania, Ponte su Cantara It is an engraving made at burin on steel in 1835, colorata all’acquarello.
This work measures mm. 132×90 per la battuta, esclusi i margini, ed è tratta da Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE.

  • Sheet size: Small
  • Support: Light paper
  • Condition: Excellent

La veduta animata presenta l’Etna fumante sullo sfondo, rendendola un’opera decorativa di grande fascino.

Catherine of Aragon, 1844

15,00 

Caterina d’Aragona è un’incisione in rame realizzata nel 1844, tratta dall’opera Picturesque Omnibus, published in Naples.
Questa incisione rappresenta Caterina d’Aragona, una figura storica di grande importanza, regina consorte d’Inghilterra e Irlanda, nota per il suo matrimonio con Enrico VIII.

  • Sheet size: cm. 7x9 approx.
  • Support: Light paper
  • Condition: Excellent condition
  • Back: Printed

Caterpillar of Metopsilus Tersa, 1836

30,00 

Caterpillar of Metopsilus Tersa It is an engraving made in 1836 by Edward Lear And William H. Lizars.
This work, an example of burin engraving on steel with manual watercolouring, it is part of the famous series The Naturalist's Library by Sir William Jardine.

  • Engraving size: mm 100×150
  • Support: Lightweight paper with white backing
  • Condition: Excellent condition

Palermo Cathedral, 1860

40,00 

Palermo Cathedral It is an engraving made by Adolphe Rouargue nel 1860.
This work is part of the volume Voyage picturesque in Italy, southern part by P. De Musset.

  • Sheet size: mm. 165×120 circa
  • Engraving size: mm. 165×120 circa
  • Support: Thick paper
  • Condition: Perfect

Questa incisione al burin su rame presenta una rappresentazione nitida e fine della cattedrale di Palermo, rendendola un’opera animata e decorativa.

Cava dei Tirreni, 1840

30,00 

Cava dei Tirreni, 1840 It is a steel engraving made by James Duffield Harding and engraved by Jeavons.
This work represents the Convent of the Holy Trinity and is part of the volume Views of Cities and Scenery in Italy, France, and Switzerland by Samuel Prout and J.D. Harding.

  • Sheet size: mm. 100×140 approx.
  • Support: Medium paper
  • Condition: Perfect
  • Rarity: Rare and decorative

Cava, Salerno, Convent of the Holy Trinity, 1833

30,00 

Cava, Salerno, Convent of the Holy Trinity It is a steel engraving made by J.D. Harding in 1833, taken from The Landscape Annual, published in London in the same year.
This evocative view presents a sharp, well-contrast image, animated by details that capture the attention.

  • Sheet size: cm. 12×19 approx.
  • Size of the joke: mm. 140×95 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent

Cervantes, 1839

20,00 

Cervantes è un’incisione realizzata da Brienza nel 1839, eseguita su rame.
Questa opera, che rappresenta un mezzobusto di profilo, è tratta da The Picturesque Omnibus, published in Naples.

  • Sheet size: mm. 110×120 circa
  • Technique: Burin
  • Condition: Excellent
  • Support: Copper

Cetara, 1850

30,00 

Cetara, 1850 it is a copper engraving representing a beautiful view of the bay of Salerno.
This work is taken from Payne's Universe and has dimensions of mm. 150×105, with additional margins.

  • Sheet size: mm. 150×105 approx.
  • Support: Lightweight paper, white back
  • Condition: Excellent

Charles Grey, 1842

15,00 

Charles Grey, 1842 è un’incisione in rame che ritrae il noto politico britannico Charles Grey, Conte Grey.
Questa opera è stata estratta dal volume Picturesque Omnibus, published in Naples in 1842.

  • Sheet size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: La stampa presenta scritte al retro e viene spedita con la pagina intera contenente l’incisione.

Charles Pierre François Augereau, 1839

15,00 

Charles Pierre François Augereau It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
Questa stampa, che presenta margini quasi assenti, è contenuta nella pagina del libro e presenta scritte al verso.

  • Sheet size: cm. 13×11 approx.
  • Support: Paper
  • Condition: Excellent

Chateaubriand, 1838

20,00 

Chateaubriand è un’incisione realizzata da Gnaccarini nel 1838, stampata su rame.
Questo mezzobusto è tratto da The Picturesque Omnibus, pubblicato a Napoli nel 1839.
L’opera presenta scritte sul retro e si distingue per i suoi dettagli raffinati.

  • Sheet size: mm. 110×140 circa
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Chiesa di S.Agostino a Roma, 1856

35,00 

Chiesa di S.Agostino a Roma è un’incisione finissima realizzata al burin su acciaio, datata 1856.
Questa opera è stata prodotta dai Rouargue freres e fa parte del volume Picturesque voyage in southern Italy, scritto da M.Paul De Musset e pubblicato a Parigi da Morizot editeur.

  • Sheet size: cm. 17×26 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Heavy paper
  • Condition: Perfect state of preservation

Chiesa, Canivet, 1870-90

15,00 

Chiesa è un’opera realizzata tra il 1870 e il 1890, rappresentante un soggetto sacro.
Questa stampa è una chromolithography con un elegante bordo traforato a punzone, tipica della produzione artistica francese dell’epoca.

  • Sheet size: cm. 7×11
  • Condition: Buone, con strappo restaurato nell’angolo inferiore destro
  • Support: Paper

Closed, Bolzano, 1830

40,00 

Closed, Bolzano It is a copper engraving made in 1830, which represents a delightful scene at the entrance to the village.
This work is taken from the work of William Brockendon, Italy, classical, historical, and picturesque, published in London around 1830.

  • Sheet size: mm 225×159 plus margins
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Cicero, 1839

15,00 

Guide It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, contained in the book page, has almost no margins and writing on the verso.

  • Sheet size: cm. 8×15 approx.
  • Support: Paper
  • Condition: Excellent

The print will be shipped together with the full page containing it.

Cifre del nome BENOIT intrecciate, 1881

20,00 

Cifre del nome BENOIT intrecciate è una piccola litografia acquarellata realizzata nel 1881.
Questa opera presenta le iniziali del nome BENOIT in un elegante intreccio, ed è tratta dal volume Dictionaire du Chiffre Monogramme Planche gravées au burin di Charles Demengeot, pubblicato a Parigi.

  • Sheet size: cm. 5×5 circa
  • Technique: Burin
  • Support: Cardboard
  • Condition: Excellent

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