XIX

Showing 4417–4440 of 6812 results

Otranto, 1841

25,00 

Otranto, 1841 It is an engraving made by A. Perboni in 1841, which represents a beautiful view of the city of Otranto.
This work is characterized by a sharpness and a contrast well defined, making it a fascinating piece for collectors and enthusiasts.

  • Sheet size: mm. 270×190
  • Engraving size: mm. 115×80
  • Support: Medium paper
  • Condition: Good state of preservation

Otranto, 1889

20,00 

Otranto, 1889 it's a view of Otranto made by woodcut, which captures the beauty of the landscape from the Dogana.
This engraving, measuring 240x150 mm, is taken from The Italian Illustration of 1889.

  • Sheet size: Small
  • Engraving size: mm. 240×150
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Otranto, Castle, 1840

35,00 

Otranto, Castello è un’incisione realizzata nel 1840, che ritrae una suggestiva veduta del Castello di Otranto.
This work is performed in burin on copper e presenta margini assenti, stampata su carta leggera con retro bianco.

  • Sheet size: mm. 165×111
  • Condition: Excellent condition
  • Rarity: Rare

Ottone di Bismark, 1865

15,00 

Ottone di Bismark it is an engraving in woodcut made in 1865, tratta dall’Emporio Pittoresco.
Questa stampa, con dimensioni di circa cm. 14×16, was extracted from a book and has text both around and on the back.

  • Condition: Excellent condition
  • Support: Paper

Otto Eduard Leopold von Bismarck-Schönhausen, noto come

Ovaiola, Venditrice di uova, 1855

10,00 

Ovaiola, Venditrice di uova è una piccola incisione xilografica acquarellata realizzata nel 1855.
This work, of small dimensions, measures cm. 3×3,5 and it is taken from the volume Description of the City of Naples and its surroundings divided into XXX days by Gaetano Nobile.

  • Sheet size: Small
  • Condition: Perfect state of preservation
  • Support: Paper

The print has been removed from the book and is delivered complete with passepartout.

Ozieri, Panorama, 1890

20,00 

Ozieri, Panorama it's a woodblock print risalente al 1890, rappresentativa della fine dell’Ottocento italiano.
This work presents a large-sized image cm. 10×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

P. D. Ottavio de Fraja, 1847

15,00 

P. D. Ottavio de Fraja It is a lithograph made in 1847, taken from the volume Picturesque Polyorama pubblicato a Napoli.
This work, of small dimensions, measures approximately cm. 15×12 ed è stampata su carta leggera, con scritte al retro.

  • Sheet size: Small
  • Technique: Lithography
  • Condition: Good
  • Support: Paper

The entire page containing the print will be sent.

P. Wouvermans, Travellers, 1830

70,00 

Travelers It is a colored aquatint made by P. Wouvermans in 1830, entitled The travellers' stop (Travelers' Halt).
This beautifully executed work is based on one of the paintings in the Dulwich Picture Gallery and was made by Ralph Cockburn, painter and engraver as well as the gallery's first keeper.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The reverse bears the Haverhill Public Library stamp, making this a rare and decorative work.

Peace among the Campobassians

25,00 

Peace among the Campobassians it is a lithograph made in 1854, which represents the peace between the inhabitants of Campobasso which took place in 1587.
This print, by Fra Geronimo da Sorboy, depicts a procession with hooded monks.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 8×18 approx.
  • Technique: Lithography
  • Support: Paper
  • Condition: Excellent

The lithograph is taken from Picturesque Polyorama, a periodical published in Naples by the typography and lithography of Poliorama Pittoresco, directed by Filippo Cirelli.
This periodical, active from 1836 to 1860, aimed to spread useful knowledge to all classes of society.

Peace, 1850

20,00 

Peace It is an engraving made in 1850, from the Vernon gallery.
Questa opera è stata creata utilizzando la tecnica dell’etching and burin, ed è tratta dall’Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent state of preservation
  • Support: Strong engraving paper

Pacini Giovanni, 1872

20,00 

Pacini Giovanni, 1872 è un’incisione xilografica originale tratta da The Popular Illustration, published in Milan by the Treves Brothers in 1872.
Questa opera, che misura cm. 11×12, è stata ritagliata dal libro e presenta scritte sul retro.
Giovanni Pacini, nato a Catania il 17 febbraio 1796 e deceduto a Pescia il 6 dicembre 1867, è stato un noto compositore italiano.

  • Sheet size: cm. 11×12 approx.
  • Technique: Woodcut
  • Condition: Good
  • Support: Light paper

Padua, 1835, Place Salone à Padoue

20,00 

Salone Square in Padua It is an engraving made in 1835, taken from the work Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE.
This lively view of the square on market day is engraved on steel, featuring fascinating details and a lively atmosphere.

  • Sheet size: mm. 132×90
  • Support: Medium paper with white back
  • Condition: Excellent

Padua, 1840

30,00 

Padua, 1840 It is a steel engraving made by Karl August Lindemann-Frommel, a well-known landscape painter and designer of the French school.
This work is part of the volume Picturesque Italy, published by Ernst Kollmann in Leipzig in 1840.

  • Sheet size: cm. 14×23 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent

The engraving has small margins and is in excellent overall condition, making it a prized piece for collectors and art enthusiasts.

Padua, Apse of the Basilica, 1890

20,00 

Padova, Abside della Basilica It is a woodcut made in 1890 by Gustave Fraipont as a designer and Charles Petit as an engraver.
This beautiful print, animated and in excellent condition, è stata tratta da un libro francese di fine ‘800.

  • Sheet size: cm. 10×13 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Padua, Basilica of St. Anthony, 1865

15,00 

Padua, Basilica of Saint Anthony It is a woodcut made in 1865, coming from the Chorographic Dictionary of Italy by Prof. Amato Amati.
This work is illustrated with approximately 1000 colored municipal weapons and was printed in Milan by Vallardi Editore.

  • Sheet size: mm. 220×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Padua, House of the Tyrant Excellency, 1860

35,00 

Padua, House of the Tyrant Excellency It is an engraving made in 1860, executed with the technique ofEtching.
This work is part of theAlbum of Italy, published by Literarisch-artistische Abteilung des Österreichischen Lloyd in Trieste in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

​Padua, The Basilica of St. Anthony, 1886

30,00 

Padua, The Basilica of St. Anthony It is an engraving made in 1886, taken from the illustrious periodical Italian Illustration, published in Milan by Fratelli Treves Editori.
This work represents an important artistic testimony of the time, with architectural details of the famous basilica.

  • Sheet size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent

Padua, The Tomb of Antenor, 1860

35,00 

Padova, La Tomba di Antenore è un’incisione realizzata nel 1860, che rappresenta un’importante opera del XIX secolo.
Questa acquaforte, parte dell’Album of Italy, è stata pubblicata dall’Album d’Italie Trieste, nella sezione letteraria e artistica del Lloyd austriaco.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Padua, Panorama, 1850

40,00 

Padova, Panorama è un’incisione realizzata nel 1850, che offre una splendida veduta della città.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by such eminent artists as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Excellent

Questa incisione si presenta in condizioni perfette e offre un’immagine nitida e animata della città di Padova.

Padua, St. Anthony, 1877

15,00 

Padua, St. Anthony, 1877 it is a woodcut engraving representing the Eglise Saint-Antoine in Padua.
This work is taken from Italy by J. Gourdault, published in Paris in 1877.

  • Size of the joke: mm. 120×171
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent

The print has been cut from the book and features writing on the back, offering a striking, clear, high-contrast view.

Padua, Villa Giustiniani, 1875

20,00 

Padua, Villa Giustiniani it is a woodcut made in 1875, which represents a fascinating glimpse of the villa.
This engraving is taken from the work Italy Pictorial Journey from the Alps to Etna by G.Stieler, E.Paulus and W.Kaden, published in Milan by the Treves Brothers.

  • Engraving size: cm. 17×12 approx.
  • Condition: Excellent state of preservation
  • Support: Paper
  • Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Padre e figlia, 1850

20,00 

Padre e figlia It is a lithograph made in 1850, che cattura un momento tenero tra un padre e sua figlia.
This work, from the period 19th century, is printed on thick paper e incollata su un altro supporto cartaceo.

  • Sheet size: cm. 16×12 approx.
  • Technique: Lithography
  • Condition: Good
  • Support: Cardboard

Padre Mariano Patanè, 1846

15,00 

Padre Mariano Patanè è una litografia realizzata nel 1846, tratta dal volume Picturesque Polyorama, published in Naples.
This work represents Padre Mariano Patanè (1713-1804), noto per essere il fondatore della congregazione dell’Oratorio di S. Filippo Neri di Aci Reale in Sicilia.

  • Size of the joke: cm. 10×13
  • Support: Paper
  • Condition: Excellent
  • Notes: Retro stampato e la stampa è stata estratta dal libro con scritte al retro.

Verrà spedita l’intera pagina del libro contenente la stampa.

Padre Rocco, Elemosina, 1884

35,00 

Padre Rocco, Elemosina è un’incisione xilografica realizzata nel 1884, che rappresenta un momento di carità e generosità.
This work is taken from the volume Naples and its surroundings by Rudolf Kleinpaul.

  • Sheet size: cm. 26×36 approx.
  • Engraving size: cm. 16×23 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

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