XIX

Showing 4585–4608 of 6812 results

Shepherd playing the tibia, 1850

25,00 

Shepherd playing the tibia It is a lithograph made in 1850, taken from the work Literary and Artistic Register by Vittoria Colonna, Naples.
This work represents a marble sculpture by Salvatore Irdi and offers a fascinating glimpse into the artistic mastery of the period.

  • Sheet size: cm. 22×29 approx.
  • Lithograph dimensions: cm. 16×20 approx.
  • Support: Paper
  • Condition: Good, with some stains and a slightly worn sheet

Pastore della Campagna, 1885

20,00 

Pastore della Campagna è una xilografia realizzata nel 1885, tratta dall’opera Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers.
Questa incisione, con dimensioni di cm. 19×14, presenta margini ridotti e un retro stampato.

  • Engraving size: cm. 19×14
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Pastore della macchia, 1850

20,00 

Pastore della macchia è una litografia realizzata nel 1850, che cattura l’essenza della vita pastorale.
This work, of small dimensions, is printed on thick paper and glued onto another paper support, making it a unique collector's piece.

  • Sheet size: cm. 24×13 circa
  • Era: 19th century
  • Technique: Lithography
  • Condition: Good
  • Support: Paper

Shepherd, 1840

50,00 

Pastore è un’acquaforte acquarellata realizzata nel 1840, taken from the work Costumes of Rome and its surroundings, drawn by various artists and engraved by Salvatore Marroni.
Questa pregevole opera è stata pubblicata a Roma, presso l’editore e calcografo Tommaso Cuccioni, situato in Via della Croce N.88.

  • Sheet size: cm. 32×22
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

Pastore, acquarello

40,00 

Pastore it's a beautiful watercolor of exquisite workmanship, created by an anonymous author in the first half of the 19th century.
This little masterpiece, measuring approximately 7x10 cm, is made on cardboard with a white back and features bright colors that enhance its beauty.

  • Sheet size: cm. 7×10 approx.
  • Condition: Excellent state of preservation
  • Support: Cardboard

Pattuglia che rientra, 1850

20,00 

Pattuglia che rientra è una litografia realizzata nel 1850, che rappresenta un momento significativo della vita militare.
Questa opera, di dimensioni contenute, è stampata su carta spessa ed è incollata su un altro supporto cartaceo, il che ne garantisce la stabilità e la conservazione.

  • Sheet size: cm. 22×16 approx.
  • Era: 19th century
  • Technique: Lithography
  • Condition: Good
  • Support: Paper

Paul de Musset, Voyage Pittoresque, Partie Septentrionale, 1860

350,00 

Paul de Musset, Voyage Pittoresque, Partie Septentrionale è un volume pubblicato a Parigi nel 1860 da Morizot.
Questo libro, di cm. 26, è composto da pp. viii e 536, e include 23 belle incisioni in rame fuori testo, di cui alcune a colori, ciascuna protetta da velina.

  • Illustratori: MM. Rouargue Freres
  • Incisioni: Disegnate e incise su acciaio dai fratelli Rouargue
  • Content: Raffigura costumi tipici, mestieri e pittoresche vedute di città
  • Binding: In pelle con titolo e fregi dorati al dorso
  • Contropiatti e fogli di guardia: In carta avorio con tagli oro

Questo celebre volume francese sull’Italia ha rappresentato a lungo un’importante introduzione a un viaggio nella penisola.
Esemplare fresco e in excellent condition.

Paul preaching a athens. Paolo predica

25,00 

Paul Preaching at Athens è un’incisione realizzata da J. Rogers, ispirata all’opera di Raffaello.
Questa acquaforte, pubblicata tra il 1830 e il 1850, fa parte della Scripture Gallery of Engraving ed è un esempio pregevole dell’arte incisoria dell’epoca.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent state of preservation, with editorial frame and vignettes

Paulus Potter, Il Toro, 1650, XIX secolo

60,00 

Il Toro è un’incisione realizzata da Amand Durand nel 1831, che riproduce l’opera originale di Paulus Potter del 1650.
Questo capolavoro rappresenta un toro, un soggetto tipico della pittura di Potter, noto per la sua abilità nel ritrarre animali e paesaggi.

  • Sheet size: cm. 28×19 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Pavia, 1834 Charterhouse

30,00 

Pavia, 1834 Charterhouse It is an engraving made with the technique of burin su acciaio, datata 1834.
This work comes from the volume Italy picturesque tableau historique and description of Italy… di M. De Norvins e C. Nodiers, pubblicato a Parigi.

  • Sheet size: mm. 170×117 più margini
  • Condition: Good condition
  • Support: Lightweight paper, white back

The press offers a beautiful animated view della cattedrale di Pavia, caratterizzata da una nitidezza e decoratività notevoli.

Pavia, 1865, Charterhouse

15,00 

Pavia, 1865, Charterhouse è una xilografia che rappresenta la storica città di Pavia.
This piece is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 140×230
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print was cut from the book and has writing on the back.

Pavia, 1865, Charterhouse

15,00 

Pavia, 1865, Charterhouse it is a woodcut representing the historic Certosa di Pavia.
This piece is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, a work illustrated with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 240×130
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Pavia, 1877, Charterhouse

35,00 

Pavia, 1877, Charterhouse è un’incisione xilografica tratta dall’opera Italy by J. Gourdault.
Questa veduta fine e animata rappresenta la celebre Certosa di Pavia, un importante monumento storico.

  • Sheet size: mm. 260×175 approx.
  • Support: Medium paper
  • Condition: Excellent
  • Margins: Wide

Pavia, Castle, 1890

20,00 

Pavia, Castle, 1890 it's a woodblock print from the late nineteenth century, which represents an important historical testimony of the city of Pavia.
This work is characterized by a small-sized image, perfect for collectors and enthusiasts of ancient art.

  • Sheet size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Pavia, Certosa (interior), 1834

25,00 

Pavia, Certosa (interno) It is a steel engraving made between 1834 and 1837.
This work is taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe… by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 18×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Questa veduta offre un’immagine animata e decorativa della Certosa di Pavia.

Pavia, Charterhouse, 1834-1837

25,00 

Pavia, Certosa It is a steel engraving made between 1834 and 1837.
This work is taken from the volume Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 18×10 approx.
  • Support: Light paper
  • Condition: Excellent

Questa veduta è caratterizzata da un’animazione decorativa che la rende un pezzo affascinante per collezionisti e appassionati di arte.

Pavia, Charterhouse, 1838

20,00 

Pavia, Charterhouse, 1838 It is a lithograph that offers a general view of the famous Certosa located near Pavia.
Made by G. Mariani and published in the volume Picturesque Polyorama in Naples in 1838, this work measures approximately 214×148 mm.

  • Sheet size: mm. 214×148
  • Support: Paper
  • Condition: Excellent
  • Margins: Almost absent

The lithograph features writing on the back and stands out for its beauty, lively and decorative.

Pavia, Certosa Church, 1890

20,00 

Pavia, Chiesa della Certosa It is a woodcut made in 1890 by E. Bondier, un disegnatore ed illustratore francese attivo a Parigi nell’ultima parte del XIX secolo.
Questa opera, tratta da un libro francese di fine ‘800, presenta una bella rappresentazione della chiesa, animata e ricca di dettagli.

  • Sheet size: cm. 10×15 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Pavia, University Courtyard, 1890

20,00 

Pavia, University Courtyard It is a woodcut print made in 1890, which captures the essence of the courtyard of the University of Pavia.
This work is based on a late nineteenth-century Italian text and features a small-sized image, perfect for history and art lovers.

  • Sheet size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Pavia, The Charterhouse, 1871

20,00 

Pavia, La Certosa It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi.
Questa stampa rappresenta un’importante veduta della Certosa di Pavia, un capolavoro dell’architettura rinascimentale.

  • Sheet size: cm. 16×23 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Light paper
  • Condition: Excellent condition

Pavia, Panorama, 1850

40,00 

Pavia, Panorama è un’incisione realizzata nel 1850, che offre una splendida veduta della città di Pavia.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32
  • Engraving size: cm. 13×18
  • Support: Strong paper
  • Condition: Excellent

Questa incisione si presenta in condizioni perfette, con un retro bianco, e offre una rappresentazione nitida ed animata della città.

Pavia, Bridge over the Ticino to the West, 1890

20,00 

Pavia, Bridge over the Ticino to the West it's a woodblock print built in 1890, which represents a fascinating glimpse of the city of Pavia.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 24 x 12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Support: Paper
  • Condition: Excellent

Pavia, St. Peter in the Golden Sky, 1865

15,00 

Pavia, St. Peter in the Golden Sky it is a woodcut made in 1865, which represents the facade of the Basilica of St. Peter in Ciel d'oro.
This work is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Sheet size: mm. 140×100
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Pavia, St. Peter in the Golden Sky, 1865

15,00 

Pavia, St. Peter in the Golden Sky è una xilografia realizzata nel 1865, che rappresenta il posteriore della Basilica di S. Pietro in Ciel d’oro.
This work is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Sheet size: mm. 100×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

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