XIX

Showing 25–48 of 6814 results

A Private Turn-Up, Boxing, 1821

20,00 

A Private Turn-Up, Boxing it's a vintage colored lithograph built in 1821.
This fascinating work depicts a boxing match set in a living room, capturing attention for its liveliness and the social context of the time.

  • Sheet size: cm. 14×22 approx.
  • Condition: Not perfect, with cuts at the edges
  • Support: Light paper

A. Van Ostade, Interieur d'un pauvre menage, 1863

20,00 

Interior of a poor household It is a woodcut made by A. Van Ostade in 1863.
This work represents the interior of a poor house and comes from a French book from the mid-nineteenth century.
The print is contained within the book page, with writing around and on the verso, and the entire page will be shipped.

  • Sheet size: cm. 29×19 approx.
  • Printed part dimensions: cm. 14×17 approx.
  • Support: Paper
  • Condition: Excellent

A.Cuyp, Landscape with Cattle, 1830

50,00 

Landscape with cattle It is a colored aquatint made by A. Cuyp in 1830.
This work is from the Dulwich Gallery and was executed by Ralph Cockburn, painter and engraver, and the gallery's first keeper.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Thick cardboard
  • Condition: Excellent
  • Origin: Haverhill Public Library (stamp on verso)

This rare and decorative work is one of the paintings in the Dulwich Picture Gallery.

A.Cuyp, Landscape with Cattle, 1830

50,00 

Landscape with cattle It is an engraving made by A. Cuyp in 1830, which represents a fascinating landscape with cattle.
This work is a colored aquatint, mounted on a thick cardboard support, and is taken from the Dulwich Gallery by R. Cockburn, first keeper of the gallery.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Cardboard
  • Condition: Excellent

The reverse bears the stamp of the Haverhill Public Library. This is a rare and decorative work, beautifully executed and taken from one of the pictures in the Dulwich Picture Gallery.

A.Vandervelde, Landscape with Oxen, 1830

50,00 

Paesaggio con buoi è un’incisione realizzata da A. Vandervelde nel 1830.
Questa opera è un’acquatinta colorata che misura cm. 13×18, montata su un supporto in cartoncino spesso di dimensioni cm. 21×27 circa.
Taken from Dulwich Gallery di R. Cockburn, presenta al verso il timbro della Haverhill Public Library.
Si tratta di una splendida esecuzione ispirata a uno dei quadri presenti nella Dulwich Picture Gallery, realizzata da Ralph Cockburn, pittore ed incisore nonché primo custode della Galleria.
A rare and decorative work that enriches any collection.

A.Vandervelde, Landscape, 1830

50,00 

Landscape It is an engraving made by A. Vandervelde in 1830, executed in colored aquatint.
This work, of splendid execution, is taken from one of the paintings present in the Dulwich Picture Gallery and created by Ralph Cockburn, painter and engraver as well as the gallery's first keeper.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Thick cardboard
  • Condition: Excellent

Rare and decorative work, on the back it bears the stamp of the Haverhill Public Library.

Abano presso Padova, 1843

20,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 10×15 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Abbot, 1885

20,00 

Abatino è una xilografia realizzata nel 1885, tratta dall’opera Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers.
This engraving measures cm. 13×9 e presenta piccoli margini, con retro stampato.

  • Condition: Excellent condition
  • Support: Paper
  • Dimensions: Small

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Abbiategrasso, the Castle, 1890

20,00 

Abbiategrasso, the Castle it is a woodcut print made in 1890, which represents a view of the ancient Abbiategrasso Castle, located in the province of Milan.
This work is characterized by an image measuring approximately 9×12 cm, surrounded by text, with additional annotations on the back of the sheet. The complete sheet measures 30×20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Fir, Chromolithograph, 1867

25,00 

Fir it's a chromolithography made in 1867, representing theAbies Nordmanniana.
This beautiful print, taken from Neerland's Plantentuin, Groningen, it is very decorative and comes in excellent condition.

  • Sheet size: cm. 26×17
  • Support: Thick paper, white back

Moorlanders, 1850

20,00 

Inhabitants of the moors It is a lithograph from 1850 which represents figures on stilts, evoking the atmosphere of the moors.
This work is made on thick paper and glued to another paper support, making it an interesting piece for collectors and art enthusiasts.

  • Sheet size: cm. 27×18 approx.
  • Era: 19th century
  • Technique: Lithography
  • Condition: Good
  • Support: Paper

Abraham Casting Out Hagar, 1839

15,00 

Abraham Casting Out Hagar It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print illustrates a significant moment in Genesis, in which Abraham is forced to send away Hagar and her son Ishmael because of Sarah's jealousy.

  • Sheet size: cm. 9×13 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: Almost no margins, the print is contained within the book page with writing on the back.

Abraham and Hagar, Adr. v d. Werff, 1840-50

20,00 

Abraham and Hagar It is an etching made by Adr. v d. Werff between 1840 and 1850.
This work represents a biblical scene with careful attention to detail and a harmonious composition.
Published in the Royal Dresden Gallery by A.H. Payne and W. French, this print is a significant example of the engraving art of the period.

  • Sheet size: cm. 21×27 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Strong paper

Abraham Visited by Angels, 1838

20,00 

Abraham Visited by Angels it's a lithographic printing created in 1838 by Alessandro Veronese.
This work represents the biblical moment in which Abraham receives the visit of the angels in the valley of Mambre.

  • Sheet size: cm. 10×13 approx.
  • Support: Paper
  • Condition: Excellent

The print comes from the periodical work Picturesque Polyorama, published in Naples by the Poliorama Pittoresco printing and lithography shop, under the direction of Filippo Cirelli.
This periodical, active from 1836 to 1860, aimed to spread useful knowledge to all social classes, dealing with topics of science, technology, art and biographies.

Abruzzo, Young Peasant, 1877

20,00 

Abruzzo, Young Farmer It is a woodcut made by Ferdinand Keller in 1877.
This work is part of the volume L'Italy illustrée de 450 engravures sur wood, edited by Gourdault Jules and published in Paris by Hachette.

  • Sheet size: mm. 140×180
  • Support: Light paper
  • Condition: Good condition, with almost no margins and writing on the back

Abruzzo, Young Girl, 1877

20,00 

Abruzzo, Giovane Ragazza è una xilografia realizzata nel 1877 da Ferdinand Keller, un noto pittore tedesco.
This work is part of the volume L'Italy illustrée de 450 engravures sur wood, pubblicato a Parigi da Hachette.

  • Sheet size: mm. 140×180
  • Support: Light paper
  • Condition: Good condition, with almost no margins and writing on the back

Grapevine Mites, 1887

30,00 

Acari della Vite it's a beautiful one chromolithography realizzata nel 1887, tratta dalla Horticultural Review of Paris.
Questa opera presenta un’illustrazione decorativa degli acari della vite, con un retro bianco e una misura del foglio di cm. 25×16.

  • Sheet size: cm. 25×16
  • Technique: Chromolithography
  • Condition: Excellent
  • Support: Thick paper

Norman Hairstyles, 1850

20,00 

Acconciature Normanne It is a lithograph made in 1850, che rappresenta le eleganti acconciature tipiche dell’epoca normanna.
Questa opera è un esempio significativo della moda del XIX secolo, incollata su un altro supporto cartaceo per garantire la sua conservazione.

  • Sheet size: cm. 21×15 approx.
  • Technique: Lithography
  • Condition: Good
  • Support: Thick paper

Acerra, The Castle, 1844

20,00 

Acerra, The Castle it's a lithographic printing made in 1844, which offers a suggestive view of Acerra from the Castle side.
This work is taken from the volume Picturesque Polyorama, an important 19th-century publication aimed at spreading useful knowledge throughout all classes of society.

  • Sheet size: cm. 15x9 approx.
  • Condition: Excellent
  • Support: Paper
  • Notes: Almost no margins, cut from the book with writing on the back, shipped complete with passepartout.

This beautiful view is a fascinating piece of the history of the Kingdom of the Two Sicilies.

Acerra, Naples, 1841

30,00 

Acerra, Naples, 1841 è un’incisione in rame che offre una bella veduta della città di Acerra.
This work is taken from Memorie della Storia d’Italia considerata nei suoi Monumenti, raccolte e scritte da Giuseppe Checchetelli, edita da Domenico Parente nel 1841 a Roma.

  • Sheet size: mm. 270×190
  • Engraving size: mm. 180×120
  • Technique: Burin
  • Support: Medium paper, white back
  • Condition: Excellent

Achille Vianelli, Sulphurous Water, 1830

120,00 

Acqua Solfurea è un’acquatinta acquarellata realizzata da Achille Vianelli nel 1830.
This work is taken from Scene popolari di Napoli, con tavole incise all’acquatinta da Witting, basate sui disegni di Vianelli. La coloritura è coeva e presenta una scena vivace con molti personaggi che sorseggiano l’acqua sulfurea da una fontana situata in via Chiatamone a Napoli, con il classico Vesuvio fumante sullo sfondo.

  • Sheet size: cm. 18×21
  • Engraving size: cm. 10×12
  • Support: Cardboard
  • Condition: Excellent

Achille Vianelli, Canta Storie, 1830

120,00 

Canta Storie è un’acquatinta acquarellata realizzata nel 1830 da Achille Vianelli, tratta da Scene popolari di Napoli.
Questa opera presenta una scena vivace in cui molti personaggi ascoltano con interesse il cantastorie Rinaldo, seduti al molo di Napoli, con il classico Vesuvio fumante sullo sfondo.

  • Sheet size: cm. 18×21
  • Engraving size: cm. 10×12
  • Support: Cardboard
  • Condition: Excellent

Neapolitan Water Carrier, 1875

20,00 

Acquaiolo Napoletano è un’incisione realizzata nel 1875 da Francois Ferogio, a well-known French painter and engraver.
This woodcut is taken from the work Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers in 1885.

  • Engraving size: cm. 16×12 approx.
  • Condition: Excellent state of preservation
  • Support: Paper with printed back
  • Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Water carrier, 1835

30,00 

Water carrier It is an engraving made in 1835 by C. Vogel and engraved by Gautier.
This work, performed with the technique of burin, represents a lively scene of a Neapolitan water-carrier's stall.
It is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 120×164 approx.
  • Support: Medium paper
  • Condition: Perfect state of preservation

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