XIX

Showing 4801–4824 of 6812 results

Pistoia, San Giovanni, 1834-1837

25,00 

Pistoia, San Giovanni It is a steel engraving made between 1834 and 1837.
This work comes from the volume Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 18×10 approx.
  • Support: Light paper
  • Condition: Excellent

Questa veduta è caratterizzata da un’animazione decorativa che la rende un pezzo affascinante per collezionisti e appassionati di arte.

Pistoia, View of the Apennines, 1877

30,00 

Pistoia, Veduta dell’Appennino It is a woodcut made in 1877, che offre una rappresentazione animata e nitida del paesaggio appenninico.
Questa opera si distingue per il suo contrasto e la qualità dei dettagli, rendendola un pezzo affascinante per gli amanti dell’arte e della natura.

  • Sheet size: mm. 260×360
  • Engraving size: mm. 185×250
  • Support: Medium paper
  • Condition: Excellent state of preservation

Pistolesi, Theater of Nouveatés, 1850

25,00 

Nouveaute's Theatre it is an etching made by Saverio Pistolesi in 1850.
This work is part of the album Picturesque album designed and engraved by Saverio Pistolesi, dedicated to Vittorio Emanuele II, King of Sardinia.

  • Sheet size: cm. 35×26
  • Engraving size: cm. 10×7
  • Technique: Etching
  • Support: Cardboard
  • Condition: Excellent

Pitagora, 1883

20,00 

Pitagora It is a woodcut engraving made in 1883, taken from the volume Cent Tableaux de Science Pittoresque, published by Albert-Levy, Hacette et C., in Paris.
Questa stampa misura cm. 11×16, esclusi i margini, ed è stampata su un foglio leggero con retro stampato.

  • Sheet size: cm. 11×16 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Pitture greche e romane, 1850

20,00 

Pitture greche e romane è un’incisione al bulino su rame realizzata nel 1850, tratta dal volume Bilder-Atlas, published in Leipzig by FA Brockhaus.
Questa opera presenta una serie di pitture di origine greca e romana, accompagnate da didascalie in tedesco.

  • Sheet size: mm. 300×220
  • Support: Lightweight paper, white back
  • Condition: Excellent condition

Pitture greche, romane, pompeiane, 1850

20,00 

Pitture greche, romane, pompeiane è un’incisione al bulino su rame realizzata nel 1850, che presenta una serie di affascinanti pitture ispirate all’arte classica.
This work is taken from the Bilder-Atlas, published in Leipzig by FA Brockhaus.

  • Sheet size: mm. 300×220
  • Support: Lightweight paper, white back
  • Condition: Excellent condition

Più felice di un re, 1850

20,00 

Più felice di un re è un’incisione realizzata nel 1850, che cattura l’essenza della gioia e della regalità.
The work, entitled Plus heureux que un roi!, è eseguita con la tecnica dell’Etching and of the Burin on medium thickness paper.

  • Engraving size: cm. 13×10 più margini
  • Condition: Excellent condition
  • Support: Paper

Plesiosauro, animali leggendari, 1843

20,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 11×15 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Plutarch, 1857

30,00 

Plutarco è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Iconoteca Italiana – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
Questa opera misura la battuta cm. 14×18 su un foglio di cm. 23×32, realizzata su strong paper with white back.
Presenta alcune leggere macchie di ruggine ai bordi, che non interessano l’incisione.

  • Era: XIX
  • Technique: Etching
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Plutarco, nato a Cheronea nel 46/48 d.C. e morto a Delfi nel 127 d.C., è stato un importante scrittore e filosofo dell’Impero Romano, noto per i suoi contributi alla letteratura e alla filosofia.

Poggio a Cajano, Prato, 1826

30,00 

Poggio a Cajano, Prato It is an engraving made by Anthony Verico in 1826.
This work is an etching on copper, from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Poiana, Desert Buzzard, 1875

25,00 

Poiana, Desert Buzzard è una litografia acquarellata d’epoca, realizzata nel 1875 e tratta dall’opera A HISTORY OF BIRDS OF EUROPE di Charles Robert Bree, pubblicata a Londra.
Questa affascinante stampa rappresenta un rapace in un contesto naturale, evidenziando la bellezza della fauna avicola europea.

  • Sheet size: cm. 16×25 approx.
  • Engraving size: cm. 14×22 approx.
  • Support: Strong paper with white back
  • Condition: Excellent condition

Poiana, Long-Legged Buzzard, 1875

25,00 

Poiana, Long-Legged Buzzard It is a vintage watercolour lithograph, made in 1875 and taken from A HISTORY OF BIRDS OF EUROPE by Charles Robert Bree.
Questa opera, pubblicata a Londra, presenta un’illustrazione dettagliata di un rapace, evidenziando la bellezza della fauna avicola europea.

  • Sheet size: cm. 16×25 approx.
  • Support: Strong paper with white back
  • Condition: Excellent condition

Polcevera, 1889

25,00 

Polcevera, 1889 it is a woodcut representing the grape harvest in the Polcevera region.
This work is taken from the Italian illustration, published by the Treves Brothers in Milan in 1889.

  • Sheet size: mm. 210×310
  • Engraving size: almost no margins
  • Technique: Woodcut on end grain wood
  • Condition: Good, with writing on the back
  • Support: Paper

Polla, Salerno, 1860

15,00 

Polla, Salerno, 1860 è un’incisione xilografica su legno di tesa, realizzata nel 1860.
Questa opera presenta una didascalia in tedesco gotico ed è stata tratta da un libro tedesco.

  • Sheet size: mm. 240×190
  • Margins: almost absent
  • Condition: Excellent condition
  • Support: Light sheet, cut from the book with writing on the back

Polli attaccati da rapaci, M.Hondekoeter, 1840-50

20,00 

Polli attaccati da rapaci è un’incisione realizzata da M. Hondekoeter tra il 1840 e il 1850.
Questa opera, che rappresenta un drammatico incontro tra polli e rapaci, è stata pubblicata nella Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 21×27 approx.
  • Technique: Etching
  • Support: Strong paper
  • Condition: Excellent state of preservation

Pollivendolo, Gabr. Metsu, 1840-50

20,00 

Pollivendolo è un’incisione realizzata da Gabr. Metsu tra il 1840 e il 1850.
Questa opera, conosciuta come The Poulterer, è un’acquaforte su carta forte, pubblicata in Payne's Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent

Polonia, C.F. Delamarche, 1816

70,00 

Polonia, C.F. Delamarche, 1816 è una mappa dettagliata della Polonia, che illustra i suoi dipartimenti.
This copper engraving is colored around the outline and is taken from the volume Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicato alla gioventù e pubblicato a Parigi da Delamarche nel 1816.

  • Sheet size: cm. 21×27 approx.
  • Support: Paper
  • Condition: Good condition, with some peeling and a central editorial crease

Pompeii, 1819

25,00 

Pompeii, 1819 It is an engraving made by TO THE CASTELLAN using the etching technique.
This work, which measures 105x140 mm, is taken from the volume Letters on Italy, published in Paris by A. Nepveu in 1819.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter, writer and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing to illustrated books such as View of Italy And View of the Alps.

Pompeii, 1834

25,00 

Pompeii, 1834 It is a steel engraving representing an important work of the 19th century.
This engraving is taken from Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich, published in Frankfurt am Main in 1834.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms on the white back

Pompeii, 1835

30,00 

Pompeii, 1835 It is an engraving made by Coach del. Monthellier, executed with the technique of burin on copper.
This work, part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot senior, is dated between 1835 and 1837.

  • Sheet size: mm. 177 x 128
  • Condition: Good margins, perfect condition
  • Support: Heavy paper, white back

Pompeii, 1835

30,00 

Pompeii, 1835 It is an engraving made by Vogel, which represents the City gate of Pompeii on the side of Herculaneum.
This work is a burin on copper sized 168×110 mm, with margins, and comes from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 16.8×11 approx.
  • Engraving size: cm. 16.8×11 approx.
  • Support: Medium paper
  • Condition: Excellent

Pompeii, 1835

20,00 

Pompeii, 1835 It is a burin engraving on steel that represents an important historical testimony.
This work is taken from L'Univers, histoire et description de tous les peuples by M. Le Chevalier Artaud.

  • Sheet size: mm 132 x 95
  • Support: Steel
  • Condition: Good margins, white back

Pompeii, 1840

30,00 

Pompeii, 1840 It is a steel engraving that captures the essence of the historic city of Pompeii.
Made in 1840 and published in the volume Picturesque Italy from the publisher Ernst Kollmann of Leipzig, this work is an example of high quality engraving art.

  • Sheet size: 14 x 23 cm approx.
  • Engraving size: 10.2 x 15.5 cm approx.
  • Support: Paper
  • Condition: Excellent general condition

Pompeii, Amphitheatre, 1830

40,00 

Pompeii, Amphitheatre It is a watercolour aquatint made by JW Huber in 1830, belonging to the first half of the 19th century.
This work is part of the publication Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich by Huber and Henry Fuessli.

  • Sheet size: cm. 9×12 (image) + 2 cm (margins)
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

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