XIX

Showing 529–552 of 6812 results

Bartolomeo Pinelli, Orlando Furioso, 1829

40,00 

Orlando Furious It is an engraving made by Bartholomew Pinelli in 1829, a work that reflects the artist's mastery in illustrating the great masterpieces of literature.
This engraving, made in etching on copper, features a full flap immersed in a murky wave, demonstrating his technical skill and distinctive style.

  • Sheet size: mm. 180×220 at the edge, plus margins
  • Support: Light paper
  • Condition: Good condition, with a small restored hole on the top left

Bartolomeo Pinelli, born in Rome in 1781, was an engraver, painter and ceramist of great importance, known for his vast artistic production which includes around four thousand engravings.
His works illustrate the customs of the Italian peoples and the masterpieces of literature, with a particular focus on Rome and its history.

Bartolomeo Pinelli, Shepherd and Peasant, 1834

90,00 

Pastore e Contadina It is an engraving made by Bartholomew Pinelli nel 1834, che rappresenta un affascinante soggetto della Campagna di Roma.
This work is part of the series Picturesque groups modelled in terracotta by Bartolomeo Pinelli and etched by himself, published in Rome in the same year.

  • Sheet size: cm. 30×22 approx.
  • Engraving size: cm. 30×22 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

Bartholomew Pinelli (1781-1835) è stato un incisore, pittore e ceramista italiano, noto per la sua vasta produzione artistica.
He illustrated the customs of the Italian peoples and the great masterpieces of literature, with a particular focus on Rome and its history.

Bartolomeo Pinelli, Brawl, 1834

90,00 

Rissa – Costumi di Roma

  • Artist: Bartholomew Pinelli
  • Anno: 1834
  • Technique: Watercolor etching
  • Serie: Picturesque groups modelled in terracotta by Bartolomeo Pinelli and etched by himself
  • Place of publication: Roma, 1834

Dimensions:

  • Foglio: 32 x 22 cm circa
  • Incisione: 21 x 16 cm circa
  • Support: Medium thickness paper

Description:
Questa affascinante incisione all’acquaforte acquarellata raffigura una scena di rissa tipica dei costumi romani dell’epoca, con una composizione dinamica e coinvolgente. Al centro dell’opera, un giovane stringe un sasso in mano, pronto a scagliarlo, mentre una donna cerca di trattenerlo, nel tentativo di impedirgli di scatenare la lite.

La scena è resa ancora più vibrante dalla colorazione manuale, con toni caldi e accesi tipici della tavolozza di Pinelli, che donano profondità ed espressività ai protagonisti.

Interesse collezionistico:
Un esempio magnifico del talento di Bartholomew Pinelli, noto per le sue rappresentazioni dettagliate e vivaci della vita popolare romana. Quest’opera, in perfetto stato di conservazione, è una testimonianza iconografica preziosa dei costumi del tempo, ideale per collezionisti di arte popolare italiana, amanti delle incisioni acquarellate e studiosi dell’opera di Pinelli.

Bartolomeo Pinelli, Sonninesi at rest, 1834

90,00 

Sonninesi at rest It is an engraving made by Bartholomew Pinelli in 1834.
This work, signed on the plate, is part of the series Picturesque groups modelled in terracotta by Bartolomeo Pinelli and etched by himself, published in Rome in 1834.

  • Sheet size: cm. 32×22 approx.
  • Engraving size: cm. 21×16 approx.
  • Technique: Watercolor etching
  • Support: Heavy paper
  • Condition: Excellent state of preservation

Bartolomeo Pinelli, known for his prolific artistic production, illustrated the costumes of the Italian people and great masterpieces of literature, paying homage to the history and culture of Rome.

Bartolomeo Pinelli, The Wind Blows, 1815

60,00 

Tira Vento It is an etching made by Bartholomew Pinelli in 1815.
This work is part of the New Collection of Fifty Picturesque Costumes, un’importante collezione di incisioni che documentano i costumi e la vita quotidiana dell’epoca.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

L’incisione è datata e firmata in lastra con la dicitura ‘Pinelli fecit 1815 Roma’.
Bartolomeo Pinelli, noto per la sua vasta produzione artistica, ha saputo catturare l’essenza di Roma e dei suoi abitanti attraverso le sue opere.

Bartolomeo Pinelli, Travelling Tivoli, 1834

90,00 

Tivolesi in Viaggio è un’incisione all’acquaforte acquarellata realizzata da Bartholomew Pinelli in 1834.
This work is part of the volume Picturesque groups modelled in terracotta by Bartolomeo Pinelli and etched by himself, pubblicato a Roma nello stesso anno.

  • Sheet size: cm. 32×22 approx.
  • Engraving size: cm. 21×16 approx.
  • Support: Heavy paper
  • Condition: Perfect state of preservation

Bartolomeo Pinelli (1781-1835) è un noto incisore, pittore e ceramista italiano, celebre per la sua capacità di catturare i costumi e le tradizioni dei popoli italiani.
La sua opera include circa quattromila incisioni e diecimila disegni, illustrando temi che spaziano dalla letteratura ai monumenti storici di Roma.

Bartolomeo Pinelli, Vagabonds playing cards, 1834

90,00 

Vagabondi che giocano alle carte It is an engraving made by Bartholomew Pinelli nel 1834, un’opera che cattura un momento di convivialità tra i vagabondi.
Questa incisione all’acquaforte è acquarellata e proviene dal volume Picturesque groups modelled in terracotta by Bartolomeo Pinelli and etched by himself, published in Rome in 1834.

  • Sheet size: cm. 32×22 approx.
  • Engraving size: cm. 21×16 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

Bartolomeo Pinelli, noto per la sua prolificità, ha illustrato i costumi dei popoli italiani e i grandi capolavori della letteratura, rendendo omaggio alla storia e alla cultura di Roma.

Bartolomeo Pinelli, Bagpipers, 1834

120,00 

Bagpipers è un’incisione all’acquaforte acquarellata realizzata da Bartholomew Pinelli in 1834.
This work is part of the volume Picturesque groups modelled in terracotta by Bartolomeo Pinelli and etched by himself, pubblicato a Roma nello stesso anno.

  • Sheet size: cm. 32×22 approx.
  • Engraving size: cm. 21×16 approx.
  • Support: Heavy paper
  • Condition: Perfect state of preservation

L’opera rappresenta un bel soggetto che illustra i costumi dei popoli italiani, un tema ricorrente nelle opere di Pinelli.

Bartolomeo Ravenna, 1842

15,00 

Bartolomeo Ravenna è un’incisione in rame realizzata nel 1842, tratta dall’ Picturesque Omnibus, published in Naples.
This work measures approximately 10 x 12 cm and features text both around and on the back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Bartolomeo Ravenna (Gallipoli, 1761 – Gallipoli, 1837) è stato uno scrittore, storico nobile e commerciante italiano.
Viene spedita l’intera pagina del libro che contiene la stampa.

Bartolomeo Stefano Murillo, 1840

15,00 

Bartholomew Stephen Murillo It is a copper engraving made in 1840, taken from thePicturesque Omnibus.
This work measures approximately 10 x 12 cm and features text both around and on the back.

  • Artist: Bartolomé Esteban Pérez Murillo, one of the most important painters of the Spanish Baroque.
  • Condition: Excellent condition.
  • Shipping: The entire book page containing the print will be sent.

Bartolozzi, Elements of Drawing, 1820

850,00 

Elements of Drawing It is a work by Francesco Bartolozzi, created around 1820.
This volume, published in Vienna by Artaria & Comp., is an important collection of drawing studies, containing a frontispiece and 25 copper-engraved plates.

  • Sheet size: mm 229×410
  • Condition: Good condition with fresh and clear plates
  • Support: Rustic cardboard
  • Rarity: Rare specimen, cited in Cicognara 293

Basettino (Bearded Titmouse), 1853

15,00 

Bearded Titmouse It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
This print features a decorative bird, perfect for nature and birdlife lovers.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Basel, Switzerland, 1836

15,00 

Basel, Switzerland, 1836 it's a lithographic printing which represents a view of the city of Basel.
This work is taken from Picturesque Polyorama, a periodical publication designed to disseminate useful knowledge to all social classes.

  • Sheet size: cm. 28×20
  • Printed part dimensions: cm. 10×15
  • Margins: almost absent
  • Support: Paper
  • Condition: Excellent

The print was made in Naples, at the Poliorama Pittoresco printing and lithography shop, under the direction of Filippo Cirelli in 1836.
There is writing around and on the back of the print. The entire page containing the print is sent.

Ambrosian Basilica of San Lorenzo in Florence, 1826

20,00 

Ambrosian Basilica of San Lorenzo in Florence It is an engraving made by Anthony Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Basilica di S. Zeno a Verona, 1843

30,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 12×16 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

La basilica di San Zeno, conosciuta anche con il nome di chiesa di San Zeno Maggiore o chiesa di San Zenone, è un importante luogo di culto cattolico che sorge nel cuore del quartiere di San Zeno a Verona; si tratta di uno dei capolavori dell’architettura medievale.

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Bassano, 1877

15,00 

Bassano, 1877 it's a woodblock print taken from the work Italy by J. Gourdault.
Questa suggestiva veduta presenta dimensioni di mm. 188×114, con margini quasi assenti.
La stampa è stata ritagliata dal libro e presenta scritte sul retro, aggiungendo un tocco di autenticità all’opera.

  • Sheet size: mm. 188×114
  • Support: Paper
  • Condition: Good

Bassano, Brenta, 1890

20,00 

Bassano, Brenta, 1890 it's a woodblock print which represents a view of the city of Bassano and the Ponte di Legno over the Brenta river.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 9x12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Support: Paper
  • Condition: Excellent

Bastia, Corsica, 1850

25,00 

Bastia, Corsica, 1850 è un’incisione realizzata con la tecnica dell’acquaforte, che offre una splendida veduta della città di Bastia.
Questa opera è tratta da un libro della metà del XIX secolo e si presenta in excellent condition.

  • Image size: cm. 12×19 approx.
  • Technique: Etching
  • Support: Light paper

Batalha, India, 1850

25,00 

Batalha, India è un’incisione realizzata nel 1850, eseguita con la tecnica dell’Acquaforte.
Questa opera presenta una misura dell’immagine di cm. 10×15, esclusi i margini, ed è stampata su carta di medio spessore con retro bianco.

  • Era: XIX
  • Technique: Etching
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Battle of Allia, 1860

20,00 

Battle of Allia It is a lithograph made around 1860, which represents the historical capture of Rome by the Gauls after the battle of Allia in 390 BC.
This work, printed by Imp. Lemercier in Paris, is a fascinating example of historical art capturing a crucial moment in Roman history.

  • Sheet size: cm. 26×34 approx.
  • Technique: Two-tone lithograph
  • Support: Medium paper with white back
  • Condition: Excellent

Battle of Austerlitz, 1842

15,00 

Battle of Austerlitz it's a lithographic printing built in 1842, which represents one of the most significant moments in military history.
This work is taken from Picturesque Polyorama, a periodical publication designed to disseminate useful knowledge to all social classes.

  • Sheet size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained within a page of the book, with writing around and on the verso. The entire page containing the print is shipped, thus offering a piece of history to collect.

Battle of Custoza, 1866

20,00 

Battle of Custoza, 1866 It is a woodcut engraving taken from the edition of Picturesque Emporium, published by Sonzogno in Milan in 1866.
This work represents an important historical scene and measures cm. 15x24, with almost no margins. The paper is light and the print was cut from the book, presenting writings on the back, partially visible.
The full-page print is shipped, offering a unique piece for collectors and history buffs.

  • Sheet size: cm. 15×24 approx.
  • Support: Light paper
  • Condition: Good

Battle of Heliopolis, 1841

15,00 

Battle of Heliopolis, 1841 is a lithographic printing which represents a bas-relief of one of the faces of the Strasbourg Monument.
This work is taken from Picturesque Polyorama, a periodical work aimed at spreading useful knowledge to all classes of society.

  • Sheet size: cm. 8x9 approx.
  • Support: Paper
  • Condition: Excellent

The Battle of Heliopolis, or ʿAyn Shams, was a decisive event between the Arab Muslim armies and the Byzantine army for the control of Egypt.
The Byzantine defeat opened the door to the Arab conquest of the Exarchate of Africa, which fell in 698.

Battle of Friedland, 1843

15,00 

Battle of Friedland It is a lithograph from 1843 which represents one of the most significant victories of Napoleon Bonaparte.
This print is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Sheet size: cm. 11×16 approx.
  • Support: Paper
  • Condition: Excellent
  • Era: XIX
  • Technique: Lithography

The Battle of Friedland took place on 14 June 1807 in the present-day Russian territory of Kaliningrad, then known as Königsberg, and saw the French Grande Armée pitted against the Russian army led by General Levin August von Bennigsen.

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