XIX

Showing 145–168 of 1488 results

Champs Elysees, 1835

35,00 

Campi Elisei è un’incisione realizzata nel 1835, eseguita con la tecnica del burin on copper.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 circa
  • Condition: Good state of preservation
  • Support: Medium paper

Elysian Fields from Cape Miseno, Phlegraean Fields, 1841

30,00 

Campi Elisi da Capo Miseno è un’incisione originale realizzata nel 1841, che rappresenta una splendida veduta dei Campi Elisi.
Questa opera è stata creata da William Leitch e Henry Bartlett per il corredo grafico dell’opera di George Newenham Wright, The Rhine, Italy, and Greece, pubblicata a Londra dalla casa editrice Fisher, Son & Co.

  • Sheet size: mm. 260×192
  • Engraving size: mm. 192×123
  • Technique: Burin
  • Support: Thick paper with white backing
  • Condition: Excellent

Phlegraean Fields, The Elysian Fields, 1839

15,00 

Phlegraean Fields, The Elysian Fields it is a copper engraving made in 1839 by Brienza.
This work comes from the work Picturesque Omnibus, an artistic and literary encyclopedia with copper-engraved figures, edited by Vincenzo Torelli.

  • Sheet size: cm. 11×8 approx.
  • Support: Paper
  • Condition: Excellent state of preservation
  • Notes: The print has been cut from the book and has writing on the back; it is shipped complete with mat.

This beautiful decorative view is a significant example of the artistic production of the period.

Canivet, Jesus and the Cross, 1850

20,00 

Canivet, Jesus and the Cross It is an engraving made in 1850, representing the sacred theme of Jesus on the Cross.
This delicate piece features rich punched lace, which enhances its beauty and refinement.

  • Sheet size: cm. 7×11 approx.
  • Condition: Excellent state of preservation
  • Support: Paper
  • Country of origin: France, Paris
  • Prayer: present on the front and back

Canivet, Jesus, 1879

20,00 

Canivet, Jesus è un’incisione realizzata nel 1879, che rappresenta il soggetto di Gesù.
Pubblicata dalla casa editrice A.W. Sehulgen a Parigi, Francia, questa opera è un esempio di arte sacra del XIX secolo.

  • Sheet size: cm. 8×12 approx.
  • Technique: Burin
  • Condition: Good
  • Support: Paper
  • Prayer: presente in tedesco
  • Notes: angolo inferiore destro ricostruito

Canivet, Jesus, Communion, 19th century

25,00 

Canivet, Jesus, Communion It is an engraving made in 19th century, precisely in 1881.
This fascinating subject represents Jesus during Communion, accompanied by an Angel, and was published by the publishing house R. Pannier in Paris, France.

  • Sheet size: cm. 8×12
  • Support: Paper
  • Condition: Good, with some shortcomings
  • Prayer: Yes

Canivet, Gesù, fine XIX sec.

20,00 

Canivet, Jesus è un’incisione realizzata tra il 1870 e il 1890, che rappresenta Gesù a tavola.
This work is published by the publishing house Josef Muller di Monaco di Baviera, in Germania.

  • Sheet size: cm. 7×12 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Canivet, Madonna

15,00 

Canivet, Madonna è un’incisione del XIX secolo che rappresenta la figura della Madonna.
Questa opera è caratterizzata da un’accurata lavorazione punzonata meccanicamente, che conferisce un aspetto unico e dettagliato all’immagine sacra.

  • Sheet size: cm. 8×4 circa
  • Technique: Burin
  • Condition: Excellent state of preservation
  • Support: Paper

Canivet, Preghiera, 1830-50

15,00 

Canivet, Preghiera è un’incisione realizzata tra il 1830 e il 1850, rappresentante un soggetto di preghiera.
Published by the publishing house CH.Letaille a Parigi, Francia, questo pezzo è un esempio di arte sacra dell’epoca.

  • Sheet size: cm. 6×10 approx.
  • Condition: Excellent state of preservation
  • Support: Paper

Canivet, Preghiera, 1830-50

20,00 

Canivet, Preghiera è un’incisione realizzata tra il 1830 e il 1850, che rappresenta il tema dell’Amore Divino attraverso l’immagine di Gesù in preghiera.
This work is published by the publishing house L.Turgis from Paris, France.

  • Sheet size: cm. 8×12
  • Technique: Burin
  • Condition: Buone, con spellature al verso
  • Support: Paper

Canivet, First Communion, 1890

15,00 

Canivet, First Communion It is an engraving made in 1890, representing The Communion of Mary, a first communion souvenir.
Published by the publishing house Ch. Letaille in Paris, France, this piece is a significant example of religious art of the period.

  • Sheet size: cm. 8×12 approx.
  • Condition: Good, with repair to the edge on the back
  • Support: Paper
  • Prayer included: Yes

Capri, Baths of Tiberius, 1834

20,00 

Capri, Baths of Tiberius It is a burin engraving made in 1834, which offers a nice view of the remains of the ruins of Tiberius from the beach.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodières, published in Paris in 1834.

  • Sheet size: mm. 117×90 approx.
  • Support: Light paper
  • Condition: Excellent
  • Margins: Small and irregular

Capua, 1834

25,00 

Capua, 1834 è un’incisione in acciaio realizzata nel 1834, tratta dal volume Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich.
Questa opera, proveniente da Francoforte sul Meno, presenta un formato elegante e dettagliato, ideale per gli amanti dell’arte antica.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms

Capua, 1856

40,00 

Capua, 1856 it's a very fine burin engraving on steel, made by Rouargue freres.
This work measures cm. 12×17 on a sheet of paper cm. 17×26, printed on heavy paper with white back.
This is a work in perfect condition, taken from the volume Picturesque voyage in southern Italy, by M. Paul De Musset, published in Paris by Morizot editeur.

  • Sheet size: cm. 17×26
  • Engraving size: cm. 12×17
  • Support: Heavy paper
  • Condition: Perfect condition

Capua, Amphitheatre, 1835

20,00 

Capua, Amphitheatre it is an engraving made by D. Bertharux in 1835.
This work represents a lively view of the Roman remains of Capua and is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 110×75
  • Technique: Burin
  • Support: Medium paper
  • Condition: Good state of preservation

Caravaggio, Cristo al Sepolcro, 1838

15,00 

Caravaggio, Cristo al Sepolcro It is a copper engraving made in 1838, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia with copper-engraved figures, edited by Vincenzo Torelli.
Questa incisione misura cm. 11×15, con margini più piccoli, ed è stata ritagliata dal libro. La stampa presenta scritte al retro e verrà spedita con l’intera pagina contenente l’incisione.

  • Era: XIX
  • Technique: Burin
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Carlo Antonio Luigi Conte di Lasalle, 1839

15,00 

Carlo Antonio Luigi Conte di Lasalle It is a copper engraving made in 1839.
This work is taken from Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli, published in Naples by the Omnibus printing house.

  • Sheet size: cm. 14×10 approx.
  • Support: Paper
  • Condition: Excellent

La stampa è contenuta nella pagina del libro e presenta scritte al verso; verrà spedita la pagina intera che contiene la stampa.

Carlo Botta, 1837

20,00 

Carlo Botta, 1837 è un’incisione su rame realizzata nel 1837, tratta dal volume Picturesque Polyorama.
Questa opera presenta un testo sia attorno che al verso, rendendola un interessante esempio di arte e letteratura dell’epoca.

  • Sheet size: cm. 12×18 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Carlo Botta, 1839

15,00 

Carlo Botta, 1839 è un’incisione in rame che rappresenta un’opera significativa dell’epoca.
This engraving is taken from Omnibus Pittoresco, enciclopedia artistica e letteraria, diretta da Vincenzo Torelli, pubblicata a Napoli dalla tipografia dell’Omnibus nel 1839.

  • Sheet size: cm. 12×10 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: Margini quasi assenti e scritte al verso; viene spedita la pagina intera che contiene la stampa.

Carlo Emanuele Boucheron, 1847

16,00 

Carlo Emanuele Boucheron è un’incisione in rame realizzata nel 1847, tratta dal volume Picturesque Omnibus.
Questa opera presenta un’incisione di dimensioni cm. 12×13 circa, con testo presente sia intorno che al verso della stampa.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Carlo Goldoni, 1839

15,00 

Charles Goldoni It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, from the Omnibus printing house in Naples, has almost no margins and contains writing on the verso.
The entire page containing the engraving is shipped, making the work an interesting collector's item.

  • Sheet size: cm. 14×13 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Charles the Bold, 1842

15,00 

Carlo il Temerario è un’incisione su rame realizzata nel 1842, tratta dall’opera Picturesque Omnibus, published in Naples.
Questa incisione rappresenta Carlo il Temerario, noto anche come Charles le Téméraire, un importante figura storica del XV secolo.

  • Size of the joke: cm. 10×13
  • Support: Light paper
  • Condition: Excellent condition
  • Back: Printed

Carlo Le Brun, 1839

15,00 

Carlo Le Brun It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
Questa stampa, di dimensioni contenute, misura cm. 10×8 e presenta margini quasi assenti.

  • Sheet size: Small
  • Engraving size: cm. 10×8
  • Support: Paper
  • Condition: Excellent

The print is contained in the book page and has writing on the back; the entire page containing the engraving will be sent.
Carlo Le Brun, nato a Parigi nel 1619 e morto nel 1690, è stato un rinomato pittore e decoratore francese, noto per i suoi lavori di arredamento e decorazione alla reggia di Versailles nel XVII secolo.

Charles V, 1839

15,00 

Charles V It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This small print measures approximately cm. 10×15 and has almost no margins.

  • Era: XIX
  • Technique: Burin
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

The print is contained in the book page and has writing on the back; the entire page containing the engraving will be sent.
Charles of Habsburg, known as Charles V, was an important ruler, Holy Roman Emperor and King of Spain, among other positions.

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