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XVII
Jacques Callot, Varie Figure, 1611-1621
650,00 €Varie Figure è una serie di incisioni realizzate da Jacques Callot tra il 1611 e il 1621. Questa collezione comprende 14 tavole su un totale di 16, tutte incise in etching on laid paper.
Ogni tavola misura circa cm. 9×9 and it is presented on a sheet of cm. 16×11. Le incisioni mostrano piccole tracce di carta gommata al verso, sul margine superiore, che non influenzano la qualità visiva dell’opera. Due tavole presentano un piccolo strappo riparato con carta al verso, ma nel complesso sono in excellent condition e conservano ampi margini.
- Era: XVII
- Technique: Burin
- Condition: Excellent
- Dimensions: Small
- Support: Paper
Questa selezione di incisioni è di grande valore e raramente si trova sul mercato, rendendola un’importante aggiunta per collezionisti e appassionati di arte.
Jean Le Clerc, Ragazza seduta, XVII secolo
30,00 €Ragazza seduta è un’incisione realizzata da Jean Le Clerc nel XVII secolo.
Questa piccola acquaforte rappresenta una giovane donna seduta sotto un albero, un tema che riflette la delicatezza e la grazia tipiche dell’arte del periodo.
- Sheet size: mm. 77×48
- Engraving size: Piccola
- Support: Laid paper
- Condition: Ottima, con tracce di colla agli angoli sul verso
Jean Le Pautre, Autoritratto, 1650, XIX secolo
30,00 €Autoritratto di Jean Le Pautre è un’incisione realizzata nel 1650, attribuita al noto incisore francese.
Questa opera, che misura cm. 14×10 alla battuta del rame e cm. 28×19 nel foglio, è stata realizzata con la tecnica dell’Etching su carta vergellata senza filigrana.
- Artist: Jean Le Pautre (1618-1682)
- Engraver: Amand Durand (1831-1905)
- Sheet size: cm. 28×19
- Engraving size: cm. 14×10
- Support: Laid paper
- Condition: Excellent
Jean Lepautre (1618-1682). Architectural Ornaments, 1650
40,00 €Architectural ornaments It is an engraving made by Jean Lepautre In the 1650.
This work, which represents a significant example of the architectural art of the 17th century, was engraved on copper and printed on laid paper.
- Sheet size: cm. 19×14 approx.
- Support: Laid paper
- Condition: Excellent
Jean Lepautre (1618-1682). Architectural Ornaments, 1650
40,00 €Architectural ornaments It is an engraving made by Jean Lepautre In the 1650.
Questa opera, che riflette l’abilità dell’artista nel rappresentare dettagli architettonici, è un esempio significativo del suo lavoro nel campo dell’incisione.
- Sheet size: cm. 19×14 approx.
- Technique: Burin
- Support: Laid paper
- Condition: Excellent state of preservation
Jean Lepautre (1618-1682). Architectural Ornaments, 1650
40,00 €Architectural Ornaments It is an engraving made by Jean Lepautre In the 1650.
Questa opera rappresenta un esempio significativo dell’arte barocca, caratterizzata da dettagli elaborati e una ricca decorazione architettonica.
- Sheet size: cm. 19×14 approx.
- Engraving size: con margini irregolari
- Technique: Burin
- Support: Laid paper
- Condition: Excellent
Jean Lepautre (1618-1682). Architectural Ornaments, 1650
40,00 €Architectural Ornaments It is an engraving made by Jean Lepautre In the 1650.
This work, executed on copper, features an elegant and detailed design, typical of the Baroque style of the time.
- Sheet size: cm. 19×14 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Jean Swelinck, 1627
30,00 €Jean Swelinck, 1627 è un’incisione realizzata da Jean Swelinck nel 1627.
Questa opera è un’acquaforte firmata ‘Swelinc fecit’ e proviene dal testo Sinne-en minnebeelden di Jacob Cats.
- Sheet size: cm. 12,5×12,5 circa
- Support: Paper
- Condition: Excellent
Jean Swelinck, Emblemata, 1627
30,00 €Jean Swelinck, Emblemata è un’incisione realizzata nel 1627 da Jean Swelinck.
This work, signed Swelinc fecit, è un esempio di acquaforte di alta qualità, estratta dal testo Sinne-en minnebeelden di Jacob Cats.
- Sheet size: cm. 12,5×12,5 circa
- Support: Paper with printed back
- Condition: Excellent
Lucas Vorsterman, Canis in the Archipelago, 1670
80,00 €Canis in the Archipelago It is an engraving made by Lucas Vorsterman in 1670, in collaboration with Jan Peeters the Elder.
This work, published in Antwerp by Jacob Peeters, is an etching on laid paper, signed lower left by Peeters and on the right by Vorsterman.
- Sheet size: cm. 24×11 approx.
- Technique: Etching
- Condition: Excellent
- Support: Laid paper
Lucas Vorsterman, a Flemish engraver of the Baroque period, worked for illustrious artists such as Peter Paul Rubens and Anthony van Dyck, contributing significant works of his time.
M. Demasso, Mappa della Germania, 1700
80,00 €Map of Germany è un’incisione realizzata da M. Demasso nel 1700, intitolata L’Alemagne avec ses confins et ses dependances.
Questa mappa è colorata all’acquarello e presenta dettagli accurati sui confini e le dipendenze della Germania dell’epoca.
- Sheet size: cm. 16×23 approx.
- Map dimensions: cm. 14×18 approx.
- Support: Paper
- Condition: Excellent
Map of Ancona, Scotus, 1659
90,00 €Map of Ancona it is a copper engraving made in 1659 by Francesco Scoto.
This map is part of the work Itinerary of Italy, published in Padua by Matteo Cadorino.
- Sheet size: cm. 16×20 approx.
- Engraving size: cm. 12×17 approx.
- Support: Light laid paper
- Condition: Excellent state of preservation
- Fold: Editorial fold
Map of Ferrara, Scotus, 1659
120,00 €Mappa di Ferrara it is a watercolour copper engraving made by Francesco Scoto in 1659.
This map is part of the work Itinerary of Italy, published in Padua by Matteo Cadorino.
- Sheet size: cm. 16×20 approx.
- Engraving size: cm. 12×17 approx.
- Support: Light laid paper
- Condition: Excellent state of preservation
- Fold: Editorale
Map of Lucca, Scotus, 1659
90,00 €Map of Lucca it is a copper engraving made by Francesco Scoto in 1659.
This map is part of the work Itinerary of Italy, published in Padua by Matteo Cadorino.
- Sheet size: cm. 16×20 approx.
- Engraving size: cm. 12×17 approx.
- Support: Light laid paper
- Condition: Excellent condition
Map of Mantua, Scoto, 1659
120,00 €Map of Mantua It is a watercolour copper engraving made in 1659 by Francis Scotus.
This map is part of the work Itinerary of Italy, published in Padua by Matteo Cadorino.
- Sheet size: cm. 16×20 approx.
- Engraving size: cm. 12×17 approx.
- Support: Light laid paper
- Condition: Excellent condition
Map of Parma, Scotus, 1659
90,00 €Map of Parma it is a copper engraving made by Francesco Scoto in 1659.
This map is part of the work Itinerary of Italy, published in Padua by Matteo Cadorino.
- Sheet size: cm. 16×20 approx.
- Engraving size: cm. 12×17 approx.
- Support: Light laid paper
- Condition: Excellent condition
Map of Pozzuoli, Scotus, 1659
Map of Pozzuoli it is a watercolour copper engraving made by Francesco Scoto in 1659.
This map is part of the work Itinerary of Italy, published in Padua by Matteo Cadorino.
- Sheet size: cm. 16×20 approx.
- Engraving size: cm. 12×17 approx.
- Support: Light laid paper
- Condition: Excellent condition
- Characteristic: Editorial fold
Matthieu Ogier, Map of the Russian States, Moscow, 1700
40,00 €Map of Russian states It is an engraving made by Matthieu Ogier in 1700.
This map, titled The Empire of Moscow, is colored in watercolour and represents a precious cartographic testimony of the time.
- Sheet size: cm. 16×23 approx.
- Map dimensions: cm. 14×18 approx.
- Technique: Burin
- Condition: Excellent
- Support: Paper
Matthieu Ogier, Map of the Netherlands, Holland, 1700
50,00 €Matthieu Ogier, Map of the Netherlands It is an engraving made in 1700, representing the seventeen provinces of the Netherlands.
This map was engraved by Matthieu Ogier and hand-colored in watercolor, making it a unique and fascinating piece.
- Sheet size: cm. 16×23 approx.
- Map dimensions: cm. 14×18 approx.
- Support: Paper
- Condition: Excellent
Meisner, Castelnovo di Porto, 1678
60,00 €Meisner, Castelnovo di Porto, 1678 è una veduta tratta dall’edizione del 1678 della celebre Sciagraphia Cosmica.
Questa incisione in rame presenta margini e si trova in perfetto stato di conservazione.
- Sheet size: cm. 13×19 approx.
- Engraving size: cm. 10×15 approx.
- Support: Laid paper without watermark
- Condition: Excellent state of preservation
Moncornet B., Louis de Bourbon, ca. 1640.
40,00 €Louis de Bourbon, Premier Prince du Sang è un’incisione realizzata da Balthasar Moncornet intorno al 1640.
Questa opera è un esempio pregiato della maestria di Moncornet, noto per le sue raffigurazioni di figure di spicco del XVII secolo.
- Sheet size: cm. 21×16 approx.
- Engraving size: cm. 16×12 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
N. Berchem (1620-1683), J. de Visscher (1666-1712)
Donna su asino It is an engraving made by Nicolaes Berchem (1620-1683) e Jan de Visscher (1666-1712).
This etching rappresenta una donna che frusta un asino, un soggetto che riflette la maestria di Berchem nel ritrarre scene pastorali.
- Sheet size: cm. 15×19 approx.
- Support: Medium thickness laid paper without watermark
- Condition: Good state of preservation
- Notes: Margini ricostruiti, foglio con qualche mancanza agli angoli
Napoli, Chiesa di S.Luigi Gonzaga, 1712
25,00 €Napoli, Chiesa di S.Luigi Gonzaga it is an engraving made by P. Mortier in 1712.
This work is an etching on copper, taken from The delights of Italy, edizione tedesca di De Rogissart, pubblicata a Berlino.
- Sheet size: cm. 10×15 approx.
- Engraving size: cm. 7×13 approx.
- Support: Light laid paper
- Condition: Excellent state of preservation
La chiesa di San Luigi Gonzaga è una chiesa monumentale situata nel quartiere Posillipo di Napoli, facilmente raggiungibile tramite una scalinata rupestre adornata da pregevoli pezzi marmorei.
Nicolaes Berchem Animals
Nicolaes Berchem – Animalia è un’acquaforte realizzata da Nicolaes Pietersz Berchem (1620-1683), parte della serie ANIMALIA.
This work is characterized by a delicata rappresentazione di animali, eseguita con maestria attraverso la tecnica dell’acquaforte.
- Sheet size: cm. 12×12
- Support: Laid paper
- Condition: Good
- Notes: Ottima prova senza filigrana, con residui di carta agli angoli superiori e minima spellatura
Berchem, noto per le sue scene pastorali e figure mitologiche, è stato influenzato dai paesaggisti italiani.
Figlio del pittore Pieter Claesz, ha affinato il suo talento sotto la guida di artisti come Jan van Goyen e Claes Cornelisz Moeyaert.
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