Ancient Foreign Masters

Showing 73–96 of 703 results

Cornelis van Poelenburch, Bashan, 1771

30,00 

Cornelis van Poelenburch, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Crispijn van den Queborn Rape of the Vineyard, 1636

25,00 

Rape of the Vineyard It is an engraving made by Crispijn van den Queborn in 1636, which represents a significant biblical episode concerning the rape of the vineyard and the Benjaminites.
Benjamin, Rachel's second son, is at the center of this narrative.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Crispijn van den Queborn (1604-1652), Episodio biblico, 1636

25,00 

Episodio biblico It is an engraving made by Crispijn van den Queborn nel 1636.
Questa opera è un esempio significativo dell’arte olandese del XVII secolo, caratterizzata da un’accurata rappresentazione dei temi religiosi.

  • Sheet size: cm. 20×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Crispijn van den Queborn (1604-1652), Resurrection 1636

30,00 

The Resurrection of the Dead It is an engraving made by Crispijn van den Queborn in 1636.
This work, which represents a theme of great visual and symbolic impact, is a significant example of 17th-century Dutch art.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Crispijn van den Queborn, Massacre of the Innocents, 1636

30,00 

Massacre of the Innocents It is an engraving made by Crispijn van den Queborn In the 1636.
This work is a significant example of the mastery of the Dutch engraver, who was able to capture the intensity of the subject through his technique.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Croco e Smilace (Crocus e Smilax) amanti, Metamorfosi di Ovidio, acquaforte del 1676

30,00 

Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.

Descrizione dell’opera

  • Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux

  • Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)

  • Publisher: De l’Imprimerie Royale, Parigi, 1676

  • Technique: Acquaforte su carta vergellata (testo al verso)

  • Dimensions:

    • Incisione: cm 7,5 × 9 (alla battuta del rame)

    • Foglio: cm 27 × 20

Importanza storica e artistica

L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.

Le incisioni furono realizzate da tre importanti artisti dell’epoca:

  • Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole

  • François Chauveau (1613-1676), celebre illustratore parigino

  • Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV

Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.

Valore collezionistico

L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.

Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.

D.van den Bremden, A.van de Venne, 1636

25,00 

Kaleb and the Philistines è un’incisione realizzata da D.van den Bremden nel 1636, in collaborazione con A.van de Venne.
Questo episodio biblico rappresenta un momento significativo della storia, illustrato con maestria attraverso la tecnica dell’acquaforte.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper with partial watermark
  • Condition: Excellent

D.van den Bremden, A.van de Venne 1636

25,00 

Jacob and Rachel It is an engraving made by D.van den Bremden nel 1636, in collaborazione con A.van de Venne.
Questo episodio biblico rappresenta Giacobbe che si lamenta con Laban per aver ricevuto Lea invece di Rachele come moglie.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

by Adriaen Van Ostade, 1803

40,00 

Tre uomini che bevono e fumano is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 6×7,5 circa
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

40,00 

A mother with her son at the window is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt, Ostade, Cornelius Bega and Van Vliet.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 6×8 approx.
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

40,00 

A mother with her son at the window It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 6×8 approx.
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

40,00 

Man with a pipe It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 10x9 approx.
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

60,00 

Paesani che discutono in un cortile is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 27×20 circa
  • Engraving size: cm. 12×9,5 circa
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

60,00 

Il Suonatore di Flauto e il Ragazzo con il Tamburo It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 10×8 approx.
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

80,00 

Il Padre di Famiglia It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 12×9 approx.
  • Technique: Etching and Burin
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent impression and preservation

by Adriaen Van Ostade, 1803

30,00 

Uomo con una brocca is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by artists such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 7,5×6,5 circa
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

40,00 

Il Violinista Seduto is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, che include anche opere di Rembrandt, Cornelius Bega e Van Vliet.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 10,5×8,5 circa
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

40,00 

Uomini in una taverna It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade, uno dei più celebri pittori olandesi di scene di genere.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by artists such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 7.5×10 approx.
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

40,00 

Il Maestro che Insegna agli Abitanti del Villaggio It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, che include opere di artisti come Rembrandt, Cornelius Bega e Van Vliet.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 12×8 approx.
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

Questa opera rappresenta una scena di genere tipica di Ostade, che ritrae la vita quotidiana dei contadini e degli avventori di taverne.

by Adriaen van Ostade, 1803

40,00 

Tre uomini attorno a un tavolo è un’incisione realizzata da David Deuchar nel 1803, ispirata all’opera di Adriaen van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 8.5×10 approx.
  • Technique: Etching
  • Support: Cardboard
  • Condition: Excellent state of preservation

by Adriaen van Ostade, 1803

40,00 

Conversazione tra un Uomo e una Donna è un’incisione realizzata da David Deuchar nel 1803, ispirata ai maestri olandesi come Adriaen van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, che include anche opere di Rembrandt e Cornelius Bega.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 8.5×10 approx.
  • Technique: Etching
  • Support: Very thin paper glued on straw-colored cardboard
  • Condition: Excellent

by Adriaen van Ostade, 1803

40,00 

Gruppo di contadini che fumano e bevono è un’incisione realizzata da David Deuchar nel 1803, ispirata all’opera di Adriaen van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 11×7,5 circa
  • Support: Very thin paper glued on straw-colored cardboard
  • Condition: Excellent state of preservation

by Adriaen van Ostade, 1803

40,00 

Il Violinista con Due Bambini e Due Adulti è un’incisione realizzata da David Deuchar nel 1803, ispirata alle opere di Adriaen van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which also includes works by Rembrandt, Cornelius Bega and Van Vliet.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 10,5×8,5 circa
  • Technique: Etching
  • Support: Very thin paper glued on straw-colored cardboard
  • Condition: Excellent state of preservation

by Adriaen van Ostade, 1803

50,00 

Uomo con Berretto alla Porta It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, che include anche opere di Rembrandt, Cornelius Bega e Van Vliet.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 9×10 circa
  • Technique: Etching
  • Support: Straw-colored cardboard
  • Condition: Excellent state of preservation

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