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Ancient Foreign Masters
Pair of Caryatids, Anonymous, 18th century
60,00 €Pair of Caryatids it is an anonymous engraving dating back to 18th century.
This work presents two elegant Caryatids, made with the technique ofetching and burin on laid paper, characterised by a partial watermark.
The figures are wrapped in bands on which the words can be read SOFT And CANDOR UNLEASHED.
- Sheet size: cm. 21×15
- Engraving size: cm. 14×10
- Support: Laid paper
- Condition: Excellent condition
Cornelis Galle, Naval Battle, 17th century.
50,00 €Naval Battle It is an engraving made by Cornelis Galle in the 17th century.
This etching on laid paper It measures approximately 85 x 125 mm, excluding the margins, and depicts a lively naval battle scene.
The work is signed lower right with the initials C.Galle, but the attribution between Cornelis Galle the Elder and the Younger remains uncertain.
- Sheet size: mm. 85×125 approx.
- Condition: Good, with small defects on the two lower edges
- Support: Laid paper
Cornelis van Poelenburch, Bashan, 1771
30,00 €Cornelis van Poelenburch, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 14×12 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Cornelis van Poelenburch, Bashan, 1771
30,00 €Cornelis van Poelenburch, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 14×12 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Crispian Queborn and J. Golli (?) Fencing Lessons, large 17th century etching
180,00 €Lezioni di scherma n.4 è una stampa antica risalente al XVII secolo, attribuita a J. Golli (?). L’opera è impreziosita dalla firma dell’incisore Crispian Queborn al centro, accompagnata dall’indicazione “Tabula VII”. Questa acquaforte rappresenta un’importante testimonianza storica e artistica legata al mondo della scherma, rendendola un pezzo di grande interesse per collezionisti e appassionati di discipline marziali tradizionali.
- Era: 17th century
- Technique: Etching
- Dimensions: Large (about 50×70 cm)
- Support: Medium thickness paper with white backing
- Condition: Good state of preservation
Questa stampa si distingue per il suo valore storico e per il fascino del soggetto rappresentato, ideale per arricchire collezioni di opere antiche o tematiche dedicate alla scherma.
Crispijn van den Queborn Rape of the Vineyard, 1636
25,00 €Rape of the Vineyard It is an engraving made by Crispijn van den Queborn in 1636, which represents a significant biblical episode concerning the rape of the vineyard and the Benjaminites.
Benjamin, Rachel's second son, is at the center of this narrative.
- Sheet size: cm. 10×13 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Crispijn van den Queborn (1604-1652) Fencing Lessons, large etching
180,00 €Fencing Lessons #1 is a large etching made by Crispijn van den Queborn in the 17th century, precisely in 1604-1652. The work is part of a series dedicated to the discipline of fencing, which is of great historical and collector interest, especially for martial arts and fencing history enthusiasts. At the center of the print is the artist's signature, Crispian Queborn sculp. Table XXI, which certifies its authenticity and provenance.
- Era: 17th century
- Technique: Etching
- Dimensions: Large (approximately 50x70 cm)
- Support: Medium thickness paper, white back
- Condition: Good condition
Crispijn van den Queborn (1604-1652), Episodio biblico, 1636
25,00 €Episodio biblico It is an engraving made by Crispijn van den Queborn nel 1636.
Questa opera è un esempio significativo dell’arte olandese del XVII secolo, caratterizzata da un’accurata rappresentazione dei temi religiosi.
- Sheet size: cm. 20×14 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Crispijn van den Queborn (1604-1652), Resurrection 1636
30,00 €The Resurrection of the Dead It is an engraving made by Crispijn van den Queborn in 1636.
This work, which represents a theme of great visual and symbolic impact, is a significant example of 17th-century Dutch art.
- Sheet size: cm. 10×13 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Crispijn van den Queborn, Massacre of the Innocents, 1636
30,00 €Massacre of the Innocents It is an engraving made by Crispijn van den Queborn In the 1636.
This work is a significant example of the mastery of the Dutch engraver, who was able to capture the intensity of the subject through his technique.
- Sheet size: cm. 10×13 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Croco e Smilace (Crocus e Smilax) amanti, Metamorfosi di Ovidio, acquaforte del 1676
30,00 €Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.
Descrizione dell’opera
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Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux
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Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)
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Publisher: De l’Imprimerie Royale, Parigi, 1676
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Technique: Acquaforte su carta vergellata (testo al verso)
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Dimensions:
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Incisione: cm 7,5 × 9 (alla battuta del rame)
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Foglio: cm 27 × 20
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Importanza storica e artistica
L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.
Le incisioni furono realizzate da tre importanti artisti dell’epoca:
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Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole
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François Chauveau (1613-1676), celebre illustratore parigino
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Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV
Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.
Valore collezionistico
L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.
Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.
D.van den Bremden, A.van de Venne, 1636
25,00 €Kaleb and the Philistines è un’incisione realizzata da D.van den Bremden nel 1636, in collaborazione con A.van de Venne.
Questo episodio biblico rappresenta un momento significativo della storia, illustrato con maestria attraverso la tecnica dell’acquaforte.
- Sheet size: cm. 10×13 approx.
- Technique: Etching
- Support: Laid paper with partial watermark
- Condition: Excellent
D.van den Bremden, A.van de Venne 1636
25,00 €Jacob and Rachel It is an engraving made by D.van den Bremden nel 1636, in collaborazione con A.van de Venne.
Questo episodio biblico rappresenta Giacobbe che si lamenta con Laban per aver ricevuto Lea invece di Rachele come moglie.
- Sheet size: cm. 10×13 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
by Adriaen Van Ostade, 1803
40,00 €Tre uomini che bevono e fumano is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.
- Sheet size: cm. 15×20 approx.
- Engraving size: cm. 6×7,5 circa
- Technique: Etching
- Support: Very thin paper back-glued on heavy straw-colored paper
- Condition: Excellent
by Adriaen Van Ostade, 1803
40,00 €A mother with her son at the window is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt, Ostade, Cornelius Bega and Van Vliet.
- Sheet size: cm. 15×20 approx.
- Engraving size: cm. 6×8 approx.
- Technique: Etching
- Support: Very thin paper back-glued on heavy straw-colored paper
- Condition: Excellent
by Adriaen Van Ostade, 1803
40,00 €A mother with her son at the window It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.
- Sheet size: cm. 15×20 approx.
- Engraving size: cm. 6×8 approx.
- Technique: Etching
- Support: Very thin paper back-glued on heavy straw-colored paper
- Condition: Excellent
by Adriaen Van Ostade, 1803
40,00 €Man with a pipe It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.
- Sheet size: cm. 15×20 approx.
- Engraving size: cm. 10x9 approx.
- Technique: Etching
- Support: Very thin paper back-glued on heavy straw-colored paper
- Condition: Excellent
by Adriaen Van Ostade, 1803
60,00 €Paesani che discutono in un cortile is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.
- Sheet size: cm. 27×20 circa
- Engraving size: cm. 12×9,5 circa
- Technique: Etching
- Support: Very thin paper back-glued on heavy straw-colored paper
- Condition: Excellent
by Adriaen Van Ostade, 1803
60,00 €Il Suonatore di Flauto e il Ragazzo con il Tamburo It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.
- Sheet size: cm. 20×15 approx.
- Engraving size: cm. 10×8 approx.
- Technique: Etching
- Support: Very thin paper back-glued on heavy straw-colored paper
- Condition: Excellent
by Adriaen Van Ostade, 1803
80,00 €Il Padre di Famiglia It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.
- Sheet size: cm. 20×15 approx.
- Engraving size: cm. 12×9 approx.
- Technique: Etching and Burin
- Support: Very thin paper back-glued on heavy straw-colored paper
- Condition: Excellent impression and preservation
by Adriaen Van Ostade, 1803
30,00 €Uomo con una brocca is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by artists such as Rembrandt and Cornelius Bega.
- Sheet size: cm. 20×15 approx.
- Engraving size: cm. 7,5×6,5 circa
- Technique: Etching
- Support: Very thin paper back-glued on heavy straw-colored paper
- Condition: Excellent
by Adriaen Van Ostade, 1803
40,00 €Il Violinista Seduto is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, che include anche opere di Rembrandt, Cornelius Bega e Van Vliet.
- Sheet size: cm. 20×15 approx.
- Engraving size: cm. 10,5×8,5 circa
- Technique: Etching
- Support: Very thin paper back-glued on heavy straw-colored paper
- Condition: Excellent
by Adriaen Van Ostade, 1803
40,00 €Uomini in una taverna It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade, uno dei più celebri pittori olandesi di scene di genere.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by artists such as Rembrandt and Cornelius Bega.
- Sheet size: cm. 20×15 approx.
- Engraving size: cm. 7.5×10 approx.
- Support: Very thin paper back-glued on heavy straw-colored paper
- Condition: Excellent
by Adriaen Van Ostade, 1803
40,00 €Il Maestro che Insegna agli Abitanti del Villaggio It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, che include opere di artisti come Rembrandt, Cornelius Bega e Van Vliet.
- Sheet size: cm. 20×15 approx.
- Engraving size: cm. 12×8 approx.
- Support: Very thin paper back-glued on heavy straw-colored paper
- Condition: Excellent
Questa opera rappresenta una scena di genere tipica di Ostade, che ritrae la vita quotidiana dei contadini e degli avventori di taverne.
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