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Albrecht Durer, Jesus in the Garden of Olives, woodcut
70,00 €Jesus in the Garden of Olives It is a woodcut made by Albrecht Dürer, a master of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Excellent, with light browning
- Monogram: Present in the plate
Albrecht Durer, The Last Judgement, woodcut
70,00 €Il Giudizio Universale It is a woodcut made by Albrecht Dürer, a master of Renaissance engraving.
Questa opera è una copia anonima ottocentesca dalla serie The Little Passion, datata 1510-1511.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Excellent, with light browning
- Technique: Woodcut
Albrecht Durer, The Little Horse
30,00 €Il Piccolo Cavallo è un’incisione attribuita ad Albrecht Durer, realizzata probabilmente nel XX secolo come copia anonima.
Questa opera, che misura alla linea marginale mm. 161×107, è stampata su cardboard e presenta un monogramma in lastra.
- Sheet size: Small
- Condition: Excellent
- Era: XVI
- Technique: Burin
Albrecht Durer, The Ascension, woodcut
70,00 €L’Ascensione It is a woodcut made by Albrecht Dürer, one of the greatest artists of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Excellent, with light browning
- Technique: Woodcut
Albrecht Durer, The Flagellation, woodcut
70,00 €La Flagellazione It is a woodcut made by Albrecht Dürer, uno dei più celebri artisti del Rinascimento.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Excellent, with light browning
Albrecht Durer, The Passion, 1890
180,00 €Albrecht Durer, The Passion it is a phototype reproduction of the 16 plates by the famous artist, dating back to 1890.
This rare booklet, made by Francesco Cangiano of Naples, reproduces the panels of the Passion of Jesus Christ, originally created between 1505 and 1512.
- Booklet dimensions: cm. 22×16 approx.
- Condition: Good, with some sporadic stains on the boards
- Support: Heavy paper
- Notes: Without cover, includes cover and purchase letters
This volume is a rare work, ideal for collectors and art enthusiasts.
Albrecht Durer, Pilate Washing His Hands, woodcut
70,00 €Pilate washes his hands It is a woodcut made by Albrecht Dürer, one of the greatest artists of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Excellent, with light browning
- Technique: Woodcut
Albrecht Durer, Last Supper, woodcut
70,00 €Last Supper It is a woodcut made by Albrecht Dürer, one of the greatest artists of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Excellent, with light browning
- Monogram: Present in the plate
Andrea Schiavone, Dead Christ, 1786
70,00 €Cristo Morto it is an engraving made by Andrea Schiavone in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.
È tratta dalla Gallery of the Palais Royal, che presenta opere delle diverse scuole artistiche, accompagnata da un riassunto della vita dei pittori e una descrizione storica di ciascun quadro, a cura dell’abbé de Fontenai.
- Sheet size: cm. 24×37 approx.
- Condition: Excellent condition, nice proof with good contrast
- Support: Laid paper
- Published by: J. Couche; Parigi; 1786
Andrea Schiavone, Jesus Before Pilate, 1786
70,00 €Jesus Before Pilate it is an engraving made by Andrea Schiavone in 1786.
This work is an etching on laid paper with watermark, coming from the Gallery of the Palais Royal.
- Engraving size: cm. 24×37 (including the editorial frame)
- Margins: Good irregular margins
- Condition: Excellent condition, nice proof with good contrast
- Published by: J. Couche, Paris, 1786
Andromeda, Metamorfosi di Ovidio, acquaforte del 1676
30,00 €Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.
Descrizione dell’opera
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Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux
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Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)
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Publisher: De l’Imprimerie Royale, Parigi, 1676
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Technique: Acquaforte su carta vergellata (testo al verso)
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Dimensions:
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Incisione: cm 7,5 × 9 (alla battuta del rame)
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Foglio: cm 27 × 20
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Importanza storica e artistica
L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.
Le incisioni furono realizzate da tre importanti artisti dell’epoca:
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Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole
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François Chauveau (1613-1676), celebre illustratore parigino
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Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV
Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.
Valore collezionistico
L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.
Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.
Annunciazione della Beata Vergine Maria, da Theodore Belbrule
40,00 €Annunciazione della Beata Vergine Maria, xilografia attribuita a Theodore Belbrule, realizzata originariamente negli anni Ottanta del Cinquecento.
Questa raffinata incisione su carta vergellata raffigura la scena dell’Annunciazione con grande attenzione ai dettagli. L’opera reca il monogramma T.B. sulla base del piccolo arcolaio in basso a sinistra. Pur essendo attribuibile al XVI secolo, l’esemplare qui proposto proviene da un testo di epoca probabilmente XIX-XX secolo, di origine non identificata.
- Era: XIX-XX secolo (da originale cinquecentesco)
- Technique: Woodcut
- Sheet size: Grandi (cm 30×23 circa)
- Image size: cm 20,5×13,5 circa
- Support: Laid paper
- Condition: Good
Un’affascinante testimonianza dell’arte xilografica rinascimentale, riproposta in un’edizione successiva, ideale per collezionisti e studiosi di arte sacra.
Anonymous, Goats, 19th century
20,00 €Goats It is an anonymous engraving made in 19th century.
This work, performed in etching, rappresenta un soggetto di grande fascino e delicatezza.
- Sheet size: cm. 14×22 approx.
- Condition: Sciupato con qualche piega
- Support: Laid paper
Anonymous, God who admonishes, 18th century
30,00 €God who warns It is an anonymous engraving from the 18th century, made in etching on laid paper.
The work represents God sitting on a cloud, supported by little angels, while pointing to a dove in the sky.
- Sheet size: mm. 125×84 at the marginal line
- Condition: Good condition
Anonymous, Jesus and St. Peter, 18th century
30,00 €Jesus and St. Peter It is an anonymous engraving from the 18th century which represents the moment in which Jesus hands over the keys to Saint Peter.
This work is made in etching on heavy paper, with dimensions of mm. 95×95 at the marginal line.
On the back there is a dry stamp from a previous collector, which certifies its provenance.
- Condition: Good condition
- Support: Heavy paper
Anonymous, Studies of hands, 18th century.
30,00 €Hand studies It is an engraving made by a anonymous engraver in the 18th century.
This work features detailed studies of hands and arms, highlighting the artist's technical skill.
- Sheet size: cm. 16×12 approx.
- Technique: Etching
- Condition: Good condition
- Support: Laid paper without watermark
Antonio Tempesta (1555-1630), Lion Hunt, 1590
80,00 €Caccia al leone It is an engraving made by Anthony Tempest nel 1590, parte della serie Diverse cacce, pesche e combattimenti di animali.
This work, made in etching, presenta dimensioni di mm. 94×145 e si distingue per i suoi dettagli vivaci e la rappresentazione dinamica della scena.
- Sheet size: mm. 94×145
- Condition: Good general condition
- Support: Laid paper
- Notes: Retro con tracce di precedente incollatura e mancanza al bordo superiore sinistro
Antonio Tempesta (attr.), Deer Hunt, 1600
40,00 €Deer hunting it is an engraving attributed to Antonio Tempesta, made in 1600.
This work, performed in etching on laid paper, measures approximately 22x8 cm and has been trimmed to the marginal line.
The engraver, Antonio Tempesta, did not sign the work, but at the bottom there is a Latin inscription attesting to its authenticity.
- Sheet size: cm. 22×8 approx.
- Technique: Etching
- Condition: Excellent
- Support: Laid paper
Antonio Tempesta (attr.), Leopard Hunt, 1600
40,00 €Caccia al leopardo it is an engraving attributed to Anthony Tempest, made in 1600.
This work is an example of etching on laid paper, trimmed to the marginal line.
In basso è presente una scritta in latino, che aggiunge un tocco di storicità all’opera.
- Sheet size: cm. 22×8 approx.
- Condition: Excellent state of preservation
Antonio Tempesta (attr.), Tapir Hunt(?), 1600
40,00 €Caccia al tapiro it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presenta una scena vivace e dettagliata, riflettendo lo stile caratteristico dell’artista.
- Sheet size: cm. 22×8 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Antonio Tempesta (attr.), Bear Hunt, 1600
40,00 €Bear hunting it is an engraving attributed to Antonio Tempesta, made in 1600.
This work, characterised by a lively representation of the hunt, is a significant example of the art of the period.
- Sheet size: cm. 22×8 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Antonio Tempesta (attr.), Hyena Hunt, 1600
40,00 €Hyena hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work, an etching on laid paper, presents a dynamic and fascinating subject, typical of the artist's style.
- Sheet size: cm. 22×8 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Antonio Tempesta (attr.), Fox Hunting, 1600
40,00 €Caccia alla volpe it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presenta una scena vivace di caccia, riflettendo l’abilità dell’incisore nel catturare il movimento e l’energia del momento.
- Sheet size: cm. 22×8 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Antonio Tempesta (attr.), Duck Hunting, 1600
40,00 €Duck hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work is an example of etching on laid paper, trimmed to the marginal line. The engraver, Antonio Tempesta, did not sign the work, but there is a Latin inscription at the bottom.
- Sheet size: cm. 22×8 approx.
- Support: Laid paper
- Condition: Excellent
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