Old Masters

Showing 697–720 of 1236 results

Gustave Doré, Jesus at the flogging, 1873

50,00 

Gesù alla fustigazione It is a woodcut engraving made by Gustave Dore In the 1873.
This work is part of the illustrated Bible, Bijbel, dat is de Gansche Heilige Schrift … Ouden en Nieuwen Testaments, which includes one hundred plates by the artist.

  • Sheet size: cm. 29×37 approx.
  • Engraving size: cm. 20×24 approx.
  • Support: Thick paper, white on the back
  • Condition: Perfect condition

Gustave Dorè, Jesus with Martha and Mary, 1873

30,00 

Jesus with Martha and Mary It is a woodcut engraving made by Gustave Doré in 1873.
This work is taken from the Bible, entitled Bijbel, dat is de Gansche Heilige Schrift … Ouden en Nieuwen Testaments, which presents one hundred plates illustrated by the author.

  • Sheet size: cm. 29×37 approx.
  • Engraving size: cm. 20×24 approx.
  • Support: Thick paper, white on the back
  • Condition: Perfect condition

Gustave Dorè, Jesus Crowned with Thorns, 1873

50,00 

Gesù coronato di spine It is a woodcut engraving made by Gustave Dore In the 1873.
This work is part of the publication Bijbel, dat is de Gansche Heilige Schrift … Ouden en Nieuwen Testaments, which includes one hundred plates illustrated by the artist.

  • Sheet size: cm. 29×37 approx.
  • Engraving size: cm. 20×24 approx.
  • Support: Thick paper, white on the back
  • Condition: Perfect condition

The signature is located at the bottom left G.ve Dorè, while in the center is the theme of the Dutch engraving.

Gustave Dorè, Jesus Crucified, 1873

50,00 

Gesù crocifisso It is an engraving made by Gustave Dore In the 1873, che rappresenta una scena drammatica sul Golgota.
This work is part of the illustrated Bible, Bijbel, dat is de Gansche Heilige Schrift … Ouden en Nieuwen Testaments, and stands out for its xylographic technique e per la qualità della sua esecuzione.

  • Sheet size: cm. 29×37 approx.
  • Engraving size: cm. 20×24 approx.
  • Support: Thick paper, white on the back
  • Condition: Excellent state of preservation

Gustave Dorè, Jesus taken down from the cross, 1873

50,00 

Gesù deposto dalla croce It is a woodcut engraving made by Gustave Dore In the 1873.
This work is taken from the volume Bijbel, dat is de Gansche Heilige Schrift … Ouden en Nieuwen Testaments, met honderd platen van Gustave Doré, published in 1873.

  • Sheet size: cm. 29×37 approx.
  • Engraving size: cm. 20×24 approx.
  • Technique: Woodcut
  • Support: Thick paper, white on the back
  • Condition: Perfect condition

Gustave Dorè, Jesus Expels the Merchants from the Temple, 1873

50,00 

Jesus drives the merchants out of the Temple It is an engraving made by Gustave Dore In the 1873.
This woodcut represents a crucial moment in the life of Jesus, where he drives the merchants out of the Temple.

  • Sheet size: cm. 29×37 approx.
  • Engraving size: cm. 20×24 approx.
  • Support: Thick paper, white on the back
  • Condition: Excellent state of preservation

The signature is located at the bottom left G.ve Dorè, while in the center is the theme of the Dutch engraving. This plate is taken from the volume Bijbel, dat is de Gansche Heilige Schrift … Ouden en Nieuwen Testaments, met honderd platen van Gustave Doré, published in 1873.

Gustave Dorè, Jesus on Golgotha, 1873

50,00 

Jesus on Golgotha It is a woodcut engraving made by Gustave Dore in 1873.
This work is part of the illustrated Bible, Bijbel, dat is de Gansche Heilige Schrift … Ouden en Nieuwen Testaments, which includes one hundred Doré plates.

  • Sheet size: cm. 29×37 approx.
  • Engraving size: cm. 20×24 approx.
  • Support: Thick paper, white on the back
  • Condition: Perfect condition

The signature is located at the bottom left G.ve Dorè, while in the center is the theme of the Dutch engraving.
Gustave Doré, born in Strasbourg in 1832 and died in Paris in 1883, is famous for his illustrations of the Divine Comedy and the Bible, which make the sacred scenes even more evocative.

Gustave Dorè, The Apostles Gathering Ears of Wheat on the Sabbath, 1873

30,00 

The apostles gather ears of corn on the Sabbath It is an engraving made by Gustave Dore in 1873.
This work is taken from the Bible, Bijbel, dat is de Gansche Heilige Schrift … Ouden en Nieuwen Testaments, illustrated with one hundred Doré plates.

  • Sheet size: cm. 29×37 approx.
  • Engraving size: cm. 20×24 approx.
  • Technique: Woodcut
  • Support: Thick paper, white on the back
  • Condition: Excellent

The signature is present at the bottom left G.ve Dorè, while in the center is the theme of the Dutch engraving.
Gustave Doré, known for his illustrations of the Divine Comedy and the Bible, created works that make biblical scenes even more evocative and real.

Gustave Dorè, Lazarus and the Rich Man, 1873

30,00 

Lazarus and the Rich Man It is a woodcut engraving made by Gustave Dore In the 1873.
This work is taken from the volume Bijbel, dat is de Gansche Heilige Schrift … Ouden en Nieuwen Testaments, which includes one hundred plates illustrated by the author.

  • Sheet size: cm. 29×37 approx.
  • Engraving size: cm. 20×24 approx.
  • Support: Thick paper, white on the back
  • Condition: Perfect condition

The signature is located at the bottom left G.ve Dorè, while in the center is the theme of the Dutch engraving.
Gustave Doré, known for his illustrations of the Bible and the Divine Comedy, was able to make biblical scenes even more evocative and vivid.

Gustave Doré, Last Supper, 1873

50,00 

Last Supper It is an engraving made by Gustave Dore In the 1873.
This work is a woodcut representing the famous theme of the Last Supper, and is taken from the volume Bijbel, dat is de Gansche Heilige Schrift … Ouden en Nieuwen Testaments, met honderd platen van Gustave Doré.

  • Sheet size: cm. 29×37 approx.
  • Engraving size: cm. 20×24 approx.
  • Support: Thick paper, white on the back
  • Condition: Perfect condition

H. Cock (1518-1570) , Scenografia, 1560

40,00 

Scenografia è un’acquaforte realizzata da Hans Vredeman de Vries nel 1560, parte di una suite di venti vedute che ritraggono strade, cortili del palazzo, interni e colonnati, intitolata ‘Scenographiae Siue Perspectiuae’.
This work is printed on laid paper and measure cm. 16×21 più margini.

  • Sheet size: Small
  • Condition: Excellent state of preservation
  • Era: XVI
  • Technique: Etching
  • Support: Paper

H. Cock (1518-1570) , Scenografia, 1560

40,00 

Scenografia it is an etching made by Hans Vredeman de Vries nel 1560, pubblicata da Hieronymus Cock.
Questa opera fa parte di una suite di venti vedute che rappresentano strade, cortili del palazzo, interni e colonnati, intitolata ‘Scenographiae Siue Perspectiuae’.

  • Sheet size: cm. 16×21 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Hans Holbein, Alphabet of Death, 1856

240,00 

The Celebrated HANS HOLBEIN’S, ALPHABET OF DEATH
Illustrated with old borders engraved on wood with latin sentences and english quatrains
Selected by Anatole De Montaiglon
PARIS, Printed for Edwin Toss, Rue des Bons Enfants, 28 – MDCCCLVI
Volumetto con copertina rigida in tela verde e impressioni in oro; dimensioni 14,5x 22,5 cm, 36 pagine non numerate. Bordi intonsi, ottimo stato; segni naturali del tempo alla copertina.

Henry the Fourth, King of France, Charles Turner, acquatinta 1830-50

120,00 

Henry the Fourth, King of France

  • Technique: Acquaforte e mezzotinto
  • Era: 1830-1850
  • Dimensions: 40 x 30 cm
  • Carta: Forte, non vergellata
  • Engraver: Charles Turner
  • Designer: Renold Elstrake

Description:
Affascinante incisione raffigurante Enrico IV di Francia a cavallo, con in mano lo scettro, simbolo del suo potere sovrano. Sullo sfondo, una scena di battaglia, con soldati a cavallo che si fronteggiano in un intenso scontro.

Dettagli artistici:
Charles Turner, celebre incisore del periodo, ha sapientemente reso la dinamicità del movimento and the solennità regale del sovrano, combinando la finezza della etching con la profondità e il chiaroscuro tipici del mezzotinto.

Rarità e interesse collezionistico:
Opera di grande impatto visivo e di indubbio valore storico e artistico, interessante per collezionisti di incisioni storiche, appassionati di storia francese e amanti della ritrattistica regale.

Hertel, Göz, Ingenuity and Audacity, 1740-55

80,00 

Ingegno e Audacia è un’acquaforte realizzata da Johann Georg Hertel e Gottfried Bernhard Göz tra il 1740 e il 1755.
Questo straordinario lavoro fa parte di una suite che rappresenta personaggi leggendari e storici, disposti in coppie antitetiche, evidenziando le caratteristiche contrastanti di virtù e vizi.

  • Sheet size: cm. 32×22 approx.
  • Technique: Etching
  • Support: Thick laid paper
  • Condition: Excellent

Hieronymus Cock (1518-1570) , Scenografia, 1560

40,00 

Scenografia it is an etching made by Hans Vredeman de Vries nel 1560, parte di una suite di venti vedute che ritraggono strade, cortili del palazzo, interni e colonnati, intitolata ‘Scenographiae Siue Perspectiuae’.
This work is printed on laid paper e presenta dimensioni di cm. 16×21, escluse le margini.

  • Era: XVI
  • Technique: Etching
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

HOGARTH WILLIAM Heads from the Cartoons, 1822

70,00 

Heads from the Cartoons It is an engraving made by William Hogarth in 1822.
This work is an example of original etching, which shows the artist's mastery in capturing expressions and characters.

  • Sheet size: cm. 48×64
  • Engraving size: cm. 26×35
  • Support: Thick paper without watermark
  • Condition: Excellent condition

Hogarth William (1697-1764), A Just view of the British Stage, 1813

30,00 

A Just view of the British Stage It is an engraving made by William Hogarth in 1813.
This work is a significant example of his social criticism and represents a satirical vision of British theatre.

  • Sheet size: cm. 22×30 approx.
  • Engraving size: cm. 14×17 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

The engraving is signed at the bottom with 'Hogarth pinx' and 'T.Cook sculp.' and is taken from the volume The Genuine Graphic Works of William Hogarth, published in London in 1813.

Hogarth William (1697-1764), A Midnight Modern Conversation, 1813

30,00 

A Midnight Modern Conversation It is an engraving made by William Hogarth in 1813.
This work is an etching on medium-thickness paper, signed by Hogarth and T. Cook.
It is part of the volume The Genuine Graphic Works of William Hogarth, published in London in 1813.

  • Sheet size: cm. 22×30 approx.
  • Engraving size: cm. 13×17 approx.
  • Support: Medium thickness paper
  • Condition: Excellent

Hogarth William (1697-1764), A Rake's Progress, 1813

150,00 

A Rake's Progress It is a series of 7 etchings made by William Hogarth in 1813.
These works measure approximately cm. 14×17 each and are printed on a sheet of cm. 22×30.
The paper used is of medium thickness and features Hogarth's signature at the bottom, together with that of T. Cook.

  • Sheet size: cm. 22×30 approx.
  • Engraving dimensions: cm. 14×17 approx.
  • Support: Paper
  • Condition: Excellent

A Rake's Progress tells the story of Tom Rakewell, a young spendthrift who, after arriving in London, squanders his fortune in a life of excess, prostitution and gambling.
The series charts his tragic decline, culminating in his imprisonment and admission to Bethlem Hospital (Bedlam).

Hogarth William (1697-1764), Blackwell's Military Figures, 2 plates, 1809

50,00 

Blackwell's Military Figures It is a work by William Hogarth, created in 1809, which includes two engravings: Plate I Pikemen And Plate II Halberd Men.
These engravings were made using the technique ofEtching and have an engraving size of approximately 14x20 cm on a 22x30 cm sheet.

  • Support: Medium thickness paper
  • Condition: Excellent condition
  • Signed: Hogarth pinx and T.Cook sculp below

The work is taken from The Genuine Graphic Works of William Hogarth, published in London in 1813.

Hogarth William (1697-1764), C. Churchill, 1813

30,00 

Hogarth William (1697-1764), C. Churchill It is an engraving made in 1813, which represents a significant work by the British artist.
This engraving is part of the volume The Genuine Graphic Works of William Hogarth, published in London in 1813.

  • Sheet size: cm. 22×30 approx.
  • Engraving size: cm. 14×17 approx.
  • Technique: Etching
  • Support: Medium thickness paper
  • Condition: Excellent

Hogarth William (1697-1764), Canvassing for Votes, 1813

30,00 

Canvassing for Votes It is an engraving made by William Hogarth in 1813, a work that reflects the author's typical social satire.
This engraving is part of the volume The Genuine Graphic Works of William Hogarth, published in London in 1813.

  • Sheet size: cm. 22×30 approx.
  • Engraving size: cm. 14×17 approx.
  • Technique: Etching
  • Support: Medium thickness paper
  • Condition: Excellent condition

Hogarth William (1697-1764), Chairing the members, 1813

30,00 

Chairing the members It is an engraving made by William Hogarth in 1813, a work that reflects his distinctive style and social satire.
This engraving is part of the volume The Genuine Graphic Works of William Hogarth, published in London in 1813.

  • Sheet size: cm. 22×30 approx.
  • Engraving size: cm. 14×17 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

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