Central Italy

Showing 481–504 of 960 results

Ponte a S.Trinità di Firenze, 1826

20,00 

Ponte a S.Trinità di Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Ponte a Signa, Firenze, 1826

20,00 

Ponte a Signa, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Ponte alla Carraja di Firenze, 1826

20,00 

Ponte alla Carraja di Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching rappresenta un’importante veduta della città di Firenze, ed è parte del volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Ponte alla Carraja e Palazzo Corsini, Firenze, 1826

20,00 

Ponte alla Carraja e Palazzo Corsini, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Civita Castellana Bridge, 1798

40,00 

Civita Castellana Bridge It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by lively animation and well-defined contrast. On the back of the print there is a detailed explanation of the work.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Ponte presso Vicovaro, 1798

40,00 

Ponte presso Vicovaro è un’incisione realizzata nel 1798, che offre una splendida veduta del ponte situato a Vicovaro.
This work is taken from the volume Tour Through Italy del Rev. John Chetwode Eustace, pubblicato a Londra da J. Mawman nel 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

The print features a beautiful view, animated and well contrasted, with an explanation on the back.

Ponte santa Trinità 1833-35

30,00 

Ponte Santa Trinità It is an engraving made by James Duffield Harding between 1833 and 1835.
Questa suggestiva veduta di Firenze è tratta da The Landscape Annual of London.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Acquaforte su acciaio
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

La stampa presenta una nitida e ben contrastata rappresentazione del ponte, animata da dettagli vivaci.

Ponza, Island of S. Stefano, 1856

25,00 

Ponza, Island of S. Stefano it's a lithography made in 1856, which offers a suggestive view of Santo Stefano.
This print is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 13×15 approx.
  • Support: Paper
  • Condition: Good condition, with writing on the back

The print has been cut from the book, but will be shipped with the full page containing it.

Porta a San Frediano, Firenze, 1826

20,00 

Porta a San Frediano, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Porta alla Croce di Firenze, 1826

20,00 

Porta alla Croce di Firenze it is an engraving made by Antonio Verico in 1826.
Questa opera è un’acquaforte su rame, estratta dal volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Porta Tiburtina today called S. Lorenzo, 1843

50,00 

Porta Tiburtina oggi detta di S.Lorenzo It is an engraving made by Gaetano Cottafavi in 1843, part of the Collection of the Principal Views of Rome and its Surroundings.
Questa opera rappresenta una veduta animata e decorativa di Roma, incisa con grande maestria.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Copper strike dimensions: cm. 21×26 approx.
  • Support: Heavy paper
  • Condition: Ottima prova con buon contrasto, retro bianco, foglio un po’ sporco con pieghe

L’incisione verrà spedita in tubo rigido per garantire la massima protezione durante il trasporto.

Porto d’Anzio, Nettuno, Albano, 1884

30,00 

Porto d’Anzio, Nettuno, Albano it's a woodcut extracted from The Italian Illustration, pubblicata nel 1884 a Milano dai Fratelli Treves Editori.
Questo affascinante pezzo d’arte misura cm. 25×35 e presenta scritte al verso.
Il foglio verrà spedito intero, conservando l’integrità della stampa.

Port of Gaeta, 1856

25,00 

Port of Gaeta, 1856 it is a lithograph representing the famous port of Gaeta.
This print is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 13×15 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.

Port of Ponza, 1856

25,00 

Port of Ponza, 1856 it's a lithographic printing which represents a fascinating glimpse of the port of Ponza.
This work is taken from Picturesque Polyorama, a periodical publication designed to disseminate useful knowledge to all social classes.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the verso; the entire page containing the print will be sent.

Port Ferraio, Leghorn, 1835

30,00 

Port Ferraio, Livorno It is a burin engraving made in 1835, which represents the Governor's Garden.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Portoferraio, Fort Falcone, 1890

20,00 

Portoferraio, Fort Falcone it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 9x12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Portoferraio, Elba Island, 1890

20,00 

Portoferraio, Elba Island it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work presents an image measuring approximately 9×12 cm, with text around and on the back of the sheet. The complete sheet measures 30×20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Portoferraio, Napoleon Palace, 1890

20,00 

Portoferraio, Napoleon Palace it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 9x12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Pratica (antica Livinium), 1830

30,00 

Pratica (antica Livinium) è un’incisione su rame realizzata nel 1830, che cattura una delightful scene at the entrance to the village.
Questa fine e decorativa incisione, tratta dall’opera di William Brockendon, intitolata Italy, classical, historical, and picturesque, è stata pubblicata a Londra attorno al 1830.

  • Sheet size: mm 225×159 plus margins
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Pratica di Mare, Pomezia, C.Frommel, 1829

25,00 

Pratica di Mare It is an engraving made by Carl Frommel In the 1829, part of the series 50 Bilder zu Virgils Heneide….
This etching su carta presenta un’incisione di dimensioni cm. 7×10, su un foglio di cm. 13×22, con retro bianco.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Prato, Side of the Cathedral, 1875

20,00 

Prato, Side of the Cathedral it is a woodcut made in 1875, which represents a fascinating glimpse of the Prato Cathedral.
This engraving is taken from the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers.

  • Engraving size: cm. 12×16 approx.
  • Condition: Excellent state of preservation
  • Support: Paper
  • Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Prato, The Cathedral, 1890

20,00 

Prato, The Cathedral it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
This work presents a large-sized image cm. 10×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety.

  • Sheet size: cm. 30×20
  • Image size: cm. 10×12
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Prato, Praetorian Palace, 1890

20,00 

Prato, Praetorian Palace It is a woodcut from 1890, coming from a French book from the late 19th century.
This beautiful print, animated and rich in detail, is in excellent condition and will be shipped with the full page containing the image.

  • Sheet size: cm. 9×13 approx.
  • Technique: Woodcut
  • Support: Paper
  • Condition: Excellent

Primaziale di Pisa, 1826

20,00 

Primaziale di Pisa it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

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