Central Italy

Showing 793–816 of 960 results

Siena, The Cathedral, 1871

20,00 

Siena, Il Duomo it's a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
Questa stampa rappresenta una vista iconica del Duomo di Siena, un capolavoro dell’architettura gotica.

  • Sheet size: cm. 16×23 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Light paper
  • Condition: Excellent condition

Siena, The Cathedral, 1875

20,00 

Siena, Il Duomo It is a woodcut made in 1875, che rappresenta la facciata del Duomo di Siena.
This work is taken from the volume Italy Pictorial Journey from the Alps to Etna, a cura di G. Stieler, E. Paulus e W. Kaden, pubblicato a Milano dai Fratelli Treves.

  • Engraving size: cm. 23×16 approx.
  • Support: Paper
  • Condition: Excellent condition
  • Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Siena, Cathedral Library, 1834-1837

25,00 

Siena, Libreria della Cattedrale It is a steel engraving made between 1834 and 1837.
This work, taken from the volume Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe di Audot Père, offre una veduta animata e decorativa della storica libreria.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 16×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Siena, Loggia of the Nobles, 1890

20,00 

Siena, Loggia dei Nobili It is a woodcut made in 1890 by the French engraver Charles Petit.
Questa stampa, che misura cm. 10×13, è tratta da un libro francese di fine ‘800 e presenta una scena animata di grande fascino.

  • Sheet size: cm. 10×13 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Siena, Bonsignori Palace, 1875

20,00 

Siena, Palazzo Bonsignori è una xilografia realizzata nel 1875, che rappresenta un affascinante scorcio della città di Siena.
This engraving, taken from the volume Italy Pictorial Journey from the Alps to Etna di G. Stieler, E. Paulus e W. Kaden, è un esempio di arte grafica dell’epoca.

  • Engraving size: cm. 16×12 approx.
  • Support: Paper
  • Condition: Excellent condition
  • Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Siena, Campo Square, 1875

20,00 

Siena, Piazza del Campo è una xilografia realizzata nel 1875, che rappresenta la Cappella sulla famosa piazza senese.
This engraving is taken from the volume Italy Pictorial Journey from the Alps to Etna, scritto da G. Stieler, E. Paulus e W. Kaden, pubblicato a Milano dai Fratelli Treves.

  • Engraving size: cm. 16×12 approx.
  • Condition: Excellent condition
  • Support: Paper
  • Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Siena, Cathedral Square, 1856

40,00 

Siena, Cathedral Square it is a very fine burin engraving made in 1856.
This work was produced by Rouargue freres and is part of the volume Picturesque voyage in southern Italy, written by M. Paul De Musset and published in Paris by Morizot editeur.

  • Sheet size: cm. 17×26 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Heavy paper
  • Condition: Perfect condition

Siena, San Domenico, 1877

20,00 

Siena, San Domenico, 1877 it is a woodcut engraving on end grain made by H. Catenacci.
This work is taken from Italy by J. Gourdault, published in Paris in 1877.

  • Sheet size: mm. 190×150 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation
  • Characteristics: Almost no margins, writing on the back

The print offers an evocative view of San Domenico in Siena, with a clear, well-contrasted image, animated by lively details.

Siena, San Giovanni, 1834-1837

25,00 

Siena, St. John It is a steel engraving made between 1834 and 1837, which offers a lively and decorative view of the city.
This work is taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe… by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 16×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Soccorpo del Duomo di Gaeta, 1854

25,00 

Soccorpo del Duomo di Gaeta è una litografia realizzata nel 1854, parte della pubblicazione Picturesque Polyorama, a periodical work that aimed to spread useful knowledge among all social classes.
Questa stampa, di dimensioni cm. 14×20 circa su foglio cm. 30×20, è stata ritagliata dal libro e presenta scritte al verso. Viene fornita la pagina intera che contiene la stampa, offrendo un’affascinante visione della cultura e della società del tempo.

  • Sheet size: cm. 30×20 approx.
  • Lithograph dimensions: cm. 14×20 approx.
  • Support: Paper
  • Condition: Excellent

Sora, 1835

20,00 

Sora, 1835 It is an engraving made with the technique of burin su acciaio, datata 1835.
Questa opera rappresenta l’Isola di Sora ed è parte della bibliografia: Histoire et description de tous les peuples, Artaud, 1835, Paris, Firmin Didot Freres Editeurs.

  • Size of the joke: mm 95 x 132
  • Support: Lightweight paper with white backing
  • Condition: Excellent

Sora, 1837

20,00 

Sora, 1837 it's a lithographic printing che rappresenta una splendida cascata situata nel lato settentrionale dell’Isola di Sora.
This work is taken from Picturesque Polyorama, un’importante pubblicazione periodica diretta a diffondere conoscenze utili in vari campi.

  • Printed part dimensions: cm. 16×12
  • Margins: almost absent
  • Publication: Napoli, dalla tipografia e litografia del Poliorama Pittoresco, Filippo Cirelli Direttore, 1837-38
  • Condition: Excellent
  • Support: Paper

Questa stampa è stata ritagliata dal libro e presenta scritte intorno e al verso, rendendola una bella veduta decorativa.

Soracte, Monte Oreste, 1829

35,00 

Soracte, Monte Oreste è un’incisione a bulino realizzata nel 1829, che rappresenta una suggestiva veduta del Monte Soratte, una montagna del Lazio.
La sua forma e la posizione centrale nella valle del Tevere hanno da sempre stimolato la fantasia e la curiosità degli osservatori.
This work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper
  • Condition: Excellent

Soratte, 1850

30,00 

Soratte It is a burin engraving made in 1850 da Finden.
Questa opera presenta una bella veduta del monte Soratte e del ponte, animata e dettagliata.

  • Sheet size: mm. 135×94 circa
  • Condition: Excellent
  • Support: Medium paper with white back

Spoleto, 1865

25,00 

Spoleto, 1865 it is a woodcut engraving representing the aqueduct and the fortress of Spoleto.
This work is taken from the edition of Picturesque Emporium, published by Sonzogno in Milan in 1865.

  • Sheet size: mm. 210×140 approx.
  • Support: Light paper
  • Condition: Good condition, with almost no margins and writing on the back, partly visible on the back.

Spoleto, Panorama, 1890

25,00 

Spoleto, Panorama it's a woodblock print made in 1890, che offre una vista affascinante della città di Spoleto.
This work is taken from Illustrated geographical Italy by P. Premoli and features text around and on the back.

  • Sheet size: cm. 16×26 approx.
  • Support: Light paper
  • Condition: Excellent

The print has been removed from the book and will be shipped with the full page, including the text on the verso.

Spoleto, Temple of Clitumnus, 1850

35,00 

Spoleto, Temple of Clitumnus It is a burin engraving made by James Duffield Harding in 1850.
This work presents a very fine animated scene, very decorative, and stands out for its hand-painted watercolor.

  • Sheet size: mm. 100×140 plus margins
  • Engraving size: mm. 100×140
  • Technique: Burin
  • Support: Medium paper with white back
  • Condition: Excellent

Stemma di Ancona , 1866

25,00 

Stemma di Ancona It is an engraving made in 1866, using the technique of hand-colored woodcut with watercolour and tempera in contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent

Coat of arms of Arezzo, 1866

25,00 

Stemma di Arezzo It is an engraving made in 1866, using the technique of hand-colored woodcut with watercolour and tempera in contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Engraving size: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Ascoli, 1866

25,00 

Stemma di Ascoli è un’incisione realizzata nel 1866,
una xilografia colorata a mano ad acquarello e tempera, tratta dall’opera From the Alps to the Adriatic, pubblicata a Milano da Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Camerino, 1866

25,00 

Coat of arms of Camerino it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Carrara, 1866

25,00 

Coat of arms of Carrara it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Fermo, 1866

25,00 

Stemma di Fermo it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Stemma di Gaeta, 1866

25,00 

Stemma di Gaeta it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent

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