Religion Prints

Showing 265–288 of 728 results

The Sacrifice of Noah, N.Poussin, 1846

30,00 

Noah's Sacrifice it is an etching made by N.Poussin In the 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Jacob's Dream, Ferd. Bol, 1840-50

20,00 

Jacob's Dream It is an engraving made by Ferd. Bol between 1840 and 1850.
This work, which represents a significant moment in the biblical narrative, was published in Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Engraving size: cm. 21×27
  • Technique: Etching
  • Support: Strong paper
  • Condition: Excellent

Il tributo a Cesare 1830-1850

25,00 

Il tributo a Cesare è un’incisione realizzata da J. Rogers tra il 1830 e il 1850, ispirata al celebre soggetto del tributo a Cesare.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back

The Tribute, Titian, 1840-50

20,00 

Il Tributo è un’incisione realizzata da Tiziano, pubblicata tra il 1840 e il 1850.
This work, also known as The Tribute Money, is an etching on strong paper, with a white back.
It was published in the Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Condition: Excellent
  • Support: Strong paper

The Triumph of David, Domenichino, 1846

30,00 

The Triumph of David it is an engraving made by Domenichino in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Vote to the Madonna, 1839

20,00 

The Vote to the Madonna It is an engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This copperplate engraving has almost no margins and is shipped with a full page of the book, which includes writing on the verso.

  • Sheet size: cm. 17×13 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Il voto di Left 1830-1850

25,00 

Il Voto di Left è un’incisione realizzata da J.W. Cook, ispirata al tema biblico di Jephthah’s rash vow.
Questa opera, pubblicata tra il 1830 e il 1850, fa parte della Scripture Gallery of Engraving e presenta un’elegante cornice editoriale con vignette.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

The Vote of Louis XIII Heliography1877

25,00 

The Vow of Louis XIII It is an engraving made by Jean Auguste Dominique in 1877.
This work is an important testimony of the period and is based on a French text from the late 19th century.

  • Sheet size: cm. 28×19 approx.
  • Print Size: cm. 22×16 approx.
  • Support: Thick, white paper
  • Condition: Good condition

Immaculate Conception Murillo 1877

33,00 

Immacolata Concezione è una splendida cromolitografia realizzata nel 1877, ispirata a un dipinto del celebre artista Murillo.
This work represents La Conception Immaculee de la Vierge ed è un esempio raffinato dell’arte religiosa del XIX secolo.

  • Print Size: cm. 23 x 13
  • Sheet size: cm. 28 x 19
  • Support: Heavy paper
  • Condition: Buone condizioni, con impercettibili escoriazioni che non alterano la qualità della stampa

Immacolata Concezione, anonimo, XVII secolo

40,00 

Immacolata Concezione it is an anonymous engraving dating back to 17th century.
This work is made in etching on laid paper con filigrana parziale e presenta dimensioni di mm. 170×125, trimmed to the marginal line.
In basso si legge: Benedetta sia la Santa et Imaculata Concezione della B.V.M. Greg XV (?) e Cleme Xit (?).
Si tratta di una stampa rara, che rappresenta un’importante iconografia religiosa.

Incredulity of St. Thomas, 1839

15,00 

Incredulity of St. Thomas It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, measuring 7x10 cm, has almost no margins and is contained within the book page, with writing on the back.
The full page containing the print is shipped, offering a unique piece of art history.

  • Sheet size: cm. 7×10 approx.
  • Support: Paper
  • Condition: Excellent

Joash made king, A.Coypel, 1846

30,00 

Joash made king It is an engraving made by A. Coypel in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Jean Le Pautre (1618-1682), Washing of the Feet, 17th century

60,00 

Washing of the Feet It is an engraving made by Jean Le Pautre in the 17th century.
This work, performed in etching on laid paper without watermark, size cm. 24×16The signature is present at the bottom left The Father made, while on the right is located P. Mariette ex.
Although the sheet has some creases and peeling, the engraving is overall in good condition. good condition.

  • Era: 17th century
  • Dimensions: Medium
  • Support: Laid paper
  • Condition: Good

Johann-Elias Haid (Augusta 1739 – 1809) Jesus and Apostles – Fient Signa

30,00 

Gesù e Apostoli è un’acquatinta su rame realizzata da Johann-Elias Haid, un artista di Augusta attivo nel XVIII secolo.
Questa opera, firmata in basso a destra in lastra con ‘I.E.Haid exc.’ e a sinistra ‘F.M.Denzel del.’, rappresenta un bell’esemplare di un tema religioso, raro e di grande interesse.

  • Sheet size: cm. 27×18 alla battuta
  • Support: Laid paper
  • Condition: Non buone, con alcune macchie, pieghe e un piccolo strappo con perdita di carta al centro

Johann Elias Haid, figlio di Johann Jakob Haid, proveniva da una dinastia di incisori ed editori di Augsburg. Dopo la morte del padre, ha diretto la casa editrice di famiglia, diventando un artista ricercato grazie ai suoi viaggi a Venezia e nei Paesi Bassi.

L’0fferta della vedova. Acquaforte1830-1850

25,00 

L’Offerta della Vedova è un’incisione realizzata da H. Wallis, parte della Scripture Gallery of Engraving, pubblicata da John Tallis & Company tra il 1830 e il 1850.
Questa opera, che rappresenta il celebre soggetto biblico, è realizzata in etching on steel e si distingue per la sua finezza e dettagliata esecuzione.

  • Sheet size: cm. 27 x 21 approx.
  • Engraving size: cm. 15 x 11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back

L’Adorazione dei Magi da Golzius 1877

20,00 

The Adoration of the Magi It is a woodcut made by Golzius In the 1877.
Questa opera è tratta da un testo francese di fine ‘800 e pubblicata dall’editore Firmin Didot.

  • Print Size: cm. 15 x 11 approx.
  • Sheet size: cm. 28 x 19 circa
  • Support: Carta spessa con scritte a fronte e a retro
  • Condition: Good condition

The Adoration of the Magi Woodcut 1877

20,00 

The Adoration of the Magi It is a woodcut from 1877, inspired by the work of Van Eyck and Rogier van der Weyden.
This print represents an iconic moment in Christian tradition, where the Magi pay homage to the Baby Jesus.

  • Sheet size: cm. 28×19 approx.
  • Print Size: cm. 15×20 approx.
  • Support: Paper
  • Condition: Good condition, white back

The Agony, Correggio, 1846

30,00 

L’Agonia è un’incisione realizzata nel 1846, attribuita a Correggio.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

L’Angelo appare a Cornelio. Acquaforte1830-1850

25,00 

L’Angelo appare a Cornelio è un’incisione realizzata da J. Rogers, pubblicata da John Tallis & Company tra il 1830 e il 1850.
This work is part of the Scripture Gallery of Engraving e rappresenta un momento significativo in cui l’angelo si manifesta a Cornelio.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back

The Angel with the Book, J.Martin, 1846

30,00 

The Angel with the Book It is an engraving made by J. Martin in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent condition

L’Assunzione della Vergine, Da Tiziano, 1893

25,00 

The Assumption of the Virgin è una xilografia realizzata nel 1893, ispirata all’opera di Tiziano.
This piece is taken from the volume Italy souvenirs and travel impressions by Abbé Paul Barbier, published in Paris.

  • Sheet size: cm. 26×17 approx.
  • Engraving size: cm. 18×11 approx.
  • Support: Paper
  • Condition: Excellent condition

L’Assunzione, 1839

15,00 

L’Assunzione It is a copper engraving made in 1839.
This work is taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli and published in Naples by the Omnibus printing house.

  • Sheet size: cm. 9×13 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained in the book page and has writing on the back; the entire page containing the engraving will be sent.

L’Immacolata Concezione, La Madonna di Murillo

30,00 

L’Immacolata Concezione, xilografia tratta da un dipinto di Bartolomé Esteban Murillo (1618-1682), pubblicata in un testo tedesco del XIX secolo.
Questa raffinata incisione riproduce uno dei celebri soggetti mariani del maestro spagnolo, noto per la delicatezza delle sue composizioni e la luminosità delle figure. L’opera fa parte della tradizione iconografica barocca e si distingue per la grazia e la serenità dell’immagine. La stampa è circondata da testo e presenta scritte anche sul verso della pagina.

  • Era: 19th century
  • Technique: Woodcut
  • Sheet size: Grandi (cm 27×20 circa)
  • Image size: cm 16×11 circa
  • Support: Paper
  • Condition: Good
  • Characteristics: La stampa verrà spedita nella pagina intera originale

Un’affascinante testimonianza della diffusione delle opere di Murillo attraverso le stampe ottocentesche, ideale per collezionisti e appassionati di arte sacra.

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