Religion Prints

Showing 289–312 of 718 results

La Comunione di S.Girolamo, 1893

25,00 €

La Comunione di S.Girolamo è un’incisione realizzata nel 1893, ispirata all’opera del celebre artista Domenichino.
This woodcut is part of the volume Italy souvenirs and travel impressions by Abbé Paul Barbier, published in Paris in 1893.

  • Sheet size: cm. 26×17 approx.
  • Engraving size: cm. 18×11 approx.
  • Support: Paper
  • Condition: Excellent condition

The Crucifixion, J.Martin, 1846

30,00 €

The Crucifixion It is an engraving made by J. Martin in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Crucifixion, J.Martin, 1846

30,00 €

The Crucifixion It is an engraving made by J. Martin in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

La deposizione di Cristo, Salviati, 1840-50

20,00 €

La Deposizione di Cristo è un’incisione realizzata da Salviati tra il 1840 e il 1850.
This work, also known as The Burial of Christ, is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent

La deposizione di Cristo. Acquaforte

25,00 €

La Deposizione di Cristo è un’acquaforte realizzata da J. Northcote e incisa da J. Rogers, pubblicata tra il 1830 e il 1850.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back

Questa incisione è caratterizzata da una cornice editoriale decorata con vignette, rendendola un pezzo unico per collezionisti e appassionati d’arte.

The Adulterous Woman, Domenico Morelli, 1889

20,00 €

The Adulterous Woman It is an engraving made by Domenico Morelli In the 1889.
This woodcut, taken from The Italian Illustration published by Treves Brothers from Milan, has almost no margins and writing on the back.

  • Sheet size: cm. 33×19 approx.
  • Support: Paper
  • Condition: Good

The Feast of Ahasuerus, Rembrandt, 1840-50

20,00 €

The Feast of Ahasuerus It is an etching made by Rembrandt between 1840 and 1850.
This work was published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Feast of Belsazar, J.Martin, 1846

30,00 €

Belsazar's Feast It is an engraving made by J. Martin in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Technique: Etching
  • Support: Strong paper
  • Condition: Excellent condition

La fuga in Egitto, F.Bol, 1840-50

20,00 €

La fuga in Egitto it is an engraving made by F. Bol between 1840 and 1850.
This work is a etching su carta forte, pubblicata nella prestigiosa Payne's Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Condition: Excellent
  • Support: Strong paper

F. Bol, noto per le sue opere di grande impatto visivo, ha saputo catturare l’essenza del tema biblico della fuga in Egitto, rendendo questa stampa un pezzo significativo per collezionisti e appassionati d’arte.

The letter of Uriah, F.Bol, 1840-50

20,00 €

The Letter of Uriah it is an engraving made by F. Bol between 1840 and 1850.
This work is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Back: White
  • Condition: Excellent condition

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.

The Magdalene, 1854

20,00 €

The Magdalene it's a lithographic printing made in 1854, part of the publication Picturesque Polyorama, a periodical work designed to spread useful knowledge among all social classes.
This print, measuring approximately 24x16 cm on a 30x20 cm sheet, was cut from the book and features writing on the back. The entire page containing the print will be sent.

  • Era: XIX
  • Technique: Lithography
  • Condition: Excellent
  • Dimensions: Medium
  • Support: Paper

The Madonna of the Sacred Belt, 1856

20,00 €

The Madonna of the Sacred Belt it's a lithographic printing made in 1856.
This work is taken from Picturesque Polyorama, a Neapolitan periodical publication aimed at spreading useful knowledge among all social classes.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 16×22 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the verso; the entire page containing the print will be sent.

La Madonna della Vittoria da Andrea Mantegna

30,00 €

La Madonna della Vittoria, xilografia tratta da un dipinto di Andrea Mantegna, basata su un disegno di de Chevignard. Pubblicata nel Picturesque Store, testo francese del 1862.
L’incisione riproduce il celebre dipinto di Mantegna, realizzato nel 1496 per celebrare la vittoria di Francesco II Gonzaga nella battaglia di Fornovo. L’opera originale, oggi conservata al Louvre, è caratterizzata da una composizione solenne e dettagliata, con la Vergine circondata da santi e angeli. La xilografia traduce con finezza l’equilibrio e la ricchezza decorativa tipici dello stile mantegnesco. La stampa è circondata da testo e presenta scritte anche sul verso della pagina.

  • Era: XIX secolo (1862)
  • Technique: Woodcut
  • Sheet size: Grandi (cm 28×20 circa)
  • Image size: cm 23×14 circa
  • Support: Paper
  • Condition: Good
  • Characteristics: La stampa verrà spedita nella pagina intera originale

Un’elegante incisione ottocentesca che ripropone un capolavoro rinascimentale, ideale per collezionisti e studiosi di storia dell’arte.

The Madonna of Casaluce, 1854

20,00 €

The Madonna of Casaluce it's a lithographic printing made in 1854, coming from Picturesque Polyorama, a periodical work dedicated to the dissemination of useful knowledge among all social classes.
This print, which measures approximately cm. 20×16 on a sheet of paper cm. 30×20, was cut from a book and has writing on the back. The full page containing the print will be sent.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 20×16 approx.
  • Support: Paper
  • Condition: Excellent

La Madonna di Cimabue

30,00 €

La Madonna, xilografia tratta da un dipinto di Cimabue, pubblicata in un testo francese del 1846.
Questa elegante incisione riproduce un’opera del celebre pittore medievale, considerato uno dei precursori del rinnovamento artistico che culminerà con Giotto. Cimabue, attivo dal 1272, è noto per le sue iconografie mariane caratterizzate da un forte senso di solennità e spiritualità. La stampa è circondata da testo e presenta scritte anche sul verso della pagina.

  • Era: 19th century
  • Technique: Woodcut
  • Sheet size: Medie (cm 27×17 circa)
  • Image size: cm 13×11 circa
  • Support: Paper
  • Condition: Good
  • Characteristics: La stampa verrà spedita nella pagina intera originale

Un’interessante testimonianza della riscoperta ottocentesca dei grandi maestri medievali, ideale per collezionisti e appassionati di arte sacra.

La Mano di Sant’Anna, 1843

20,00 €

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 8×10 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

The Death of Ananias. Etching1830-1850

25,00 €

The Death of Ananias It is an engraving made by J. Rogers between 1830 and 1850, inspired by the biblical subject of the death of Ananias.
This work is part of the Scripture Gallery of Engraving, published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27 x 21 approx.
  • Engraving size: cm. 15 x 11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back with editorial frame and vignettes

The Departure of Agar1830-1850

25,00 €

Hagar's departure It is an engraving made by Rob Wallis, taken from the Scripture Gallery of Engraving and published by John Tallis & Company in London and New York.
This work, dated between 1830 and 1850, represents a significant moment in the biblical narrative.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back

Furthermore, the engraving is presented with an editorial frame decorated with vignettes, making it a fascinating piece for collectors and art enthusiasts.

La partenza di Rebecca. Acquaforte 1830-1850

25,00 €

La partenza di Rebecca è un’incisione realizzata da J.W. Cook tra il 1830 e il 1850, parte della Scripture Gallery of Engraving.
Questa opera, pubblicata da John Tallis & Company di Londra e New York, presenta una cornice editoriale decorata con vignette.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

The Pietà, by Michelangelo, 1893

25,00 €

The Piety It is a woodcut created in 1893, inspired by the sculpture of the same name by Michelangelo.
This work is taken from the volume Italy souvenirs and travel impressions by Abbé Paul Barbier, published in Paris.

  • Sheet size: cm. 26×17 approx.
  • Engraving size: cm. 18×11 approx.
  • Support: Paper
  • Condition: Excellent condition

The Presentation in the Temple, Louis Boullogne, 1846

30,00 €

La Presentazione nel Tempio è un’incisione realizzata da Louis Boullogne nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Presentation in the Temple, Louis Boullogne, 1846

30,00 €

La Presentazione nel Tempio è un’incisione realizzata da Louis Boullogne nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

La Resurrezione 1830-1850

25,00 €

La Resurrezione è un’incisione realizzata da J. Rogers tra il 1830 e il 1850, che rappresenta il momento della resurrezione di Gesù.
This work is taken from the Scripture Gallery of Engraving e pubblicata da John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back, with editorial frame with vignettes

The Raising of Lazarus 1830-1850

25,00 €

The Resurrection of Lazarus It is an engraving made by J. Rogers, inspired by the famous biblical theme of the resurrection.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27 x 21 approx.
  • Engraving size: cm. 15 x 11 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent state of preservation, with editorial frame and vignettes

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