Religion Prints

Showing 73–96 of 728 results

Christ at Emmaus. Jesus at Emmaus.

25,00 

Christ at Emmaus It is an engraving made by J. Rogers, inspired by the famous biblical episode of Jesus at Emmaus.
This work is part of the Scripture Gallery of Engraving, published by John Tallis & Company in London and New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back

Christ tempted. The temptation of Christ

25,00 

Christ tempted. The temptation of Christ It is an engraving made by J. Rogers between 1830 and 1850, part of the Scripture Gallery of Engraving.
This work is published by John Tallis & Company, London & New York, and features an editorial frame decorated with vignettes.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

Christian Wilhelm Allers, Frate Cappuccino, 1890

20,00 

Frate Cappuccino It is a watercolour lithograph made by Christian Wilhelm Allers in 1890.
This work, of dimensions cm. 17×12 circa, è tratta da un testo tedesco di fine Ottocento e porta la firma dell’artista. Al verso è presente del testo, e verrà spedito il ritaglio che contiene la stampa.

  • Sheet size: Small
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

Christoffel van Sichem, Deposition of Christ, 1646

30,00 

Deposition of Christ It is an engraving made by Christoffel of Shechem In the 1646, inspired by a subject of Hendrick Goltzius.
This woodcut is printed on laid paper and has dimensions of approximately cm. 11×9, with smaller margins. On the back there is another partial image. The work is monogrammed on the plate with the initials CVS and it is taken from the volume Bibels tresoor, ofte Der zielen lvsthof, published by Pieter Jacobsz Paets in Amsterdam in 1646.

  • Era: XVII
  • Technique: Woodcut
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Cimitero, Morte, Preghiera, canivet, 1870

20,00 

Cimitero, Morte, Preghiera è un canivet realizzato nel 1870, che rappresenta un tema profondo e riflessivo legato alla morte e alla preghiera.
Questo pezzo è stato pubblicato da A. Saintin a Parigi e presenta un elegante pizzo traforato al punzone, che arricchisce la sua bellezza visiva.

  • Sheet size: cm. 6,5×10 circa
  • Technique: Burin
  • Condition: Excellent state of preservation
  • Support: Paper

Comunione, La Meditazione, 1850-90

15,00 

La Meditazione è un’incisione realizzata tra il 1850 e il 1890, che rappresenta il soggetto della Comunione.
Published by the publishing house L.Turgis et fils edit. di Parigi, Francia, questa opera è un esempio di raffinata arte tipografica.

  • Sheet size: cm. 8×12 approx.
  • Condition: Excellent state of preservation
  • Support: Paper

Consacrazione, Cresima, 1880

20,00 

Consacrazione, Cresima It is an engraving made in 1880, che rappresenta un importante momento religioso.
Published by the publishing house A. Frojo Ed.Succ. Leonardi Torino, questa opera è un esempio di arte tipografica italiana.

  • Sheet size: cm. 7×11 approx.
  • Technique: Etching with lace-cut edges
  • Condition: Perfect
  • Support: Paper

Correggio, Jan Van Troyen, La Maddalena,

60,00 

The Magdalene It is an engraving made by Jan Van Troyen, inspired by the work of the famous painter I correct.
This etching, measuring 17x21 cm at the copperplate strike, is printed on a sheet of 26x44 cm, made of thick laid paper without watermark.

  • Artists: Correggio (1489-1534) and Jan Van Troyen (1610-1666)
  • Condition: Excellent condition
  • Price: €60,00

Antonio Allegri, known as I correct, was an important Italian painter of the sixteenth century, influenced by the great masters of the fifteenth century.
Jan Van Troyen, an engraver from Brussels, created works of religious and genre subjects, contributing to the artistic tradition of his time.

Correggio, Madonna, 1842

15,00 

Correggio, Madonna it's a lithographic printing made in 1842, taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
Questa stampa, con margini quasi assenti, misura cm. 10×16 e presenta scritte intorno e al verso. Verrà spedita l’intera pagina del libro che contiene la stampa.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Religious Costumes, Nuns, 1876

20,00 

Costumi religiosi, Monache it's a chromolithography realizzata nel 1876, tratta dall’opera Histoire du costume di RACINET, pubblicata da Firmin Didot et C. a Parigi.
Questa stampa offre una rappresentazione affascinante dei costumi religiosi femminili, evidenziando la ricchezza dei dettagli e la varietà dei tessuti.

  • Sheet size: cm. 42×29 circa
  • Support: Thick paper with white backing
  • Condition: Excellent condition

Crispijn van den Queborn Rape of the Vineyard, 1636

25,00 

Rape of the Vineyard It is an engraving made by Crispijn van den Queborn in 1636, which represents a significant biblical episode concerning the rape of the vineyard and the Benjaminites.
Benjamin, Rachel's second son, is at the center of this narrative.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Crispijn van den Queborn (1604-1652), Resurrection 1636

30,00 

The Resurrection of the Dead It is an engraving made by Crispijn van den Queborn in 1636.
This work, which represents a theme of great visual and symbolic impact, is a significant example of 17th-century Dutch art.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Crispijn van den Queborn, Massacre of the Innocents, 1636

30,00 

Massacre of the Innocents It is an engraving made by Crispijn van den Queborn In the 1636.
This work is a significant example of the mastery of the Dutch engraver, who was able to capture the intensity of the subject through his technique.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Christ at Golgotha, P.Veronese, 1840-50

20,00 

Christ at Golgotha it is an engraving made by P. Veronese between 1840 and 1850.
This work represents the dramatic moment of Christ walking towards Golgotha, made in etching on strong paper.
Published in Payne's Royal Dresden Gallery by A.H. Payne and W. French, this print is a significant example of the engraving art of the period.

  • Sheet size: cm. 21×27 approx.
  • Condition: Excellent
  • Support: Strong paper

Cristo al Sepolcro, da Van Dyck, 1856

20,00 

Cristo al Sepolcro è una litografia realizzata da Van Dyck nel 1856.
This work comes from the publication Picturesque Polyorama, un’importante rivista napoletana diretta a diffondere conoscenze artistiche e culturali.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 12×17 approx.
  • Technique: Lithography
  • Condition: Good
  • Support: Paper

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.

Christ prophesying, C.Begas, 1846

30,00 

Cristo che profetizza è un’incisione realizzata da C. Begas nel 1846, che rappresenta il momento in cui Cristo profetizza su Gerusalemme.
This work is taken from The Imperial Family Bible, old and new Testaments, pubblicato da Blackie and Son a Glasgow nel 1846.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Christ prophesying, C.Begas, 1846

30,00 

Cristo che profetizza è un’incisione realizzata da C. Begas nel 1846, che rappresenta il momento in cui Cristo profetizza su Gerusalemme.
This work is taken from The Imperial Family Bible, old and new Testaments, pubblicato da Blackie and Son a Glasgow nel 1846.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Christ gives sight to the blind, H.Richter, 1846

30,00 

Cristo dà la vista ai ciechi è un’incisione realizzata da H. Richter nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Christ gives sight to the blind, H.Richter, 1846

30,00 

Cristo dà la vista ai ciechi è un’incisione realizzata da H. Richter nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Cristo e l’Adultera, 1850

25,00 

Cristo e l’Adultera è una litografia realizzata da Wenzel nel 1850, ispirata a un dipinto di Saverio Altamura.
This work is taken from theLiterary and Artistic Register by Vittoria Colonna, published in Naples.

  • Sheet size: cm. 22×29 approx.
  • Lithograph dimensions: cm. 16×20 approx.
  • Support: Paper
  • Condition: Good condition, with some stains and a slightly worn sheet

Christ and the Woman of Samaria 1830-1850

25,00 

Cristo e la donna di Samaria è un’incisione realizzata tra il 1830 e il 1850, che rappresenta un momento significativo tratto dalla Scripture Gallery of Engraving.
Questa opera è stata creata dall’autore da Le Loir e incisa da W.T. Davey, pubblicata da John Tallis & Company, London & New York.

  • Engraving size: cm. 15 x 11 approx.
  • Sheet size: cm. 27 x 21 approx.
  • Support: Heavy paper
  • Condition: Ottime condizioni, retro bianco
  • Notes: Cornice editoriale con vignette

Christ and Matthew, GAPortenone, 1840-50

20,00 

Christ and Matthew it is an engraving made by GA Portenone between 1840 and 1850.
This work is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent condition

Christ Crowned with Thorns 1830-1850

25,00 

Christ crowned with thorns It is an engraving made between 1830 and 1850, which represents an iconic theme of Christianity.
This work is taken from the Scripture Gallery of Engraving and was made by Ph Veit, with the engraving by H. Wallis.
The work is published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back and editorial frame with vignettes

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