Gospel

Showing 1–24 of 103 results

CVSichem, from Goltzius, 1646

35,00 

CV Sichem, from Goltzius It is a woodcut made by Christoffel van Sichem in 1646, representing The Crucifixion.
This work is taken from the work Bibels tresoor, ofte Der zielen lvsthof, published by Pieter Jacobsz Paets in Amsterdam in the same year.

  • Sheet size: mm. 112×75 approximately, with small margins
  • Engraving size: mm. 112×75 approx.
  • Technique: Woodcut
  • Support: Laid paper
  • Condition: Excellent

Christ at Emmaus. Jesus at Emmaus.

25,00 

Christ at Emmaus It is an engraving made by J. Rogers, inspired by the famous biblical episode of Jesus at Emmaus.
This work is part of the Scripture Gallery of Engraving, published by John Tallis & Company in London and New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back

Christ tempted. The temptation of Christ

25,00 

Christ tempted. The temptation of Christ It is an engraving made by J. Rogers between 1830 and 1850, part of the Scripture Gallery of Engraving.
This work is published by John Tallis & Company, London & New York, and features an editorial frame decorated with vignettes.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

Christoffel van Sichem, Deposition of Christ, 1646

30,00 

Deposition of Christ It is an engraving made by Christoffel of Shechem In the 1646, inspired by a subject of Hendrick Goltzius.
This woodcut is printed on laid paper and has dimensions of approximately cm. 11×9, with smaller margins. On the back there is another partial image. The work is monogrammed on the plate with the initials CVS and it is taken from the volume Bibels tresoor, ofte Der zielen lvsthof, published by Pieter Jacobsz Paets in Amsterdam in 1646.

  • Era: XVII
  • Technique: Woodcut
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Crispijn van den Queborn (1604-1652), Resurrection 1636

30,00 

The Resurrection of the Dead It is an engraving made by Crispijn van den Queborn in 1636.
This work, which represents a theme of great visual and symbolic impact, is a significant example of 17th-century Dutch art.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Crispijn van den Queborn, Massacre of the Innocents, 1636

30,00 

Massacre of the Innocents It is an engraving made by Crispijn van den Queborn In the 1636.
This work is a significant example of the mastery of the Dutch engraver, who was able to capture the intensity of the subject through his technique.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Christ at Golgotha, P.Veronese, 1840-50

20,00 

Christ at Golgotha it is an engraving made by P. Veronese between 1840 and 1850.
This work represents the dramatic moment of Christ walking towards Golgotha, made in etching on strong paper.
Published in Payne's Royal Dresden Gallery by A.H. Payne and W. French, this print is a significant example of the engraving art of the period.

  • Sheet size: cm. 21×27 approx.
  • Condition: Excellent
  • Support: Strong paper

Christ prophesying, C.Begas, 1846

30,00 

Cristo che profetizza è un’incisione realizzata da C. Begas nel 1846, che rappresenta il momento in cui Cristo profetizza su Gerusalemme.
This work is taken from The Imperial Family Bible, old and new Testaments, pubblicato da Blackie and Son a Glasgow nel 1846.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Christ prophesying, C.Begas, 1846

30,00 

Cristo che profetizza è un’incisione realizzata da C. Begas nel 1846, che rappresenta il momento in cui Cristo profetizza su Gerusalemme.
This work is taken from The Imperial Family Bible, old and new Testaments, pubblicato da Blackie and Son a Glasgow nel 1846.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Christ gives sight to the blind, H.Richter, 1846

30,00 

Cristo dà la vista ai ciechi è un’incisione realizzata da H. Richter nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Christ gives sight to the blind, H.Richter, 1846

30,00 

Cristo dà la vista ai ciechi è un’incisione realizzata da H. Richter nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Christ and the Woman of Samaria 1830-1850

25,00 

Cristo e la donna di Samaria è un’incisione realizzata tra il 1830 e il 1850, che rappresenta un momento significativo tratto dalla Scripture Gallery of Engraving.
Questa opera è stata creata dall’autore da Le Loir e incisa da W.T. Davey, pubblicata da John Tallis & Company, London & New York.

  • Engraving size: cm. 15 x 11 approx.
  • Sheet size: cm. 27 x 21 approx.
  • Support: Heavy paper
  • Condition: Ottime condizioni, retro bianco
  • Notes: Cornice editoriale con vignette

Christ and Matthew, GAPortenone, 1840-50

20,00 

Christ and Matthew it is an engraving made by GA Portenone between 1840 and 1850.
This work is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent condition

Christ resurrects, Agostino Carracci, 1846

30,00 

Christ resurrects It is an engraving made by Augustine Carracci In the 1846, which represents the miraculous moment when Christ resurrects the widow's son.
This work is taken from the volume The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Christ resurrects, Agostino Carracci, 1846

30,00 

Christ resurrects It is an engraving made by Augustine Carracci In the 1846, which represents the miraculous moment when Christ resurrects the widow's son.
This work is taken from the volume The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Passion Sunday, Life of Jesus, 1750-1800

15,00 

Domenica di Passione, Vita di Gesù è un’incisione realizzata tra il 1750 e il 1800, che rappresenta un momento significativo della vita di Gesù.
Questa opera, di origine francese, è realizzata con la tecnica dell’colored etching, un metodo che consente di ottenere dettagli raffinati e una gamma di colori vivaci.

  • Sheet size: cm. 5,5×8 circa
  • Condition: Excellent
  • Support: Paper
  • Notes: Bordi rifilati

Passion Sunday, Life of Jesus, 1750-1800

15,00 

Domenica di Passione, Vita di Gesù è un’incisione realizzata tra il 1750 e il 1800, che rappresenta un momento significativo della vita di Gesù.
Questa opera, di origine francese, è realizzata con la tecnica dell’colored etching, un metodo che consente di ottenere dettagli raffinati e una gamma di colori vivaci.

  • Sheet size: cm. 5,5×8 circa
  • Condition: Excellent
  • Support: Paper
  • Notes: Bordi rifilati

Behold the Man, F.Vecellio, 1840-50

20,00 

Behold the Man it is an engraving made by F. Vecellio between 1840 and 1850.
This work is an etching on strong paper, published in Payne's Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent condition

Philip Veit, The Marys at the Sepulchre, 1842

20,00 

Le Marie al Sepolcro It is a lithograph made by Filippo Veit In the 1842.
This work is taken from the periodical Picturesque Polyorama, diretto da Filippo Cirelli, con l’intento di diffondere conoscenze utili in vari ambiti della società.

  • Printed part dimensions: cm. 10×16 approx.
  • Margins: almost absent
  • Support: Paper
  • Condition: Excellent

La stampa è contenuta nella pagina del libro e presenta scritte intorno e al verso. Verrà spedita l’intera pagina che contiene la stampa.

Flight into Egypt, C. Lorrain, 1840-50

20,00 

Flight into Egypt It is an engraving made by Claude Lorrain between 1840 and 1850.
This work, which represents an iconic moment of the flight of the Holy Family into Egypt, was published in Royal Dresden Gallery by AH Payne and W. French.

  • Sheet size: cm. 21×27
  • Engraving size: unspecified
  • Technique: Etching
  • Support: Strong paper
  • Condition: Excellent

Jesus appears to Mary Magdalene.

25,00 

Jesus appears to Mary Magdalene It is an engraving made by J. Rogers, published between 1830 and 1850.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27 x 21 approx.
  • Engraving size: cm. 15 x 11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back, with editorial frame and vignettes

Jesus predicts the destruction of Jerusalem. 1830

25,00 

Jesus Predicts the Destruction of Jerusalem It is an engraving made by from Begas and engraved by J.Rogers in the period 1830-1850.
This work is taken from the Scripture Gallery of Engraving and it was published by John Tallis & Co. of London and New York.

  • Sheet size: cm. 27 x 21 approx.
  • Engraving size: cm. 15 x 11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back, with editorial frame with vignettes

Giacomo Robusti, Deposition from the Cross, 1786

70,00 

Deposizione dalla Croce It is an engraving made by Giacomo Robusti In the 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, e rappresenta una delle opere più significative dell’autore.

  • Sheet size: cm. 24×37 approx.
  • Support: Laid paper
  • Condition: Excellent condition, nice proof with good contrast

Giovanni Bellini, The Circumcision, 1786

70,00 

The Circumcision It is an engraving made by Giovanni Bellini, known as Il Giambellino, in 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approximately (including the editorial frame)
  • Condition: Excellent condition, nice proof with good contrast
  • Support: Laid paper

The engraving is dedicated to HSH Monseigneur le Duc d'Orléans, First Prince of the Blood, and was published by J. Couché in Paris in 1786.

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