Prints from Paintings

Showing 217–240 of 447 results

​La Benedizione, quadro di Angelo Tommasi, 1886

30,00 

The Blessing è un’incisione realizzata da Angelo Tommasi nel 1886, pubblicata in The Italian Illustration from the Treves Editors of Milan.
Questa opera presenta un’immagine di dimensioni cm. 21×31, arricchita da scritte intorno e annotazioni al retro del foglio.

  • Sheet size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent

The Fall of Man, J.Martin, 1846

30,00 

The Fall of Man It is an engraving made by J. Martin in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Nurse Goat, painting by Nicolo Cannicci, 1886

30,00 

The Nurse Goat It is an engraving made by Nicolo Cannicci in 1886, published in theItalian Illustration in Milan by Fratelli Treves Editori.
This work presents an image of cm. 21x31, enriched by writings around and annotations on the back of the sheet.

  • Sheet size: cm. 21×31 approx.
  • Engraving size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent

Charity, 1850

20,00 

The Charity It is an engraving made in 1850, from the Vernon gallery.
This work is performed with the technique ofetching and burin and it is taken from theArt Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent general condition
  • Support: Strong engraving paper

La compiacenza materna. 1861

11,00 

La Compiacenza Materna è una xilografia realizzata nel 1861 dall’autore da Freudeberg.
This work is taken from the Picturesque Store e rappresenta un tenero momento familiare, in cui una madre compiaciuta assiste il suo bambino mentre muove i primi passi.

  • Sheet size: cm. 30 x 21 approx.
  • Engraving size: cm. 20 x 15 circa
  • Support: Light paper
  • Condition: Excellent state of preservation

La Comunione di S.Girolamo, 1893

25,00 

La Comunione di S.Girolamo è un’incisione realizzata nel 1893, ispirata all’opera del celebre artista Domenichino.
This woodcut is part of the volume Italy souvenirs and travel impressions by Abbé Paul Barbier, published in Paris in 1893.

  • Sheet size: cm. 26×17 approx.
  • Engraving size: cm. 18×11 approx.
  • Support: Paper
  • Condition: Excellent condition

The conclusion of peace-Lithograph. 1846

15,00 

La Conclusione della Pace è una litografia realizzata nel 1846, ispirata a uno dei quadri allegorici di Rubens, conservati nella Galleria Medici.
This work is taken from the volume Picturesque Polyorama del 1844.

  • Sheet size: cm. 30×21 approx.
  • Lithograph dimensions: cm. 20×15 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

La scena rappresenta Mercurio che guida Maria dei Medici verso il Tempio della Pace, mentre l’Innocenza la spinge. Frode, Forza e Invidia tentano inutilmente di ostacolare i buoni propositi, mentre la Pace trionfa sulle armature rimaste a terra.

The Crucifixion, J.Martin, 1846

30,00 

The Crucifixion It is an engraving made by J. Martin in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Crucifixion, J.Martin, 1846

30,00 

The Crucifixion It is an engraving made by J. Martin in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

La deposizione di Cristo, Salviati, 1840-50

20,00 

La Deposizione di Cristo è un’incisione realizzata da Salviati tra il 1840 e il 1850.
This work, also known as The Burial of Christ, is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent

La disfatta, Wovermann, 1840-50

20,00 

La Disfatta è un’incisione realizzata da Wovermann tra il 1840 e il 1850.
Questa opera è un’acquaforte su carta forte, pubblicata nel volume Payne's Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Engraving size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Adulterous Woman, Domenico Morelli, 1889

20,00 

The Adulterous Woman It is an engraving made by Domenico Morelli In the 1889.
This woodcut, taken from The Italian Illustration published by Treves Brothers from Milan, has almost no margins and writing on the back.

  • Sheet size: cm. 33×19 approx.
  • Support: Paper
  • Condition: Good

The Market Woman, G. Nogari, 1840-50

20,00 

The Market Woman it is an engraving made by G. Nogari between 1840 and 1850.
This work, a etching on strong paper, it represents a typical female figure of the market, capturing the essence of everyday life of the time.
Published in the Royal Dresden Gallery by A.H. Payne and W. French, this print is a significant example of 19th-century engraving art.

  • Sheet size: cm. 21×27
  • Condition: Excellent
  • Support: Strong paper

La Famiglia del carcerato. Incisione su rame 1838

15,00 

La Famiglia del carcerato è un’incisione su rame realizzata nel 1838, ispirata al toccante dipinto di Cammarano.
Questa opera, incisa da Catanio e disegnata da Rajola, cattura un momento di profonda emozione, dove un bambino, sollevato dalla madre, cerca di intravedere il carcerato attraverso le grate.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 12×15 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

La scena è accentuata dalla miseria delle due donne, i cui piedi nudi sulla strada raccontano una storia di sofferenza e speranza.

The Feast of Ahasuerus, Rembrandt, 1840-50

20,00 

The Feast of Ahasuerus It is an etching made by Rembrandt between 1840 and 1850.
This work was published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Feast of Belsazar, J.Martin, 1846

30,00 

Belsazar's Feast It is an engraving made by J. Martin in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Technique: Etching
  • Support: Strong paper
  • Condition: Excellent condition

The village festival, D.Teniers, 1840-50

20,00 

The village festival It is an engraving made by D. Teniers between 1840 and 1850.
This work, also known as The Rustic Festival, is an etching on strong paper, published in the Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent condition

La Filatrice, Gasp. Netscher, 1840-50

20,00 

The Spinner è un’incisione realizzata da Gasp. Netscher tra il 1840 e il 1850.
This work is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.

La filatrice, K. Du Jardin, 1845

20,00 

The Spinner è una litografia realizzata da K. Du Jardin nel 1845.
This work was published in the magazine Art crown between 1845 and 1846.

  • Sheet size: cm. 32×25 approx.
  • Print Size: cm. 20×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

La Fornarina, 1835

15,00 

La Fornarina It is an engraving made with the technique of Burin, taken from the work Picturesque Italy di De Norvins, pubblicata a Parigi nel 1835.
Questa incisione presenta una battuta di cm. 12×18 and is printed on lightweight paper with a white back.

  • Condition: Excellent condition
  • Support: Paper

La fuga in Egitto, F.Bol, 1840-50

20,00 

La fuga in Egitto it is an engraving made by F. Bol between 1840 and 1850.
This work is a etching su carta forte, pubblicata nella prestigiosa Payne's Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Condition: Excellent
  • Support: Strong paper

F. Bol, noto per le sue opere di grande impatto visivo, ha saputo catturare l’essenza del tema biblico della fuga in Egitto, rendendo questa stampa un pezzo significativo per collezionisti e appassionati d’arte.

La Ghirlanda di Frutta, da Rubens, A.H.Payne, 1840-50

40,00 

La Ghirlanda di Frutta, acquaforte tratta da un dipinto di Peter Paul Rubens, engraved by A. H. Payne, realizzata tra il 1840 e il 1850.
Questa raffinata incisione raffigura una scena gioiosa in cui puttini giocano con una lunga ghirlanda di fiori e frutta, un tema tipico dello stile barocco di Rubens, caratterizzato da vitalità e ricchezza compositiva. In basso al centro sono presenti il titolo in inglese e tedesco.

  • Era: XIX secolo (1840-1850)
  • Technique: Etching
  • Sheet size: Grandi (cm 19×26 circa)
  • Image size: cm 12×18 circa
  • Support: Medium thickness paper
  • Condition: Good

Un’incisione elegante e decorativa, ideale per collezionisti e amanti dell’arte barocca.

The letter of Uriah, F.Bol, 1840-50

20,00 

The Letter of Uriah it is an engraving made by F. Bol between 1840 and 1850.
This work is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Back: White
  • Condition: Excellent condition

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.

La lettera, J.C.Merz, 1845

20,00 

The Letter è un’incisione realizzata da J.C. Merz nel 1845.
This work is an etching on medium-thickness paper, published in the volume Art crown between 1845 and 1846.

  • Sheet size: cm. 32×25 approx.
  • Engraving size: cm. 20×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

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