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Consalvo Carelli, Shepherd and Shepherdess

70,00 

Shepherd and shepherdess It is a work of Consalvo Carelli, built between 1870 and 1880.
This pencil on paper, glued to another paper support, measures mm. 60×130 and is unsigned.

  • Era: XIX
  • Technique: Pencil
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Consalvo Carelli, one of the major exponents of the Posillipo School, was born in Naples in 1818.
A pupil of William Leicht, Carelli perfected his watercolor technique and became an important master of painting.
He died in 1900, leaving a significant legacy in the Neapolitan artistic panorama.

Consalvo Carelli, Piazza con obelisco

80,00 

Piazza con obelisco It is a work created by Consalvo Carelli between 1870 and 1880, using the pencil on paper technique.
Questo lavoro, non firmato, misura mm. 136×183 and is glued to another paper support.

  • Era: XIX
  • Technique: Pencil
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Consalvo Carelli, one of the main exponents of the Posillipo School, nacque a Napoli nel 1818. La sua formazione artistica iniziò in giovane età, sotto la guida del padre Raffaele, e si perfezionò con l’inglese William Leicht. Carelli è noto per i suoi paesaggi e per il suo contributo all’arte napoletana del XIX secolo.

Consalvo Carelli, Pozzuoli

120,00 

Church in Pozzuoli It is a work of Consalvo Carelli (1818-1900), made between 1870 and 1880.
This pencil on paper, glued to another paper support, measures mm. 180×136 and is not signed. At the bottom left you can read 'Pozzuoli'.

  • Era: XIX
  • Technique: Pencil
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Consalvo Carelli is considered one of the major exponents of the Posillipo School, a 19th-century painting movement. Born in Naples, Carelli learned the basics of art from his father, Raffaele, a well-known landscape painter.
Throughout his career, he received numerous honors, including being appointed painting master to Queen Margherita and professor at the Accademia di San Luca.

Consalvo Carelli, Tre donne

40,00 

Tre donne It is a work created by Consalvo Carelli tra il 1870 e il 1880, utilizzando la pencil on paper.
Questo lavoro, non firmato, è incollato ad un altro supporto cartaceo e presenta dimensioni di mm. 63×99.

  • Era: XIX
  • Technique: Burin
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Consalvo Carelli, one of the main exponents of the Posillipo School, was born in Naples in 1818.
La sua formazione artistica iniziò in giovane età, sotto la guida del padre Raffaele, e proseguì con l’allievo dell’inglese William Leicht.
Carelli ha avuto un’importante carriera, diventando accademico di San Luca e collaborando con illustri personalità del suo tempo.

Consalvo Carelli, Tre donne sedute

120,00 

Tre donne sedute It is a work created by Consalvo Carelli tra il 1870 e il 1880, utilizzando la pencil on paper.
Questo lavoro, non firmato, è incollato ad un altro supporto cartaceo e presenta le seguenti dimensioni: mm. 173×127.

  • Era: 19th century
  • Technique: Burin
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Carelli, one of the major exponents of the Posillipo School, nacque a Napoli nel 1818 e ha avuto un’importante carriera artistica, influenzando il panorama pittorico del XIX secolo.

Peasant of the Marshes, T.Duclere, 1853

60,00 

Contadina delle Paludi è un’incisione realizzata da T. Duclere nel 1853, che rappresenta una scena tipica della vita quotidiana delle donne impegnate nella vendita della cicoria.
This work is taken from the volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Engraving size: not specified
  • Support: Medium paper
  • Condition: Excellent state of preservation

L’incisione è realizzata con la tecnica del Burin e presenta un delicato acquarellato d’epoca. Firmata in lastra, questa opera non è una copia anastatica, ma un pezzo unico che cattura l’essenza della tradizione napoletana.

Contadina di Sora, Frosinone, 1844

30,00 

Contadina di Sora, Frosinone, 1844 è un’incisione al bulino che rappresenta una giovane contadina del villaggio di Sora, situato nel Regno di Napoli.
Realizzata da E. Duverger, questa opera è acquerellata a mano e rifinita all’albume, rendendola un pezzo unico e decorativo.

  • Sheet size: cm. 16×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Taken from the volume Social, political and religious customs and habits of all the peoples of the world di N. Dally, pubblicato tra il 1844 e il 1847, questa incisione è un bel soggetto che cattura l’essenza dei costumi popolari dell’epoca.

Contadini, Regno di Napoli, 1840

25,00 

Contadini, Regno di Napoli è un’incisione al bulino realizzata nel 1840.
This work comes from the volume Picturesque Italy by Carl Frommel, published in Leipzig in 1840.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Support: Light paper
  • Condition: Good state of preservation

Pair of Caryatids, Anonymous, 18th century

60,00 

Pair of Caryatids it is an anonymous engraving dating back to 18th century.
This work presents two elegant Caryatids, made with the technique ofetching and burin on laid paper, characterised by a partial watermark.
The figures are wrapped in bands on which the words can be read SOFT And CANDOR UNLEASHED.

  • Sheet size: cm. 21×15
  • Engraving size: cm. 14×10
  • Support: Laid paper
  • Condition: Excellent condition

Corneto, Castel D’Asso, 1834

30,00 

Corneto, Castel D’Asso è un’incisione realizzata nel 1834, che rappresenta le tombe etrusche a Corneto, in particolare a Castel D’Asso.
This work is a incisione doppia al bulino, con dimensioni di mm. 125×95 per ciascuna incisione, più margini.

  • Sheet size: Small
  • Support: Light paper
  • Condition: Good condition

The engraving is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.
Le vedute sono belle, nitide e ben contrastate, rendendo quest’opera decorativa e affascinante.

Corradino, 1850

20,00 

Corradino it is an engraving made by Dom. Ascani in 1850, depicting Corrado Hohenstaufen, known as Corradino, an important historical figure.
This work, engraved on copper, measures 190x130 mm and has a white back.

  • Sheet size: mm. 190×130
  • Support: Copper
  • Condition: Excellent

Cosimo de’ Medici, 1839

15,00 

Cosimo de’ Medici It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
Questa stampa, che misura cm. 12×10, presenta margini quasi assenti ed è contenuta nella pagina del libro, con scritte al verso.

  • Sheet size: Small
  • Support: Paper
  • Condition: Excellent

Cosimo di Giovanni de’ Medici, noto come il Vecchio o Pater patriæ, è stato un influente politico e banchiere italiano, considerato il primo signore de facto di Firenze e un importante uomo di Stato della famiglia Medici.

Costantini Costante (Florence 1921-2012)

10,00 

Constantine Constant (Florence 1921-2012) is a work that celebrates the theme of music and Cupid, created by the artist himself.
This engraving was commissioned by Mario De Filippis and stands out for its engraving technique of linocut.

  • Sheet size: mm. 125×85
  • Support: Light paper
  • Condition: Excellent state of preservation

Costume of the Calabrese, 1859

15,00 

Calabrese Costume It is a copper engraving made in 1859, which represents a fascinating illustration of the traditional Calabrese costume.
This work is taken from the volume Ancient and modern costumes by Cesare Vecellio, an important source of reference for the history of costume.

  • Engraving size: mm. 75×125
  • Support: Lightweight paper with printed back
  • Condition: Excellent

Costume dell’Impero, quadro di Giovanni Costa, 1886

30,00 

Costume dell’Impero è un’incisione realizzata da Giovanni Costa nel 1886, pubblicata nell’illustre periodico Italian Illustration in Milan by Fratelli Treves Editori.
Questa opera rappresenta un’importante testimonianza visiva della moda e della cultura dell’epoca.

  • Sheet size: cm. 31×21 circa
  • Support: Paper
  • Condition: Excellent

Costumes in Venice, Market, 1830

30,00 

Costumes in Venice, Market it is a burin engraving made around 1830, which represents four market vendors dressed in typical nineteenth-century Venetian costumes.
The work is enriched with delicate manual watercolours and has a caption in German.

  • Sheet size: mm. 100×75
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Costumi del Paese di Schiavi, Abruzzo, 1840

30,00 

Costumi del Paese di Schiavi, Abruzzo It is an engraving made by Bartholomew Pinelli in 1840.
Questa opera, incisa al bulino su acciaio, rappresenta i costumi tradizionali della regione abruzzese.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Support: Lightweight paper, white back
  • Condition: Good state of preservation

The engraving is taken from Frommel Carl, Pittoreskes Italien, published in Leipzig in 1840.
Bartolomeo Pinelli, noto per la sua vasta produzione artistica, ha illustrato i costumi dei popoli italiani e ha contribuito in modo significativo alla documentazione etnografica della sua epoca.

Costumes of the Kingdom of Naples, 1835

30,00 

Costumes of the Kingdom of Naples è un’incisione realizzata nel 1835, che rappresenta i costumi tradizionali delle regioni di Molise, Aquila e Abbruzzi.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 25×16 approx.
  • Technique: Burin
  • Support: Medium thickness paper, white back
  • Condition: Good state of preservation

Costumes of the Kingdom of Naples, 1835

30,00 

Costumes of the Kingdom of Naples è un’incisione realizzata nel 1835, che rappresenta i costumi tradizionali della regione.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 25×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Costumes of the Kingdom of Naples, 1835

30,00 

Costumes of the Kingdom of Naples è un’incisione realizzata nel 1835, che rappresenta i costumi tipici delle regioni di Puglia, Otranto, Lucera e Basilicata.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 25×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Costumes of the Kingdom of Naples, 1835

30,00 

Costumes of the Kingdom of Naples è un’incisione realizzata nel 1835, che rappresenta una varietà di costumi tipici della regione.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 25×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Costumes of the Kingdom of Naples, 1835

40,00 

Incisione realizzata al burin nel 1835. Rappresenta vari costumi ed usi del REgno di Napoli: Santa Lucia, Frutti di mare, La toiletta, Maccheroni, Lazzaroni.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 16×25 approx.
  • Dimensione dell’immagine: cm. 7×13 circa ogni vignetta
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Costumes of the Kingdom of Naples, 1835

40,00 

Incisione realizzata al burin nel 1835. Rappresenta vari costumi ed usi del Regno di Napoli: Napoli la Madonna, Divozione a S.Antonio, Taverne, Tarantella, Predicatore.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 16×25 approx.
  • Dimensione dell’immagine: cm. 7×13 circa ogni vignetta
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Costumes of the Kingdom of Naples, 1835

40,00 

Incisione realizzata al burin nel 1835. Rappresenta vari costumi ed usi del Regno di Napoli: Ritorno dalla Madonna dell’Arco, Pulcinella, Marionette, Scrivano pubblico, Cantastorie detto Rinaldo..
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 16×25 approx.
  • Dimensione dell’immagine: cm. 7×23 circa ogni vignetta
  • Support: Medium thickness paper
  • Condition: Good state of preservation

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